In My Hands Today…

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Wireless Wars: China’s Dangerous Domination of 5G and How We’re Fighting Back – Jonathan Pelson

As the world rolls out transformational 5G services, it has become increasingly clear that China may be able to disrupt—or even access—the wireless networks that carry our medical, financial, and even military communications.

This insider story from a telecommunications veteran uncovers how we got into this mess—and how to change the outcome.

In Wireless Wars: China’s Dangerous Domination of 5G and How We’re Fighting Back, author Jon Pelson explains how America invented cellular technology, taught China how to make the gear, and then handed them the market. Pelson shares never-before-told stories from the executives and scientists who built the industry and describes how China undercut and destroyed competing equipment makers, freeing themselves to export their nation’s network gear—and their surveillance state. He also reveals China’s successful program to purchase the support of the world’s leading political, business, and military figures in their effort to control rival nations’ networks.

What’s more, Pelson draws on his lifelong experience in the telecommunications industry and remarkable access to the sector’s leaders to reveal how innovative companies can take on the Chinese threat and work with counterintelligence and cybersecurity experts to prevent China from closing the trap. He offers unparalleled insights into how 5G impacts businesses, national security and you. Finally, Wireless Wars proposes how America can use its own unique superpower to retake the lead from China.

This book is about more than just 5G wireless services, which enable self-driving cars, advanced telemedicine, and transformational industrial capabilities. It’s about the dangers of placing our most sensitive information into the hands of foreign companies who answer to the Chinese Communist Party. And it’s about the technology giant that China is using to project its power around the world; Huawei, a global super-company that has surged from a local vendor to a $120 billion-a-year behemoth in just a few years.

For anyone curious about the hottest issue at the intersection of technology and geopolitics, Wireless Wars offers an immersive crash course and an unforgettable read.

Sacred Stones, Spaces, and Stories: Divya Desams Part 9

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Thirukannangudi Temple, Tirukannangudi, Tamil Nadu
Thirukannangudi Temple stands in the village of Tirukannangudi near Sikkal in the Nagapattinam district. Lord Vishnu appears here as Loganatha Perumal, also called Damodara Narayana, with Loganayaki as his consort. This site is one of the 108 Divya Desams, praised by Thirumangai Alvar in ten paasurams from the Nalayira Divya Prabandham. The temple belongs to the Pancha Krishna Kshetrams, a group that highlights Krishna’s role. Devotees visit for protection, family harmony, and relief from curses.

Sage Vashishta crafted a Krishna idol from butter through deep devotion. The butter stayed solid. Krishna appeared as a child stealing it to test the sage. Vashishta chased him. The child ran to the rishis under a Magizha tree. The rishis, upset, tied Krishna with ropes made from their penance. Krishna then showed his divine form. Vashishta and the rishis bowed in awe. They asked for his standing presence here forever. The name Kannangudi comes from Kannan, the Tamil name for Krishna.

Thirumangai Alvar stole a golden Buddha statue from Nagapattinam for Srirangam. Tired on the way, he rested under a tamarind tree. He buried the gold and commanded the tree to guard it. Leaves rustled the next morning to wake him. That tree, Uranga Puli, never sleeps. Later, Vishnu gave him a brief vision with the conch and discus, then vanished. Thirumangai called himself a thief; the god mirrored that fleeting nature.

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Rishis like Brahma, Brighu, and Gowthama prayed here. Gajendra’s moksha ties in too; the elephant, cursed by Durvasa, crocodile by Agastya, both were freed when Krishna arrived. Vibhishana saw Vishnu’s walking grace after Ranganatha’s sleep. Details vary. Butter idol or stealing a child? Tied Krishna or eternal stand? The stories flip roles. Guru chases disciple. Tree guards are thieves. Child bound by sages. Devotion reverses power. God acts weak to pull you near. But question it. Does binding god show faith, or a need to control?

Chola kings built the core in the late 8th century. Vijayanagara rulers and Madurai Nayaks added expansions. A granite wall protects the site. Inscriptions record land grants and donations. Thirumangai Alvar’s hymns secured their Divya Desam place. Floods damaged it over time. Locals rebuilt. The Pancha Krishna link sets Krishna apart from other Vishnu forms. The Magizha tree serves as Sthala Vriksham. The tamarind, Uranga Puli, marks the Alvar’s rest.

A five-tier rajagopuram faces east at the entrance. Granite forms the base, brick the superstructure. Loganatha stands in the sanctum with Abhaya mudra. Loganayaki has her own shrine. Gajendra Pushkarani tank lies to the east. Kadhanakkruthi Vimana tops the sanctum. Pillars show Krishna stories and Vishnu avatars. The design sticks to Dravidian standards. It stays compact and flood-resistant. Tree shrines link myth to structure.

Priests conduct six pujas each day. They dress the deities, offer food, and wave lamps. Nagaswaram and tavil provide music. Chants from the Divya Prabandham fill the space. Brahmotsavam features chariot processions. Vaikunta Ekadasi opens special gates. Krishna Jayanti brings extra focus. Locals sponsor meals, pull chariot ropes, and light lamps. These acts tie the village to the temple.

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Take the Tiruvarur-Nagapattinam highway, then turn 2 km into the village. Paddy fields surround it. Shops near the gate sell flowers and coconuts. Bathe in the tank first. Darshan flows smoothly on weekdays. The Magizha tree offers shade. Locals say, “Alvar slept safe; the tree woke him.” The tied Krishna spot draws families. A breeze carries calm.

Thirumangai Alvar’s paasurams sound in every puja. They inspire bhajans and dances. Tied Krishna appears in plays and art. The village sees itself as Krishna’s playground. The Pancha Krishna group shares stories across sites. Fame stays local, but roots run deep. The reversal theme shapes talks about power shifts.

The HR&CE department manages it. Restorations repair flood damage. Festivals draw locals, with tours adding a few. Devotees seek dosha relief and children. Online services expand reach. The trees get protection.

Thirukannangudi fits the Divya Desams as a site of role reversal. Myths bind god with ropes, wake trees with leaves. Chola walls resist floods. Krishna’s weakness draws devotion. The binding story jars. Faith or force? Pancha Krishna ties sites together. In the circuit, it echoes childlike play. For heritage, reversal teaches humility. Visit the tree. Ask if you chase god or hold him back.

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Thirunagai Temple, Nagapattinam, Tamil Nadu
Thirunagai Temple, formally known as Soundararaja Perumal Temple, stands in the coastal town of Nagapattinam, Tamil Nadu. Lord Vishnu reclines here as Soundararaja Perumal, the handsome king, with Soundaravalli Thayar as his consort. This is one of the 108 Divya Desams, sacred sites praised by the Alvars in their Nalayira Divya Prabandham. The temple claims a presence across all four yugas, from Kritha to Kali. Its seven-tier gopuram once served as a lighthouse for Dutch ships. Devotees visit for moksha, curse relief, marriage blessings, and darshan of divine beauty. The site’s legends emphasise form over force, drawing worshippers to its timeless appeal.

Legends root the temple in every yuga. In the Kritha Yuga, Adisesha performed penance. Vishnu made him his bed as a reward. Bhoodevi followed in the Treta Yuga with her own austerities. Sage Markandeya did the same in the Dwapara Yuga. Chola king Salisugan worshipped in the Kali Yuga and married a cursed princess here. Dhruva, the boy prince, sought world dominion. Vishnu appeared on the Garuda vahana. Dhruva saw the lord’s beauty and chose eternal vision over power. He attained moksha on the spot. Nagapattinam’s name comes from Naga Pattinam, marking Adisesha’s serpent worship.

Two eunuchs, Kandan and Sukandan, bathed in the Sara Pushkarani tank. They transformed into full men. The dwarapalakas Sumba and Nigumba may be them in divine form. The princess with three breasts met Salisugan. Her curse vanished at the sight of her future husband. Vishnu blessed their wedding with darshan in standing, sitting, and reclining poses. Thirumangai Alvar beheld the lord’s beauty as if seeing a woman. He burst into song: “Achcho Oruvar Azhagiya Vaa.” Ashtabuja Narasimha, with eight arms, blesses Prahlada while slaying Hiranyakashipu.

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These tales span cosmic time at one site. Four yugas in one place test logic. Why not a single origin story? Dhruva trades empire for a glance? They prioritise allure over conquest. God wins hearts through sight, not strength. But push back. Does visual splendour solve hunger or loss? Or merely distract? The core insight endures: true beauty reorients desire from control to surrender. Form becomes the path to presence. Question the geography. If yugas overlap here, does it make the spot eternal, or just a convenient anchor for scattered myths?

Chola architects built the core in the late 8th century. Two inscriptions record their land grants and donations. Pallavas contributed earlier. The Thanjavur Nayaks expanded in the 17th century. Marathas followed. Dutch traders requested the gopuram as a lighthouse. Nayak ruler Jagul Nayakar obliged, building the tower, halls, and compound wall. His image with wife Lakshmi Ammal stands in a mandapam. Kundo Pandithar added shrines in 1737. Early 20th-century donors like Dratcha Balagurumuthi Chettiyar built halls. The 2004 tsunami devastated Nagapattinam but spared the temple. Thirumangai Alvar’s hymns secured Divya Desam status. Salisugan’s wedding ties it to Chola lore. The lighthouse role links to sea trade. Coastal floods prompted raised platforms and walls. No single upheaval destroyed it. Steady patronage kept it alive.

A seven-tier Rajagopuram dominates the east entrance. Granite base supports brick vimana. Soundararaja reclines on Adisesha in the sanctum, facing east. Sara Pushkarani tank anchors rituals. Narasimha’s eight-armed form kills the demon while blessing Prahlada. Vishnu appears in three poses: standing as Varadaraja, sitting as Govinda Raja, and reclining as Ranganatha. Pillars depict yuga scenes, Garuda, and Alvar figures. A four-pillared hall before Soundaravalli’s shrine shows the architects’ carvings. Nayaka mandapams mimic chariots with wheels. Dravidian style prevails. The gopuram’s dual lighthouse function innovates. Layout suits port life: elevated against tides, compact for crowds. No radical breaks, but scale matches trade hub past.

Six pujas structure the day. Priests adorn deities, offer neivedyam, and perform deepa aradanai. Nagaswaram and tavil accompany Prabandham chants. Brahmotsavam in Chittirai features chariots. Vaikunta Ekadasi opens the paramapada vasal. Navarathri, Panguni Utsavam, and Masi Magham draw crowds. Locals sponsor annadanam, pull chariots, and light lamps. Community roles sustain rites.

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Nagapattinam blends fields and the Bay of Bengal coast. Buses from Tiruvarur or Kumbakonam reach it easily. Shops near the gate sell flowers, coconuts. Bathe in Sara Pushkarani for purity. Gopuram looms over residential lanes. Waves crash close. Darshan moves on weekdays. Locals share tsunami tales: “Waters stopped at the gate.” Sea air mixes with incense. Quiet corners suit reflection on yuga beauty.

Alvar Paasurams echo daily. Thirumangai’s beauty verses inspire bhajans, dance. Art shows golden Vishnu, eight-armed Narasimha. Town identity ties to the handsome lord. Lighthouse history fuels stories. Plays reenact yugas, the princess curse. Brahmanda Purana mentions it. Local lore blends trade, tides, and timeless sight. The Tamil Nadu HR&CE administers it. Post-tsunami walls protect, and the gopuram is repainted. Festivals mix locals and port tourists. Devotees seek doshas and marriages.

The Thirunagai temple claims the Divya Desam spot as an eternal beauty site. Myths bridge yugas while the Chola base weathers seas. The lighthouse tower is unique to the temple. Yuga claims to strain space logic. In circuit, it chains coastal shrines. The heritage sight reorients the soul. Visit Sara Pushkarani and test if beauty shifts your chase.

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Thiruthanjai Temple, Mamanikoil, Thanjavur, Tamil Nadu
Thiruthanjai Temple, or Thanjai Mamani Koil, sits in Thanjavur, Tamil Nadu. It’s a group of three Vishnu shrines treated as one Divya Desam out of the 108 holy sites praised by the Alvars. This setup stands out because all Alvar hymns mention the three together.

A story from the Brahmanda Purana explains the temple’s start. In the Treta Yuga, three demons: Tanchakan, Tantakan, and Kacamukan, got boons from Shiva. They turned powerful and arrogant. They disturbed sage Parashara during his penance here. Vishnu acted first. He used his Sudarshana Chakra to kill Tanchakan. The demon begged for mercy. Vishnu spared him but named the place Thanjavur after him. Kacamukan faced Vishnu as a yali, a mythical beast. Vishnu slew him that way. Tantakan fled to Srimushnam. Vishnu took the Varaha boar form there to end him. Each shrine marks one victory: Manikundra Perumal for Tanchakan, Veera Narasimha for Kacamukan, and Neelamegha for the overall tale. The core message? Divine power curbs evil when it harms the good.

The temples date back far. Medieval Cholas donated land and built parts. Vijayanagara kings and Madurai Nayaks added more later. Granite walls enclose all three shrines now. Thanjavur’s Chola history ties in. Raja Raja Chola I built the nearby Brihadeeswarar Temple in the 11th century. This area saw the Chola rise under Vijayalaya in 850 CE. Marathas took over in 1674 under Ekoji I. No big upheavals hit these shrines directly. But Thanjavur’s royal patrons kept them alive. Alvars like Nammalvar, Thirumangai Alvar, and Bhoothathalvar sang of them in the 7th-9th centuries. That sealed their Divya Desam status.

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The three temples hug the Vennaaru River banks. Each faces east with simple designs. No tall gopurams dominate like in bigger Chola spots. The Manikundra Perumal shrine is small. Lord and consort sit together inside. It’s elevated. Nammalvar’s poems point to this one. Ambujavalli Thayar has her own spot nearby. Rama Theertham serves as the tank. Neelamegha Perumal has a three-tiered Rajagopuram. The deity stands in veetrirunda pose. Sengamalli Thayar gets a separate shrine. Images of Hayagreeva, Alvars, Garuda, and Vedanta Desikar line the walls. Amrutha Theertham is the tank. Veera Narasimha Perumal, or Thanjiyali Nagar, shows the lord seated, giving darshan to sage Markandeya. A flat entrance tower leads in. Vedasundara Vimana crowns the sanctum. Surya Pushkarani is the water body. All follow Dravidian style but stay modest.

Priests follow Vadakalai Srivaishnava ways. Three daily pujas run from 7:30 a.m. to 8 p.m. Each has alangaram, food offerings, and lamp waving for Perumal and Thayar. Nagaswaram pipes and tavil drums play. Vedas get chanted. Weekly, monthly, and fortnightly rites add on. Brahmotsavam spans Panguni, Chittirai, and Vaikasi months. Vaikasi’s Garuda Sevai brings 18 Garuda idols from other temples. Diwali, Chitra Purnima, and Vaikuntha Ekadashi draw crowds. Locals join processions. Community cooks prasadam. Iyengar priests handle it all. No special quirks stand out, but the three-in-one worship feels unique.

Reach Thanjavur by train, its station is key. Trichy Airport is 70 km away. Buses and roads link easily from Chennai or elsewhere. The temples sit close to town, near the Big Temple. Walk from Thanjavur bus stand in minutes. Vennaaru River adds calm. Locals offer simple stays or eateries. Devotees share tales of peace here, away from tourist rush. One story lingers: a pilgrim felt three energies merge during sunset darshan. Surroundings mix farms and history. Ride past paddy fields. Thanjavur’s heat demands early visits. Hospitality runs warm, tea stalls chat about Alvar songs.

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Alvars shaped its fame. Nammalvar praised Manikundra in pasurams. Thirumangai Alvar hit Mamanikoil. Bhoothathalvar sang of Narasimha. Naalayira Divya Prabandham keeps them alive in recitals. Thanjavur paintings might echo Vishnu forms, though not directly. Local identity ties to Chola glory. Festivals blend with city events. No big music or art tales specific, but it feeds Vaishnava bhakti across Tamil Nadu. Society sees it as a protective spot. Narasimha’s fury with Lakshmi’s calm teaches balance. Legends spread in stories, not epics.

The Hindu Religious and Charitable Endowments Department runs it with Thanjavur Palace Devasthanam. Daily crowds stay steady, mostly locals. Tourism grows with Big Temple visitors, and no major restorations have been noted lately. Festivals pull families. Young folks join Garuda Sevai. Online darshan options popped up post-pandemic. Demographics skew Tamil families, some from cities. Management keeps it clean, but crowds test during peaks. It draws steady pilgrims, no big tourist boom, but the focus stays on worship.

Thiruthanjai fits the Divya Desam circuit as a quiet triple gem. It shows Vishnu’s forms beating demons, linking to 84 Tamil Nadu sites. In India’s spiritual map, it holds Vaishnava roots from the Alvar times. The site reminds one of simple power over evil, and the Chola lands keep it breathing.

In My Hands Today…

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The Ottomans: Khans, Caesars and Caliphs – Marc David Baer

The Ottoman Empire has long been depicted as the Islamic, Asian antithesis of the Christian, European West. But the reality was starkly different: the Ottomans’ multiethnic, multilingual, and multireligious domain reached deep into Europe’s heart. 

Indeed, the Ottoman rulers saw themselves as the new Romans. Recounting the Ottomans’ remarkable rise from a frontier principality to a world empire, historian Marc David Baer traces their debts to their Turkish, Mongolian, Islamic, and Byzantine heritage.

The Ottomans pioneered religious toleration even as they used religious conversion to integrate conquered peoples. But in the nineteenth century, they embraced exclusivity, leading to ethnic cleansing, genocide, and the empire’s demise after the First World War. 

The Ottomans vividly reveals the dynasty’s full history and its enduring impact on Europe and the world.

Walking as a Way of Thinking: On Plans, Pavements, and the Gap Between the Two

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I walk a lot. Especially in places that are not mine yet. New cities, unfamiliar neighbourhoods, streets where my body does not know what comes next. I walk because I want to see things, yes, but also because walking has become the way my thinking loosens its collar. It is not mystical. It is not romantic. It is practical. Walking gives my mind enough structure to stay upright and enough freedom to wander without tipping over.

When I walk in a new place, my route is usually planned. That surprises people who expect wandering to be the more thoughtful option. But planning is how I buy myself freedom. I tend to have a list of places I want to see, and mapping them gives the walk a spine. Once that spine exists, my mind can stop worrying about logistics and start doing other things. I know roughly where I am going. That knowledge frees up attention.

This matters because attention is finite. If I am constantly asking myself where I am and whether I am lost, my thinking stays shallow. A planned route reduces that noise. It creates a container. Inside it, thoughts show up in their own messy order. I used to think this meant I was missing out on serendipity. Now I am less convinced. Serendipity does not require chaos. It requires presence. And presence is easier when you are not negotiating every decision from scratch.

Walking in a new place does something subtle to the mind. It removes autopilot. Even with a planned route, unfamiliar streets ask small questions of you constantly. Which side of the pavement do I walk on? How fast do people cross here? Does this street feel safe, rushed, sleepy? Your body is answering before your mind finishes the sentence. That constant, low-level engagement pulls you out of abstraction and into the moment. Thinking changes when it is anchored to the present.

Most of my walks start with intention, but not with control. I may begin with a problem I want to think through, or a sense of unease I want to understand. Often it is both. I lean more towards problem-solving when I walk. The rhythm of steps seems to suit planning, sequencing, and decision-making. But introspection sneaks in anyway. It always does. The mind does not respect neat categories. It brings what is loudest.

