Yogyakarta Day 3 & 4: Ramayana Ballet and Malioboro Street

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The three main performers L-R Rama, Sita and Hanuman waiting to take pictures with the audience before the start of the performance. They do this at the intermission too

I was really anticipating the last segment of our two day Yogya sightseeing which was the enactment of the Ramayana. I wanted to see how another culture interprets what is essentially a very special Hindu story and one, which probably every Indian, irrespective of their religion, knows intimately.

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The lit up Prambanan temple which provides a magical backdrop to the performance

Another reason for the performance was the fact that this ballet is performed outdoors in the background of the Prambanan temple which is lit up beautifully. The whole scene looks very ethereal and magical! The enactment of the Ramayana is the Javanese version of the story and the music is the Indonesian gamelan and the whole performance (songs, some dialogues etc) are in Bahasa Indonesia, but they have two screens on either side of the stage with subtitles in English. At points, there are also two emcees, who move the story forward and while one speaks in Bahasa, the other does the same in English. All costumes are also very Indonesian and oh so beautiful…

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Sita and King Janak

The ballet is performed by around 200 odd trained dancers and is based on the stone reliefs in the Prambanan temple which made it especially interesting. The performance is outdoors during the dry season (May-October) and indoors during the wet season (Jan – April, November – December). In the event of sudden downpours in the dry season (it happens), the performance is shifted indoors.

We were there on a Saturday and I had heard that the performance gets filled up fast over the weekend, so I had asked Ibot, whom I was liaising with for this trip, to help me book the tickets. I gave him my preferred seats and he had gotten the ticket office to block the tickets for me. When we went to the ticket office, Yus helped me speak to the person manning the counter and we had our tickets in hand immediately.

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Our class of seats on the left and the VIP seats further down

We booked the second tier class tickets which is called Special class seating. This cost us IDR 275,000 (approximately USD 21). The tickets in this class have seat numbers and though you sit in cement seats, you get a cushion for your back as well as a drink. The top class ticket, called VIP Class Seating is IDR 375,000 (~USD 29) which is actually quite plush seating. Other than the drink I mentioned earlier, they also get a souvenir (though I have no idea what was in it). The seats were also front centre in front of the stage whereas our seats were slightly to the right, but we still had amazing front views of the performance.
We also got to see the whole story performed, though there were some days which were termed episodic. I guess the episodic performances will go into the story more in detail, while the full story will be in bits and pieces so that they can finish it in two hours. The best part of the performance is when Hanuman burns Lanka and they use actual fire in the stage, which was awesome. That part also ends act one and there’s a 15 minute intermission after this.

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Entry of King Ravana

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Sita’s Svayamvar (wedding)

For those who want to know more about the epic that is the Ramayana, please click this Wikipedia link which is quit comprehensive and has further links. There’s a very famous television series on the Ramayana which was aired in the mid-to-late-eighties in India. Here’s a link to see the episodes of that series. The series is in Hindi and I don’t think there are any subtitles.

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The burning of Lanka

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Hanuman devastating Lanka

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When Rama and Sita meet after Rama defeats Ravana

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Another picture which shows Lanka burning

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Rama doubting Sita’s fidelity after their reunion

We got back quite late from the performance and found a mini drama waiting for us at the hotel. One of the two rooms had been locked from inside when we left the room in the morning and so we couldn’t get in. After involving the hotel technicians, they finally got the room open (through the balcony, thank the Lord we were on the ground floor) and we finally went to bed.

The next day, our last full day in Jogya was supposed to be a rest cum shopping day. We decided to hit Malioboro Street after breakfast. The hotel had a shuttle to the street and we took advantage of it. We spent some time walking the street and looking around as well as doing some shopping. After lunch at Pizza Hut (go figure!) we came back for some rest before we hit Ambarrukmo Plaza for more shopping and dinner before we ended our holiday.

Our flight back to Singapore was at 7:30 am and we were out of the hotel by 5:30 am. Like when we arrived, we got the hotel to send us to the airport using their vehicle and the return trip was not hassled. I was actually impressed with Air Asia and if I am flying short haul and regional, this is one option I will definitely consider.

The only parts I didn’t like was the fact they charge you quite a bit for credit card payment (which for people in Singapore is a must as there is no direct payment facility) and they only have 7 kgs as cabin baggage. Compare this to Tiger Airways which we took when we went to Penang last year, we could pay locally at the AXS machine (so avoiding credit card charges, since it is a local airline) and the airline also had 10 kgs cabin baggage allowance.

So this was all about our Yogyakarta trip. It’s taken me quite long to write this, but I hope it’s been worth it! Now to plan our next trip….

Yogyakarta Day 3: Prambanan Temple, Sewu Temple and Sunset at Ratu Boko

 

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The Prambanan Temple Complex

Top tip for Prambanan – since the temple is a UNESCO World Heritage site, if you are a student (and can prove it), you get to enter at half price. Yus did ask us about BB & GG’s student cards and if I had known this earlier, we would have saved a bit as the temple entrance fee for an adult is IDR 250,000 (approximately USD 19). We also saw this information when we entered the temple. The student discount is not dependent on age, according to the temple, even if you are a mature student, as long as you have valid student ID, they will give you the discount. You can also opt to hire a guide for IDR 100,000 which was very useful.

 

 

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The entrance to the complex

Prambanan Temple

 

A UNESCO World Heritage site, Candi Prambanan or Candi Rara Jonggrang is a 10th-century Hindu temple compound, dedicated to the Trimurti, the three cosmic functions in Hinduism which are the Creator (Brahma), the Preserver (Vishnu) and the Destroyer (Shiva). The temple compound, is the largest Hindu temple in Indonesia, and one of the biggest in Southeast Asia. It is characterized by its tall and pointed architecture, typical of Hindu temple architecture, and by the towering 47-metre-high (154 ft) central building inside a large complex of individual temples. Rising above the centre of the last of these concentric squares are three temples decorated with reliefs illustrating the epic of the Ramayana, dedicated to the three great Hindu divinities (Shiva, Vishnu and Brahma) and three temples dedicated to the animals (Nandi, Garuda and Hamsa) who serve them.

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The main Shiva temple

The Prambanan Temple Compounds consist of the Prambanan Temple, Sewu Temple, Bubrah Temple and Lumbung Temple. Prambanan Temple itself is a complex consisting of 240 temples. All the mentioned temples form the Prambanan Archaeological Park and were built during the heyday of Sailendra’s powerful dynasty in Java in the 8th century AD.
While the Prambanan temple is Hindu, Sewu, with its four pairs of Dwarapala giant statues, is Indonesia’s largest Buddhist complex including the temples of Lumbung, Bubrah and Asu (Gana temple). The Hindu temples are decorated with reliefs illustrating the Indonesian version of the Ramayana epic which are masterpieces of stone carvings. These are surrounded by hundreds of shrines that have been arranged in three parts showing high levels of stone building technology and architecture from the 8th century AD in Java.

 

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The steep steps at the temple!

One thing that really struck me when we were walking across the temples was how steep the steps were and I kept thinking if those who lived at the time these temples were built and use were really tall, though anecdotally, this does not seem very possible. I noticed the same thing about the steps at Angkor Wat too.

 

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Bas reliefs at the temple…

Our guide took us through the temples for around an hour or so, and showed us the important bas reliefs, which we probably would not have been able to see without his help. With some interesting anecdotes, he managed to keep our attention for the hour or so it took him to guide us through the complex. He was also a font of information on the best angles and places to photograph the monument.

 

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The reconstruction work against the background of the temple

The temples are still undergoing reconstruction and I understand that over the years, many villagers take back the stones from the compound to build their own homes as they believe the stones from the temple are blessed. Archaeologists are still scouring the area for these stones to bring back to complete the reconstruction. Also they are using modern stones, but all those not from the original temple are specially marked, so that they will know which stones are ancient and which are modern, but made to look ancient!
Spamming some gorgeous pictures from the temple…

 

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A rakshasha statue at one of the temples

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Statue of Sage Agastya

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The statue of Durga who is supposed to be Rara Jonggrang

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Statue of Lord Brahma

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Statue of Lord Ganesh

After spending about 90 minutes at the temple, we decided to take the free tram shuttle to the Sewu temple which is close by. You can also walk there, but we were tired and decided to just take the tram. The tram stop is in the side of the main entrance to the temple. Sewu was a 5 minute drive away.

Sewu Temple

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Candi Sewu

Candi Sewu is an 8th-century Mahayana Buddhist temple located 800 meters north of the Prambanan temple and predates the Prambanan temple by around some 70 years. Sewu is actually the second largest Buddhist Temple complex in Indonesia after Borobudur. Although the complex consists of 249 temples, the name in Javanese translates to ‘a thousand temples,’ which originated from popular local folklore; The Legend of Loro Jonggrang.

 

The Legend of Loro Jonggrang

The legend tells the story about two ancient and neighbouring kingdoms in Java, Pengging and Boko. Pengging was prosperous, and wisely ruled by its king Prabu Damar Moyo who had a son named Bandung Bondowoso. By contrast, Boko was ruled by a cruel man-eating giant named Prabu Boko, supported by another giant Patih Gupolo. Despite his unpleasant nature, Prabu Boko had a beautiful daughter named Rara Jonggrang.

The story relates that Prabu Boko desired to expand his kingdom, and so began training an army and raising taxes for an invasion of Pengging. His forces launch a surprise attack on Pengging, and the ensuring war causes devastation and famine on both sides. In order to defeat the invader, Prabu Damar Moyo sends his son Bandung Bondowoso to fight Prabu Boko. After a furious battle, Prabu Boko is killed by the prince’s supernatural powers. His assistant, the giant Patih Gupolo, leads his armies away from the battlefield in defeat.
Returning to Boko Palace, Patih Gupolo tells Princess Rara Jonggrang of the death of her father. The princess is heartbroken, but before she can recover from her grief the Pengging army besieges and captures the palace. Prince Bandung Bondowoso is mesmerized by the beauty of the mourning princess and propose marriage, but his offer is swiftly rejected. Bandung Bondowoso insists on the union, and finally Rara Jonggrang agrees on two impossible conditions: first the prince must build a well named Jalatunda, and second, he must construct a thousand temples in only one night.

The lovestruck prince agrees, and immediately starts work on the well. Using his supernatural powers once again, the prince swiftly finishes construction and proudly displays his work for the princess. As a trick, she urges him to enter the well and when he does so, Patih Gupolo piles stones into it and buries him alive. With great effort Bandung Bondowoso escapes, but his love for the princess is so strong that he forgives her the attempt on his life. To fulfill the second condition, the prince enters into meditation and conjures up a multitude of demon spirits from the earth. With their help he builds the first 999 temples and starts work on the final one. To thwart his efforts the princess and her maids light a fire in the east and begin pounding rice, a traditional dawn activity. Fooled into thinking the sun is about to rise, the spirits flee back into the earth leaving the last temple unfinished.

The prince is furious when he learns of this deception, and places a curse on Rara Jonggrang which turns her into a stone statue. In this way she herself becomes a feature of the final temple, completing its construction and fulfilling the conditions for their marriage.

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Reconstruction waiting to happen….

The main Sewu temple has been reconstructed, but the other temples in the complex were still unfinished as there were many stone slabs, indicating that perhaps the reconstruction work was not finished. We didn’t spend a lot of time here and went back to the main Prambanan temple when the tram came by again. This temple is quieter, with much less people around. When we were there, we were pretty much the only people around, which helps in taking great pictures!

 

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The main temple at Sewu

Our next stop, the penultimate stop for the day was to see the sunset at the Ratu Boko hill. This is around 20-30 minutes’ drive away from Prambanan.

 

Ratu Boko

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The main structure at Ratu Boko – some standing walls

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Entrance to the sunset point

 

Ratu Boko is often mistakenly called a temple, which is incorrect. It is actually the ruins of a palace. The palace is attributed to the King Boko who is mentioned in the legend of the Loro Jonggrang legend.

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Mount Merapi framed between the trees

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Prambanan temple as seen from Ratu Boko

This spot seems to be a favourite of locals, especially courting couples as we saw many families enjoying the evening while we were there.

If you go to the highest point in the area, you can see the Prambanan temple framed with the majestic Mount Merapi in the background and greenery in the foreground.

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The start of the glorious sunset

The complex has three levels, or terraces. On the first terrace, no ruins remain but the rock wall supporting the second terrace, several steps above. A 3.5-meter wall of andesite rock divides the second and third terrace. A small tunnel which may have been a moat also marks the division. To the south, are scattered rocks.

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The setting sun in a blaze of orange and gold

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The sunset framed by the structure

There is a café just as you enter the complex and your entrance ticket entitles you to a drink in the café. The views from the café are great and I wished we could stay there a while, but since we were not paying customers, we didn’t get a table to sit. Also dusk was approaching and there was not much to see. If you plan to go to Ratu Boko at sunset, maybe do your free drink before you go up to the ruins and take in the views before the crowds come down after the sunset.

Entrance fees to the complex are IDR 110,000 per person. This entrance fee is only for sunset and includes a drink at the café at the entrance of the complex.

Sunset is quite early in Indonesia and it gets quite dark before 6:30. Yus took a few minutes to say his prayers at the mosque in the complex and we went to have dinner near Prambanan before our Ramayana performance.

Yogyakarta Day 3: Kraton, Taman Sari Water Castle and Candi Sambisari

After a good night’s rest, we woke up refreshed and ready to tackle the new day. We had another action-packed day planned, one that would end quite late….

Yus was waiting for us around 8 am and we started the day with the plan on going to the Kraton or the palace. As a small detour, we made a pit stop to a batik store near the hotel called Batik Soga. We had actually seen this place on the way to the Ambarrukmo Plaza on our first day here, but shied away as we thought it may be too expensive. Yus was the one who suggested this place when we asked for suggestions on good inexpensive but authentic batik to be given as gifts. The place was actually decently priced and we brought batik as gifts for pretty much everyone home!

On to the Kraton then….

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The main courtyard of the Kraton

The Kraton or to give it’s full name of Keraton Ngayogyakarta Hadiningrat is a palace complex which is the main seat Sultan of Yogyakarta and his family. It serves as a cultural center for the Javanese people and contains a museum that displays the sultanate’s artifacts. The museum is actually what is open to the public and that was what we went to see.

 

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The Sultan’s private residence which is out of bounds

Built in 1755-1756, the Kraton is the symbol of the sultanate of Yogyakarta and the official residence. The current sultan, His Majesty Sri Sultan Hamengkubuwono X, is also the governor of Yogyakarta and stays in the complex which is out of bounds for visitors. There is also a separate wing for the crown prince, which is empty right now, as the current sultan has five daughters. Our guides did speak of the succession issue there and there was a lot of speculation as to who would be the next sultan.

 

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Getting ready for the Wayang Kulit performance

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The instruments of the traditional Gamelan

The Kraton is quite close to the shopping district of Malioboro. On arriving at the Kraton, we paid our entrance fee of IDR 12,500 per person plus another IDR 1,000 for one camera as well as hired a guide. They have guides in-house and based on the language you need the guide to be fluent in, the person from whom you buy the entrance fee will allocate one to you. Our guide was an elderly man who had worked here for years. There is no cost to the guide and you just tip him/her as much as you like at the end of the session. We tipped the guide IDR 30,000. The palace is open to public from 8 am – 2 pm daily. The palace is closed to public one hour earlier on Friday. There are also daily Javanese cultural performances there and on the day we went, it was a Wayang Kulit (Shadow Puppets) performance.

 

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The Javanese script, which brings to mind some Indian scripts as well as the Khmer and Balinese scripts

The Kraton is a blend of Javanese architecture with influences from Islam and Hinduism. Our guide told us that the Javanese population can actually be traced to immigrants from the state of Gujarat in India, though I am a wee bit sceptical by this.

 

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Chinese plates in the museum

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The current Sultan’s family. The pictures on the side are his five daughters, with the oldest the furthest away.

