In My Hands Today…

The Last Mughal: The Fall of a Dynasty: Delhi, 1857 – William Dalrymple

On a hazy November afternoon in Rangoon, 1862, a shrouded corpse was escorted by a small group of British soldiers to an anonymous grave in a prison enclosure. As the British Commissioner in charge insisted, “No vestige will remain to distinguish where the last of the Great Moghuls rests.”

Bahadur Shah Zafar II, the last Mughal Emperor, was a mystic, an accomplished poet and a skilled calligrapher. But while his Mughal ancestors had controlled most of India, the aged Zafar was king in name only. Deprived of real political power by the East India Company, he nevertheless succeeded in creating a court of great brilliance, and presided over one of the great cultural renaissances of Indian history.

Then, in 1857, Zafar gave his blessing to a rebellion among the Company’s own Indian troops, thereby transforming an army mutiny into the largest uprising any empire had to face in the entire course of the nineteenth century. The Siege of Delhi was the Raj’s Stalingrad: one of the most horrific events in the history of Empire, in which thousands on both sides died. And when the British took the city—securing their hold on the subcontinent for the next ninety years—tens of thousands more Indians were executed, including all but two of Zafar’s sixteen sons. By the end of the four-month siege, Delhi was reduced to a battered, empty ruin, and Zafar was sentenced to exile in Burma. There he died, the last Mughal ruler in a line that stretched back to the sixteenth century.

Award-winning historian and travel writer William Dalrymple shapes his powerful retelling of this fateful course of events from groundbreaking material: previously unexamined Urdu and Persian manuscripts that include Indian eyewitness accounts and records of the Delhi courts, police and administration during the siege. The Last Mughal is a revelatory work—the first to present the Indian perspective on the fall of Delhi—and has as its heart both the dazzling capital personified by Zafar and the stories of the individuals tragically caught up in one of the bloodiest upheavals in history.

In My Hands Today…

The Granta Book of India – Granta: The Magazine of New Writing, Ian Jack

Granta has long been known for the quality of its travel writing. The 1980s were the culmination of a golden age, when writers including Paul Theroux and Bruce Chatwin, James Hamilton-Paterson and James Fenton set out to document life in largely unfamiliar territory, bringing back tales of the beautiful, the extraordinary and the unexpected. By the mid 1990s, travel writing seemed to change, as a younger generation of writeres that appeared in the magazine made journeys for more complex and often personal reasons. Decca Aitkenhead reported on sex tourism in Thailand, and Wendell Steavenson moved to Iraq as foreign correspondent. What all these pieces have in common is a sense of engagement with the places they describe, and a belief that whether we are in Birmingham or Belarus, there is always something new to be discovered.

In My Hands Today…

The River of Lost Foodsteps: Histories of Burma – Thant Myint U

For nearly two decades Western governments and a growing activist community have been frustrated in their attempts to bring about a freer and more democratic Burma – through sanctions and tourist boycotts – only to see an apparent slide towards even harsher dictatorship. But what do we really know about Burma and its history? And what can Burma’s past tell us about the present – and even its future?

In The River of Lost Footsteps, Thant Myint-U tells the story of modern Burma, in part through a telling of his own family’s history, in an interwoven narrative that  is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father’s side, the author is descended from a long line of courtiers who served at Burma’s Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma’s rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world. The River of Lost Footsteps is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling.