Sacred Stones, Spaces and Stories: Shakthipeeta Part 18

Ratnavali, Khanakul I, West Bengal
Also known as the Anandamayee Shakti Peeth, the Ratnavali Shakti Peeth is a sacred temple located in Khanakul-Krishnanagar, Hooghly district. Nestled on the banks of the Ratnakar River, this ancient shrine is dedicated to Maa Kumari, and Lord Shiva is worshipped as Bhairava.

It is believed that Sati’s right shoulder fell at this location in Khanakul-Krishnanagar. The temple has been a centre of devotion for centuries and is known locally as the Anandamayee Shakti Peeth. The name Ratnavali translates to a string of gems, symbolising the divine radiance and spiritual wealth associated with this sacred site. The current structure reflects traditional Bengali temple architecture and has undergone renovations over time to preserve its sanctity.

Goddess Sati is worshipped here as Maa Kumari, symbolising purity and divine energy. Lord Shiva is revered as Bhairava, representing his protective aspect. The right shoulder or dakshina skandha of Sati fell at this site.

The temple is situated on the tranquil banks of the Ratnakar River, adding to its serene ambiance. Devotees believe that the river’s waters carry divine blessings and often perform purification rituals before entering the temple. The sanctum sanctorum houses an intricately carved idol of Maa Kumari adorned with ornaments and flowers. Adjacent to her shrine is a smaller shrine dedicated to Bhairava, symbolizing Lord Shiva’s presence as her protector. The temple features traditional Bengali architecture with a curved roof or chala and terracotta designs on its walls. Its simplicity emphasizes spiritual connection over material grandeur. During Navratri, the temple becomes a hub of religious activity with grand decorations, cultural performances, and community feasts. Despite being located in a relatively remote area, the temple is well-connected by road and rail. Pilgrims often travel from Howrah or Kolkata to visit this sacred site.

Daily worship includes the morning and evening aartis and devotees offer flowers, especially hibiscus, fruits, sweets, incense sticks, and coconuts to Maa Kumari while chanting hymns like Durga Saptashati. Navratri is celebrated twice a year in March-April and September-October with great fervor. Special pujas are performed over nine days to honor Maa Kumari’s nurturing aspect. Devotees observe fasting during these nine days as an act of devotion. Durga Puja is one of the most vibrant festivals celebrated at Ratnavali Shakti Peeth. Elaborate rituals are conducted to honor Mahishamardini Durga’s victory over evil forces. The deity is adorned with new clothes and jewelry donated by devotees during this time.

Dedicated to Bhairava or Lord Shiva, Maha Shivratri involves night-long prayers and abhishekam with milk, honey, ghee, curd, and holy water. Devotees light oil lamps around the temple premises as part of their offerings. Havan ceremonies are conducted during auspicious occasions like Navratri and Shivratri to invoke divine blessings for prosperity and protection.

According to legend, when Sati’s right shoulder fell at this site after being dismembered by Vishnu’s Sudarshan Chakra, it radiated immense divine energy that sanctified the surrounding area. Devotees believe that this energy still permeates the temple premises, making it a powerful center for spiritual awakening. Local lore suggests that Bhairava appeared in his fierce form to protect this sacred site from negative energies after Sati’s right shoulder fell here. His presence ensures balance and harmony at Ratnavali Shakti Peeth. It is believed that devotees who pray earnestly at Ratnavali Shakti Peeth experience miraculous healing from ailments. Many pilgrims visit the temple seeking relief from physical and emotional hardships through Maa Kumari’s blessings.

The Ratnavali Shakti Peeth offers visitors a unique spiritual experience rooted in mythology, devotion, and natural beauty. Whether you seek spiritual solace or wish to explore India’s rich cultural heritage, visiting this ancient shrine will leave you feeling connected to the divine feminine energy.

Trishrota/Bhramari Devi, Jalpaiguri, West Bengal
The Bhramari Devi Temple, also known as the Trisrota Shakti Peetha, is a revered Hindu shrine located in Bodaganj village, Jalpaiguri district. Nestled on the banks of the Tista River, this temple is one of the 51 sacred Shakti Peethas, where it is believed that the thumb of Sati’s left leg fell.

The temple is named after Maa Bhramari, an incarnation of Goddess Durga who is associated with bees or bhramara in Sanskrit. According to legend, Maa Bhramari transformed into a swarm of bees to defeat a demon named Arun Asura who had terrorised heaven and earth. Her fierce yet protective nature earned her the title Goddess of Bees. Lord Shiva, worshipped here as Ambar Bhairava.

While the exact date of the temple’s construction remains unknown, it has been a center of devotion for centuries. The temple’s serene location on the banks of the Tista River adds to its spiritual ambiance and makes it an ideal destination for meditation and worship.

Maa Bhramari is known as the Goddess of Bees. Devotees believe that her divine energy manifests through bees that protect her temple. Honey, associated with bees, is offered as a sacred item during rituals. The temple is located on the banks of the Tista River, also known as Trisrota, meaning three streams. The river’s tranquil flow creates a serene environment that enhances meditation and spiritual practices. Unlike many temples that house stone or metal idols, Maa Bhramari is represented by a symbolic stone structure adorned with flowers and sacred cloths. The temple features traditional Bengali architectural elements with minimal ornamentation. Its natural setting amidst greenery adds to its charm. Devotees believe that Maa Bhramari possesses miraculous powers to heal ailments, bless couples with children, and protect devotees from evil forces.

The rituals at Trisrota Shakti Peetha reflect ancient Hindu traditions combined with local customs. Daily pujas are performed by priests who offer flowers, especially hibiscus, fruits, honey, incense sticks, and coconuts to Maa Bhramari. Morning Aarti begins at sunrise with chanting of hymns like Durga Saptashati. Evening Aarti concludes with lighting oil lamps around the temple premises. Bhramari Puja, a special 10-day festival dedicated to Maa Bhramari takes place annually in July-August. During this time the temple is decorated with flowers and lights, devotees offer honey as a sacred item, and cultural performances and community feasts are organised.

Navratri is celebrated twice a year in March-April and September-October with grand rituals honoring Maa Bhramari’s protective aspect. Devotees observe fasting during these nine days to seek blessings for prosperity and protection. Honey or madhu is considered sacred due to its association with bees and is offered daily at Maa Bhramari’s altar. Yagnas are conducted during auspicious occasions like Navratri to invoke divine blessings for health, wealth, and spiritual growth.

According to legend, Arun Asura was a cruel demon who terrorised heaven and earth after gaining immense power through penance. He drove out gods from their celestial abodes and harassed their families. In desperation, they sought help from Maa Parmeshwari, another form of Goddess Durga, who transformed into Maa Bhramari—a giant bee surrounded by swarms of bees. Maa Bhramari attacked Arun Asura with her swarm, piercing his chest repeatedly until he was defeated. This victory symbolises triumph over evil forces and establishes Maa Bhramari as a fierce protector.

Devotees believe that Maa Bhramari possesses miraculous healing powers. Many pilgrims visit the temple seeking relief from physical ailments or emotional distress after hearing stories of miraculous recoveries attributed to her blessings. It is said that those who offer honey at Maa Bhramari’s altar with sincere devotion often see their wishes fulfilled—whether related to financial stability, fertility, or personal growth.

The Trisrota Shakti Peetha with its unique rituals like honey offerings emphasise simplicity in worship while preserving ancient traditions. Whether you seek spiritual solace or wish to explore India’s rich cultural heritage, visiting this ancient shrine will leave you feeling connected to the divine feminine energy embodied by Maa Bhramari.

Nandikeshwari Temple, Sainthia, West Bengal
Believed to be where the necklace of Sati fell, the Nandikeshwari Temple, located in Sainthia, Birbhum district is dedicated to Maa Nandikeshwari, an incarnation of Goddess Durga. The origins of the Nandikeshwari Temple are deeply rooted in Hindu mythology. After Sati’s self-immolation during Daksha Yajna, Lord Vishnu dismembered her body with his Sudarshan Chakra to pacify Lord Shiva’s grief-stricken Tandava. It is believed that Sati’s necklace fell at this site in what was once known as Nandipur village, now part of Sainthia town. This event sanctified the location as one of the 51 Shakti Peethas.

The temple was constructed in 1913 CE, the year 1320 according to the Bengali calendar on an elevated platform. Over time, it has undergone renovations but retains its ancient charm. The name Nandikeshwari derives from Nandi, the sacred bull and follower of Lord Shiva, and Ishwari, meaning goddess. This etymology reflects the temple’s association with both Shiva and Shakti. Sainthia itself is derived from the Bengali term Sain, meaning Islamic priest, symbolising the region’s history of cultural coexistence. The temple stands on the banks of the Mayurakshi River.

Goddess Sati is worshipped here as Maa Nandikeshwari, symbolising divine protection and nurturing energy. Lord Shiva is revered here as Nandikeshwar Bhairava, representing his role as a guardian and protector. The necklace or mala of Sati is believed to have fallen at this site. The combination of Maa Nandikeshwari and Nandikeshwar Bhairava represents the union of nurturing feminine energy with protective masculine power, making this Shakti Peetha a site of immense spiritual significance.

The Nandikeshwari Temple stands out for its distinctive characteristics. The main idol in the temple is a black stone that has turned red over time due to the continuous application of vermilion by devotees. This stone is adorned with a silver crown and three golden eyes symbolizing divine vision. Devotees believe that touching or praying before this sacred stone brings blessings and fulfils wishes.

Adjacent to the temple is an ancient banyan tree where devotees tie red or yellow threads with prayers for wish fulfilment. This practice symbolises their faith in Maa Nandikeshwari’s divine grace. The temple features a pyramidal dome marking Maa Nandikeshwari’s sanctum. Surrounding it are smaller shrines dedicated to other deities like Lord Shiva, Ram-Sita, Radha-Krishna, Saraswati, Lakshmi-Narayana, and Hanuman. The walls overlooking the main temple feature carvings of the Dasa Mahavidya, the ten forms of Goddess Durga, symbolising her diverse manifestations.

The rituals at Nandikeshwari Temple reflect deep-rooted traditions combined with local customs. Daily pujas are performed by priests who offer flowers, fruits, coconuts, rice, incense sticks, and sweets to Maa Nandikeshwari. Morning Aarti begins at sunrise with chanting of hymns like Durga Saptashati, while evening Aarti concludes with lighting oil lamps around the temple premises.

The 10-day Nandikeshwari Utsav is a festival held annually in October-November is one of the most important events at the temple. During this time, the temple is adorned with flowers and lights, special yagnas are conducted to invoke divine blessings, and devotees from across India participate in cultural programs and community feasts. Celebrated on Buddha Purnima, the full moon day commemorating the birth of the Buddha, the festival of Baishakhi Purnima, involves special prayers and offerings at Maa Nandikeshwari’s altar. Devotees light lamps under the banyan tree to seek blessings for prosperity and happiness.

Kali Puja is celebrated with grand rituals honoring Maa Durga’s fierce aspect as Kali. Devotees offer red hibiscus flowers symbolic of power and victory over evil forces. On new moon nights or Amavasya, special Tantric rituals are conducted by priests to invoke Maa Nandikeshwari’s protective energy.