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The first thoughts that show up on a walk are rarely polite. They are not orderly. They arrive in no particular sequence. Practical plans crash into memories. Worries elbow their way past creative ideas. I might be thinking about what to do next in the day and suddenly remember a conversation from years ago, then switch to a new idea for a piece of writing, then circle back to the thing I was anxious about in the first place. This randomness used to bother me. Now I see it as diagnostic. It tells me what is actually occupying my mind, not what I wish were occupying it.

Walking does not clear the mind. That phrase is too clean. Walking rearranges it. It changes the queue. Thoughts that were shouting sometimes quieten down. Thoughts that were waiting patiently step forward. The body, moving steadily through space, gives the mind permission to move too.

I usually walk with sound. Music, meditation tracks, sometimes a podcast. Sound sets the emotional temperature. Music can soften the edges of a hard day. Podcasts can keep me company when my own thoughts feel repetitive. But I also know when sound becomes a shield. When I am trying to untangle something knotted, I walk in silence. Silence removes the buffer. It is harder. It is also more honest.

There is a particular discomfort that shows up in silent walks. You notice how quickly the mind tries to fill space. How it reaches for plans, lists, and imaginary conversations. You also notice how much of that is rehearsing rather than resolving. Walking in silence exposes that habit. It shows you the difference between thinking and circling.

One uncomfortable truth I have reached while walking is this: I plan far better than I execute. Walking is where I come up with grand plans for the day, for projects, for life. They feel sensible while my legs are moving. They feel doable. And then the day ends and the list is still half-finished. The walk gave me clarity, but clarity did not automatically turn into action.

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This is where walking as a way of thinking reveals its limits. Walking is excellent for ideation, reflection, and decision-making. It is less good at follow-through. The danger is mistaking the feeling of momentum for momentum itself. A long walk can feel productive. It can even be productive, mentally. But it can also become a substitute for doing the work. I have had to be honest with myself about this. If walking is where I think best, then something else has to be where I execute best. Expecting one activity to do everything is unfair to both the activity and to me.

There is another assumption worth challenging. We often talk about thinking as something that happens in the head alone. The body is treated as transport.s. This is nonsense. The body is part of the thinking system. Pace, breath, posture, tension, hunger, and fatigue all shape what the mind can access. Walking changes these variables. Breathing deepens. Shoulders drop. Eyes move across distance instead of locking onto a screen. That physical shift alters cognitive tone. Thinking becomes less brittle.

In a new place, this effect intensifies. The body is alert but not threatened. It is curious. That state is gold for thinking. Curiosity loosens defensiveness. You are less invested in proving yourself right. You are more open to noticing what is there.

But novelty cuts both ways. Too much stimulation and thinking fragments. A crowded street pulls attention outward relentlessly. There is no room for sustained thought. This kind of walk is useful when you need to interrupt rumination. It is less useful when you need to reason carefully. Not all walks are equal. The setting matters.

So does pace. A slow walk invites observation. A brisk walk supports planning and problem-solving. Very fast walking can turn into a way of burning off anxiety without actually engaging with it. None of these are wrong. But they are different tools. Using the wrong one can leave you confused about why the walk did not “work.”

Walking also amplifies existing thinking patterns. If you tend to ruminate, walking gives rumination more airtime. If you tend to rehearse conversations, you will leave with a flawless speech that may never be delivered. Walking does not correct these habits. It gives them space. That can be helpful or harmful depending on awareness.

This is why I think of walking as a setting, not a solution. In the right setting, thinking improves. In the wrong one, it simply gets louder.

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What makes a walk a good thinking setting? For me, it starts with a single question. Not an agenda. Not a list. One question I can carry lightly. Something open-ended. What am I avoiding? What would change if I trusted myself a little more? What is actually within my control here? The question acts as a thread. I do not force answers. I just notice when my mind returns to it.

But questions can also be used to steer away from discomfort. If you always ask questions that keep you comfortable, your answers will be comforting and unhelpful. I have learned to pay attention to the questions I resist. The ones that tighten the chest slightly. Those are usually the ones that matter.

