Festivals of India: Jagannath Rath Yatra

Also known as the Chariot Festival, the Jagannath Rath Yatra is an annual Hindu celebration holding immense cultural and spiritual significance in Odisha and beyond. This grand festival commemorates the annual journey of Lord Jagannath, along with his elder brother Balabhadra and sister Subhadra, from the Jagannath Temple in Puri to the Gundicha Temple, where they reside for nine days before returning to their abode.

The Jagannath Rath Yatra festival has a rich history and deep-rooted origins in Hindu mythology and scriptures. According to the Brahma Purana, Padma Purana, Skanda Purana, and Kapila Samhita, the festival symbolises the fulfilment of a wish made by Subhadra, the sister of Lord Jagannath, to travel to the Gundicha Temple in Puri, believed to be their aunt’s house. To honour her desire, Lord Jagannath and his elder brother Balabhadra embarked on a journey to Puri, accompanied by Subhadra, in chariots, marking the beginning of this grand celebration. This annual pilgrimage of the deities from their home temple to their aunt’s temple is symbolised by the Rath Yatra festival. Historical accounts and inscriptions suggest that the festival was celebrated during the reign of King Purushottama Deva in the 12th century. The Jagannath Temple, where the deities reside, was constructed by Chodaganga Deva of the Ganga Dynasty in the 12th century. The festival’s popularity and significance have transcended geographical boundaries, with the International Society for Krishna Consciousness (ISKCON) spreading the celebrations to over 108 cities worldwide since 1968.

The festival holds immense spiritual significance for the devotees of Lord Jagannath, who is revered as an avatar or incarnation of Lord Vishnu and considered the Lord of the Universe in Hindu scriptures. The Jagannath Temple in Puri, where the deities reside, is one of the four sacred pilgrimage sites or one of the Char Dham sites in India, making it a site of profound reverence for Hindus worldwide.

The Yatra is a nine-day extravaganza filled with vibrant rituals, colourful processions, and an atmosphere of devotion and festivity. The festivities commence on the Shukla Paksha Dwitiya, the second day of the bright fortnight of the Hindu month of Ashadha, which typically falls in June or July according to the Gregorian calendar. This year, it fell on July 7.

The festival’s highlight is the grand chariot procession, where the deities of Lord Jagannath, Balabhadra, and Subhadra are placed on three massive, intricately carved wooden chariots known as raths. These chariots are meticulously constructed by skilled carpenters known as Maharanas over several weeks and have their own name and distinct design. The chariots are then pulled by thousands of devotees using thick ropes, accompanied by the rhythmic chanting of mantras, the beating of drums, and the blowing of conches. The procession moves along the Bada Danda or Grand Avenue in Puri, with the deities going to the Gundicha Temple, where they reside for nine days.

Throughout the nine-day festival, various rituals and celebrations take place, each holding its significance and adding to the overall grandeur of the event. On the day before the Rath Yatra, the deities are ceremonially bathed with 108 pitchers of water, known as the Snana Yatra or Bathing Ritual, symbolising purification and preparation for the journey. Pahandi Vijay is a ritual that marks the ceremonial transfer of the deities from the Jagannath Temple to the chariots, amidst chanting and devotional music. During the procession, devotees enthusiastically sweep the path ahead of the chariots with water, symbolising purification and devotion. This is known as Chhera Pahara or Sweeping with Water. On the fifth day, or Hera Panchami, the deities are offered a special meal, and devotees observe fasting and seek blessings. After nine days at the Gundicha Temple, the deities embark on their return journey to the Jagannath Temple, the Bahuda Yatra or the Return Journey, marking the culmination of the festival. On the final day, the deities are adorned with exquisite gold jewellery and ornaments, called Sunabesa or Adorning with Gold, symbolising their divine opulence. As the deities return from the Gundicha Temple, they stop at the Mausi Maa Temple or the Aunt’s Abode, where they are offered Poda Pitha, a special type of pancake believed to be Lord Jagannath’s favourite. On the way back from the Gundicha Temple, the chariot of Lord Jagannath pauses near the crematorium of Salabega, a Muslim devotee, to pay tribute to his unwavering devotion.

The Gundicha Temple holds immense significance in the Jagannath Rath Yatra festival. It is considered the Garden House or the aunt’s abode of Lord Jagannath, where the deities reside for nine days during the annual chariot festival. Several important rituals and ceremonies take place at the Gundicha Temple during the nine-day festival. One of the most significant is the Hera Panchami ritual, celebrated on the fifth day, where the deities are offered a special meal. The temple also houses the sacred Ratnavedi, a raised platform made of chlorite stone, where the deities are placed and worshipped during their stay. Gundicha Temple is an architectural masterpiece, built in the Kalinga style of temple architecture. Its intricate carvings, sculptures, and elaborate stonework showcase the finesse of Odisha’s cultural heritage. According to the Bamadev Samhita, witnessing the deities on the Simhasana or the sacred seat of the Gundicha Temple for a week is believed to grant a place in the heavenly abode of Vaikuntha for the devotees and their ancestors.

The three massive chariots used in the procession are engineering marvels, standing over 45 feet tall and weighing several tons. The intricately carved chariots with vibrant colours are meticulously constructed annually by skilled carpenters known as Maharanas. Each of the deities, Lord Jagannath, Lord Balabhadra, and Devi Subhadra have their chariot with their distinct name, size, and colour scheme. Lord Jagannath’s chariot is known as Nandighosa. It stands at an imposing 45 feet high and 45 feet square at the wheel level. It has 16 wheels, each 7 feet in diameter, and is decked with a canopy of red and yellow cloth, signifying Lord Jagannath’s association with Lord Krishna or Pitambara. The chariot of Lord Balabhadra is called Taladhwaja, meaning the one with the palm tree on its flag. It is 44 feet high, with 14 wheels of 7 feet in diameter each, and is covered with red and blue cloth. Devi Subhadra’s chariot is known as Darpadalana, which translates to the trampler of pride. It stands 43 feet high, with 12 wheels of 7 feet in diameter, and is adorned with a covering of red and black cloth, with black symbolising the Mother Goddess and Shakti.

The chariots are not just massive structures but also artistic marvels. Each chariot is adorned with intricate carvings and painted wooden images called Parsva Devatas, representing various deities on the sides. The wheels, charioteers, and horses are also intricately carved and painted with vibrant colours and designs. Each chariot is attached to four horses of different colours – white for Balabhadra, dark for Jagannath, and red for Subhadra. The chariots also have their charioteers or sarathis – Matali for Jagannath, Daruka for Balabhadra, and Arjuna for Subhadra.

The construction of these chariots is a laborious process that begins months before the festival. The wood for the chariots is sourced from the former princely state of Dasapalla and transported to Puri via the Mahanadi River. A team of carpenters with hereditary rights and privileges build the chariots using specified types of wood like Phasi and Dhausa. The grand chariots are vehicles for the deities and symbols of Odisha’s rich cultural heritage and craftsmanship. Their sheer size, intricate designs, and meticulous construction process make them an integral part of the Jagannath Rath Yatra festival’s grandeur and spectacle.

During the Rath Yatra, the Jagannath Temple, which is usually off-limits to non-Hindus, opens its doors to people of all faiths and backgrounds, allowing them to participate in the festivities and seek blessings. The Jagannath Rath Yatra has transcended geographical boundaries and is now celebrated in over 108 cities worldwide, thanks to the efforts of the International Society for Krishna Consciousness or ISKCON. The Jagannath Rath Yatra is a magnificent celebration that seamlessly blends ancient traditions with contemporary cultural expressions. It is a testament to the enduring spiritual and cultural heritage of Odisha and India, attracting millions of devotees and visitors from around the world each year. The festival’s unique rituals, vibrant processions, and the spirit of devotion and inclusivity make it a truly unforgettable experience for all who witness it.

Festivals of India: Jagannath Rath Yatra

Yesterday, June 23, was the most important festival in the state of Odisha. It was the chariot festival or the rath yatra of its most famous dieties, the Jagannath of Puri.

