Travel Bucket List: India – Uttar Pradesh Part 4

Aligarh
Moving on from Garhmukteshwar, we travel 114 km south to Aligarh, famous for its educational institutions. Formerly known as Allygurh and Kol, Aligarh is the 53rd most populous city in India. The recorded history of Aligarh begins with the establishment of the Aligarh Fort in the 16th century. Before the 18th century, Aligarh was known as Kol and the history of the town up until the 12th century is obscure. It is said to have been founded by the Dor Rajputs in 372 AD. Sometime before the Muslim conquest, Kol was held by the Dor Rajputs. Statues of Buddha and other Buddhist remains have been found in excavations where the citadel of Kol stood, indicating a Buddhist influence. Hindu remains indicate that the citadel probably had a Hindu temple after the Buddhist temple. Aligarh Fort, also called Aligarh Qila, as it stands today, was built by French engineers under the control of French officers Benoît de Boigne and Perron. The Battle of Aligarh was fought on 1 September 1803 during the Second Anglo-Maratha War which took place between 1803 to 1805 at Aligarh Fort. Aligarh is famous as an educational hub, especially for the Aligarh Muslim University, which was founded here as Muhammadan Anglo-Oriental College in 1875 by Sir Syed Ahmad Khan, initiating the Aligarh Movement. The Maulana Azad Library, one of the largest libraries in India, is also housed in Aligarh. Other notable spots are the Kheereshwar Temple, Teerthdham Mangalaayatan, Sir Syed Academy Museum, Chacha Nehru Gyan Pushp, Hakim Karam Hussain Museum, Baba Barchi Bahadur Dargah and the Shekha Lake that one must visit if in Aligarh.

The Jama Masjid is the oldest historical monument at the highest point of the town. Described as Asia’s highest gold mosque, its dome and minarets are made of pure gold and is the first mosque in India housing tombs of the martyrs, also known as Ganj-e-Shaheedan or Martyrs’ colony. The founder of Aligarh Muslim University, Sir Syed Ahmed Khan, started building the Jama Masjid within the foreground of the university in 1879 and the masjid commemorated in January 1915. The mosque has a capacity fo 5000 people and is known for its Islamic architecture with three domes flanked with minarets on either of their sides with its architectural style borrowed from Shah Jahan’s Jama Masjid in Delhi. The Iwan or a gateway covered on three sides with one side open for entrance is ornamented with white marbles having psalms from the Quran engraved upon it. The many doors have colourful glasses decorating them, reflecting the light of the sun during the day. The Mezzo Quinto arch provides an entry into the doorway with intricate wooden work. The ceilings are a contrast of dark and light colour combination with latticed windows. Many locals attend the first namaz or prayer at 5 am. At night, the exterior of the mosque is beautiful with lights. There are inscribed psalms from the Quran on marble in calligraphy and gold floral patterns decorating the walls. The mosque is open from 5 am to 8 pm daily.

The Khereshwar Temple is dedicated to Lord Shiva and is known its tiny Shivalinga, which is so small that it is popularly known as the Invisible Shivalinga. Other highlights of the temple include metallic mural engraved ceiling and brass idols of other Hindu deities. Believed to be over thousands of years old, the Khereshwar Temple witnesses numerous devotees visiting, especially on the occasion of Maha Shivratri. There is no clear evidence about the origins of the temple, with some believing the temple was erected during the Mughal era by Swami Haridas, the guru of Tansen. Another popular belief holds that the temple was built by Raja Sati Prasad in memory of his wife and some temple priests claim the Khereshwar temple to have existed since the Dvapara Yuga and that there is a mention of the temple in the Vedas as well. The temple is open from 5 am to 11:45 pm daily.

Also known as Aligarh Qila, Aligarh Fort is one of India’s strongest forts. Popularly called as Bonay Chor ka Kila or the Dwarf Thief’s Fort, it represents historic Islamic influences through its exquisite architecture and intricate symbolic carvings, though most of it is in ruins now. The fort features distinguishing minarets, bastions, terraces, and a grand arched entrance. There is a garden, supervised by the Botanical Department of the Aligarh Muslim University, and houses a diverse variety of vibrant flowers, trees and animal species such as delicate koel birds, beautiful peacocks and ferrets among others. Aligarh Fort was established by Muhammad, son of the Governor of Kol during the Lodi Dynasty in 1524. The fort was consequently redeveloped and renovated on multiple occasions such as by French officers under the guidance of Boigne and Perron, as well as by Sabit Khan during his reign as governor. The fort gained great significance when Madhavrao I Scindia claimed it as a spot for organising his army in 1759. Lord Gerard, the commander of the British army then took control of the fort during the Battle of Ally Ghur. Situated on a steep hillock, the polygon shaped structure of the fort is supported by angled bastain and surrounded by deep trenches. Aligarh Fort also features distinct minarets, beautiful gardens, extensive terraces, and a concealed basement, all of which are characteristic of fascinating Islamic architectural influence. The fort is open from 8 am to 6 pm daily.

Naqvi Park is a popular park also known as Rajkeey Udhhan Jawahar Park and is well-known for its lush green surroundings and fountains. It also houses walking paths and playgrounds as well as a plant nursery open for sale. The park is open from 5:15 to 10 am and then between 2 to 6:15 pm and has an entry fee of INR 5 for a single visit and INR 60 for a monthly pass.

The Sir Syed House Museum, located in the Aligarh Muslim University, is a well-known art gallery. Previously the home of Sir Syed Ahmed Khan, the art gallery was formed to increase awareness about Sir Syed’s contribution to educational and social betterment. The Sir Syed House Museum exhibits the his personal life through his belongings along with showcasing the history of AMU through pictures and written records. The museum is divided into three galleries. The first part displays the life of Sir Syed and his comrades, the second gallery showcases detailed stages of development of Aligarh Muslim University and the third gallery presents the pictures of AMU’s campus, and it’s Vice Chancellors. The gallery also exhibits the photos of the university’s events and achievements which took place over the years. The museum is open from 8 am to 5 pm and does not have any entrance fees.

Firozabad
Our next destination is Firozabad, a city about 112 km southeast of Aligarh and about 47 km east of Agra. It is the centre of India’s glassmaking industry and is known for the quality of the bangles and also glasswares produced there. Situated in the northern end of the Deccaan plateau, the Yamuna river covers its southern border.

The city is named after Firoz Shah Mansab Dar, a general in Emperor Akbar’s army who was sent to make the city a cantonment to collect taxes and whose tomb is still present today. More than half of the workforce is engaged in manufacturing activities. The city lies in the cultural region of Braj and was a part of the Surasena Mahajanapada during the Vedic Age and subsequently ruled by the bigger kingdoms including the Mauryas, Guptas, Scythians, Kushans, Indo-greeks, Harsha before falling into the hands of local Rajput and Jat rulers. The modern city of Firozabad was founded in 1566, when Raja Todar Mal was returning from a pilgrimage to Gaya and stopped at the village of Asafabad, southeast of modern Firozabad. The villagers insulted him, and when the emperor Akbar heard of this, he sent the eunuch Firoz Khwaja to demolish the town and build a new one. The city was built on lands belonging to several neighbouring villages and was named Firozabad. Firoz Khwaja’s tomb, built of white marble, lies on the road to Agra. Firozabad was bestowed to Nawab Sadulla Khan as fiefdom in the regime of Emperor Shahjahan, followed by the Jats who ruled for 30 years and in the end of the 18th century, it was ruled by Himmat Bahadur with co-operation from the Marathas, before being taken over by the British.

Also known as the Shri Digambar Jain Atishaya Kshetra Marsalganj, the Marsalganj Jain Temple is a beautifully decorated place of worship for followers of the Jain religion. This temple, established by the revered Baba Rishabhdas, is dedicated to Bhagwan Rishabhdeo, a Jain deity. A major Jain temple built by Seth Chhadamilal, the Lord Bahubali Jain Temple is well-renowned for its life-like sculpture of Lord Bahubali, which is 45 feet tall and fashioned entirely out of granite. The Kalan Mosque was constructed by Khan-i-Jahan Junan Shah, the prime minister of Firuz Tughlaq between 1368 and 1387 and is also referred to as Kali Masjid. The mosque served as a haven for the people of the city during times of attack on the city. The Kotla Fort features grand palaces, mosques, enchanting gardens, and madrasas. This fort was constructed to solve water issues in the region, by Sultan Feroz Shah Tughlaq. With its grand Mughal-influenced architecture, the structure showcases the rule of the powerful Tughlaqabad dynasty.

Jhansi
280 km south of Firozabad lies the historic town of Jhansi which lies in in the Bundelkhand region on the banks of the Pahuj and Pahunch rivers, in the extreme south of Uttar Pradesh, close to its border with Madhya Pradesh and is called the Gateway to Bundelkhand. The town is famous for the Indian freedom fighter queen, Rani Laxi Bai who is also known as Jhansi ki Rani. During ancient times, Jhansi was a stronghold of the Chandela Rajput kings and was known as Balwant Nagar. However, it lost importance in the 11th century after the decline of the Chandela dynasty, but rose in prominence in the 17th century when Raja Bir Singh Deo of Orchha State constructed the Jhansi Fort in 1613. Jhansi came under the Maratha Empire in 1729 when Maharaja Chattrasal offered Jhansi and some other parts of his state to the Maratha Peshwa Baji Rao I as a mark of gratitude for having helped him in defeating the Nawab of Farrukhabad, Muhammad Khan Bangash who had attacked Maharaja Chattrasal’s kingdom. In the 18th century, the town of Jhansi served as the capital of a Maratha province and later the Princely State of Jhansi from 1804 till 1858, when the territory became a part of British India. A famous story related to the origin of Jhansi says that the Raja of Orchha and Jaitpur were two friends sitting on a hilltop. The Raja of Orchha asked his friend whether he could recognise the new fort on Bangara Hill. While answering the question, the Jaitpur Raja said that he could see it Jhainsi, meaning indistinctly which then became corrupted to Jhansi.

The Rani Mahal or the Queen’s Palace, is the former residence of Rani Lakshmi Bai. Built in the 18th century, a large part was destroyed during the Indian Rebellion, but was later renovated into a museum. The ancient palace is built with a quadrangular courtyard with a little well on one side and on a decorative fountain the other. It is a two-storey building with a flat roof, and six beautiful halls, each of it accompanied by a parallel corridor. The arches on the aisle have a peacock and floral patterns and is filled with artefacts from the 9th century and Rani Laxi Bai’s life, including the famous Darbar Hall. On the ground floor, there are several stone sculptures from the early medieval period and the most popular halls are the Darbar Hall on the second floor with beautiful wall paintings and artistic carvings. The palace was built by Raghunath II of the Nawalkar family in the 18th century. Photography is strictly prohibited inside the palace which is open from 7 am to 5:30 pm and has an entry fee of INR 25.

Jhansi Fort is located at the top of Bagira, and is a 17th century architectural monument that has undergone royal construction followed by massive destruction in the first War of Independence against the British East India Company. Within the four-walls lie monuments like Baradari, the Kal Kothari or dungeon, Ganesha and Shiva temples and a museum that showcases remnants of the Chandela dynasty including weaponry, clothes and paintings. There is also a war memorial paying tribute to martyrs, and the Rani Lakshmibai Park built in the memory of her role in the freedom struggle. The fort stands on 15 acres of land and is 312 m long and 225 meters wide with granite walls that are 16 to 20 feet thick and has ten entrances.

Baradari pays homage to Raja Gangadhar Rao’s brother Raghunath Rao with the roof built with stucco in such a way that it forms a pond with water sprinkles over it. The Execution Tower was used to execute prisoners, and the Jumping Spot is where Rani Laxmibai jumped over the wall to climb on her horse Badal to escape. The Kadak Bijli cannon that was used by the queen in the revolt of 1857 and decorates the entrance. The state government organises the Jhansi Mahotsav in February or March, a week-long festival with dance recitals, singing and drama. There are many attractions around the fort including the Panchkuian temple which is dedicated to Goddess Lakshmi, the Goddess of Wealth, the City Church, Rani Mahal and the Government Museum. The fort is open between 8 am and 6 pm and entrance fees are INR 5 for Indians while foreigners need to pay INR 200.

Located about 16 km southeast of Jhansi across the border in Madhya Pradesh is the town of Orchha with a historical complex known as the Orchha Fort Complex. Built in 1501 by Raja Rudra Pratap Singh of the Bundela dynasty, it is built in a fusion of Rajput and Mughal architecture, decorated with latticed windows, projected platforms and balconies and mirrors on ceilings. The Orchha Fort complex houses several monuments such as the Raja Mahal, Sheesh Mahal, Rai Praveen Mahal and also gardens such as the Phool Bagh. The Sheesh Mahal has been converted into a hotel and the Phool Bagh is elegantly decorated with flowers and a line of fountains with an archaic cooling system to retreat to in summers. Guides are available, but there are no audio guides. The King’s Palace, Raja Mahal or Raja Mandir was where the royal families resided till 1783. While the exterior adheres to simplicity, the interior is filled with paintings and murals with religious themes, mythological creatures, high ceilings and ceilings and walls with interspersed mirrors. A section of the fort was converted into a Rama Raja temple and is the only temple where Raja Rama, even though deified to being a God, is worshipped as a king. The The four-storied Jahangir Mahal was completed in 1605 and built as a gesture of gratitude towards the Mughal Emperor Jahangir upon his visit to Orchha in a Mogul and Rajput fusion style. The symmetrically square shape is ornamented with eight domes, latticed windows, projected balconies and a steep stairway that provides a magnificent view of the Betwa River flowing by. The entrance is mounted with turquoise tiles and has an artistic gateway decorated in a traditional style. The palace has a small archaeological museum housing artefacts from the 16th century. The Rai Praveen Mahal was built in 1618 by Raja Indrajeet for his escort, Rai Praveen, a poet, musician and a beautiful woman. Sheesh Mahal lies between Jahangir Mahal and Raja Mahal and is a hotel today. Entrane fee is INR 10 for Indians and INR 250 for foreigners and camera charges is INR 25 for a camera and INR 200 for video camera. The entrance fee for Jahangir Mahal is INR 10 for Indians and INR 30 for foreign citizens. There is a light and sound show which in the summer is between 7:45 to 8:30 pm in English and 8:45 to 9:45 pm in Hindi. In winters, the show is between 6:30 to 7:30 pm in English and from 7:45 to 8:45 pm in Hindi. The entry fee is INR 100 for adults and INR 50 for children. The fort is open from 9 am to to 6 pm every day.