The Kraton has many antiques in the museum, though the treasures are not kept as well as it should be. What I found especially fascinating were the family geneology trees of the sultans, where all their children are included. The Sultan is a tree and the sons are depicted as fruits and the daughters as leaves. So at a glance, you can see which Sultan had more sons and who had more daughters!

 

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The throne room!

We also saw many palace guards just sitting and doing nothing. Our guide told us that most of them are locals who volunteer at the Palace, why they do this, I can’t remember the guide telling us.

 

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Volunteer guards sitting and waiting….

 

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The two oldest princesses on their wedding days

 

Taman Sari Water Castle

 

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Entrance to Taman Sari Water Castle

After the Kraton, we got into the car for a short drive to the Taman Sari Water Palace. Again, I’d heard mixed reviews about this place, and wondered if we should go there. In hindsight, it was ok, nothing spectacular, but nothing I would miss also if I didn’t go.
The admission fee was IDR 15,000 and another IDR 1,000 for a camera. As we did at the Kraton we hired a guide. At this point, we had no change with us and so we paid the guide all the change we had which came to around IDR 28,000.

 

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The main bathing area

Taman Sari also known as Taman Sari Water Castle is part of the main Kraton complex and is located about 2 km south within the grounds of the Kraton. Built in the mid-18th century, the Taman Sari’s primary function was as a pleasure garden for the Sultan and his wives and concubines.

 

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Another smaller, more private pool for the Sultan to use with his chosen concubine/wife

Taman Sari consisted of four distinct areas: a large artificial lake with islands and pavilions located in the west, a bathing complex in the centre, a complex of pavilions and pools in the south, and a smaller lake in the east. Today only the central bathing complex is well preserved, while the other areas have been largely occupied by the Kampung Taman settlement.

 

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The space where the sultan would get a massage pre and post bath

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The room the Sultan and his favourite wife/concubine would use post bath

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The underground passage

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Steps which lead to the underground mosque. The top portion was for the women

After visiting the main bathing area of the castle, our guide took us down a winding path, through the settlements which have cropped up to the underground mosque. You need to go down steps to an underground passage to reach this place, though there is nothing there now to suggest it was a mosque.

 

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The West entrance of the Taman Sari Water Castle

After the Water Castle, we went t-shirt shopping! S wanted to buy some for friends and so Yus drove us to this shop which seemed reasonable. The prices were in the range of IDR 80,000 with good material. I tried finding the name of the store, but can’t find it, and will update once I am able to get hold of the bag from the store!

 

Next on the agenda seemed lunch, but Yus had an ace up his sleeve. Since there was still time for lunch according to him, he decided to take us to another temple, one which was not on our original agenda. This was the Candi Sambisari.

Candi Sambisari

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Candi Sambisari in it’s entirety!

Candi Sambisari is a 9th-century Hindu temple which was buried about five metres underground and parts of the original temple have been excavated. The temple emerged in July 1966 by a farmer when working on the land. His hoe hit the carved stone which was a part of the buried temple ruins. The temple is thought to have been buried by an eruption of volcanic ash from the nearby Mount Merapi.

 

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The main temple

Based on architectural and ornamental similarities to another Hindu temple in Indonesia, Prambanan, the presence of Hindu statues around the temple walls, and the lingga-yoni inside the main temple, historians have concluded that Sambisari was a Shivaite Hindu temple built around the first or second decade of the 9th century (circa 812-838). This conclusion was supported by the findings of a gold plate in the vicinity engraved with letters that according to paleography were used in early 9th century ancient Java.
According to Wanua Tengah inscription III dated 908 that contains the name of kings that ruled Mataram Kingdom, the temple was probably built during the reign of Rakai Garung (ruled 828-846). However, historians also consider that the construction of a temple was not always issued by a king. Lesser nobles might have also ordered and funded the construction.

 

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The smaller lingas in the temple courtyard

We descended a flight of stairs to reach the central part of the temple, the base of which is 6.5 meters lower than the current ground level. The Sambisari complex was surrounded by a rectangular wall made from white stone with eight small lingga, four located at the cardinal points and four others in the corners. Around the temple walls are niches containing statues of Hindu gods including Durga, Ganesh and Agastya as well as a linga inside the temple.

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The Shivling inside the temple sanctum 

The temple was beautiful in the heat of the afternoon and we left feeling satisfied in this unexpected treat! The entrance fee to the temple was IDR 2000 per person, the cheapest entry fee that we saw in Yogya!

Lunch was at a restaurant midway between the Sambisari Temple and the Prambanan temple Complex which was our next stop. The restaurant also sold tickets to the Prambanan temple at the same price it was sold at the temple (they were an agent) as well as to Ratu Boko which was our stop after Prambanan.

Yogyakarta Day 2: Dieng Plateau

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Lush landscape of the Dieng Plateau

After the aborted sunrise at Borobudur, we headed down to the car to start the three hour drive to the Dieng Plateau. I’d heard of this plateau in a couple of guidebooks and wanted to check it out. I had a lot of naysayers to this trip as it is a three hour drive from Borobudur and a four hour drive from Yogyakarta, and to be honest, I also had some doubts whether this trip was going to be worth it. But it was and I am really glad that we did make the long, winding drive up the mountains to the Dieng Plateau.

 

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View of the Dieng Plateau from the lookout

The word Dieng word was formed from Sanskrit words Di (Abode) and Hyang (Gods), so Dieng means Abode of the Gods. The plateau is a volcanic plateau which forms the floor of a caldera complex on the Dieng Volcanic Complex. It sits at around 2,000 meters (6,600 feet) above sea level and is home to small scattered villages. It is a glorious, verdant landscape laced with terraced potato and tobacco fields, which is the home to some of the oldest Hindu temple architecture in Java. It is said this plateau is the cradle of the Javanese Hindu civilization. The original inhabitants built more than 400 temples, most dating from the 8th and 9th centuries, but they were abandoned and forgotten as the original inhabitants, the Hindus, moved on to Bali and were only rediscovered in 1856 by the archaeologist Van Kinsbergen and only 8 or so exist today, most of which are in the process of being restored. When the temples were rediscovered, the locals, who were now Muslims, and who had no idea of what the temples were about, named them after the Pandavas, who are the heros of the Hindu epic, the Mahabharata. These temples were the oldest known standing stone structures in Java. We found most of the temples were built to house the Shivling, which is the symbol for Lord Shiva, but also found images of the other gods of the Hindu trinity, namely Brahma and Vishnu.

 

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Another view from the lookout…We felt we could touch the clouds!

We stopped by a lookout point when we were around an hour or so away from Dieng and the scenery just blew us away. After a drive of slightly over three hours, we reached the main Arjuna temple complex slightly after 10 am. All of us, slept in the car at different points in the drive as we had a really early start to see the sunrise at Borobudur. After reaching the town, Yus, our driver made some calls to hire us a guide. We got a good guide named Prono (not sure of the spelling of his name) who charged us IDR 150,000 per person for the whole Dieng experience, which included the Arjuna temple, the Sikidang Crater and the Telaga Warna.

 

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The Arjuna Complex. See the other temples being restored

The Arjuna Complex was the first place we went to in Dieng. The temples are in the process of being restored and so we could only see one temple properly. The complex consists of five main temples which are clustered together on the central plain. They are Shiva temples, but like the other Dieng temples they have been named after the heroes of the wayang stories of the Mahabharata epic: Arjuna, Puntadewa, Srikandi, Sembadra and Semar. All have mouth-shaped doorways and strange bell-shaped windows and some locals leave offerings, burn incense and meditate here.

 

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The main temple in the complex

Raised walkways link the temples (as most of this land is waterlogged), and you can see the remains of ancient underground tunnels, which once drained the marshy flatlands.
Candi Gatutkaca is a small Shiva temple (a yoni was found inside) with a square base south of the main complex.

 

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The moonscape landscape of the Sikidang Crater

After spending some time in the temple complex, we moved on to the Sikidang Crater.
The Sikidang Crater looks what the moon would probably look like in daytime. It’s nothing what coes to your mind when you think of a volcanic crater. Instead, it’s open and covered with rocks and ash, with steam raising out of the many crevices in the rocks and many frantically bubbling mud pools. We were told the temperature in the mud pools is around 800 degrees celcius and even putting your hands lightly over any of the vents will give you the impression of the immense pressure and heat inside the earth!

 

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A closeup of one of the smaller mud pools

There is loads of hydrogen sulphide beneath the rocks and this gives the area, the distinctive rotting eggs odour. You can actually buy eggs at the crater and cook them at the edge of the crater to have cooked sulphuric eggs. We passed this as we are vegetarians though.

 

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View of the Crater from the small hill we climbed. See the steam from the crater…

We also climbed a small hillock there and up at the top, we had the impression we were among the clouds. There were some low lying clouds which reinforced this impression.
Exercise extreme caution at the crater – there are no guard rails to keep you from slipping off the sometimes-muddy trails into the scalding-hot waters. The rocks are also very slippery and it was only because of our guide we were able to make the climb to the top. Unless you have someone who knows the area, do keep care and watch where you go.
The government is now harnessing all that geothermal energy and there is a huge geothermal electricity plant in Dieng which harnesses this energy and supplies power to the Java power grid.

 

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A Carica tree….

We also got to hear and see a local fruit here, called the Carica. This fruit is supposedly found only in Dieng and in far-away Brazil. This looks like a tiny papaya and is quite sweet and has a rubbery texture. We found this fruit and products made from the fruit all over Dieng.

 

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Candi Bhima

After the Crater, we wanted to go to the Coloured lake, but our guide asked us to make a small detour to the Candi Bhima or the Bhima temple (the second Pandava brother in the Mahabharat). After a small stroll in the temple, we moved to the lake.

 

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Telaga Warna 

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Telaga Warna

Exquisitely beautiful and ringed by highland forest, the Telaga Warna (coloured lake) has turquoise and cobalt hues from the bubbling sulphur deposits around its shores. Instead of taking us to the lake shore, our guide took us to the top of a hill where we had to clamber some steps to see the lake from a different perspective. The lake shore is supposed to be very dirty and this was the reason we were given. My guess is that he pocketed the entrance fee to the lake and took us to a place where there was no entrance fees!
The lake is one of the three main sights on the Dieng Plateau. The lake appears to be a water-filled caldera with several active gas vents below the water’s surface, and signs there are sometimes some active vents around the shore. There are actually two lakes, the bigger one is the coloured lake while the smaller one is supposed to be clear, but with pollution and littering, it is now muddy in colour. The larger lake displays bands of color from pale yellow to emerald green, depending on the proximity to the vents.

 

 

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The documentary we saw…

After the lake, we visited the visitor centre which was just 400 meters from the point we saw the lake. We waited a while and saw a documentary on the history of the plateau. The documentary was in Bahasa Indonesia, but had English subtitles and with this we heard more than the guide told us about the area.

At the end of the movie, it was past one and we were starving. The guide took us back to the big village near the Arjuna complex and we had one of the best meals in Yogyakarta. Simple, homely fare, but bursting with fresh vegetables, the meal was awesome!

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The source of the River Serayu….

After the meal, the guide took us to the source of the Serayu river which is supposed to be a very holy river in Central Java. The source was just a few hundred yards from our lunch place and comes out through a sprout. Local legend says that if you bathe your water in the water, you will look young forever! We did wash our faces and sprinkled some of the holy water on our bodies before saying good-bye to the guide and the plateau.

The return back to Yogyakarta was a long one, especially since there were many traffic jams on the winding roads. We went on a Friday, which is traditionally market days in the small towns between Dieng and Yogyakarta and the 3.5 hour journey took slightly more than 5 hours to get back….

Once back at the hotel, we quickly freshened up and went to the Sheraton for dinner. The Sheraton has an Indian restaurant in-house called Ganesha Ek Sanskriti which served delicious food. The price for the quality was very reasonable. The only problem was that after the meal, we had to wait for quite a while to get a taxi to get back to the hotel. The Sheraton is set a bit away from the main road and so unless a taxi drops off someone, you have to wait a while for your turn!