The term Rath Yatra particularly refers to the annual Rathajatra in Odisha, Jharkhand, West Bengal and other East Indian states, particularly the chariot festival fof Puri that involves a public procession with a chariot with deities Jagannath, an avatar of Lord Vishhnu, his brother Balabhadra and his sister Subhadra, along with his weapon, the Sudarshana Chakra on a ratha, a wooden deula-shaped chariot. The rath yatra attracts over a million Hindu pilgrims who join the procession each year.

According to Knut Jacobsen, a Rathayatra has religious origins and meaning, but the events have a major community heritage, social sharing and cultural significance to the organisers and participants. Ratha Yatra processions have been historically common in Vishnu-related traditions in Hinduism across India, as well as in Shiva-related traditions, and amongst the Thirtankars in Jainism and the saints and goddesses in Nepal plus the tribal folk religions found in the eastern states of India.

Derived from two Sanskrit words, Ratha meaning chariot or carriage and yatra which means a journey or pilgrimage, the word Ratha Yatra means a pilgrimage which the deity will undertake in a chariot, accompanied by the public. The term appears in the medieval texts of India as the Puranas, which mention the Rathayatra of Surya or the Sun god, of Devi or the Mother Goddess, and of Vishnu. These chariot journeys have elaborate celebrations where the individuals or the deities come out of a temple accompanied by the public journeying with them through the Kshetra which refers to the region, city or even the local streets to another temple or to the river or the sea. Sometimes the festivities include returning to the sacrosanctum of the temple.

The Jagannath Ratha Yatra also called the Car or Chariot Festival is the oldest Ratha Yatra descriptions can be found in Brahma Purana, Padma Purana, Skanda Purana and Kapila Samhita. This annual festival is celebrated on Ashadha Shukla Paksha Dwitiya or the second day in bright fortnight of Ashadha month. This year it was on 23 June 2020. The festival commemorates Lord Jagannath’s annual visit to the Gundicha Temple via the Mausi Maa or the maternal aunt’s Temple near Saradha Bali in Puri.

As part of the Ratha Yatra, the deities Lord Jagannath, his elder brother Lord Balabhadra and younger sister Devi Subhadra, along with the Sudarshan Chakra, are taken out in a procession out of the main shrine of Jagannath Temple and placed in the Ratha or Chariot which are ready in front of the Temple in a process called ‘Pahandi’. The procession starts with ‘Madan Mohan’ then ‘Sudarshana’ Balabhadra, Subhadra, and Jagannath Deva.

After that, Gajapati Maharaja, the king of Puri, who is also known as the first servitor of the Lords, does the ‘Chhera Pahanra’ ritual or the holy cleaning of the chariots in which the king wears the outfit of a sweeper and sweeps all around the deities and the chariots. The Gajapati King cleanses the road before the chariots with a gold-handled broom and sprinkles sandalwood water and powder with utmost devotion. This ritual signified that under the lordship of Jagannath, there is no distinction between the powerful sovereign Gajapati King and the most humble devotee. After this ritual, finally the devotees pull the chariots up to the Gundicha Temple, which is also known as the birthplace of the Lords.

Once the deities reach the Gundicha temple, in the onward car festival, they are taken in the Pahandi and installed on the holy platform, called the Ratna Simhasan. The Lords remain at the Gundicha Temple for nine days. After that, the process of taking back the deities to the Main temple is observed. The return journey or return car festival of Puri Jagannath Ratha Jatra is known as Bahuda Yatra or Punar Yatra.

Three richly decorated chariots, resembling temple structures, are pulled through the streets of Puri called Badadanda. This commemorates the annual journey of Lord Jagannath, Lord Balabhadra, and their sister Devi Subhadra to their aunt’s temple, the Gundicha Temple which is situated at a distance of over 3 km from the main temple. The chariots are richly decorated with painted flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne by local artists and painters. The huge chariots of Jagannath pulled during Rath Jatra is the etymological origin of the English word Juggernaut. The Ratha-Jatra is also termed as the Shri Gundicha jatra.This is the only time when devotees who are not allowed in the temple premises, such as non-Hindus and foreigners, get a glimpse of the deities.