The Cenotaph of Raja Gangadhar Rao, the Raja of Jhansi, was built after his death by his queen, Rani Lakshmibai in 1853. The Raja Gangadhar Rao ki Chhatri is located near Mahalakshmi temple beside the Lakshmi Lake and is surrounded by a lush green garden, an adjacent pond and rich architectural designs. Legend has it that Maharani Lakshmibai used to visit the Lakshmi temple every day. The structure stands in the middle with high walls carved hollow on all four sides with 18th-century architectural designs. The Chhatri is open between 9 am and 6 pm and has an entrance fee of INR 200.

Panchatantra Park is an animal-themed park for children based on the Panchatantra book by Vishnu Sharma. Apart from several animal-themed slides for the children, this park also has a jogging track for adults. The park was developed by the Jhansi Development Authority on a vast stretch of a green patch for children with exciting Panchatantra themed animal statues. Over the years, this has not only been an exciting spot for children but also for adults for morning and evening walks. One of the major attractions of the park is the animal-themed toy train and the park also provides a boating service that take tourists around via the lake situated in the middle of the park. The park is open from 6 am to 8 pm and has an entry fee of INR 20.

The Rani Lakshmi Bai Park is set in the foothills of the Jhansi Fort and is connected to the Maithili Sharan Gupta Park. At the centre of the park there is a magnificent bronze statue of Rani Lakshmi Bai riding her horse, her sword raised and her adopted son Anand Rao, sitting behind her. The park is adorned with lush green trees, jogging tracks, slides, and swings for children and is blessed with a scenic view in all directions. The park is open between 5 am and 9 pm and there is no entry fee.

The Mahalakshmi Temple is situated on the banks of Lakshmi Tal lake and built in honour of Goddess Lakshmi, the goddess of good fortune, wealth and prosperity. The temple is ancient and known as one of the oldest temples in Jhansi, dating to the 18th century. It was built by Raghunath Rao II Newalkar, and served as a place of worship for both the Hindu rulers and the public. The best time to visit the temple is during the festival of Diwali. The temple is open between 6 am and 6 pm.

The Karguvanji Jain temple is a 700-year-old temple and an important pilgrimage for Digambar Jains, a sect that believes in renouncing all material things to attain salvation, including clothes. The full name of the temple is Shri Digamber Jain Atishaya Kshetra Sanvaliya Parasnath Karguvanji, with Atishay Kshetra meaning a place of miracles. The biggest idol installed is of Parshvanatha, the 23rd Tirthankara whose symbol is a snake. Situated on Jhansi-Kanpur highway, the temple has an interesting history during the Peshwas when a man named Singhai Nanheju dream led to the discovery of the idols hidden underground. The temple is open between 7 am and 6 pm.

The St. Jude’s Shrine is a Roman Catholic Latin Rite shrine and is devoted to St. Jude Thaddeus built by Francis Xavier Fenech in the Cantonment area. Daily mass is conducted daily and on the 28th of October, devotees gather to celebrate the Feast of St. Jude. St. Jude Thaddaeus, also called as Jude the Apostle lived during the times of 1st century AD. One of Jesus’s twelve apostles, he travelled to many countries to preach and the St. Jude’s Shrine is the first church in Asia dedicated to him. In summer, the Sunday mass is at 6:30 and 8 am and at 6 pm while in winter, it happens at 7 and 8:30 am and then again at 5 pm. Daily mass during summers take place at 6 am and at 6:30 am during winters.

Parichha Dam, a human-made reservoir is built on the Jhansi-Kanpur Highway in Parichha. The dam is built on the Betwa River and its reservoir, which is a placid stretch of water and runs to Notghat Bridge. It is popular amongst the locals for water sports facilities and boating. Constructed by the British between 1881 to 1886, and is the primary source of water for drinking and agricultural purposes for the town as well as has a thermal plant. Boating in the Betwa River is a soothing experience. The dam stretches over a length of 1176 meters and a height of 77 meters and is open between 9 am and 6 pm. There is no entry fee, but a boating fee of INR 50 is charged.

The Orchha Wildlife Sanctuary is located 19.2 km from Jhansi was established in 1994 and is home to endangered species like tigers and leopards as well as is home to over 200 species of Indian as well as migratory birds. The sanctuary has many activities throughout the year like river rafting, trekking, canoeing, fishing, camping and trekking. The fauna in the sanctuary consists of animals like spotted deer, blue bull, peacock, wild pig, monkey, Jackal, Nilgai, Sloth Bear, tigers and leopards. The birds that can be observed in the sanctuary are peafowls, peacocks, swans, black swan, Jungle Bush Quail, minivet, stork, kingfisher, owls, woodpeckers, geese and collared scop owls. The forest has thick plantations of Dhava, kardhai, teak, palaash and khair trees. The sanctuary was previously an open jungle where many endangered species lived as well a hotspot for thousands of birds. The best time to visit the sanctuary is between November and June. The rainy season should be avoided as the animals seek shelter during heavy rains and cannot be spotted easily and the forest is closed during the rainy season due to the flooding of the river Betwa. The sanctuary is open between 9 am and 5:30 pm and has an entrance fee of INR 40 for Indians and INR 350 for foreigners.

The Jhansi Government Museum was constructed around the late 19th century and is known to have artefacts from the 4th century BC along with exquisite artworks of pre-modern India. Dedicated to Rani Lakshmi Bai, this museum also throws light on the Bundelkhand region. Located within the Jhansi fort, the museum also throws light on the reign of the Chandelas and the Guptas and has a number of galleries with separate galleries for the Bundelas and Chandelas. Artefacts at the museum include the weapons of Rani Lakshmi Bai, an art gallery dedicated to the Guptas, an art gallery dedicated to the Chandelas, weapons used in the Sepoy Mutiny, terracotta and bronze structures, ancient manuscripts, pota and silver and bronze coins. The museum is open between 10 am and 5 pm and is closed on Mondays and every second Saturday of the month. Entrance fees for Indians is INR 5, for foreigners, it is INR 25 and there is a camera charge of INR 20. Photography is prohibited in certain galleries

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Barua Sagar is a modest town belonging to the Bundelkhand region. Apart from the lake, Barua Sagar is home to several ruins of forts and temples. Named after Barua Sagar Tal, the town is of great historical significance with breathtaking views from the vantage point of its hilly platforms. The Barua Sagar Lake is a human-made lake that enhances the beautiful scenery of Barua Sagar. The Barua Sagar Fort was built by Raja Udit Singh and is located on the banks of the Barua Sagar Lake and offers magnificent views of the town. The fort allows visitors throughout the week from 9 am to pm. Built by the Pratiharas in 860 AD, and renovated in the 17th century, the Jarai Ka Math is an ancient temple with intricate patterns and carvings of various manifestations of Goddess Durga. Ruins of two major Chandela temples, namely Ghughua Math and Gandai Temple are structures made entirely out of granite that are dedicated to Lord Ganesh and Goddess Durga respectively. Barua Sagar is also the site of the battle between the Bundelas and the Marathas in 1744.

Pilibhit
Moving eastwards, our next destination is Pilibhit, about 451 km northeast of Jhansi, not too far from the Uttar Pradesh and Uttarakhand and the India-Nepal border. Situated in the Rohilkhand region of the sub-Himalayan Plateau belt next to foothills of Sivalik Range on the boundary of Nepal, known for the origin of river Gomati and one of the most forest-rich areas in North India. Pilibhit was also known as Bansuri Nagari or the land of flutes, for the making and exporting roughly 95% of India’s flutes. Though separated only by a short distance from the outer ranges of the Himalayas, Pilibhit consists entirely of a level plain, containing depressions but no hills and is intersected by several streams and is a forest-rich area. The area has diverse features, and topographically may be divided into several distinct tracts with more than ten small to medium-sized rivers and nine small to medium-sized water bodies. The origin of river Gomti, a tributary of the Ganges River, is from a small lake, Gomat Taal, in Madhotanda.

The Chattvi Padshahi Gurudwara, situated in the Pakrdiya is four centuries old, dedicated to the sixth sikh guru, Guru Sri Har Govindji. This white marbled Gurudwara was constructed under the supervision of Guru Govind Singhji who while travelling to Nanakmatta fell in the beauty and tranquility the place offered. The Jaisantri Devi Temple is located about 5 km from Pilibit. The 150 years old temple was destroyed in the 2008 floods, but is is wonderfully constructed. Even though the flood which took place in 2008 has destroyed some of its façade, it remains an architectural marvel. The temple comes alive during the Navratri festivities. Situated on the banks of river Devha and Khakra, the 250-year-old Gauri Shankar Temple is dedicated to Lord Shiva and his wife Goddess Parvati. The legend goes that the idols placed in the temple were found by some sages who built the temple to pray to the idols. The Rajaji Temple is dedicated to two members of the Pilibhit royal family, Raja Lalta Prasad and Sahau Har Prasad. The Dargah-e-Shahji Miyan was built to commemorate two great saints, Alaa Hazrat and Shahji Miyan. The shrine is visited by hundreds of people every year and it is believed that offering a chaddar or blanket in the shrine will make wishes come true. The splendid while marbled Jama Masjid was built in 1769 by Hafiz Rahmat Khan in an attempt to replicate the Jama Masjid of Delhi. The Mughal style architecture is juxtaposed with a Bengali styled roof. The Friday prayers is very popular and every Tuesday a small market springs up in the mosque. At a distance of 7 km from Pilibhit lies a small reservoir named Gomaat Taal which is the source of the river Gomti which after flowing 800 km across Uttar Pradesh merges into the Ganges. Devha-Ghagra Sangam is where the Devha and the Ghagra rivers merge. Devotees consider this point holy and take a bath here to purify themselves. Raja Venu ka Tila is located a km from the town and is in ruins today. The dilapidated palace is historical because because Raja Venu was considered to be a friend of Lord Krishna and is even mentioned in the Mahabharata.

Located in the Pilibhit region and part of the Terai-Duar Savanna and grasslands ecosystem, the Pilibhit Tiger Reserve is home to over 127 animals, 556 birds and 2100 flowering plants. The reserve lies along the India-Nepal border with the northeastern boundary of the reserve the Sharda River which defines the Indo-Nepal border, while the southwest boundary is marked by the River Sharda and the River Ghaghara. The reserve has a core zone area of 602.79 sq km and a buffer zone area of 127.45 sq km with elevation ranges from 168 to 175 meters above mean sea level. Contrary to what the name suggests, this reserve is replete with not only a variety of tigers, but also a plethora of rare and threatened species like the Indian leopard, swamp deer, hispid hare and Bengal floricans. The Bengal Tiger and Dudhwa tiger are most prominent species that breed here and the reserve is one of India’s 50 Project Tiger tiger reserves. The forestes of Pilbhit are home to the striped cats, tigers, bears and many species of birds.

Located close to the Indo-Nepal border, the Dudhwa National Park is the perfect weekend getaway. Spread across 811 sq km across the Indo-Gangetic plains, the park was first established in 1985 as a sanctuary for swamp deer and renamed a national park in 1977 and became a part of Project Tiger in 1987 and was declared as a tiger reserve, and along with the Kishanpur Wildlife Sanctuary and the Katarniaghat Wildlife Sanctuary, it is called as the Dudhwa Tiger Reserve. The place has a plethora of rare and endangered species and one of the few where one can witness herds of the Barasingha on the grassy wetlands. Dudhwa National Park is the only national park in North India with a unique terai-bhabar terrain and plays a pivotal role in maintaining an ecological balance in the region. The Tharu Tribal Village is a small village located in the park which allows visitors to meet the Tharu tribe who are mostly farmers and shepherds. The national park does not have their own arrangements for a safari, but visitors can hire jeeps or mini buses from outside to explore it and an elephant ride is another option where elephant mahouts also act as a tour guide. The park is open from 15 November to 15 June each year, however, it is best to visit between November and April, as May and June can get extremely hot. The park has daily jeep safaris in open 4WD safari vehicles, and it is usually arranged in 4×4 customized jeeps with a maximum of 6 people in one jeep with a guide and an equipped forest official accompanying each vehicle. There are also elephant safaris available, where mahouts accompany as guides. The safari timings are between 7 to 10 am and 1 to 5 pm daily and entry fee to the park is INR 50 per person while the vehicle entry fee is INR 100. For safaris, personal vehicles are not allowed and only registered vehicles are permitted.

Bithoor
We travel back 260 km south to Bithoor, our next destination. 24 km north of Kanpur, Bithoor is situated on the right bank of the River Ganges, and is a centre of Hindu pilgrimage. According to Hindu scriptures, Bithoor is the birthplace of Rama’s sons Lava and Kusha. It is also rumoured to be the place where Lord Bramha stayed while performing a yajna and the name of the town is said to be derived from Brahmavarta or the location where Lord Bramha stayed. It was also the centre for the war of Independence of 1857 due to it being the home of many of the rebellion’s most prominent participants including the Rani of Jhansi, Lakshmi Bai and Nana Saheb. The last of the Peshwas, Baji Rao II, was banished to Bithoor and his adopted son, Nana Sahib, made the town his headquarters.

Some of the most significant moments of Hindu religion and mythology are said to be created at the Valmiki Ashram, being the place of the forest-rendezvous of Sita after Lord Rama left her, the birthplace of Lav and Kush and the site where the Ramayana was written. The complex is a memorial of sorts established by the Peshwa ruler Nana Rao Peshwa II. The Lav Kush Janmasthal is supposed to be the exact spot where the princes Lav and Kush were born. Lav and Kush also received their education at Valmiki Ashram from Sage Valmiki and there is a a small chamber within the premises called Sita Rasoi which was the kitchen that Sita used when she settled down there after her separation from Lord Ram. Sita never returned back to Lord Ram and asked mother earth to take her in as whole, this also occurred at the Valmiki Ashram and the spot is named Sita Patal Pravesh. There is also a chamber where Lord Hanuman was rumoured to to stay when he was sent to find out the whereabouts of Sita, Lav and Kush by Lord Ram.

The Brahmavart Ghat is the holiest of the holy ghats in Bithoor where the devotees of Lord Brahma pray at the altar of the Wooden Slippers after a ritual bath. A nail of the horse shoe embedded in the steps of the ghat is an object of special reverence for devotees, as it is considered to be from the shoe of Lord Brahma’s horse, while going for Ashwamedha Yajna. This is also known as the place from where Lord Brahma started mankind, Manu and Shatarupa, according to Hindu mythology and after the completion of the yajna, the forests of Utpalaranya became known as Brahmavarta, from which the popular name, Bithoor is derived. The ghat has a small temple, one of the few shrines in the country devoted to Lord Bramha. The temple houses a Shivaling referred to as the Brahmeshwar Mahadeva, established by Lord Bramha after the completion of Yajna. The temple has wooden slippers to commemorate the sacred footsteps of Lord Bramha. There is also a knot in the ground of the temple which is believed to be the centre of the entire earth. There are also small boats available for boat rides in the Ganges.

The striking red stone Patthar Ghat’s foundation stone on the banks of the Ganges was laid by Tikait Rai, a minister of the Avadh kingdom. The red standstone is from where the ghat got its name, with Patthar meaning stone in Hindi. The ghat also has a small temple devoted to Lord Shiva with a shivaling installed in the temple made of Philosopher’s Stone or Kasauti, as it is known locally.

About two km from Bithoor is where a child named Dhruv, the prince of the kingdom of Utpalaranya and the son of king Uttanpad, meditated on one foot to appease Lord Bramha. Pleased with his devotion, Lord Bramha appeared before him and granted him a boon to be immortalised as a star named Dhruv which is the equivalent to the Pole Star. The place where Prince Dhruva did his penance is known as Dhruva Teela.

The Siddhidham Ashram, also known as the Sudhanshuji Maharaj Ashram, falls under the Vishva Shanti Mission, an organisation run by Sudhanshuji Maharaj on Bithoor road, about 4 km from the town. The ashram has a big campus as well as a Radha Krishna temple and an artificial Kailash Mountain. It also houses a miniature aquarium with tiger sharks and catfish, in addition to this there is a small encounter which contains a few varieties of exotic birds like Macaws and Cockatoos.

The Bithoor Fort is spread over 20 acres and played an integral part in the revolt of 1857. Nana Saheb, the adopted son of the Peshwa ruler Baji Rao II, made the fort his headquarters during his tenure in Bithoor, which was then part of the Cawnpore district, which is today’s Kanpur. The fort was where the leaders of the 1857 revolt planned the attack on the British regiment, in response to which the British bombed the fort due to which the fort lies in ruins today.

The Nana Saheb Rao Park was established by the state government within the museum complex previously known as Company Bagh. Before independence, it was called Memorial Well as a memorial to mourn the lives of British women and children who died in the 1857 massacre. Post independence, the memorial was shifted elsewhere and statues of freedom fighters were constructed in the Nana Saheb Rao park, named after the key player in the revolt of 1857. The park has a decades old enormous Banyan tree which is said to be where the British ordered the mass hangings of several Indian soldiers. There is also a museum with an independent gallery which has historical relics from the colonial period including royal orders, coins, stamps and other antiques. The park has a well paved walkway and a public pool, which is famous among the locals. There is also a small nursery within the park premises, host to a wide array of plant varieties. The park also sees a fair variety of local bird species.

The Deepa Malika Stambh is a high tower near the Sita Rasoi with 48 stairs in seven rounds laid out in a spiral fashion that take one to the top of the tower. The tower is decked up in glimmering diyas or earthen oil lamps during Diwali and looks stunning.

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Naimisharanya
Also known as Neemsar, Nimsar or Nimkhar, Naimisaranyam is a Hindu temple dedicated to Lord Vishnu located about 91 km north of the state capital of Lucknow, on the left bank of the river Gomati. There are shrines dedicated to Chakranarayana, Ganesh, Rama, Lakshman.[6][7]One of the Divya Desam, the 108 temples of Lord Vishnu revered in the Nalayira Divya Prabandham by the 12 poet saints, or Alwars. The temple is believed to be of significant antiquity with contributions at different times from the ruling kings and is counted as one of the eight temples of Vishnu that self-manifested and is classified as Swayamvyaktha Kshetra. The holy tank Chankra Kunda is associated with the temple and it is a pilgrimage centre where people take a holy dip during festive occasions. The tank is believed to have sprung the Sudarshan Chakra, the weapon associated with Lord Vishnu and this it is said this place is so holy that just by visiting this place, a person can rid himself of his sins and attain moksha or liberation.

Legend says that the Sage Narada is believed to have searched for the best theertha or water body in the three worlds. He went to Kailasa, the abode of Lord Shiva, then to Parkadal or Kshir Sagar, the abode of Lord Vishnu and finally landed in the water body in the Naimisha Forest which was declared the best water body or theertal in all the three worlds. Another story says it was the King of the Gods, Lord Indra who brought together the waters from all the holy rivers to Naimisaranya so the sage Dadhichi could bathe in it before giving up his life so his bones could be made into a weapon to destroy the demon Vritra and regain his place in heaven. According to a third legend, when sages were planning to perform a penance, Lord Brahma’s ring, made from the grass of the dharba, a tropical grass considered a sacred material in Vedic scriptures and is said to purify the offerings during such rituals fell down at Naimisaranya. Lord Brahma then asked the sages to do the penance here and accepted their offerings at the end of the penance. It is believed that the forest still has Lord Vishnu and all sages as trees. The central deity is said to have presided over the forest and hence the puja or rituals are done to the forest, which was worshipped by even the celestial beings. Every new moon day, a large number of people purify themselves with a dip in the holy tank and it is believed that if the new moon falls on a Monday, a holy bath in the tank and offerings to the presiding deity Goddess Lalitha will wash away all the sins committed in the lifetime. The temple is open till 6 pm daily.

Moving further east, our next destinations are Kanpur and the state capital of Lucknow.

Travel Bucket List: India – Uttar Pradesh Part 3

Fatehpur Sikri

Located close to Agra and about 65 km south of Mathura, Fatehpur Sikri was founded as the capital of the Mughal Empire in 1571 by Emperor Akbar, until 1585 when Akbar abandoned it because of a campaign in Punjab and was later completely abandoned in 1610. The name of the city is derived from the village called Sikri which occupied the spot before. An Archaeological Survey of India (ASI) excavation from 1999 to 2000 indicated that there was a habitation, temples and commercial centres here before Akbar built his capital. The region was settled by Sungas following their expansion and was briefly controlled by the Sikarwar Rajputs in the 12th century. Akbar’s son Jahangir was born at the village of Sikri in 1569 and the same year, Akbar began construction of a religious compound to commemorate the Sheikh who had predicted the birth. After Jahangir’s second birthday, he began the construction of a walled city and imperial palace here. The city came to be known as Fatehpur Sikri, or the City of Victory, after Akbar’s victorious Gujarat campaign in 1573. After occupying Agra in 1803, the English established an administrative centre here and it remained so until 1850 and in 1815, the Marquess of Hastings ordered repair of the monuments at Sikri. Archaeological evidence points to settlement of the region since the Painted Grey Ware period. Today, Fatehpur Sikri is a UNESCO World Heritage Site.

The town sits on rocky ridge, 3 km in length and 1 km wide is surrounded by a 6 km wall on three sides with the fourth bordered by a lake falls roughly into the shape of a rhombus. The dynastic architecture of Fatehpur Sikri was modelled on Timurid forms and styles and was built massively and preferably with red sandstone. Gujarati influences are also seen in its architecture and in the decor of the palaces with the architecture reflecting both Hindu and Muslim form of domestic architecture popular at the time. The town is accessed through gates along the 8 km long fort wall, namely, the Delhi Gate, the Lal Gate, the Agra Gate and Birbal’s Gate, Chandanpal Gate, the Gwalior Gate, the Tehra Gate, the Chor Gate, and the Ajmeri Gate and contains the summer and winter palaces for Queen Jodha.

Set into the south wall of the congregational mosque, Buland Darwaza or the Gate of Magnificence is 180 ft high, gradually making a transition to a human scale in the inside. The gate was added around five years after the completion of the mosque, in 1576-1577 as a victory arch to commemorate Emperor Akbar’s successful Gujarat campaign. Made up of red sandstone and decorated with white and black marbles, the gate carries two inscriptions in the archway. The central portico comprises three arched entrances, with the largest one, in the centre, is known locally as the Horseshoe Gate, after the custom of nailing horseshoes to its large wooden doors for luck. Outside the giant steps of the Buland Darwaza to the left is a deep well.

Jama Masjid was It was a congregational mosque and was one of the first buildings erected in the town. Built-in the 17th century, it mosque is a UNESCO World Heritage Site today and is also known as the Friday Mosque. It was built in the manner of Indian mosques, with iwans around a central courtyard. A distinguishing feature is the row of chhatri over the sanctuary. There are three mihrabs in each of the seven bays, while the large central mihrab is covered by a dome, it is decorated with white marble inlay, in geometric patterns. It is constructed in a transition style in a mixture of Islamic architecture and Persian styles. The interiors are embellished with watercolor paintings with corbelled pendentives supporting the dome in comparison to squinches which support the domes usually.

A white marble encased tomb of the Sufi saint, Salim Chisti within the Jama Masjid’s sahn or courtyard. The single-storey structure is built around a central square chamber, within which is the grave of the saint, under an ornate wooden canopy encrusted with mother-of-pearl mosaic. Surrounding it is a covered passageway for circumambulation, with carved Jalis, stone pierced screens all around with intricate geometric design and an entrance to the south. The tomb is influenced by earlier mausolea of the early 15th century Gujarat Sultanate period. Other striking features of the tomb are white marble serpentine brackets, which support sloping eaves around the parapet. On the left of the tomb, to the east, stands a red sandstone tomb of Islam Khan I, son of Shaikh Badruddin Chishti and grandson of Shaikh Salim Chishti, who became a general in the Mughal army during the reign of Jahangir. The tomb is topped by a dome and thirty-six small domed chattris and contains a number of graves, some unnamed, all male descendants of Shaikh Salim Chishti. The tomb is known for blessing childless couples and devotes come from all over the country to pray for children with devotees tying threads over the marble screens as a reminder of their prayers to Salim Chisti.

The Diwan-i-Khas or Hall of Private Audience, is a plain square building with four chhatris on the roof. However it is famous for its central pillar, which has a square base and an octagonal shaft, both carved with bands of geometric and floral designs, further its thirty-six serpentine brackets support a circular platform for Akbar, which is connected to each corner of the building on the first floor, by four stone walkways. It is here that Akbar had representatives of different religions discuss their faiths and gave private audience.

The Diwan-i-Aam or Hall of Public Audience, is a building typology found in many cities where the ruler meets the general public. In this case, it is a pavilion-like multi-bayed rectangular structure fronting a large open space. Standing on 49 pillars, the Diwan-i-Aam consists of a Jharokha type chamber which is also known as Takht-i-Murassa. This place has beautiful decorations all over its pillars and walls. Made of Marble is the Bethak where the ministers were to sit. Two gateways and three aisles divide the hall. South west of the Diwan-i-Am and next to the Turkic Sultana’s House stand Turkic Baths.

Constructed in 1575, the Ibadat Khana or the House of Worship was a meeting house where Akbar had laid the foundations of Din-e-Ilahi. Here spiritual leaders of different religions gathered to conduct discussions of the teachings of their respective faiths.

Anup Talao was built by Raja Anup Singh Sikarwar and is an ornamental pool with a central platform and four bridges leading up to it. Some of the important buildings of the royal enclave are surround by it including the Khwabgah or the House of Dreams, Akbar’s residence, Panch Mahal, a five-storey palace, the Diwan-i-Khas or the Hall of Private Audience, Ankh Michauli and the Astrologer’s Seat, in the south-west corner of the Pachisi Court. It is also said to be the residence of Akbar’s muslim wife, although this is disputed due to its small size.

Also known as Harkabai or Jodhabai, Mariam-uz-Zamani was the wife of Emperor Akbar. The building of Akbar’s Rajput wives, including Mariam-uz-Zamani, is built in a fusion of Rajput and Mughal architecture with Gujarati influence and is built around a courtyard, with special care being taken to ensure privacy. It was on the eastern side of the court.

Also known as the Naqqar Khana or drum house, Naubat Khana is where musicians used drums to announce the arrival of the emperor. It is situated ahead of the Hathi Pol Gate or the Elephant Gate, the south entrance to the complex, suggesting that it was the imperial entrance. There are rich carvings on the sandstone walls.

Panch Mahal is a five-storied palatial structure, with the tiers gradually diminishing in size, till the final one, which is a single large-domed chhatri. Originally pierced stone screens faced the facade and probably sub-divided the interior as well, suggesting it was built for the ladies of the court. The floors are supported by intricately carved columns on each level, totalling to 176 columns in all. With design elements of a Buddhist temple, the pavilion gives a splendid view of the fort. Panch Mahal has a pool, the Anoop Talab in front of it which once was a setting for musical concerts.

Akbar’s favorite, Birbal was a Hindu minister in his court. His palace finds its place near the northwest corner of Jodhabai’s Palace. It contains four rooms interconnected with open doorways. Two oblong porches are also there. These have a pyramidical roof with a triangular roof. The interiors are full of single bordered designs, Arabesque geometrical designs, and floral designs. The first floor has beautifully decorated Jharokas and Chajjas. The domes have carvings of inverted lotus and Kalash designs and tile work. The building also has horizontal sloping sunshades or chajjas and the brackets which support them.

The Hiran Minar, or Elephant Tower, is a circular tower covered with stone projections in the form of elephant tusks. Traditionally it was thought to have been erected as a memorial to the Emperor Akbar’s favourite elephant. However, it was probably a used as a starting point for subsequent mileposts.

A precursor to modern-day offices, the Daftar Khana was Akbar’s record room. It was a place given to the important files and documents associated with his reign. Built on a high platform, the building has facades on all four sides. There is a room inside which has three doorways on its north and beautifully carved tracery work on red sandstones on its south.

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The Pachisi or Chaupar Court is a square marked out as a large board game, the precursor to modern day Ludo game where people served as the playing pieces. Built by Kabar in 1572, the emperor and his court played the game of Pachisi, similar to that of modern-day ludo and chess. The game instead of being played with original tokens were played with human beings with servants dressed as tokens of the game and the players instructing the pieces to make the moves.

One of the most beautiful complexes in Fatehpur Sikri, Khwabgah acted as the Emperor’s personal place. It had space for the Emperor to hold meetings, a Kitab Khana or library, a small bathroom, and a bedroom. The bedroom had covered connections with the Panch Mahal and the imperial harem. Where the ground floor is quite simple, the first floor, which was the emperor’s personal space was decorated with geometrical and floral carvings with mural and paintings on the walls depicting court scenes along with Persian inscriptions which are today faded.

Beside Queen Jodha’s palace and opposite Birbal’s palace lies the Lower Haramsara. The reason behind its construction is ambiguous as for some historians it was a stable and for others was a place of servants. The entire structure consists of floral paintings both inside out. The columns here are a mix of Indian and Islamic designs.

Other buildings in Fatehpur Sikri include the Taksal or royal mint, the Karkhana or royal workshops, the Khazana or treasury, the Hammam or Turkish baths, the Darogha’s or security quarters , stables, caravanserai, Hakim’s or doctors quarters.

Agra

Moving on, lying about 36 km east of Fatehpur Sikri is the city with the monument which speaks of eternal love, the city without visiting for which many, their trip to India is incomplete, Agra, on the banks of the Yamuna and home to the Taj Mahal. With a population of roughly 1.6 million, Agra is the fourth-most populous city in Uttar Pradesh and twenty-third most populous city in India.

During the rule of the Mughals, Agra began it’s golden age and was the foremost city of the Indian subcontinent and the capital of the Mughal Empire under the Mughal emperors Babur, Humayun, Akbar, Jahangir and Shah Jahan. Under Mughal rule, Agra became a centre for learning, arts, commerce, and religion, and saw the construction of the Agra Fort, Sikandra and Agra’s most prized monument, the Taj Mahal, built by Shah Jahan as a mausoleum for his favourite empress.

The name Agra is explained by three different derivations. The most accepted one is that it had its origin from the Hindi word agar meaning salt-pan, a name which was given to it because the soil in the region is brackish and salt used to be made here once by evaporation. Others derive it from Hindu mythology claiming that the Sanskrit word agra which means the first of the many groves and little forests where Krishna frolicked with the gopis of Vrindavan. Another version is that when Sikandar Lodi was sailing down the Yamuna in his royal yacht he asked his steersman to point out a site that was fit for a building a city. Out of the many mounds all around, the steersman pointed to the one directly ahead, supposedly using the Sanskrit word agra or front to express what he meant.

Agra has two histories: one of the ancient city on the east, or left, bank of the river Yamuna, going back so far as to be lost in the legends of Krishna and Mahabharata and reestablished by Sikandar Lodhi in 1504-1505; the other of the modern city, founded by emperor Akbar in 1558, on the right bank of the river which is associated with the Mughals, and known throughout the world as the city of the Taj. Of ancient Agra little now remains except a few traces of the foundations. It was a place of importance under various Hindu dynasties previous to the Muslim invasions of India, but its history is unclear, and possess little historical interest. Akbar built the modern city of Agra on the right bank of Yamuna, where the majority of its part still lies. He converted the city into a great centre of political, cultural and economic importance, connecting it with the various parts of his vast empire. Before his death, Agra had become probably one of the biggest cities in the east, with huge amounts of trade and commerce happening through its bazaars. Shah Jahan later shifted the capital to Shahjahanabad, now known as Delhi in 1648, followed by his son Aurangzeb moving the entire court to Delhi in 1658. With this Agra began rapidly declining, but it continued to be referred to as the second capital of the empire.

In the late 18th century the control of the city fell successively to the Jats, the Marathas, the Mughals, the ruler of Gwalior, and finally the British East India Company. After the decline of the Mughal Empire, the city came under the influence of another post-Mughal Empire power, the Marathas, before falling into the hands of the British East India Company in 1803. Between 1834 and 1836, Agra was the capital of the short-lived Presidency of Agra and then the capital of the North-Western Province from 1836 to 1868 and once of the centres of the Indian rebellion of 1857.

Post India’s independence, Agra has gradually developed into an industrial city, with a significant contribution to the state’s economy. The city is now a popular tourist destination with the Taj Mahal and the Agra Fort UNESCO World Heritage Sites. Today, the Taj Mahal is a symbol of India and Agra has developed into an industrial town, with a booming tourism industry, along with footwear, leather and other manufacturing.

One of the new seven wonders of the world, the Taj Mahal is located on the southern or right bank of the Yamuna river, on the easten part of Agra, about 1.6 km east of Agra Fort. Built by the Mughal Emperor Shah Jahan as a memorial for his third wife, Mumtaz Mahal, it also houses the tomb of Shah Jahan himself. Constructed entirely out of white marble from Makrana in Rajasthan in the 17th century, the Taj Mahal is a UNESCO World Heritage Site.

Covering an area of approximately 42 acres, the construction of the Taj Mahal began in 1631 with upwards of twenty thousand workers from India, Persia, the Ottoman Empire, and Europe and took 22 years before completion. It is distinguished as the finest example of Mughal architecture, a blend of Indian, Persian and Islamic styles. Designed as a unified entity according to the principles of Mughal architecture, the five principal elements of the complex were the main gateway, garden, mosque, jawab literally meaning an answer, a building mirroring the mosque and the mausoleum, with its four minarets.

The Taj Mahal can be be observed from Agra Fort from where Emperor Shah Jahan gazed at it for the last eight years of his life, a prisoner of his son Aurangzeb. Verses of the Quran are inscribed on it and at the top of the gate are 22 small domes, signifying the number of years the monument took to build. The Taj Mahal was built on a marble platform that stands above a sandstone one with it’s back to the Yamuna river. Each corner of the platform is graced with 40m high white minarets. The most elegant and largest dome of the Taj Mahal with a diameter of 60 feet and a height of 80 feet is where the tomb of Mumtaz Mahal lies directly below. Shah Jahan’s tomb was erected next to hers by his son Aurangzeb. These tombs are false tombs as the real tombs of Mumtaz Mahal and Shah Jahan lies in a locked room below the main chamber. The four indistinguishable faces of the Taj Mahal are in perfect symmetry, featuring impressive vaulted arches containing pietra dura inlay work, incorporating semi-precious stones and quotations from the Quran. The whole structure is topped off by four small domes.

The Taj Mahal can be accessed through east, west and south gates with tour groups entering through the east and west gates and independent travellers through the south gate. Inside the grounds, the ornamental gardens are set on the classic Mughal charbagh or in the formal Persian garden style. The garden begins at the entryway and spreads across to the base of the mausoleum. Unique to the construction of this garden is the usage of the number four and its multiples as four is considered as the holiest number in Islam. The garden is divided into four parts, with two marble canals studded with the fountains occupying the centre. Each quarter portion of the garden has 16 flowerbeds each of which was planted with 400 plants.

The best time to visit Taj Mahal is during sunrise when it looks the most majestic and the most comfortable time because of fewer crowds. Another magical time to visit the Taj at sunset. One can also visit it for five nights including a full moon night and two nights before and after the full moon. The dates and timings are decided by the Archaeological Survey of India and night viewings take place between 8:30 pm and 12:30 am in eight batches of about 50 people each for 30 minutes each time with only 400 visitors allowed on a single night. The entry tickets for this time is limited though, and it must be bought a day in advance from the Archaeological Survey of India office.

Other attractions in the complex include the twin mosque buildings placed symmetrically on either side of the mausoleum, gardens, and a museum. However, air pollution caused by emissions from foundries and other nearby factories and exhaust from motor vehicles has damaged the Taj Mahal, notably its marble facade. A number of measures have been taken to reduce the threat to the monument, among them the closing of some foundries and the installation of pollution-control equipment at others, the creation of a parkland buffer zone around the complex, and the banning of nearby vehicular traffic, and more recently, use of a mud pack therapy. Most importantly, the 10,400 sq km Taj Trapezium Zone has been created around the Taj Mahal and other nearby monuments where strict pollution restrictions are in place on industries, following a 1996 Supreme Court of India ruling.

The Taj Mahal opens 30 minutes before sunrise and closes 30 minutes after sunset and is closed on Fridays when it is accessible to practising muslims to attend the prayers in the afternoon. Entry fees for Indian is INR 45, for SAARC and BIMSTEC citizens, it is INR 535 and for other foreigners, it is INR 1050 with children below the age of 15 having free entry. For all visitors, including children, there is an additional fee of INR 200 to see the main mausoleum. The ticket price include a 500 ml bottle of water and shoe covers. Visitors can also pick up an audio guide for INR 118 from the ticket counter.

The Agra Fort is a large 16th century fortress of red sandstone first established by the Emperor Akbar and served as the seat of royal government when Agra was the capital of the Mughal empire in addition to being a military base and a royal residence. Built on the site of an earlier fortifications by Islam Shah Suri, the son of Sher Shah Suri. Agra Fort lies on the right bank of the Yamuna river and is connected to the Taj Mahal which lies downstream, around a bend in the Yamuna, by a stretch of parkland. The fort was commissioned by Akbar in 1565, taking around eight years to build. Though much of the structure of the fort was founded by Akbar, both the interior and exterior underwent considerable changes under his son Jahangir and grandson Shah Jahan, who added many new structures, often of marble. The red sandstone walls of the roughly semi-circular structure have a perimeter of about 2.5 km, rise 21 metres high, and are surrounded by a moat. There are two entrances in the walls, the Delhi Gate facing west, the original entrance, situated nearly opposite to the Agra Fort railway station and Jama Masjid, and decorated with intricate marble inlays; and the Amar Singh Gate, also known as Hathi Pol or Elephant Gate facing south, presently the only means in or out of the fort complex. The complex of buildings in the fort is reminiscent of Persian and Timurid architecture with great inspiration from Jain and Hindu architecture and forms a city within a city. Today Agra Fort is the second UNESCO World Heritage Site in Agra, after the Taj Mahal.

Among the major attractions in the fort is Jahangiri Mahal, the largest residence in the complex, built by Akbar as a private palace for his son Jahangir. This was adjacent to Queen Jodha’s palace and is built in stone and simple in its design with Persian verses carved out in a large stone bowl used for storing rose water. In the Diwan-i-Am or the Hall of Public Audience where the emperor would listen to public petitions and meet state officials. The Diwan-i-Khas or the Hall of Private Audience was used for receiving distinguished visitors. The famous Peacock Throne was once kept there, before Aurangzeb took it to Delhi. This hall was intricately decorated with marble pillars studded with floral patterns of semi-precious stones. Adjacent to the Diwan-i-Khas stands the Musamman Burj, an octagonal Tower which was the residence of Shah Jahan’s favourite empress, Mumtaz Maḥal. The Moti Masjid or the Pearl Mosque, constructed by Shah Jahan, is a structure made entirely of white marble. The emperor’s private residence was the Khas Mahal, whose marble walls were once adorned with flowers depicted by precious gems with classical Persian and Islamic influences with a touch of Hindu motifs in its construction. Located to its northeast is the Sheesh Mahal or Palace of Mirrors with its walls and ceilings inlaid with thousands of small mirrors and employs the most sophisticated water engineering designs. Mammam-E-Shahi or the Shah Burj was used as the summer retreat, while the Nagina Masjid was built by emperor Shah Jahan as a private mosque for the ladies of the court while the Mina Masjid was the private shrine of Emperor Shah Jahan. Today some parts of the Agra Fort is used by the Indian Army and is off-limit to public access. The fort also served as a prison for Shah Jahan when Aurangzeb, his son and successor as emperor, had him confined there from 1658 until his death in 1666. The fort is open between sunrise and sunset and entry fees for Indians is INR 40 while foreigners pay INR 550. Children below the age of 15 enter free and entry into the fort is only allowed through the Amar Singh gate.

Often referred to as the Baby Taj Mahal, the tomb of Itimad-ud-Daulah is a Mughal mausoleum and is the first tomb in India made entirely of marble. The tomb was commissioned by Nur Jahan, the wife of Jahangir, for her father Mir Gheyas Beg, later known as Itimad-ud-daulah, A minister in the court of Jahangir. The tomb marks the transition from the first phase of the Mughal architecture to the second. This was the first structure to make use of pietra dura and the first to be built on the banks of the Yamuna River and consists of Indo-Islamic architecture, with the use of arched entrances and octagonal shaped towers. A bird’s eye of Itimad-ud-daulah Tomb shows  it looks like a jewel box set in a garden. Located on the left bank of the Yamuna river, the mausoleum is set in a large cruciform garden, criss-crossed by water courses and walkways. On each corner are hexagonal towers, about thirteen metres tall. The walls are white marble from Rajasthan encrusted with semi-precious stone decorations made of cornelian, jasper, lapis lazuli, onyx, and topaz in images of cypress trees and wine bottles, or more elaborate decorations like cut fruit or vases containing bouquets. Light penetrates to the interior through delicate Jali screens of intricately carved white marble. The tomb is made of white marble and placed on a large red sandstone platform, which can be accessed by four monumental gateways. The inner space of the tomb is divided among 9 Chambers, with the central chamber being the largest of all and accessible only from the southern side. There are cypress tree and other floral decorations on the wall, that give off an essence of the Persian architecture. The origin of lattice jali is from Gujarat and has been used extensively during the Mughal reign. The Eastern gate is the main entrance, the Western gate, a waterfront pavilion and the Southern and Northern gates are to just maintain symmetry. These gates are made with red sandstone and have geometric designs and chine khana designs on white marbles. The square-shaped tomb has four turrets which are adorned with small domed kiosks known as Chattris. These Chattris, one on each corner rise from an octagonal base. There are jali works from the arched entrance of the tomb to the centre of the mausoleum. The garden around the tomb is square in shape and divided into 4 quadrants, with the tomb in between. The garden includes walkways and water channels. The garden is also symmetrically maintained and each of its quadrants represents each sea of paradise. The garden also comprises of 4 rectangular pools with fountains, which enhances the beauty of the overall area. The tomb remains open from dawn to dusk and one can visit anytime during the day. However, to catch the monument at its best, it is recommended to visit during sunrise or sunset.

The final resting place of the Mughal Emperor Akbar, is situated in Sikandra on the outskirts of Agra, about 13 km from the Agra Fort and spreads over an area of 119 acres. Built entirely out of sandstone and white marble between 1605 and 1618., the four-storied tomb combines both marble and sandstone in its exterior. The construction of Sikandra was commenced in Akbar’s reign, and was completed by his heir and son Jahangir in 1613. The tomb, built in a mixture of Hindu Rajputana design and gothic Mughal style is set amidst a large garden, and is enclosed by four battlemented walls, each with a large gateway. The shape of the tomb is pyramidal and has four storeys and a marble pavilion, which contains the false tomb with the true tomb in the basement. The 99 names of Allah have been inscribed on the tomb. The tomb has seen some damage to its minarets and other aspects, which was inflicted by the Jats of Bharatpur. The vast gardens around Sikandra are inhabited by several Blackbucks, which are in the process of being shifted to the Etawah Safari Park. The ground floor is surrounded by walkways all around except at the centre of the southern side, which is the way that leads in from the main gate. These arcades are divided by huge arches and piers that divided the walkways into many bays. The next three storeys are square with arcades and clusters of kiosks on each side. In the second storey, some of the kiosks have marble roofs in pyramidal shapes. The rest of the kiosks are crowned by cupolas. Every end of the third storey has a small square shaped room. The top storey that is, the pavilion is made entirely of white marble. It has an open-to-the-sky square court. Slender arches and piers have enclosed the central courtyard, dividing it into many bays. A square platform lies at the centre of the courtyard over which the false tomb is laid out, made of marble. The tomb had floral patterns and arabesque beautifully carved on to it. Unlike other muslim kings, Akbar’s Tomb faces towards the rising sun instead of Mecca. The tomb is open from sunrise to sunset every day except Fridays when it is closed. Entrance fees includes a development authority fee of INR 5 for Indians, with citizens of SAARC and BIMSTEC countries paying INR 25 as well as a toll tax from the Agra Development Authority of INR 10. Other foreigners pay INT 110 and children under the age of 15 enter free. Foreigners who purchase the Agra Development Authority toll ticket of INR 500 for Taj Mahal, do not need to purchase any other toll ticket if they visit Akbar’s Tomb on the same day.

Chini ka Rauza is the tomb of Allama Afzal Khan Mullah, the Prime Minister of the Mughal Emperor Shah Jahan. Also known as China Tomb, it was built between 1628 and 1639 and has a marvellous fusion of the Indo-Persian style. It is the first monument of its kind to be decorated by glazed tile work, known as chini. The tomb is located 1 km north of Itimad-ud-Daulah’s tomb, on the banks of the river Yamuna and is is built facing Mecca. The tiles for the mausoleum are known to have been imported from China. The rectangular building has striking features, the most alluring of which are the turquoise, orange, yellow and green coloured tiles also known as kashi or chini. It’s dome has been elevated to give a two-storeyed effect to the building. The chief chamber is octagonal in shape, has eight arched clefts and is connected to the four side halls. Built-in the Afghan style of architecture, Chini ka Rauza is believed to be the only building in India with Persian architectural designs. The interiors of the shrine are adorned with intricate paintings and inscriptions from the Quran.

One of the last Mughal gardens in Agra, Mehtab Bagh is a charbagh or four garden complex located just north to the Taj Mahal and overlooking the Agra Fort on one side and the Yamuna river on the other. Perfectly aligned with the gardens of Taj Mahal, Mehtab Bagh provides a picture-perfect view of the Taj from the fountain at the front of the entrance gate and is a popular sunset photography spot. The garden has four sandstone towers, one each at the corner with a huge octagonal tank right in the centre. It is believed that Shah Jahan got the bagh designed so he could admire the beauty of Taj Mahal. On the moonlit nights, the clear reflection of the wondrous Taj Mahal in the waters of the park is a sight worth seeing. The Bagh has scores of vibrantly blooming floral plants and medicinal herbs, besides fruit trees. Originally built in 1530 by the Mughal Emperor Babur, the garden fell into disrepair until Shah Jahan renovated it into a moonlit pleasure garden in the Persian style layout with plastered pavilions elevated walkways, ornamental fountains and pretty pools. In 1994, excavations carried out by the Archaeological Survey of India (ASI unearthed an octagonal tank, 25 water fountains and a four-complex divided compartment. The garden compound is constructed with red sandstone, brick and lime plaster. There is a stepped waterfall present in the north that feeds the octagonal pond on the southern end. this pond. Of the four towers, only one tower stands today, towards the south-east side and a large water tank on the east, with many water channels. The garden also houses two ruined structures which are presumed to be the garden pavilions that did not survive the passage of time and an aqueduct in the north that waters the garden. Mehtab Bagh is open between 6 am to 6 pm and Indians and SAARC nation visitors pay INR 30 as entrance fees while other foreigners pay INR 200.

Built by emperor Shah Jahan in 1637 as his personal leisure garden, Anguri Bagh is a sprawling charbagh or four compartment styled garden complex, on the premises of the Khas Mahal in Agra Fort. Originally popular for the thick creepers of grapes, the garden came to be called as Anguri Bagh or the Garden of Grapes. The structure in the garden is made of fine white marble which was painted and gilded in gold and adorned with beautiful paintings. The main part of this structure consisted of a hall with a recess and rooms in a surrounding semicircular pattern and a huge courtyard in the front with tanks, fountains and hammams overlooking the garden. Anguri Bagh is open between sunrise and sunset and the entry fee for Indians is INR 40 while foreigners need to pay INR 510.

The Aram Bagh, commonly known as Ram Bagh today, is one of the oldest Mughal garden in India, and was built by the Mughal emperor Babur in 1528 on the bank of the Yamuna. It lies about 2.3 km (1 mi) north of the Taj Mahal. The original name of the gardens was Aram Bagh, or ‘Garden of Relaxation’, and this was where Babur used to spend his leisure time.

Also known as the Friday Mosque, the Jama Masjid is a seventeenth-century structure and one of the largest mosques built by the Mughals in India. Constructed under the reign of Shah Jahan in 1648, the Jama Masjid is dedicated to his favourite daughter Jahan Ara Begum. This splendid monument is visible from the Agra Fort with the Agra Fort Railway station right between the two structures. Built mainly of red sandstone and white marble , the mosque has a fountain at the centre and is supported by four kiosks in the courtyard. The interior walls have scriptures in the Persian style praising Shah Jahan and Jahan Ara and the inlaid panels are similar to that of Taj Mahal. Every Friday, special prayers are conducted and the Tomb of Salim Chisti is a part of the mosque compound. The Jama Masjid has many domes, out of which the prayer dome is the largest. The Buland Darwaza is forty meters high and is built of red sandstone and is semi-octagonal in pattern and contains three massive domes at the top. These domes are followed by three smaller domes and twelve tiny domes at lower levels. The impressive arches at the courtyard are supported by pillars covered in red sandstone. The domes are decorated by an inverted lotus and are ornamented by a Kalash at the top. The designs on top of these domes are made of alternating stripes of marble and red sandstone. Entry to the Jama Mosque is possible through five entrances with the gateway embellished with small layers of sandstone. The Iwan or the rectangular hall walled on three sides has a central arch with several geometric patterns. Jama Masjid is open from 7 am to 12 noon and then from 1:30 to 6:30 pm. While entry is free, photography charges are INR 30. Feet are expected to be covered and women are expected to cover their heads while inside the mosque.

Located inside the Taj Mahal complex, the Taj Museum was established in 1982 on the western end of the Taj Gardens. The tiny but terrific depository is a double-storeyed building with a quadrangle projection outside. Situated a little left on the main gate of the mausoleum inside the Jal Mahal, the museum provides the wonderful opportunity to have a close look at the blueprints, art and artefacts used in the construction of the monument. Spread over two floors, the museum boasts of three galleries in addition to the main hall. The main attraction is the 17th-century ivory portraits of the Mughal emperor Shah Jahan and his beloved queen Mumtaz Mahal. Other than that, there are a dozen paintings, frescoes and sketches of the planning and designing of the Taj Mahal, in addition to umpteen antiques, miniature paintings, manuscripts, government decrees, arms, utensils, specimens of inlay works etc. The first gallery is a depiction of the brainstorming involved behind the construction of Taj, site plans, and various letters sent to and fro between Shah Jahan and Raja Jai Singh of Jaipur ensuring the smooth supply of makrana marble. The second gallery showcases some jade and porcelain objects including a jade Quran stand, beautifully ornamented vase of the same material, nifty celadon ware utensils, arms and specimens of other semi-precious stones etc. The third gallery is a display of documents, farmans, famous calligraphy works and the paintings of the monument post completion. The museum also houses many original Mughal miniature paintings. As well as some Caledon plates which are said to split into pieces or change colour if the food served on them contains poison. The museum is open between 10 am and 7 pm and is closed on Fridays. Entrance charges are INR 20 for Indians and INR 750 for foreigners.

Established in 1995, Wildlife SOS is a non-profit organisation that rescues and rehabilitates wild animals and forests. Its Agra Bear Rescue Facility is the largest sloth bear rescue facility in the world housing 130 sloth bears. The Elephant Care and Conservation Centre, located halfway between Agra and Mathura, rescues and rehabilitates abused and captive elephants. To visit any of the conservation facility of Wildlife SOS, one must email or phone in advance to book a time slot. There are 3-4 slots available per day with the package facilitating a guided tour of the area and the presentation of a well-informed documentary showcasing the rescue of dancing bears and their recovery. Wildlife SOS is open between 9 am and 1 pm and then between 2 to 6 pm with the entry fee for one being INR 6500, for two INR 5600,  for three people INR 5500 and for 4 or more people it is INR 5300 per person.

The Keetham Lake Bird Sanctuary also known as the Sur Sarovar Bird Sanctuary is situated within the Surdas Reserved Forest and has nearly two dozen varieties of migratory and resident birds.

103 km south of Agra lies the National Chambal Wildlife Sanctuary, home to the Gharial, red crowned turtles, Gangetic Dolphins and Indian skimmers, among others. Surrounded by the Chambal river, the cleanest river in the country, the sanctuary provides visitors with an unpolluted habitat, abundant wildlife, amazing landscapes, medieval temples and magnificent ancient ruins. Tourists usually rent a motorised boat to go up and down the river as it flows through the ravines which provides visitors an up close and personal view of the birds and animals. Walks around the river and ravines are also organised and alongside the normal jeep safari, this national park offers visitors with a river safari, bicycle rides, camel safaris and horse safaris. The Chambal River Safari is the highlight of the sanctuary, almost 3 hours long and the best way to enjoy the view of the sanctuary. The Chambal river is the lifeline of the forest and meanders its way across the states of Madhya Pradesh, Rajasthan and Uttar Pradesh. Boats with a seating capacity of few more than a dozen people are arranged by the Chambal Safari Lodge which carry visitors through the river and also have guides. The endangered Gharial and the Ganges River Dolphin are the major attractions of the sanctuary with other inhabitants including Muggar crocodiles, Bengal Foxes, Indian Grey Mongoose, Smooth-coated Otters, Striped Hyaena and the Indian Wolf. Chambal is also home to 8 out of 26 rare turtle species found in India and a haven for many migratory birds.

Garhmukteshwar

Moving on from Agra, we now travel 265 km north to Garmukteshwar, a popular pilgrim spot situated on the banks of the River Ganges. A popular day trip from Delhi, it is the closest where one can take a dip in the Ganges during the Ganga Mela held here on the full moon nights in the month of Kartika during October and November when devotees bathe in the waters of the Ganges to cleanse themselves of sins. The Ganges river in Garhmukteshwar is also known for its sightings of the Ganges River Dolphins. Garhmukteshwar is an ancient place that is mentioned in the Bhagavata Purana and the Mahabharata. There are claims that it was a part of ancient Hastinapur, the capital of the Pandavas. An ancient fort, repaired by the Maratha leader Mir Bhawan, became, under the British, the headquarters of the tehsil. The name of the town is derived from the temple of Mukteshwar Mahadeva, dedicated to the Goddess Ganga who is worshipped there in four temples. The town has 80 sati pillars, marking the spots where Hindu widows are said to have become Sati-Mata. The town also has a mosque, built by Gays-ud-din Balban, that bears an inscription in Arabic dating to 682 Hijri or 1283 AD.

In the next part, we will explore some ancient and historic towns in Uttar Pradesh.

In My Hands Today…

Small Acts of Freedom – Gurmehar Kaur

In February 2017, Gurmehar Kaur, a nineteen-year-old student, joined a peaceful campaign after violent clashes at a Delhi University college.

As part of the campaign, Kaur’s post made her the target of an onslaught of social media vitriol. Kaur, the daughter of a Kargil martyr, suddenly became a focal point of a nationalism debate. Facing a trial by social media, Kaur almost retreated into herself. But she was never brought up to be silenced. ‘Real bullets killed my father. Your hate bullets are deepening my resolve,’ she wrote then.

Today, Kaur is doubly determined not to be silent. Small Acts of Freedom is her story. This is the story of three generations of strong, passionate single women in one family, women who have faced the world on their own terms.

With an unusual narrative structure that crisscrosses elegantly between past and present, spanning seventy years from 1947 to 2017, Small Acts of Freedom is about courage. It’s about resilience, strength and love. From her grandmother who came to India from Lahore after Partition to the whirlwind romance between her parents, from her father’s state funeral to her harrowing experiences since her days of student activism, Gurmehar Kaur’s debut is about the fierceness of love, the power of family and the little acts that beget big revolutions.

Travel Bucket List: India – Uttar Pradesh Part 2

Hastinapur

Located on the banks of an old ravine of the Ganges, Hastinapur lies less than 60 km southeast of Muzzafarnagar. An ancient city, Hastinapur is described in the Mahabharata and the Puranas as the capital of the Kuru Kingdom and is located on the right bank of the Ganga river. Translates to the City of Elephants in Sanskrit, Hastinapur’s history dates back to the period of the Mahabharata with several evidences noting that the city was named after King Hasti. The city also been known by other names, such as Gajapuram, Nagapura, Asandivata, Brahmasthalam, Shanti Nagaram and Kunjarpuram, in different ancient texts. Excavations carried out in Hastinapur in the early 1950s unearthed matrials which correlated between the text of the Mahabharata and the material remains uncovered. Hastinapur is also the birth place of three Jain Teerthankara, and it has become an important centre of pilgrimage for the Jains.

According to a popular belief, Ashtapad exists in the high mountain range of Himalayas, some 250 miles north of Badrinath and was believed that it was here that the first Jain Tirthankara, Bhagwan Rishabhdev attained his salvation. It is believed that who visits Ashtapad attains salvation and with this belief in mind, the Jains made a copy of Ashtapad in Hastinapur. Ashtapad which means eight steps, is 151ft tall with a diameter of 10 8m with the height of every step equal to the diameter.

A huge complex comprising of various Jain temples designed in different designs, the Jambudweep Jain Tirth is an important pilgrimage site for those of the Jain faith. There are various temples, some of them quite big, and a meditation hall within the campus. The Sumeru Parvat, Teen Lok Temple, Lotus Temple are some of the fascinating temples inside.

The Bada Digambar Mandir is one of the oldest Jain temples and is situated on a 40 ft high hillock with a magnificent structure which sees a huge number of devotees to worship the statue of Bhagwan Shantinath in a Padmasan. It is believed that the prayer offered here are always received well. There are multiple temples in this complex including the Kailash Parvat Temple, the Nandeeshwara Dweep, the Trimurti Mandir and the Maan Stambha as well as 24 tonks, a Petrograph and various Shrines.

The Kailash Parvat Rachna is a 40-metre-high structure, home to several Jain temples, including the Yatri Niwas and Bhojanshala. There is also an auditorium and a helipad on the premises.

The Pandeshwar temple is dedicated to Lord Shiva and is believed to be the place where Kauravas and Pandavas received their education in the Vedas and the Puranas. A temple of the Goddess Kali and many ashramas are also present on a hillock between the ruins. Legend has it that in the Mahabharata period, Pandu’s eldest son Yudhishthira, had established the shivalinga at the Pandeshwar Mahadev temple before the war of Mahabharata and prayed to Shiva for a blessing of winning the war.

The Karna Temple is located near the Pandeshwar temple on an old ravine along the bank of the Ganges with the shivling inside the temple believed to be established by Karna, one of the prominent figures in the Mahabharata.

The Bhai Dharam Singh Gurudwara is located in the Saifpur village about 2.5 km from Hastinapur and is considered to be one of the holiest pilgrimage centers for the Sikh community. Established by Bhai Dharam Singh, one of the panj pyaare, instructed by Guru Gobind Singh at Anantpur Sahib for forming the nucleus of Khalsa.

Also called as the Hastinapur National Park, the sanctuary spread across 2073 sq km was established in 1986 and is home to a wide variety of flora and fauna. Known to conserve a huge number of bird species and home to a variety of mammals, reptiles, amphibians, invertebrates, herbs and shrubs, peacocks can be spotted here in large numbers.

Vrindavan

Known as Lord Krishna’s childhood abode, Vrindavan is one of the oldest cities on the banks of Yamuna. The name of the town has been derived from Vrinda, meaning basil and van which means a grove, probably referring to the two small groves at Nidhivan and Seva Kunj. About 250 km south of our last destination, Hastinapur, the town hosts hundreds of temples dedicated to Lord Krishna and Goddess Radha scattered throughout, the most famous ones being the Banke Bihari temple and the ISKCON temple. One of the most sacred places in Vaishnavism, Vrindavan is located in the Braj Bhoomi region, and is where, according to Hinduism, Lord Krishna spent most of his childhood days and is about 15 km north from Mathura, Krishna’s birthplace.

Vrindavan was established in the 16th and 17th centuries as a result of an explicit treaty between the Muslims and Hindu Emperors. But the essence of Vrindavan was lost over time until the 16th century, when it was rediscovered by Chaitanya Mahaprabhu who visited in 1515 to locate the lost holy places associated with Lord Krishna’s life.

Vrindavan is also known as the city of widows due to the large number of widows who move into the town and its surrounding area after losing their husbands. There are an estimated 15,000 to 20,000 widows who come from the states of west Bengal, Assam and Odisha.

The Shri Banke Bihari Mandir is dedicated to Lord Krishna. Built in 1862, the temple is in the Rajasthani style of architecture and is adorned with arched windows and stonework. The image of Lord Krishna in the temple appears in the form of a child and is seen standing in the Tribhanga position. There are no bells or conchs in the premises, as it is believed that the Lord does not like the sound of these instruments with invocations performed by peaceful chants of Radha Naam.

The word Banke means bent in three places, while the word Bihari means supreme enjoyer.  The idol in Banke Bihari Temple was originally worshipped under the name of Kunj Bihari which means the enjoyer of lakes. The lord is worshipped in three parts every day including Shringar, Rajbhog and Shayan. While Shringar, which includes bath, dressing and adornment with jewellery like crown and necklaces and Rajbhog or feast are offered in the forenoon, the Shayan Sewa which is the sleep worship is offered in the evening. In summers, the temple opens at 7 am with the morning aarti between 7:45 to 8 am and darshan from 8 am to 12 noon and then again between 5:30 to 9:30 pm. During the winter months, the darshan timings are between 8:45 am to 1 pm and then between 4:30 to 8:30 pm. The Mangala aarti is held in the temple during Janmashtami, while Akshaya Tritiya is the only day when one can see the deity’s lotus feet. The deity can be seen wearing a special crown and carrying a flute only on the full moon day in autumn. During the last five days of the Hindu month of Phalguna, the festival of Holi, the Deity comes off his altar and can be seen fully. It is also around this time that he can be seen with four gopis. The Jhulan Yatra or the swing festival of Lord Krishna is celebrated on the third day of the waxing moon, where Lord Banke Bihari is seated on a golden swing known as a hindola. The curtain is pulled shut and then opened again, every few minutes, unlike other temples. It is believed that the eyes of Banke Bihari are so brilliant at this time that it can make anyone unconscious if seen for a long time.

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Prem Mandir is a massive temple built by Jagadguru Shri Kripaluji Maharaj in 2001. Known as the Temple of God’s Love, it’s dedicated to Radha Krishna as well as Sita Ram and made of white marble and adorned with intricate carvings. Various scenes from Lord Krishna’s life have been depicted on the periphery of the temple. Built in the Rajasthani Somnath Gujarati architectural style, the temple is situated on a 54-acre site on the outskirts of Vrindavan and constructed using Italian marble. The structure is 125 feet tall, 122 feet long and 115 feet wide. Doors and windows of the temple are beautifully carved, with the walls and floor adorned with colourful semi-precious stones depicting floral vines blooming with buds and flowers. The pillars are intricately engraved with beautiful statues depicting the Kinkari and Manjari Sakhis serving Shri Radha Krishna in a variety of ways. The temple also houses a circumambulation route, consisting of 48 panels and 84 panels on the exterior depicting the Shri Radha Krishna. The first floor of the temple has spectacular idols of Lord Krishna and Goddess Radha, while the second floor is dedicated to Lord Rama and Goddess Sita. A striking feature of the temple is the musical fountain show which takes place every evening from 7 to 7:30 pm. The temple is open daily between 5:30 am and 8:30 pm.

The Sri Radha Raman Mandir, dedicated to Lord Krishna in the Radha Raman or the giver of pleasure to Radha avatar is known to house a saligram or a self-manifested deity of Lord Krishna with a mystical smile on his face as Radha Ramana, alongside Goddess Radha. The temple is said to be one of the most significant among the seven temples of Thakur of Vrindavan and holds importance especially among the followers of Gaudiya Vaishnavism. The temple was established in 1542 and renovated in 1826. An interesting fact about this temple is that even though it is dedicated to and named after Goddess Radha, there is no deity of Radha Rani in the temple, instead a crown is kept next to Lord Krishna to signify her presence. The temple is built in the modern Hindu architectural style and the temple is open between 8 am and 12:30 pm and then again from 6 to 8 pm daily. The mangala aarti takes place at 4 am during winters and 5:30 am during the summer.

Also known as Sri Sri Krishna Balaram Mandir, the ISKCON Vrindavan is the fulfilment of the dream of Swami Prabhupada, the founder of the ISKCON movement, who wished to build a temple for the brothers, Lord Krishna and Lord Balaram where they played together several centuries ago. The three altars here are the seats of Sri Sri Gaura Nitai, Shri Krishna and Balaram and Sri Sri Radha Shyamasundara along with Lalita and Vishakha. The presiding deity of the temple, however, is Lord Krishna-Balaram with two idols on the central slab of the temple depicting Lords Krishna and Balarama. On the right dais are the idols of their friends and on the left side is a statue of Chaitanya Mahaprabhu with Nityananda, and of Bhaktivedanta Swami Prabhupada and his spiritual coach Bhaktisiddhanta Sarasvati Thakura. The Vrindavan Chandrodaya Mandir is housed in a modern geodesic structure with a traditional gopuram based on the Khajuraho style of architecture and will be the tallest temple in world on completion. The temple is constructed out of white marble and the galleries of the temple display various pictures of Lord Krishna with the courtyard having beautiful verandah surrounding it with wall paintings of Sri Radha-Krishna and Sri Gaur-Nitai. The first floor of the temple is more like a balcony with 108 flowers painted on the floor. There is guesthouse named ISKCON Guest House inside the temple campus for accommodation. The temple is open during the summer months from 4:30 am to 12:45 pm and then from 4:30 to 8 pm and from 4:30 am to 1 pm and between 4 to 8:15 pm during the winter months.

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The Sri Govind Devji temple is an ancient temple built of red sandstone and dedicated to Lord Krishna. Although the original idol no longer exists in the temple, it is said that the idol of Lord Krishna in Govind Devji Temple resembled the face of the lord when he was born. The temple is one of the four temples of particular interest among the thousand within the periphery of the town and is believed to be established by King Vajranabh, the great-grandson of Sri Krishna about 5000 years back. The recorded history of the temple, however, dates back to the 16th century when Sri Rupa Goswami, a disciple of Sri Chaitanya Mahaprabhu went to Vrindavan to find the deity which was lost, at his master’s wishes. Raja Man Singh of Amer and a trusted general of the Mughal emperor, Akbar, began construction of the temple in 1590 on the occasion of Akbar’s pilgrimage to Vrindavan, but the seven-storied temple was destroyed on the orders of Akbar’s grandson, Aurangzeb in 1670, but the demolition was abandoned at three stories. Made of red standstone resembling a European cathedral, the seven-storied temple is considered as one of the most exquisite temples of North India and has an altar inside which is a blend of marble, silver and gold with a sculptured lotus flower decorating the central hall ceiling and is an amalgamation of Islamic and Hindu architecture constructed in the Dravidian style. The idol in the temple was transferred to Jaipur by Raja Jai Singh II before Aurangzeb could destroy it and so the present temple is a tourist site without any rituals being held. A replica of the Lord was installed later in a new temple beside the original structure along with the deity of Sri Radha. The temple is open daily between 4:30 am and 9 pm.

Also known as the Rangji Temple, the Sri Ranganatha Temple is dedicated to Lord Sri Goda Ranagamannar, a South Indian Vaishnava saint, and Lord Ranganatha, an incarnation of Lord Krishna. The highlight of the temple is the idol of Krishna present in the form of the groom with Goddess Goda or Goddess Andal as his bride. Andal was a famous 8th century Vaishnava saint known for composing the Tiruppuvai, a hymn for her beloved Lord Krishna and his birthplace Vrindavan. It is believed that seeing her dedication to him, Lord Krishna answered her prayers by agreeing to become her groom. This is one of the largest temples in North India and one of the 108 Divyadesams for the Vaishnavas. The temple’s east gate is the main gate but entry to the temple is allowed from both gates and a milk abhishek is done every Friday. The idol of Goddess Andal is taken out of the  main sanctorum to the pond every Friday evening. The temple is open from 5:30 to 11 am and from 4 to 9 pm during summer and from 5:30 to 12 noon and between 3 to 9 pm during winter.

The Katyayani Peeth is also known as Uma Shakti Peeth and is one of the 51 Shakti Peethas. The idol of Sati is worshipped here in the form of Uma and is believed that when Lord Vishnu used his Sudarshan Chakra to cut Maa Sati’s body to relieve Lord Shiva from the sorrow of losing his wife, the ringlets of her hair fell in this place. Katyayani Peetha has five different forms of worship,  Goddess Uma or Shakti, Lord Shiva or Shiva, Lord Lakshmi Narayan or Vaishnava, Lord Surya or Saurya and Lord Ganesha or Ganpataya. Jagatdhatri Devi is also worshipped here.The temple is open for worship between 7 and 11 am and again between 5:30 and 8 pm.

Situated between Keshi Ghat and the Radha Raman Temple, the Radha Gokulananda Temple contains idols of Radha Vinoda, Radha Gokulananda and Lord Chaitanya. Although the temple has no elaborate structure, it still holds great significance. The temple also houses a Govardhana-shila that was given by Lord Chaitanya to Raghunath Dasa Gosvami which bears the thumbprint of Lord Caitanya. Originally, there was no deity of Radharani in this temple, but Jahnava Devi had a deity of Radha made in Jagannatha Puri and installed it next to Radha-Vinoda. Built in the Hindu architectural style, the original deity of Radha-Vinoda is worshipped in Jaipur as it was moved to the city to protect it from Muslim invaders, with the temple now having the Pratibha-murtis of the original deities. The temple also has various samadhis placed in a small courtyard of sadhus who resided there. The temple is open from 8 am to 12 noon and from 5 to 8 pm. The mangala aarti takes place at 5 am in the summer and at 6 am during winters.

The Gopeshwar Mahadev Temple is one of the oldest temples in Vrindavan, located close to the Yamuna River and revered for the Shiva Linga established here by the great-grandson of Lord Krishna, King Vrajanabha. The temple holds the confluence of the masculine and feminine powers of nature with the Shiva Linga, the symbol of male power worshipped during the day from 6 to 10 am and and Shiv Linga dressed as a gopi with special shringar ceremonies which is worshipped at night from 5 to 9 pm at the time of the raasleela or the divine dance. The legends of Vrindavan consider Lord Shiva as the first Vaishnav ever and the guru of all Vaishnav since he was a devotee of Lord Vishnu of whom Lord Krishna was an avatar. According to legend, on the full moon night of Sharad Purnima, Lord Krishna along with Goddess Radha was performing the Raas Leela on the moonlit banks of Yamuna River near Vamshivat when Lord Shiva along with his wife, Pravati arrived there to take part in the same. Goddess Parvati was allowed to enter there but Lord Shiva was restricted from it because males were not supposed to take part in it. So, he was stopped on the outskirts of Vrindavan by Vrinda Devi, the deity of Vrindavan who told him that the reason for restricting him to enter is the lack of Sakhibhav which was a must for Raas leela which is intended to please Goddess Radha. Shiva was determined to participate in it and so he meditated with Radha in his mind. Pleased by his meditation, Radha sent her close friend Lalita to bring him over into the Rasamandal after introducing him to Sakhibhav. Lalita went over to Lord Shiva and explained the deepest secrets of Sakhibhav, post which she asked him to take a dip in the holy Yamuna with full passion to achieve Sakhibhav. When Shiva took the dip, he came back as a beautiful damsel and then Lalita took him to Rasamandal. Lord Krishna recognised Lord Shiva and named the female form of him as Gopeshwar. Shiva considered Lalita as his guru since she helped him understand the secrets of Sakhibhav. The belief prevalent about the Shiva Linga is that it was installed by Vraja Gopis themselves who worshipped him to attain Krishna as their husbands. This temple is open during the summers from 5 am to 12 noon and then from 4:30 to 9:30 pm with the aarti twice a day at 7:30 am and 7:30 pm. During the winters, it is open from 5:30 am to 12 noon and then from 4:30 to 9 pm with the aarti at 6:30 am and 6:30 pm.

The Shahji temple was built in the year 1876 by Shah Kundan Lal and is dedicated to Lord Krishna. The main deity here is known as Chhote Radha Raman. Its impressive marble structure features 12 beautiful spiral columns of a height of 15 feet each and also the Basanti Kamra which is a hall with Belgian glass chandeliers and intricate paintings placed within. Shahji Temple is mainly visited by religious devotees and tourists to admire the stunning architecture.

Chamunda Devi Temple is one of the 51 Shakti Peethas. It is believed that a hair strand of Mother Bhagwati Jagdamba fell here and according to Srimad Bhagwat, Sri Krishna visited Chamunda Devi Temple after liberating the dragon. The main highlight of the temple is that there is no idol of Maa Chamunda inside. It is said that the sage Shandilya meditated here while Sri Gorakhnath attained knowledge here. The temple is open from 6:30 am to 12 noon and then from 4 to 9 pm.

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The Radha Damodar Temple is one of the seven Goswami temples, housing the Giriraj Shila which was given to Srila Sanatana Goswami by Sri Krishna. There are idols of Sri Radha Rani and Lalita Sakshi along with Sri Damodar. Devotees often perform 4 parikramas or circumambulations of the temple and it is also believed that the temple houses some fragments of the Govardhan Hill. In summers, the temple is open from 4 am to 12:45 pm and from 4:30 to 9 pm. During winters, it is open from 4:30 am to 12:45 pm and from 4 to 8:45 pm.

The Madan Mohan Temple, also known as Sri Radha Madana Mohan Temple, is the oldest temple in Vrindavan. Located close to Kaliya Ghat, on Dwadashaditya hill overlooking Yamuna River, it is 50ft high and is believed that Lord Krishna rested at this site after conquering the Kaliya Naag. The original deity of Lord Madan Gopal was shifted from the shrine to Karauli in Rajasthan for safekeeping during Aurangzeb’s rule and today a replica of the original deity is worshipped at the temple. Radha and Lalita Sakhi are worshipped here along with Lord Krishna as Madana Mohan. The temple is believed to be originally built by the great-grandson of Lord Krishna, King Vajranabh. While the central tower houses idols of Radha, Krishna and Lalita Sakhi, the right tower houses the bhajan kutir and samadhi or cenotaph of Sri Sanatana Goswami and the left tower remains closed. The Advaita Vat, the oldest banyan tree in Vrindavan is also housed inside the temple. From the temple, there are stunning views of Vrindavan. The temple is open from 7 am to 12 noon and from 4 to 8 pm in winters and from 6 to 11 am and 5 to 9:30 pm in the summers.

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The Nidhivan temple has a sense of mystery or miracle attached to it. It is said that Lord Krishna visits it every night and performs Ras Leela. In the evening, after the evening aarti, no priest or devotee is allowed to step into the premises. There is no sighting of any animal or bird after 7 pm either because it is said that they move away from the area as well. Nidhivan has a unique surrounding and is flanked by unusual hollow trees that are short heightened and the branches are twisted downwards and lie in tangles with Tulsi plants also in pairs. A special corner called the Rang Mahal is decorated every evening with a bed of sandalwood spread across the area and a jar of water kept and a pan laid out. It is said that the bed looks used in the morning, and the paan and water seems to have been tasted with people claiming that it is Lord Krishna who is responsible for this. It is said that the Tulsi plants turn into Gopis at night and dance around while Krishna performs his Raas Leela and some can hear the sound of the anklets at night as well. Another mystery that surrounds the area is the rock garden which holds the footprints of young Krishna and his calf can still be seen in the mountains.

Keshi Ghat is the main ghat in Vrindavan and the only one still remaining. It is believed that in the Dwapara Yuga, Lord Krishna killed Keshi here who was a horse demon sent by Kansa. The Madanmohan Temple is located nearby while the ghat itself is one of the most significant places of worship with the Yamuna maha-aarti performed every evening. Built by Queen Lakshmi Devi of Bharatpur in the 17th century in an extravagant Rajasthani architectural style, it is believed that without performing the ritual of the Pratham Din pooja at the ghat each day, Vrindavan is incomplete. The ghat is open from 6 am to 9 pm daily.

Located about 50 km from Vrindavan, Nandgaon is a quaint little town situated at the base of the Nandisvara Hill and is highly revered as it is believed to be the home of the foster parents of Lord Krishna, Shri Nandji and Yashoda Maiyya. There is also a spacious temple situated atop the hill which is dedicated to Shri Nandji. Among the several other attractions situated in town, the most popular ones include temples dedicated to Yashoda Nandan, Nritya Gopal, Nand Nandan, Udhav Kyaro and Gopinath etc. There is also a stunning lake called Pan Sarovar from where it is believed that the cattle of Lord Krishna drank water from here. A little away from town, is also the very famous Kokilavan and the temple dedicated to Shanidev.

Mathura

Mathura lies about 14.5 km south of Vrindavan, and 22 km east of Govardhan. In ancient times, Mathura, which lies in the centre of the cultural region of Braj,  was an economic hub, located at the junction of important caravan routes. Mathura is believed to be the birthplace of Lord Krishna, located at the Krishna Janmasthan Temple Complex and is one of the Sapta Puri, the seven cities considered holy by Hindus. The Kesava Deo Temple was built in ancient times on the site of Krishna’s birthplace, an underground prison and at that time, Mathura was the capital of the kingdom of Surasena, ruled by Kansa, the maternal uncle of Lord Krishna.

According to the Archaeological Survey of India plaque at the Mathura Museum, the city is mentioned in the oldest Indian epic, the Ramayana. In the epic, the Ikshwaku prince Shatrughna slays a demon called Lavanasura and claims the land. Afterwards, the place came to be known as Madhuvan as it was thickly wooded, then Madhupura and later Mathura. The most important pilgrimage site in Mathura was Katra or the market place, now referred to as Krishna Janmasthan or Lord Krishna’s birthplace. Excavations at the site revealed pottery and terracotta dating to the sixth century BC, the remains of a large Buddhist complex, including a monastery called Yasha Vihara of the Gupta period, as well as Jain sculptures of the same era.

Archaeological excavations at Mathura show the gradual growth of a village into an important city during the Vedic age. Archaeologists have discovered a fragment of Mathura red sandstone from Rakhigarhi, a site of the Indus Valley civilization dated to the third millennium BC, which was used as a grindstone.

The Shri Krishna Janmasthan Temple is built around the prison cell in which Lord Krishna’s parents, Devaki and Vasudeva were imprisoned by his evil uncle Kansa and is believed to be the birthplace of Lord Krishna. Besides the prison cell, there are other temples located within the Krishna Janmasthan Temple Complex. The temple is believed to have been first constructed by the great-grandson of Lord, Krishna Vajranabha 5000 years ago. Then, it was rebuilt in 400 AD during the reign of Chandragupta Vikramaditya. However, it was destroyed in 1017 AD by Mahmud of Ghazni. In 1150 AD, the temple was constructed for the third time during the reign of Raja Dhrupet Dev Janjua, the King of Mathura only to be destroyed by Sikandar Lodi, of the Sultanate of Delhi in the 16th century. 125 years later during the reign of Jahangir, Raja Veer Singh Bundela rebuilt it and it was destroyed by Emperor Aurangzeb in 1669 AD who built a masjid in its place. When Mathura came under British colonial rule, the temple area was auctioned off in 1815 and final reconstruction was completed in 1982.

The complex houses the Keshavdeva temple, the Garbha Griha shrine and the Bhagavata Bhavan. The Keshavdeva Temple is located south of the Shahi Eidgah and was built by Ramkrishna Dalmia in memory of his mother Jadiadevi Dalmia. The Garbha Griha Shrine is considered where Krishna is believed to be born. A marble pavilion and an underground prison cell were built on the place with a spacious veranda. There is shrine near it dedicated to the eight-handed goddess Yogmaya and is located against the rear wall of the Shahi Eidgah. The Bhagavata Bhavan is dedicated to Shrimad Bhagavata and includes five shrines. The main shrine consists of six-feet tall statues of Radha and Krishna, the shrine of Balarama, Subhadra and Jagannath on right, the temple of Rama Lakshman and Sita on left, Garuda Stambha and Chaitanya Mahaprabhu in front of Jagannatha shrine and Hanuman in front of Ram shrine, the temple of Durga and the temple with Shivalinga. The ceiling, walls and pillars of the assembly hall are adorned with frescoes depicting life events of Krishna and his devotees. There is a circumambulation path whose walls are engraved with texts from Bhagavad Gita. The Potra Kund is a large water tank which is believed to be the first place where Lord Krishna was given a bath. Other buildings in the complex include the Ayurveda Bhavan, the International Guest House, shops, library and an open space for performances. During the summer months of April to November, the temple is open between 5 am and 12 noon and 4 to 9:30 pm. During the winter months of November to April, it is open between 5:30 am and 12 noon and then from 3 to 8:30 pm. The Garbha Griha is open from 5:30 am to 8:30 pm.

Touted as the holiest temple in Mathura, the Dwarkadhish Temple, is well known for its elaborate architecture and paintings. Built in 1814, the temple is relatively new, but highly revered. The temple is dedicated to Lord Dwarkadheesh, a form of Lord Krishna known as Dwarkanath, depicted as a black marble idol. The main building has a Rajasthani style entrance with steep steps leading to the main courtyard. In the centre of the yard are five rows of richly carved pillars supporting a beautiful painted ceiling which depict the life story of Lord Krishna. The pillars divide the courtyard into three segments; the right lane is for women and the extreme left one is for men. In the centre lane, only those with a VIP pass can enter. In the front of the yard is the garbhagriha or sanctum sanctorum where the Idol is placed. When Darshan has ended, a curtain is drawn over the entrance. The temple is open from 6:30 to 10:30 am and from 4 to 7 pm in summer and from 6:30 to 10:30 am and from 3:30 to 6 pm in winter.

The Birla Mandir is also known as the Gita Mandir and is dedicated to Lord Lakshmi Narayan, an avatar of Lord Vishnu. Located on the Vrindavan-Mathura road, the architecture of the red sandstone temple is magnificent with exquisite carvings and paintings and has the entire Bhagavad Gita inscribed on the pillars.  The sanctum sanctorum enshrines Radha Krishna and there are two additional sanctum rooms enshrine Lakshmi Narayan and Ram Sita. The complex also houses Lord Krishna’s chariot and a towering Gita Stambh which has carvings of the Bhagvad Gita. Inside the premises of the temple, there is a small temple with the presiding deity as Lord Hanuman. Right opposite to the main sanctum sits the vehicle of Lord Vishnu, Garuda with folded hands. In summer, the temple is open from 5 am to 12 noon and 2 to 8 pm and in winter, it is open between 5:30 am and 12 noon and between 2 to 8:30 pm.

The Bhuteshwar Mahadev Mandir is dedicated to Lord Shiva, also known as Bhuteshwar Mahadev. It is also a Shaktipeeth where the ringlet of Sati fell after her body was destroyed. The shrine is considered auspicious and unique as it is one of the very few temples in the city which is not dedicated to Lord Krishna. Considered to be one of the oldest temples, the temple also houses the Patal Devi Cave, the goddess worshipped by King Kansa.

Kokilavan, situated near Kosi Kalan, houses the famous Shani Temple, dedicated to Shani Dev or Saturn and his guru Barkhandi Baba. Since the site is located amidst the jungle, it has also come to be known as Kokilavan Dham. Pilgrims perform a parikrama or circumbulation of the temple and take a dip in the holy kund or pond here. Saturdays are the busiest day as it is is believed that taking a dip in the Suryakund at Kokilavan leads to wishes being fulfilled. There is a sacred tree at the temple compound where devotees offer water and write their wishes on a blank wall with their fingers.

Popularly known as Ma Vaishno Devi Mandir, the Vaishno Devi Dham is dedicated to Ma Vaishno Devi who is believed to grant boons to her devotees. There is a dispensary and library attached to the temple and it also has two dharamshalas or guest houses to provide accommodation to visiting devotees. The main central hall is used for meditation and adjacent to it is the yoga hall.

The Chamunda Devi Temple is one of the 51 Shakti Peethas and is located opposite the Maa Gayatri Tapobhumi on Mathura Vrindavan road. It is believed that a hair strand of Mother Bhagwati Jagdamba fell at this sacred spot and according to the Srimad Bhagwat, Sri Krishna visited Chamunda Devi Temple after liberating the dragon. This temple is unique because there is is no idol of Maa Chamunda inside. It is at this temple that the sage Shandilya meditated and Sri Gorakhnath attained knowledge. The temple is open from 6:30 am to 12 noon and then from 4 to 9 pm.

The Dauji Mandir lies about 18 km from Mathura and is one of the revered temples in the country. Built in 1535, it is one of the oldest temples in the city with the presiding deity being Lord Balarama, the elder brother of Lord Krishna. The idol of Lord Baladev is considered as the biggest of the Braja Mandal, black in colour and having two hands. The deity is about 7 feet tall. While the left-hand holds a royal cup with Varuni or the holy drink, the right hand is elevated and can be discovered by devotees when they offer prayers. There is also a statue of Lord Balarama’s wife, Revati. Built in the typical Indian architectural style, the temple has three doors on three sides each of which give access to the calla, one of which is surmounted by a squat pyramidal tower. Inside the main sanctum, the walls display beautiful artworks as well as decorated idols of Lord Balarama and his wife, Revati. Baladeva serves as the chief deity while there is a life-sized statue of Revati as well. Dauji Mandir complex has an adjoining court, where there is a small vaulted chamber believed to be the residence to the Lord post his epiphany. Each court or Kunj bears the name of its founder. The Kshir Sagar or Sea of Milk is a tank built of bricks, but today is not in a good condition and its surface is covered with thick green scum, but pilgrims still bathe in it. The temple is open from 7 am to 12:30 pm and then from 3 to 4 pm and again from 6 to 9 pm.

The Shri Nand Bhawan is also known as the Chaurasi Khamba Temple as it rests on 84 pillars and is located in Gokul, the childhood home of Lord Krishna. It is housed in a vast complex which is known for its architecture and comprises of a kitchen, store room, dining room and bedrooms. The Chaurasi Khamba Temple comprises of 84 steps which represents the 84000 species of life in the material world. Paintings and motifs of Lord Krishna adorn the walls of the temple while there are exquisite carvings on the stone pillars. There is a huge banyan tree in the courtyard where devotees tie colourful thread or ribbons and a temple dedicated to the Goddess Kaali under the tree. In summer, the temple is open from 5 am to 12 noon and then from 2 to 9 pm. In winter, it is open from 5:30 to 12 noon and then from 2 to 8:30 pm.

The Jama Masjid was constructed in 1661 by Abd-un-Nabi Khan, a governor of emperor Aurangzeb and has four minarets, mosaic plastering along with the marvellous carvings and a raised courtyard. The highlight of the mosque is the facade inscribed with 99 names of Allah in the Persian script. The mosque is open from 5 am to 9 pm daily.

Situated near Govardhan Hill are one of the holiest places in the Braja region, the Radha and Shyam Kunds. The two holy water tanks lying next to each other are considered to contain pure and sacred waters, which have magical properties to heal for conception. The origin of Radha Kund dates to the days of Goddess Radha and Lord Krishna and legend say that Lord Krishna killed the bull demon in Radha Kund and Radha, his consort told him to wash off his sin by taking a dip in the various holy rivers. He laughed it off and struck his feet on the ground where the rivers emerged and formed up a kunda or pond. Krishna, in order to please Radha bathed in the waters and the kund was named as the Krishna Kund. Afterwards, Radha and her girl attendants also dug up a kind with their kangans or bangle and their dug up ponds were filled by the waters from Krishna Kund, since getting the pond filled up from Manasi Ganga would be difficult since it was far off. The kund was henceforth known as the Radha Kund. Krishna took a bath in this kund as well and announced that anyone who took bath in Radha kund would attain the seed of intense love, similar to what Radharani had for him. Radha also took bath in Krishna Kund and announced that those who took bath there would attain the love of Krishna, just like he had for her. Located in Radha Kund is the large temple of Krishna Janmabhoomi constructed in the place where Krishna was born in a jail. The temple is spread out in a big area and is considered to be an important pilgrimage site. The temple remains crowded massively in Janmashtami, the birthday of Lord Krishna.

Located between Govardhan and Radha Kund, Kusum Sarovar is a beautiful reservoir fringed by palatial sandstone buildings from the bygone era. The reservoir has a flight of stairs which can be used to descend in the pond. The reservoir is believed to have got its name from one of the attendants of Radha, Kusum and has several temples and ashrams in the vicinity. The water is ideal for swimming and dips. Filled with emerald green water, the pond is bordered on all sides by forest containing flowers which Lord Krishna would collect to make garlands for Goddess Radha here. The central chhatri is square-shaped, with a lofty stone terrace adorned with corner booths and lateral bays. Raised on an ornamented plinth in the centre is the principal monument. The central chhatri is flanked on both sides by two other monuments supported on a 460 feet terrace, commemorating Raja Suraj Mal’s two queens, Hansiyat Devi and Kishori Devi. There is a huge garden filled with blooming flowers of various kinds, behind this building. The building dedicated to Raja Suraj Mal has a replica of Lord Krishna and Radharani’s lotus feet with the ceiling and walls decorated with exquisite paintings depicting the life of Krishna and Radha and the events from the history of the family to which it is dedicated. Built of red sandstone, it was built Jawahar Singh in honour of Raja Suraj Mal, his father and the king of Bharatpur. In 1735, the simple pond was reconstructed by the King of Orchha city, Raja Veer Singh, which was changed into a garden by Maharaja Suraj Mal for his queen, Kishori Rani. This is the reason why Jawahar Singh considered it as a memento of his parents. The reservoir is open from 7 am to 6 pm daily.

Potara Kund is one of the four kunds and is where the baby clothes of Lord Krishna were washed in his childhood. The water tank is made in red sandstone and has steps to descend inside.

Vishram Ghat is a sacred bathing ghat on the banks of the Yamuna and is the main ghat of Mathura and is central to 25 other ghats. Pilgrims visit Vishram Ghat to bathe in its waters and perform the traditional parikrama that starts and ends here. Vishram which means rest and it is named so because Lord Krishna rested at this place after killing Kansa, the evil demon king. This is why a pilgrimage to Mathura is incomplete without a visit to Vishram Ghat and the temples dotting it. There are 12 ghats to the north of Vishram Ghat and 12 ghats to the south of it positioning it in the centre. The parikrama is the circumambulation of all the chief religious places of Mathura. It is in the evening that the ghat comes alive during the evening prayers and aarti. Devotees float oil lamps and lamps on paan leaves into the Yamuna river and also perform other rituals on this ghat, along with taking the holy dip. One of the best ways to enjoy the ghat is to take in a boat ride where one can view the entire stretch of the ghat. In summer, the aarti takes place at 7 am and 7pm and in winter at 6:45 am and 7 pm. A boat ride will set you back by INR 30-50 per person.

Govardhan Hill or the Giri Raj is situated about 25 km from Mathura and is made up of standstone and stands 80 feet high with a circumference of 38 km. Worshippers worship the rocks of the hill just like they worship his Lord Krishna. Some interesting places one gets to visit the hills including Mansi Ganga, Mukharvind, and Daan Ghati. Legend says that Lord Krishna lifted the Govardhan Hill during his childhood on one finger to save his village of Mathura from fierce rains and thunderstorm. This hill is thereby considered holy and is visited by worshipers on Guru Purnima and Govardhan Puja in devotion by walking 23 km barefoot around the mountain. The name of Govardhan Hill has two interpretations. Gau is the Hindi word for the cow and Vardhan means a cowshed. Go in Sanskrit means senses and Vardhan means to control which means that it is a place where one can keep their thoughts in control and offer their life for the salvation of Lord Krishna. One of the popular temples on Govardhan Hill is the Giriraj Temple dedicated to Lord Krishna who is also known as Giriraj Ji. Another temple is the Shri Chaitanya Temple, made of red sandstone and decorated with paintings of Krishna and Radha. The Mansi Ganga Lake is the largest lake in central Govardhan with the myth saying that one who takes a bath in Mansi Ganga is relieved off his sins and attains the purest devotion of Lord Krishna. The circumambulation of Govardhan Hill starts and ends here. The Danghati Temple’s name come from the words Daan meaning donation and ghati meaning a valley. The speciality about this temple is that the deity here is made in the form of a rock dressed up by the priests to resemble Lord Krishna holding Govardhan Parvat on his little finger.

Located on the banks of the Yamuna, Kans Qila is an ancient fortress dedicated to Kans, the maternal uncle of Lord Krishna. Situated near the Krishna Ganga Ghat and Gau Ghat, the fort is a popular tourist spot and has been constructed as a fusion of Hindu and Muslim architecture styles. Kans ka Qila is in a dilapidated state due to negligence but is still thronged by tourists and alike. Also known as Purana Qila, the fort dates back to the period of the Mahabharat and has strong fortified walls. Kans Qila was renovated in the 16th century by Raja Man Singh of Amber, and later, Raja Sawai Jai Singh of Jaipur ordered an observatory to be built, which can’t be found today. The main highlight of the fortress is the audience hall divided into three separate aisles.

Previously known as the Curzon Museum of Archaeology, the Government Museum of Mathura is also known as Mathura Museum and houses a fairly big collection of ancient relics, sculptures, coins and paintings. Founded in 1874 by  Sir F. S. Growse, the museum is famous for housing the ancient sculptures of the Mathura School, dating from the 3rd century BC to the 12th century AD. The museum also displays the discoveries made by noted archaeologists in and around Mathura. Today, it is one of the primary centres for study, research and preservation of Mathura’s exquisite art heritage. The museum is closed on Mondays and public holidays and on other days is open between 10:30 am and 4:30 pm.

Stay with this series as we explore the state of Uttar Pradesh in the next part.

In My Hands Today…

Remnants of a Separation: A History of the Partition through Material Memory – Aanchal Malhotra

Remnants of a Separation is a unique attempt to revisit the Partition through objects that refugees carried with them across the border.

These belongings absorbed the memory of a time and place, remaining latent and undisturbed for generations. They now speak of their owner’s pasts as they emerge as testaments to the struggle, sacrifice, pain and belonging at an unparalleled moment in history.

A string of pearls gifted by a maharaja, carried from Dalhousie to Lahore, reveals the grandeur of a life that once was. A notebook of poems, brought from Lahore to Kalyan, shows one woman’s determination to pursue the written word despite the turmoil around her.

A refugee certificate created in Calcutta evokes in a daughter the feelings of displacement her father had experienced upon leaving Mymensingh zila, now in Bangladesh. Written as a crossover between history and anthropology, Remnants of a Separation is the product of years of passionate research. It is an alternative history of the Partition – the first and only one told through material memory that makes the event tangible even seven decades later.