There are also walks where I make no attempt to think at all. This is not a contradiction. The mind has a background mode that works quietly when you stop interfering. Some insights arrive only when you stop demanding them. Walking supports that background processing, especially when you are not filling every moment with input.

This is where the relationship with sound becomes important. Music can regulate mood. Podcasts can inform and distract. Silence invites contact. None of these are superior. The question is what you need. Are you supporting your thinking, or avoiding it?

Walking with other people adds another layer. Side-by-side conversation is different from sitting across a table. It is less intense. Silences are easier. Hard topics surface more naturally. Walking together can make honesty feel safer. But it also shapes what you think. You adjust to another pace, another energy. You edit yourself. Solo walking gives access to unfiltered thought. Social walking offers perspective. Both are necessary. Neither is complete.

If walking is a way of thinking, it is worth naming what it is not good at. It does not replace stillness. Some thoughts require sitting. They require staying put when the urge is to move. Walking can become a way of avoiding that confrontation. Healthier than many avoidance strategies, yes. Still avoidance.

It also does not replace discipline. You can walk your way to insight and still fail to act on it. This is where my own discomfort sits. Walking shows me what matters. It does not make me do it. Execution requires different muscles. Planning a walk feels good. Execution often feels tedious. Confusing the two is how days slip away.

So I have started adding a small rule for myself. When a walk produces a plan, I write down the next action when I get home. Just one. And I do it the same day if possible. Not because productivity is virtuous, but because thinking that never meets action becomes self-indulgent.

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Thinking well, for me, is not about brilliance. It is about kindness and accuracy. Kinder self-talk. Better decisions. Less time spent in self-flagellation disguised as analysis. More execution, even if imperfect. Walking helps with the first part. It softens the inner voice. It puts problems in proportion. It reminds me that I am a body moving through the world, not just a mind stuck inside itself. But the work continues after the walk ends. That is where thinking has to earn its keep.

Walking as a way of thinking works because it brings thought back into contact with reality. Streets do not care about your theories. Pavements do not validate your excuses. You have to keep moving. You have to watch where you are going. That quiet insistence on forward motion changes something in the mind. I do not trust walking because it feels poetic. I trust it because I can test it. I can feel the shift when I walk. My thinking becomes less sharp-edged. My stories loosen. I am not magically wiser. I am more honest.

The real question is what happens next. Do I carry that honesty into the rest of the day? Do I close the gap between the plans I make while walking and the actions I avoid when I stop? Do I allow thinking to lead somewhere concrete, even if it is uncomfortable?

And on the days when I cannot walk, because bodies have limits and life intervenes, can I recreate that rhythm in another way? A slower breath. A longer look out of a window. A deliberate pause before reacting. Walking helps me think. It does not think for me. The responsibility still sits where it always has.

With me.

In My Hands Today…

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Bravehearts of Bharat: Vignettes from Indian History – Vikram Sampath

History has always been the handmaiden of the victor. ‘Until the lions have their own storytellers,’ said Chinua Achebe, ‘the history of the hunt will always glorify the hunter!’ Exploring the lives, times and works of long-forgotten and mostly neglected fifteen unsung heroes and heroines of our past, this book brings to light the contribution of the warriors who not only donned an armour and burst into the battlefield but also kept the flame of hope alive under adverse circumstances.

Narrating the tales of valour and success that India, as a nation and civilization, bore witness to in its long and tumultuous past, the book opens a window to the stories of select men and women who valiantly fought against invaders for their rights, faith and freedom.

From Rajarshi Bhagyachandra Jai Singh of Manipur, Lalitaditya Muktapida of Kashmir, Chand Bibi of Ahmednagar, Lachit Barphukan of Assam, Begum Hazrat Mahal of Awadh to Rani Abbakka Chowta of Ullal, Martanda Varma of Travancore, Rani Rudrama Devi of Warangal, Rani Naiki Devi of Gujarat and Banda Singh Bahadur, among others, are some of the ‘bravehearts’ who fought to uphold the tradition and culture of their land.