We were extremely tired and went to bed immediately. The next day was also going to be an action packed one, but we were going to start a bit later, which was small consolation. We were going to see the Palace, the Prambanan temple, Batu Rako and the icing on the cake being the Ramayan ballet performance we were going to see later that night.
Blog posts for all that coming up real soon, so watch this space!

 

Yogyakarta Day 2: Borobudur

Yogyakrta, pronounced as Jogjakarta and called Jogya by the locals is located in in the centre of Java island of Indonesia. It is renowned as a centre of education, classical Javanese fine art and culture such as batik, ballet, drama, music, poetry, and puppet shows. Yogyakarta was the Indonesian capital during the Indonesian National Revolution from 1945 to 1949. Kotagede, which is in present day Jogya was the capital of the Mataram Sultanate between 1575 and 1640. The city is named after the Indian city of Ayodhya from the Ramayana epic. Yogya means “suitable, fit, proper”, and karta, “prosperous, flourishing” (i.e., “a city that is fit to prosper”).

Borobudur against the lights from the Manohara hotel

Day 2 in Yogya started with a very early morning start. Yus, our driver, was waiting for us at the hotel reception at 3:30 am to take us to Borobudur, a UNESCO world heritage site. Borobudur, or Barabudur, is a 9th-century Mahayana Buddhist Temple consisting of nine stacked platforms, six square and three circular, topped by a central dome. The temple is decorated with 2,672 relief panels and 504 Buddha statues. The central dome is surrounded by 72 Buddha statues, each seated inside a perforated stupa and is the world’s largest Buddhist temple, as well as one of the greatest Buddhist monuments in the world.

A section of the monument

The temple was built in the 9th century during the reign of the Sailendra Dynasty and designed in Javanese Buddhist architecture, which blends the Indonesian indigenous cult of ancestor worship and the Buddhist concept of attaining Nirvana. The temple also demonstrates the influences of Gupta art that reflects India’s influence on the region, yet there are enough indigenous scenes and elements incorporated to make Borobudur uniquely Indonesian. The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path around the monument and ascends to the top through three levels symbolic of Buddhist cosmology: Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). The monument guides pilgrims through an extensive system of stairways and corridors with 1,460 narrative relief panels on the walls and the balustrades. Borobudur has the largest and most complete ensemble of Buddhist reliefs in the world. A couple of weeks before we were there, Buddhists in Indonesia celebrated Vesak Day which is the day Buddha attained Nirvana and the temple, according to our driver Yus was crowded with pilgrims who spent the night at the complex.

Tourists waiting in vain for sunrise

We reached the complex after an hour of driving and reached the Manohara hotel complex from where we needed to buy the tickets for the sunrise. There were around 50 odd people there buying tickets when we arrived. The tickets cost for an adult is IDR 400,000 (approximately USD 30). Children between 1-5 years old get in free and those between 6-11 pay half the adult rate. For sunrise, you can be in the complex between 4:30 am to around 6:30 am. The ticket price also entitles you to a small snack and coffee/tea at the Manohara hotel. For those staying in the hotel, the tickets are cheaper and I guess this is something to plan for.

A terrace of the monument  from the topmost tower

We reached the monument around 5ish and went up the steps. The steps are quite steep, but you get a torch along with your ticket. We waited for the sun to rise, but the day started out cloudy and didn’t see the sunrise because of the clouds. We seem to be singularly ill fated to see sunrises at historical monuments – around 2 years back, the same thing happened at Angkor Wat and we couldn’t see the sun rise due to clouds!

The steep steps waiting to be tackled

We spent a couple of hours walking around the complex taking photos and then decided to walk back to the hotel and the car when we realised it was already daytime and there was going to be no sun that day. We had our hotel pack some breakfast for us and so decided to have that along with the snacks and tea/coffee at the Manohara before heading out to our next destination, the Dieng Plateau.

Another section at the top

The misty and cloudy complex when we were leaving