It is believed that when Sati’s necklace fell at this site, it radiated immense divine energy that sanctified not only Sainthia but also its surrounding regions. Devotees claim that this energy can still be felt within the temple premises during meditation or prayer. According to legend, tying threads around the banyan tree adjacent to the temple fulfills devotees’ wishes—whether related to health, prosperity, or personal relationships. Many pilgrims return annually to untie their threads as a gesture of gratitude after their wishes are fulfilled. Devotees believe that Maa Nandikeshwari possesses miraculous healing powers. Many visit the temple seeking relief from physical ailments or emotional distress after hearing stories of miraculous recoveries attributed to her blessings.

The Nandikeshwari Temple, on the banks of the Mayurakshi River provides an ideal setting for meditation and introspection. If one is seeking spiritual solace, visiting this ancient shrine will leave one connected to the divine feminine energy.

Sacred Stones, Spaces and Stories: Shakthipeeta Part 17

Bakreshwar Temple, Siuri Town, West Bengal
The Bakreshwar Temple, located in the Birbhum district, near Siuri Town, is also known as the Mahishamardini Shakti Peetha. The temple is dedicated to Goddess Mahishamardini, a fierce form of Durga, and Lord Shiva, worshipped here as Vakranath Bhairava. Nestled amidst serene surroundings on the banks of the Paaphra River, Bakreshwar Temple’s origins are deeply rooted in Hindu mythology and history. The name Bakreshwar is derived from two Sanskrit words: Vakra or curve or deformity and Ishwar or Lord, referring to Lord Shiva’s manifestation here as Vakranath. The temple complex is believed to have been established during ancient times, with its current structure dating back to 1761 AD, when it was rebuilt by King Darpanarayan.

It is believed that Sati’s eyebrows, symbolic of her mind fell at this location when Lord Vishnu dismembered her body with his Sudarshan Chakra to pacify Lord Shiva’s grief-stricken Tandava. This sanctified Bakreshwar as a Shakti Peetha. The temple also has historical ties to Sage Ashtavakra, who performed intense penance here for 10,000 years. His devotion led Lord Shiva to bless him and declare Bakreshwar a sacred site. The temple’s construction is attributed to Vishwakarma, the celestial architect, who built it on Shiva’s command.

Goddess Sati is worshipped as Mahishamardini, meaning the slayer of Mahishasura. Lord Shiva is worshipped as Vakranath Bhairava, symbolising his protective and meditative aspects. The portion between Sati’s eyebrows, symbolising her mind is believed to have fallen here.

The temple complex houses two main shrines: one dedicated to Goddess Mahishamardini and another to Lord Vakranath. This dual worship reflects the harmonious convergence of Shaivite and Shakta traditions. Bakreshwar is famous for its ten geothermal hot springs, which are considered sacred by devotees. These springs are believed to have been created by Lord Shiva’s tears when he carried Sati’s body. The most prominent spring is called Agni Kund, with water temperatures reaching up to 93°c. Devotees believe bathing in these springs purifies sins and cures ailments. The temple features intricate carvings and domes inspired by Oriya architectural styles. The sanctum houses a beautiful idol of Mahishamardini with ten hands slaying Mahishasura while seated on a lion. A shrine dedicated to Sage Ashtavakra lies within the temple complex. Devotees traditionally visit this shrine before entering the main sanctum. A unique red platform called Panchamukhi Asana or the seat of five skulls is used for Tantric rituals. It is believed that performing sadhana here enhances spiritual power.

The rituals at Bakreshwar Temple are deeply rooted in Tantric practices and traditional Hindu worship. The day begins with Mangala Aarti, the early morning prayers followed by offerings of flowers, fruits, coconuts, and sweets. Devotees chant hymns like the Mahishasura Mardini Stotram during pujas. Navratri is celebrated grandly with special rituals honoring Mahishamardini. Devotees offer red hibiscus flowers, symbolic of power and victory. Cultural programmes and community feasts are organised during this time. Dedicated to Vakranath Bhairava, Maha Shivratri involves night-long prayers and abhishekam, the ritual bathing with milk, honey, ghee, curd, and holy water. Bathing in the hot springs before entering the temple is considered an essential purification ritual for devotees. Tantriks perform esoteric rituals on the Panchamukhi Asana during auspicious nights like Amavasya or the new moon to invoke divine blessings.

One of the most popular legends associated with Bakreshwar revolves around Goddess Mahishamardini slaying the demon Mahishasura. According to Hindu mythology, Mahishasura terrorised heaven and earth with his tyranny. Unable to defeat him, the gods sought help from Goddess Durga, who manifested as Mahishamardini at this site. A fierce battle ensued between the goddess and Mahishasura at Bakreshwar. Armed with divine weapons in her ten hands and riding her lion mount, she vanquished the demon after days of combat. This victory symbolises the triumph of good over evil and establishes Bakreshwar as a site of immense spiritual power.

Sage Ashtavakra performed rigorous penance at Bakreshwar for 10,000 years after being cursed by Rishi Subrita during Satya Yuga, the age of truth. His body was twisted into eight deformities due to his anger but was healed by Lord Shiva after his intense devotion. Shiva not only cured him but also blessed him with enlightenment at this sacred spot. It is believed that those who worship Ashtavakra first before offering prayers at Vakranath Bhairava receive abundant blessings.

Another legend attributes Bakreshwar’s hot springs to Lord Shiva’s grief over Sati’s death. It is said that his tears fell on this land while carrying Sati’s body during his cosmic dance or Tandava, creating these geothermal springs as manifestations of his sorrowful energy. Devotees believe these springs possess healing properties due to their divine origin.

The Bakreshwar Temple offers a unique blend of spirituality, mythology, natural beauty, and cultural heritage. The convergence of Shaivite and Shakta traditions reflects India’s rich spiritual diversity while rituals like Tantric sadhana on Panchamukhi Asana make it an important center for esoteric practices. Whether you seek spiritual solace or wish to explore ancient traditions, visiting this sacred shrine will leave you enriched in mind and spirit!

Kankalitala Temple, Bolpur West Bengal
Located in the serene village of Kankalitala near Bolpur in Birbhum district, the Kankalitala Temple is dedicated to Goddess Sati, worshipped here as Kankaleshwari Devi, and Lord Shiva, revered as Ruru Bhairava. The temple holds immense spiritual significance as it is believed to be the site where Sati’s waist or kankal fell, sanctifying the location as a Shakti Peetha. Nestled on the banks of the Kopai River and surrounded by natural beauty, Kankalitala is a destination for devotees seeking divine blessings and spiritual solace.

According to legend, it is believed that Sati’s waist or kankal fell at this site, creating a depression in the earth that later filled with water to form a sacred pond or kund. The temple has been a center of devotion for centuries. Unlike many grand temples in India, Kankalitala stands out for its simplicity and natural surroundings. The sacred kund near the temple is considered the original form of the goddess at this Shakti Peetha and continues to be worshipped by devotees. The temple structure has undergone renovations over time but retains its ancient charm. The garbhagriha or sanctum sanctorum houses no traditional idol but instead features a large framed painting of Goddess Kali in her Dakshina Kali form, standing atop Lord Shiva.

Goddess Sati is worshipped as Kankaleshwari Devi, symbolising nurturing energy and protection. Lord Shiva is revered as Ruru Bhairava, representing his fierce yet meditative aspect. Sati’s waist or kankal is believed to have fallen here. The combination of Kankaleshwari Devi and Ruru Bhairava represents the union of nurturing feminine energy with protective masculine power, making this Shakti Peetha a site of immense spiritual energy.

The most sacred feature of Kankalitala is the kund or the pond, believed to have formed where Sati’s waist fell. Known as Dudh Pukur, this shallow pond is surrounded by protective walls and steps leading down to its waters. Devotees consider this kund to be imbued with divine energy. However, bathing or collecting water from it is strictly prohibited out of reverence for its sanctity. Unlike most temples that house idols made of stone or metal, Kankalitala features a framed painting of Goddess Kali in her Dakshina Kali form. This unique representation underscores the temple’s simplicity and spiritual focus. The garbhagriha or sanctum santorum is capped by a curved pyramidal roof adorned with a metal spire. Connected to it is a raised rectangular platform called the natmandir, which serves as an area for devotees to view the goddess and participate in rituals. The natmandir also provides respite from the sun and serves as a space for meditation and quiet reflection. Situated on the banks of the Kopai River, the temple offers a tranquil environment surrounded by greenery.

The rituals at Kankalitala Temple reflect traditional Hindu practices combined with local customs. The day begins with Mangala Aarti at dawn. Devotees offer flowers (especially hibiscus), coconuts, fruits, sweets, and incense sticks while chanting hymns dedicated to Goddess Kali. Navratri is celebrated grandly over nine days with special pujas honoring Kankaleshwari Devi. Devotees participate in rituals such as Kumari Puja, the worshipping young girls as manifestations of Shakti, and offer bhog made from rice, fruits, and sweets. During Durga Puja, elaborate rituals are performed to honor Mahishamardini Durga’s victory over evil forces. The temple witnesses large gatherings of devotees who come to seek blessings during this auspicious time.

Dedicated to Ruru Bhairava, Shivratri involves night-long prayers and abhishekam with milk, honey, ghee, curd, and holy water. On Sharad Poornima, the full moon night of the Hindu lunar month of Ashvin which falls in September/October and marks the end of the monsoon season, special prayers are held at the kund under moonlight to invoke divine blessings.

According to legend, when Sati’s waist fell at this site, it created a deep indentation in the earth that later filled with water from divine sources. This pond became known as Dudh Pukur due to its milky-white appearance under moonlight. Devotees believe that Sati’s waist bones lie beneath this pond, making it one of the most sacred features of Kankalitala. Another story explains why there is no traditional idol at Kankalitala Temple. It is said that when priests attempted to install an idol of Goddess Kali here, they experienced divine visions instructing them to preserve her presence through a painting instead. This framed image has since become the focal point of worship at this Shakti Peetha. Local lore suggests that Ruru Bhairava once appeared before devotees who were struggling with hardships and granted them boons after they prayed earnestly at his shrine within the temple complex.

The Kankalitala Temple on the banks of the Kopai River provides an ideal setting for meditation and introspection. Its unique features like the sacred kund and absence of traditional idols emphasise simplicity in worship while preserving ancient traditions. Whether one seeks spiritual solace or wishes to explore India’s rich cultural heritage, visiting this ancient shrine will leave one feeling connected to divine feminine energy.

Kiriteswari Temple, Kiritkona West Bengal
The ancient Kiriteswari Temple, located in the tranquil village of Kiritkona near Lalbagh in Murshidabad district is dedicated to Maa Kiriteswari, also known as Mukuteshwari, and Lord Shiva, revered here as Samvarta Bhairava. Known for its simplicity, spiritual energy, and unique rituals, the Kiriteswari Temple is one of Bengal’s oldest and holiest shrines.

According to legend, it is believed that Sati’s crown or kirit fell at this site in Kiritkona village, sanctifying it as a Shakti Peetha. The temple is one of the oldest in Bengal and has been a centre of devotion for over 1,000 years. Historical records indicate that the original temple was constructed in 1405 but was destroyed by a fire. The present structure was rebuilt in the 19th century by King Darpanarayan Roy of Lalgola. The temple served as the presiding deity for the ruling families of Murshidabad during its golden age. The temple’s architecture reflects a blend of Hindu, Buddhist, and Islamic styles, symbolising harmony and inclusivity. Despite its simplicity, it exudes an aura of divinity that draws devotees from across India.

