In My Hands Today…

Have I Told You This Already?: Stories I Don’t Want to Forget to Remember – Lauren Graham

With her signature sense of humor and down-to-earth storytelling, Lauren Graham opens up about her years working in the entertainment business—from the sublime to the ridiculous—and shares personal stories about everything from family and friendship to the challenges of aging gracefully in Hollywood. In “RIP Barneys New York,” she writes about an early job as a salesperson at the legendary department store — and the time she inadvertently shoplifted; in “Ne Oublie” she warns us about the perils of coming from an extremely forgetful family; and in “Actor-y Factory” she recounts what a day in the life of an actor looks like (unless you’re Brad Pitt).

Filled with surprising anecdotes, sage advice, and laugh-out-loud observations, Graham’s latest collection of all-new, original essays showcases the winning charm and wit that she’s known for.

In My Hands Today…

How to Be Idle – Tom Hodgkinson

Yearning for a life of leisure? In 24 chapters representing each hour of a typical working day, this book will coax out the loafer in even the most diligent and schedule-obsessed worker.

From the founding editor of the celebrated magazine about the freedom and fine art of doing nothing, The Idler, comes not simply a book, but an antidote to our work-obsessed culture. In How to Be Idle, Hodgkinson presents his learned yet whimsical argument for a new, universal standard of living: being happy doing nothing. He covers a whole spectrum of issues affecting the modern idler—sleep, work, pleasure, relationships—bemoaning the cultural skepticism of idleness while reflecting on the writing of such famous apologists for it as Oscar Wilde, Robert Louis Stevenson, Dr. Johnson, and Nietzsche—all of whom have admitted to doing their very best work in bed.

It’s a well-known fact that Europeans spend fewer hours at work a week than Americans. So it’s only befitting that one of them—the very clever, extremely engaging, and quite hilarious Tom Hodgkinson—should have the wittiest and most useful insights into the fun and nature of being idle. Following on the quirky, call-to-arms heels of the bestselling Eat, Shoots and Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss, How to Be Idle rallies us to an equally just and no less worthy cause: reclaiming our right to be idle.

In My Hands Today…

The World Deserves My Children – Natasha Leggero

When Natasha Leggero got pregnant at forty-two after embarking on the grueling IVF process, she was over the moon. But once her feelings of bliss dissipated, she couldn’t help but shake the lingering question: Am I doing this right? And then, Should I be doing this if the world is about to end?

In The World Deserves My Children, Natasha explores themes like “geriatric” motherhood, parenting in an environmental panic, fear and love, discipline (and conflicting schools of thought on how not to raise a brat), and more. Ultimately, Natasha determines that motherhood is worth it. After all, where do you think the next five generations of humans will be if the only people who are having kids don’t believe in science? The world deserves my children.

In My Hands Today…

The Art of Travel – Alain de Botton

Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why. With the same intelligence and insouciant charm he brought to How Proust Can Save Your Life, de Botton considers the pleasures of anticipation; the allure of the exotic, and the value of noticing everything from a seascape in Barbados to the takeoffs at Heathrow.

Even as de Botton takes the reader along on his own peregrinations, he also cites such distinguished fellow-travelers as Baudelaire, Wordsworth, Van Gogh, the biologist Alexander von Humboldt, and the 18th-century eccentric Xavier de Maistre, who catalogued the wonders of his bedroom. The Art of Travel is a wise and utterly original book. Don’t leave home without it.

In My Hands Today…

Jasmine and Stars: Reading More Than Lolita in Tehran – Fatemeh Keshavarz

In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present-day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans.

Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the New Orientalist narrative, a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran.

Blending in firsthand glimpses of her own life–from childhood memories in 1960s Shiraz to her present life as a professor in America–Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar’s expertise and a poet’s hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country’s past and present.

In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the New Orientalist narrative, which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. Keshavarz offers a lively critique of the best-seller Reading Lolita in Tehran, which she says epitomizes this New Orientalist attitude. Blending in firsthand glimpses of her own life, Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity.