Bombay Duck Is A Fish – Kanika Dhillon
When Neki Brar moves to Mumbai to make it as a film-maker in Bollywood, little does she suspect that she will find herself standing on the terrace of her building, a bottle of wine and her diary in hand, plotting how best to jump. A small town girl, Neki has one ambition: to live in Mumbai and make it big as a film-maker. As she comes closer to her dream, she is also faced with a new reality.
The make-believe sets of Bollywood, the cramped existence with her three roommates and the battle for power on the sets of her debut film as an assistant director force her to understand the ground rules here if you don t learn the art of survival, the train back home is your only option.
Falling in love with the second lead actor, the charming Ranvir Khanna, further complicates her life, along with the realisation that she seems to have a unique ability to be at the wrong place at the wrong time and in the middle of every disaster that happens on the film sets. Battling political games, rivalry, love, betrayal and burning egos of film stars, she discovers the beauty of her own ambition and the ugliness of true love. The stakes are high. The dreams are big. The pressure is tremendous. If unfulfilled dreams keep you alive, can broken dreams push you to end it all?

In a one-bedroom-hall-kitchen in Mahim, Bombay, through the last decades of the twentieth century, lived four love-battered Mendeses: mother, father, son and daughter.
India, 1955: As the scars of Partition are beginning to heal, seventeen-year-old Meera sits enraptured: in the spotlight is Dev, singing a song so infused with passion that it arouses in her the first flush of erotic longing. But when Meera’s reverie comes true, it does not lead to the fairy-tale marriage she imagined. Meera has no choice but to obey her in-laws, tolerate Dev’s drunken night-time fumblings, even observe the most arduous of Hindu fasts for his longevity. A move to Bombay seems at first like a fresh start, but soon that dream turns to ashes. It is only when their son is born that things change and Meera is ready to unleash the passion she has suppressed for so long.
Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport, and as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees “a fortune beyond counting“ in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption. With a little luck, her sensitive, beautiful daughter — Annawadi’s “most-everything girl” — will soon become its first female college graduate. And even the poorest Annawadians, like Kalu, a fifteen-year-old scrap-metal thief, believe themselves inching closer to the good lives and good times they call “the full enjoy.”