Goddess Sati is worshipped as Vimala or Mukuteshwari, symbolising purity and divine power. Lord Shiva is revered as Samvarta Bhairava, representing his fierce yet protective aspect. Sati’s crown is believed to have fallen here. Unlike other Shakti Peethas where body parts fell, Kiriteswari is considered an Upa Peetha since an ornament, the crown, fell here instead. This makes it unique among the Shakti Peethas.

The temple does not house a conventional idol or deity. Instead, Maa Kiriteswari is represented by a red-colored stone placed on a high altar within the sanctum sanctorum. The red stone is veiled and is only unveiled during special occasions like Durga Puja Ashtami when it is given a sacred bath. The temple’s architecture reflects a blend of Hindu, Buddhist, and Islamic influences. Its garbhagriha, the sanctum sanctorum, features intricate carvings and a curved roof adorned with a metal spire. The original crown or kirit of Goddess Sati is preserved at Rani Bhabani’s Guptamath, located opposite the temple. Devotees believe this crown radiates divine energy and blessings.

The temple is often referred to as the sleeping place of Mahamaya due to its serene ambiance and association with Goddess Durga’s nurturing aspect. Local legends suggest that Nawab Mir Jafar sought Maa Kiriteswari’s blessings during his final days while suffering from leprosy. He requested her holy Charanamrita or sacred water, which reportedly alleviated his suffering.

Daily pujas are performed by priests who offer flowers, fruits, incense sticks, and sweets to Maa Kiriteswari. Devotees chant hymns like the Devi Mahatmyam during prayers. Durga Puja is celebrated with great fervour at this Shakti Peetha. On Ashtami, the eighth day of the Navaratri festival, special rituals are conducted where the red stone representing Maa Kiriteswari is bathed with milk, honey, ghee, curd, and holy water. A grand feast is organised on Ashtami that attracts thousands of devotees from nearby villages. On Sharad Poornima, special prayers are held under moonlight to invoke divine blessings. The Mahaprasad prepared in the temple kitchen using traditional methods is considered sacred by devotees who partake in it for spiritual fulfilment. Samvarta Bhairava’s shrine within the temple complex witnesses special pujas during Shivratri when devotees offer abhishekam with milk and water to seek his blessings for protection and prosperity.

According to legend, when Sati’s crown fell at this site, it radiated such immense divine energy that it created an aura visible across Murshidabad. Devotees believe this energy still permeates the area around Kiritkona village. Another intriguing story ties Nawab Mir Jafar to this sacred site. On his deathbed, while suffering from leprosy, he sought Maa Kiriteswari’s blessings through her holy Charanamrita. It is believed that her blessings eased his pain and brought him peace during his final moments. Rani Bhabani of Natore played a significant role in preserving Maa Kiriteswari’s legacy by safeguarding her crown at Guptamath. Her devotion ensured that future generations could continue worshipping the goddess with reverence.

The Kiriteswari Temple with its unique features like the absence of traditional idols emphasises simplicity in worship while preserving ancient traditions. Whether you seek spiritual solace or wish to explore India’s rich cultural heritage, visiting this ancient shrine will leave you feeling connected to the divine feminine energy embodied by Maa Kiriteswari.

Sacred Stones, Spaces and Stories: Shakthipeeta Part 16

Varahi Devi Temple, Panchsagar, Uttarakhand
The Varahi Devi Temple, located in the sacred land of Uttarakhand, in the town of Panchsagar is dedicated to Goddess Varahi. According to historical records, the temple’s present structure dates back to the 14th century, though much of its early history remains shrouded in mystery. According to tradition, it is believed that the lower teeth of Goddess Sati fell here. Interestingly, there is some debate about the exact location of this Shakti Peetha. While some sources place it in Varanasi, Uttar Pradesh, others identify it in Panchsagar, Uttarakhand.

At the Varahi Devi Temple, the goddess is worshipped as Varahi, a fierce form of Shakti. The name Varahi itself is significant, meaning with the face of a boar in Sanskrit. This unique representation of the goddess is closely associated with Lord Vishnu’s Varaha avatar. The Bhairava, the fierce manifestation of Lord Shiva who accompanies the goddess at each Shakti Peetha, is known here as Maharudra.

Goddess Varahi is depicted with the head of a female boar, wearing a red sari and adorned with jewels. The temple is revered by all three branches of Sanatana Dharma – Vaishnavism, Shaivism, and Shaktism. Unlike most temples, this shrine is open for only two hours daily, typically between 5:30 and 7:30 am. The temple is believed to be located near a sacred water body while the temple’s structure is said to glow uniquely when sunlight falls upon it, creating mesmerising views.

Despite its limited opening hours, the temple sees a constant flow of devotees offering prayers and seeking blessings. Navratri is celebrated with great gaiety at the temple, with Varahi Navaratri celebrated around June and July each year. Daily rituals include Kshirabhishekam or a milk bath and Kumkumarchana or a vermilion offering to the goddess. Sahasranamam and Ashtottara Shata Namavali are powerful chants that are recited during the daily pujas. The Rath Yatra is a major event celebrated with great devotion and festivals like Durga Puja, Vijaya Dashami, and Kalabham Festival are also celebrated with enthusiasm.

According to the Matsya Purana, Maa Varahi was created by Lord Shiva from the incarnation of Lord Vishnu’s Varaha avatar to slay a demon. She is primarily worshipped at night. It is said that there are two holes at the temple site, believed to be where Sati’s teeth fell. Legend has it that when someone tried to measure their depth years ago, he lost his power of sight. It is believed that Maa Varahi protects the holy city of Varanasi during the night, which is why the temple remains closed during the day. Some devotees believe that worshipping at this temple can help improve eyesight, likely connected to the legend of the unmeasured depth.

The Varahi Devi Temple, with its blend of myth, history, and living faith serves as a cultural centre, preserving ancient traditions and fostering community bonds. Its unique blend of Vaishnava, Shaiva, and Shakta traditions, coupled with its mysterious origins and limited accessibility, makes it a fascinating destination for both devotees and those interested in India’s spiritual heritage.

Attahas Temple, Attahas, West Bengal
The Attahas Temple, also known as the Phullara Shakti Peetha, is located in the village of Dakshindihi, near Katwa in Birbhum district. As one of the 51 Shakti Peethas, it is believed that this is where her lower lip is believed to have fallen. Here, the goddess is worshipped as Maa Phullora, symbolising blooming energy, and Lord Shiva is revered as Vishwesh Bhairava, her eternal consort and protector.

The origins of the Attahas Temple are deeply rooted in Hindu mythology and history. The name Attahas is derived from two Sanskrit words: Atta or excessive and Hasa or laughter, translating to loud laughter. This name is linked to the belief that Goddess Sati’s divine laughter resonates at this sacred site. The exact date of the temple’s establishment remains unknown, but archaeological evidence suggests that an ancient temple existed here centuries ago. The current structure was renovated and re-enshrined in 1915, after the original idol was moved to a museum for preservation. The temple houses a massive 15-foot-long stone that symbolises Sati’s lower lip, making it a unique representation among Shakti Peethas.

The temple’s location on the banks of the Ishani River, locally known as Kandor River, adds to its serene and spiritual ambience. Surrounded by natural beauty and dense forests, it is not only a place of worship but also a haven for environmentalists and birdwatchers who visit during December-January to observe migratory birds like Asian openbill storks and fruit bats.

As Goddess Sati is worshipped as Maa Phullora here, the name reflects her nurturing aspect that promotes growth and prosperity. Devotees offer items grown from the soil—such as grains, fruits, and flowers—as a symbol of gratitude for her blessings. Lord Shiva, in his fierce form as Bhairava, is worshipped here as Vishwesh, meaning Lord of the Universe. His presence ensures protection and balance at this powerful site of divine feminine energy.

Unlike conventional idols or murtis, the main deity at Attahas is represented by a massive stone measuring approximately 15 feet in length. This stone symbolises Sati’s lower lip and serves as a focal point for worship. The stone emanates an aura of divinity and uniqueness, making it one of the most distinctive representations among all Shakti Peethas. Though not grand in scale or opulence, the temple’s marble structure exudes elegance and serenity. Its understated design allows devotees to focus on spiritual connection rather than material grandeur. Adjacent to the main shrine is a smaller shrine dedicated to Lord Shiva as Vishwesh Bhairava, and Kal Bhairava.

A large pond near the temple holds immense religious significance. According to legend, Lord Hanuman collected 108 blue lotuses from this pond when Lord Rama required them for Durga Puja during his battle against Ravana. Devotees believe that bathing in this pond purifies sins and brings prosperity. The temple is surrounded by lush greenery and wildlife. Migratory birds like storks and butterflies add to its tranquil environment, attracting not just devotees but also nature enthusiasts.

The Attahas Temple follows traditional rituals steeped in Tantric practices and Shakta traditions. The day begins with Mangala Aarti or the early morning prayers, followed by offerings of flowers, especially hibiscus, coconuts, fruits, and grains. Devotees chant mantras dedicated to Maa Phullora while circumambulating the sanctum sanctorum. Navratri is celebrated with great fervour at Attahas. Special Tantric rituals are performed during these nine nights to invoke Maa Phullora’s blessings. Devotees offer anna bhoga or cooked rice offerings during these days as part of their prayers for prosperity.

A grand 10-day fair is held annually during Magh Purnima in January-February. Thousands of devotees gather at this time to offer prayers and participate in cultural programmes. The fair includes traditional music performances, stalls selling religious items, and community feasts. The temple is an important centre for Tantrik Shaktism. Many Tantriks perform rituals here seeking spiritual enlightenment or mastery over esoteric powers. These rituals often involve chanting mantras over specific yantras that are sacred geometric diagrams placed near Maa Phullora’s stone representation.

One legend explains how the name Attahas came into being. At Attahas, where her lower lip fell, it is believed that Shiva momentarily experienced divine laughter amidst his sorrow upon realising Sati’s eternal presence through these sacred sites. This laughter resonated across the cosmos and gave this place its name—Attahas or Loud Laughter. Another story links Lord Hanuman to this sacred site. During Lord Rama’s preparation for battle against Ravana in Lanka, he sought Maa Durga’s blessings through Durga Puja. As part of the ritual, he needed 108 blue lotuses. Hanuman searched far and wide until he discovered a pond near Attahas filled with these rare flowers. He collected them with devotion and presented them to Rama for his worship of Maa Durga. This act sanctified not only the pond but also reinforced Attahas as a site blessed by divine intervention.

An ancient terracotta inscription was discovered near the temple complex during archaeological excavations. While researchers are still deciphering its script, it is believed to contain information about early worship practices at Attahas or possibly references to Tantric rituals performed here centuries ago. This inscription adds an air of mystery to the temple’s history and underscores its significance as an ancient center of spirituality.

The Attahas Temple offers devotees a unique spiritual experience rooted in mythology, history, and natural beauty. Its distinct representation of Maa Phullora through a massive stone symbolising Sati’s lower lip sets it apart from other temples dedicated to Shakti. Whether you seek blessings for prosperity or wish to immerse yourself in serene surroundings steeped in divine energy, visiting this sacred site provides solace for both mind and soul.