The three chariots of Balabhadra, Subhadra and Jagannatha are newly constructed every year with wood of specified trees. They are customarily brought from the ex-princely state of Dasapalla by a specialist team of carpenters who have hereditary rights and privileges for the same. The logs are traditionally set afloat as rafts in the river Mahanadi. These are collected near Puri and then transported by road. The three chariots are decorated as per the unique scheme prescribed and followed for centuries. Covered with bright canopies made of stripes of red cloth and combined with those of black, yellow and green colours, the huge chariots are lined across the wide avenue in front of the majestic temple close to its eastern entrance, which is also known as the Sinhadwara or the Lion’s Gate.

Lord Jagannatha’s chariot is called Nandighosa. It is forty-five feet high and forty-five feet square at the wheel level. It has sixteen wheels, each of seven-foot diameter, and is decked with a cover made of red and yellow cloth. Lord Jagannatha is identified with Krishna, who is also known as Pitambara, the one attired in golden yellow robes and hence the distinguishing yellow stripes on the canopy of this chariot. The chariot of Lord Balarama, called the Taladhwaja, is the one with the Palm Tree on its flag. It has fourteen wheels, each of seven-foot diameter and is covered with red and green cloth. Its height is forty-four feet. The chariot of Subhadra, known as Dwarpadalana, literally “trampler of pride,” is forty-three feet high with twelve wheels, each of seven-foot diameter. This chariot is decked with a covering of red and black cloth – black being traditionally associated with Shakti and the Mother Goddess.

Around each of the chariots are nine Parsva devatas, painted wooden images representing different deities on the chariots’ sides. Each of the chariots is attached to four horses. These are of different colours – dark ones for Balarama, white ones for Jagannatha, and red ones for Subhadra. Each chariot has a charioteer called Sarathi. The three charioteers attached to the chariots of Jagannatha, Balarama and Subhadra respectively are Daruka, Matali and Arjuna.

During the annual event, devotees from all over the world throng to Puri with an earnest desire to help pulling the Lords’ chariots. They consider this as an auspicious act. The huge processions accompanying the chariots play devotional songs with drums, sounding plates of bell metal, cymbals, etc. The Ratha carts themselves are approximately 45 feet high and 35 feet square and it takes about 2 months to construct the chariots which are pulled by the thousands of pilgrims who turn up for the event; the chariots are built anew each year only from the Neem tree and the wood of no other tree is used.

There are 6 events which are considered as the key activities of this annual spectacular event:

  1. The ‘Snana Yatra’ is the one where the Deities take bath and then fall sick for almost 2 weeks. They are thus treated with ayurvedic medicines and a set of traditional practices.
  2. On ‘Sri Gundicha’, the Deities are taken in the onward car festival from the main shrine to the Gundicha Temple.
  3. On the Bahuda Yatra, the return car festival, the Lords are brought back to the main Temple.
  4. The Suna Besha or Golden Attire is the event when the Deities wear golden ornaments and give darshan from the chariots, to the devotees.
  5. The ‘Adhara Pana’ is an important event during Ratha Yatra. On this day sweet drink is offered to the invisible spirits and souls, who would have visited the celestial event of the Lords, as believed by the Hindu tradition.
  6. And finally the Deities are taken back inside the main shrine i.e. the Jagannath Temple and installed on the Ratna Simhasan, on the last day of the Ratha Yatra activity which is called as ‘Niladri Bije’.

This year, because of the coronavirus panademic and the Covid-19 situation in India and especially in the state of Odisha, with many states under lockdown, uncertainty looms large over the conduct of the annual Rath Yatra for the first time in 284 years. The festival even took place during the great famine of 1766 which was believed to have killed millions and during the cholera epidemic. The festival which took place in Puri this year, was just a token festival which was shorn of all the guander and pomp and pageantry it usually has. The rituals leading to the festival which usually takes place outside took place inside the temple and the festival was short of its usual pomp and splendor without devotes in a historic first, a day after the Supreme Court of India allowed the state to hold the seven-day chariot festival in a restricted fashion amid the coronavirus.

I hope in the near future, when things are more normal, I can make it to Puri to witness this grand spectacle. If you want to read more about the state of Odisha, which I have written in detail, please read Part 1, Part 2, Part 3, Part 4 and Part 5.