Bahula Temple, Ketugram, West Bengal
Located in Ketugram village near Katwa in the Bardhaman district, the Bahula Temple is dedicated to Goddess Bahula, a manifestation of Shakti. The temple holds immense significance for devotees who come seeking blessings from the goddess, known for her nurturing and lavish nature. Here, Lord Shiva is worshipped as Bhiruk Bhairava, the divine protector of the Shakti Peetha.

The Bahula Temple is believed to date back to ancient times and is associated with the legend of Goddess Sati’s self-immolation during Daksha Yajna. It is said that Goddess Shakti’s left arm fell at this site in Ketugram and sanctified the location as a Shakti Peetha. The name Bahula has dual meanings: Bahu in Sanskrit means arm, signifying the part of Sati’s body that fell here, while Bahula translates to lavish or abundant, symbolising the prosperity and blessings bestowed by Goddess Bahula.

Historical records suggest that the temple was established by Raja Chandraketu, a local ruler who installed the stone idol of Goddess Bahula along with those of her sons, Lord Kartikeya and Lord Ganesha. Over time, the temple has undergone renovations but retains its ancient charm.

Goddess Sati is worshipped as Bahula, representing abundance and prosperity. Lord Shiva is revered as Bhiruk Bhairava, meaning one who has attained the highest levels of meditation or Sarvasiddhidayak or the grantor of all attainments.

The sanctum sanctorum houses a stone idol of Goddess Bahula in a serene form. She is depicted alongside her sons, Lord Kartikeya, symbolising war and fertility, and Lord Ganesha, representing auspicious beginnings and wisdom. The idol exudes simplicity yet radiates divine energy, drawing devotees into deep devotion. A separate shrine within the temple complex is dedicated to Bhiruk Bhairava, who protects this sacred site. His presence ensures balance and harmony at this powerful Shakti Peetha.

The temple features a spacious courtyard paved with red stone. This open space provides an area for meditation and spiritual reflection amidst the chiming of bells and chanting of mantras. The temple is located near the banks of the Ajay River, adding to its serene ambiance. The river is considered sacred by devotees who often take ritual baths before entering the temple. Unlike grand temples with elaborate carvings, the Bahula Temple boasts a simple yet elegant structure that emphasises spiritual connection over material grandeur.

The daily rituals and special ceremonies at Bahula Temple reflect deep-rooted traditions. The day begins with Mangala Aarti or early morning prayers at dawn. Devotees offer flowers, especially hibiscus, coconuts, fruits, sweets, and incense sticks as part of their prayers. Evening prayers include Sandhya Aarti followed by lighting lamps around the temple premises.

Navratri is celebrated with great grandeur at this Shakti Peetha. Special pujas are performed over nine days to honour Goddess Bahula’s nurturing aspect. Devotees offer bhog or sanctified food made from rice, fruits, and sweets during these celebrations. Durga Puja and Kali Puja are marked by elaborate rituals conducted by priests using tantric practices. Devotees participate in community feasts organised within the temple premises. Maha Shivratri is dedicated to Bhiruk Bhairava, where devotees perform night-long prayers seeking his blessings for spiritual growth and protection. Chhoti Navratri, a lesser version of Navratri celebrated in April includes yajnas or fire sacrifices performed to invoke divine blessings.

According to local lore, Raja Chandraketu was a devout follower of Goddess Shakti who had a vision instructing him to establish a temple at Ketugram where Sati’s left arm had fallen. Following this divine command, he installed stone idols of Goddess Bahula along with those of Kartikeya and Ganesha. It is said that Raja Chandraketu’s devotion was so intense that he never left empty-handed after praying at this temple—a belief that continues among devotees today. Another popular legend highlights how Maa Bahula blesses her devotees with prosperity and abundance. Farmers in Ketugram believe that offering prayers at this temple ensures bountiful harvests and protection from natural calamities.

The name Bahula, meaning lavish or abundant, reflects her role as a giver of wealth and well-being. Bhiruk Bhairava’s association with meditation as Sarvasiddhidayak has inspired many sages and ascetics to practice intense penance near this temple. It is believed that meditating here under Bhiruk Bhairava’s guidance leads to spiritual enlightenment and liberation from worldly attachments.

The Bahula Temple offers a unique spiritual experience rooted in mythology, history, and devotion. Its status as one of the 51 Shakti Peethas makes it a must-visit for devotees seeking divine blessings. The serene environment near Ajay River provides an ideal setting for meditation and introspection while the simple yet powerful representation of Maa Bahula through her stone idol emphasises humility in worship. Whether you seek prosperity or spiritual growth, visiting this ancient shrine will leave you feeling connected to divine feminine energy embodied by Maa Bahula!

Short Story: Kites and Mangoes

9 August, Singapore

You don’t sound Indian,” the boy had said at the kopitiam when Kavya ordered her teh c kosong. He’d grinned, like it was a compliment.

Kavya had smiled tightly, thanked him, and walked away. She was used to it.

Born and raised in Singapore, she knew the National Day Parade theme song by heart and could switch between English, Tamil, and a sprinkle of Mandarin like a linguistic gymnast. But somewhere between “pure” Singaporean and “actual” Indian, she felt like she belonged everywhere and nowhere at once.

She’d grown up visiting temples on weekends, dancing Bharatanatyam at community festivals, and eating prata after tuition class. But whenever she visited Little India, there was always someone who’d ask, “You from here or there?” and she never had a clear answer.

This year, she wanted something more. Something beyond tidy traditions and carefully curated heritage trails. She booked a solo trip to India, to Madurai, the city where her grandmother had been born.

Why now?” Amma had asked, frowning over her glasses.

I want to feel where I come from,” Kavya replied. “I want to be in India on Independence Day.”

Her mother had sighed but said nothing. That night, she slipped an old photograph into Kavya’s bag: a black-and-white picture of a young woman in a half-saree standing in front of the Meenakshi Temple.

11 August, Madurai, India

The heat struck like a drumbeat. Everything in Madurai pulsed: the honks, the temple bells, and the jasmine sellers with their hypnotic chants.

Kavya stayed in a modest homestay just off a street flanked by banana trees and walls stained with old film posters. The house had creaky wooden shutters, a courtyard with a mango tree, and an old woman who insisted Kavya eat second helpings of everything.

The rhythm of life was different here. Slower, louder, more chaotic, and strangely comforting. Kavya spent her mornings walking to temples and her afternoons scribbling in a notebook she carried everywhere. She didn’t know what she was writing—just thoughts, feelings, and fragments of herself.

12 August, Madurai

On her second morning, Kavya heard a ruckus in the alley. She stepped out and saw a girl, barefoot, dust-streaked, and laughing, chasing a runaway calf down the narrow lane. The girl caught it by the rope, scolded it gently in Tamil, and looked up to see Kavya watching.

You look like you’re from here but also… not,” the girl said, grinning.

Kavya laughed. “That’s not the first time I’ve heard that. I’m Singaporean. My grandma was from here.”

Then you’re one of us,” the girl declared. “I’m Meenal. Come. We’re painting flags today. For August 15. Want to help?

Kavya blinked. “Me? I don’t really paint…”

That’s okay. You’ll learn. We’re not picky about strokes, only spirit.

And just like that, she was pulled into a swirling circle of colours, cloth, and conversation.

13 August, Madurai

They sat under a neem tree, painting tiny Indian flags on scraps of cloth. Children swirled around them, cheeks smeared with green and orange.

What’s National Day like in Singapore?” Meenal asked, dabbing white onto a fabric square.

There’s a huge parade. Fireworks. Everyone wears red and white. But… it feels curated. Clean.”

You miss mess?” Meenal teased.

I miss… rawness. My identity feels like a fusion dish sometimes. Indian, but diluted. Singaporean, but never quite full-blooded.

Meenal paused and dipped her brush into green. “Being Indian isn’t about passports. It’s about stories. Smells. The way your body remembers mangoes even when your tongue forgets.”

Kavya looked at her. “You make it sound like poetry.

It is. We’re both translations of something old and beautiful.”

They sat in silence for a while. A small girl brought them sliced raw mango with chilli salt. Kavya bit into it, eyes watering from the tang.

This,” she said, “tastes like my grandmother’s kitchen. I didn’t even know I remembered.”

Meenal smiled. “See? That’s the thing about home. It sneaks up on you.”

14 August, Madurai

That evening, Meenal took her to a rooftop near the temple.

We come here every year to light paper lanterns,” she said. “Some say they carry prayers. Others say they chase away the shadows.”

As the sky dimmed, they lit small lanterns and watched them rise. Kavya stood quietly, fingers curled around her wrist.

My parents wanted me to study engineering. I chose literature instead,” Meenal said suddenly. “They said it was a waste. But I like words. Words are how I remember who I am.”

Kavya looked at her. “You’re lucky you even knew. I feel like I’m always translating what I want, who I am, who people think I should be.”

“Maybe identity isn’t about choosing one version. Maybe it’s about collecting them, like shells. Some smooth, some cracked. But all real.”

15 August, Madurai

The morning was thick with saffron skies and fried vadai. Children marched barefoot with tricolour kites and hand-painted flags. The air buzzed with pride, promise, and powdered colours.

Meenal tugged Kavya to the rooftop.

Here. Yours.

Kavya took the spool and launched her kite into the air.

It wobbled at first, then caught the wind. Higher, stronger.

Below, loudspeakers blared patriotic songs. Kavya felt the strings burn gently against her fingers.

You know,” she said softly, “In Singapore, we sing ‘One People, One Nation, One Singapore.’ But I never understood how to be one thing.”

Meenal grinned. “Maybe we aren’t meant to be one thing. Maybe we’re meant to be many.”

They watched the sky fill with colour. Saffron, white, green, and somewhere, Kavya imagined, red and white too.

I came here to find roots,” she said. “But I think I’ve found mirrors.”

One Week Later, Back in Singapore

Back in Singapore, the sky was cleaner, the traffic neater, and the air-conditioning colder.

On her desk sat a jar of Madurai earth, still smelling faintly of turmeric and dust.

On the wall: two flags. Side by side. Equal in colour, different in rhythm.

She opened her journal and flipped to the back.

A new note from Meenal had arrived by post.

Dear Kavya,

Happy National Day (again)! Mango season starts in March. Your kite is still flying, by the way.

We saved the spot on the rooftop for you.

Kavya smiled and picked up her pen.

Dear Meenal,

Tell the mangoes I’m coming. And this time, I’m bringing chilli salt.

In My Hands Today…

Birds, Beasts and Bandits: 14 Days with Veerappan – Krupakar, Senani

In a comic case of mistaken identity; wildlife photographers Krupakar and Senani were kidnapped one night from their home at the edge of the Bandipur National Park by Veerappan; India’s ‘most dreaded bandit’. He thought they were important government officials; and his plan was to hold them hostage in return for clemency and a substantial ransom.

The bandit and his gang kept the hostages on the move in the forest; and their only contact with the outside world was via an old transistor radio. While Veerappan;who had already killed some 250 people; formulated strategies to force the government to agree to his demands; his hostages not only got a close look at the plant and animal diversity in the forests of Karnataka and Tamil Nadu; but the intimacy of their life on the run gave them an insight into Veerappan’s strange mix of cruelty and humanity. Though Krupakar and Senani came from a world that was completely different from that of Veerappan’s gang; the kidnapped and the kidnappers became closely involved in each other’s concerns. Birds; Beasts and Bandits is a witty and poignant account of an extraordinary adventure with the notorious poacher and his companions.