Short Story: Incognito Heart

The scooter had been making that sound for weeks. Not a dramatic sound. Not even a complaint. More like a quiet, sulking wheeze. As if it had opinions about her choices and had decided to express them through the engine.

Nandini Rao patted the handlebars the way her mother used to pat her head when she couldn’t fix a problem but wanted it to behave anyway.

“Bas. Just get me there,” she murmured. “I’m not asking for much.”

The scooter responded by dying right outside the shuttered entrance of the old Bhandarkar Hall, where somebody had recently put up fresh hoardings with glossy visuals: REVIVAL. HERITAGE. A NEW CHAPTER.

Nandini stared at the hoarding and felt an unhelpful urge to laugh. Mumbai loved the idea of revival. It loved new chapters. It also loved forgetting the old ones.

She pushed the scooter to the side, wiped sweat from her forehead with the end of her dupatta, and checked her phone. One bar. Low battery. A bank balance that looked like a scolding.

Of course.

She stood there for a second, between the traffic and the hoarding and her own tiredness, and tried to decide which was worse: the scooter breaking down, or the fact that she’d started expecting breakdowns like they were part of the monthly budget.

A tap on her elbow made her flinch.

“Madam, scooter bandh?” a watchman asked, leaning on a metal railing like he’d been born there.

“It’s… taking a pause,” she said, as if she could negotiate with it using language.

The watchman grinned. “Pause toh theek hai, par yeh road pe pause mat karna.”

Behind him, a man stepped out from the construction site, wiping his hands on a rag. He wore a faded T-shirt and jeans that looked like they’d seen too many monsoons. There was dust in his hair. Not styled dust. Real dust. He had the kind of face that would disappear in a crowd until it didn’t.

“Need help?” he asked, and his voice was calm in a way that made her suspicious. Calm usually came with privilege. Calm usually meant people had options.

“It’s fine,” Nandini said automatically.

The man glanced at the scooter, then at her. Not in a dramatic up-and-down way. More like he was assessing the situation and doing the math quietly.

“You’re not from the It’s fine school,” he said.

“Excuse me?”

He smiled a little. “You said it’s fine, like you were trying to convince yourself. Not me.”

Nandini felt her cheeks heat. She hated being read. She made a living reading people, matching them to books. She did not enjoy the same attention coming back at her.

“I’m Nandini,” she said, mostly because she didn’t know how to end the conversation without being rude, and she was tired of being rude to strangers. It turned life into a long fight.

“Mihir,” he said. “I’m working there.” He tilted his head toward the building.

She followed the gesture. The place smelled of wet cement and old paint. Bhandarkar Hall had once hosted plays, debates, charity shows, and at least three weddings that had spilt onto the road. Now it was being reborn with a name that sounded like a bank.

“You can’t fix it?” she asked, half-hopeful, half-defensive.

“I can try.” He crouched near the scooter, peered under the side panel, and made a small sound of disapproval. “When was the last time you serviced it?”

Nandini made a face.

“That long, huh?”

“I’ve been… busy,” she said.

He looked up. “Everyone’s busy. The scooter doesn’t care.”

He opened the panel and nudged something with his thumb. “Battery connection is loose. Also, your plug cap looks like it wants to retire.”

Nandini blinked. “You… know what you’re doing.”

“Just enough to survive Mumbai,” he said.

The watchman chuckled. “Yeh Mumbai hai, madam. Sabko sab aata hai.”

Mihir tightened the connection, tapped the panel back into place, and gestured. “Try now.”

Nandini started the scooter. It coughed, complained, and then—like a child who didn’t want to be late to school but didn’t want to admit it—came alive.

Relief washed through her so hard she nearly closed her eyes.

“Thank you,” she said, and meant it in the way you mean things when your day was about to fall apart and then didn’t.

Mihir wiped his hands again, then glanced at her scooter basket. There was a cloth bag in it, bulging with what looked suspiciously like books.

“Where are you going?” he asked.

“Banyan & Paper,” she said, before she could stop herself.

He frowned. “That second-hand bookstore near the station?”

Nandini’s pride stirred, even though it was a small, exhausted pride. “Yes.”

“I’ve walked past it,” he said. “Always wanted to go in.”

“You haven’t?”

“I keep meaning to. I…” He paused, as if he was choosing words. “I haven’t had the habit in a while.”

Nandini didn’t ask what habit. She knew what he meant. Everyone knew what he meant. Reading had become something people claimed to love the way they claimed to love fitness. A virtue, not a practice.

“Well,” she said, surprising herself, “you should come in.”

“I will,” he said, and she got the sense that he actually meant it.

The watchman called out behind them, “Arre Mihir, kaam pe aa. Boss chillayega.”

Mihir lifted a hand in acknowledgement, then looked at Nandini again. “Don’t ignore the service, haan. Battery connection is a symptom. The scooter is basically you.”

“What’s that supposed to mean?”

He smiled. “Overworked. Still functioning. One bad day away from collapsing dramatically on a main road.”

Nandini stared at him, offended and amused at the same time. Before she could come up with a reply, he turned and walked back into the dusty half-reborn building.

She rode off with her scooter, behaving, and her mind mildly unsettled.


Banyan & Paper sat between a photocopy shop and a tiny snack stall that sold vada pav with alarming confidence. The bookstore didn’t have a glossy sign. Just painted letters that had faded unevenly, and a handwritten note taped near the entrance:

Yes, we buy old books. No, we can’t take your college textbooks from 2009. Please don’t argue.

Inside, the air was cooler than outside, not because of AC; she couldn’t afford to run it all day, but because books held a different kind of temperature. The place smelled like paper, dust, and the faint perfume of mothballs that Nandini kept in strategic corners like tiny guards.

Her mother had named the shop when Nandini was eight. Her father had wanted something sensible. Something like Rao Books & Stationery.

Her mother had insisted on a banyan tree.

“A banyan doesn’t look like it’s doing anything,” her mother had said. “But it holds everything together.”

Nandini unlocked the shutter, pulled it up with a grunt, and stepped inside.

Her phone buzzed. A text from her neighbour, Aarti:
Ma ate?

Nandini typed back quickly:
Yes. Dawa de diya. Sleeping.

Chronic but stable, her mother’s condition was a constant hum in the background of their lives: medication, BP checks, occasional dizzy spells, and a general fragility that made Nandini’s choices feel less like choices and more like a line drawn on a map.

She couldn’t move for work. She couldn’t “just try something else.” She couldn’t relocate, restart, reinvent herself in the way LinkedIn loved to suggest. Her life was tethered to this suburb, this shop, and the upstairs bedroom where her mother slept with a fan pointed directly at her face like it was a personal assistant.

Nandini flipped on the lights, dust motes rising like tiny spirits.

At ten thirty, the regulars drifted in.

A retired uncle who came to argue about politics and borrow old Marathi novels.

A teenage girl who pretended she was browsing but actually just wanted to sit in the corner and breathe for twenty minutes away from her tuition schedule.

A man who bought self-help books and looked disappointed every time a book failed to fix him.

The shop didn’t make money the way shops were supposed to. It made meaning. And meaning, unfortunately, didn’t pay rent.

At noon, the bell above the door rang.

Nandini looked up and saw Mihir standing there, freshly washed, wearing a clean shirt that looked surprisingly well-fitted. Not expensive exactly, but… deliberate.

He stepped in slowly, like someone entering a temple without knowing the rules.

“Hi,” he said.

“You came,” Nandini said, and immediately hated the warmth in her own voice.

He glanced around, taking in the shelves, the mismatched chairs, the handwritten category signs: Old Loves, Weird But Good, Marathi Classics, Women Who Don’t Apologise.

“It’s… exactly how I imagined it,” he said.

“What did you imagine?”

“A place where people come to feel less alone,” he said, like it was obvious.

Nandini’s throat tightened, annoyed at herself. She moved behind the counter and busied her hands with a stack of books.

“So,” she said, brisk, “what are you looking for?”

Mihir smiled at her tone. “Something that doesn’t make me feel like I’m doing homework.”

“Welcome to the club,” Nandini muttered.

He wandered into the aisles. He picked up a thin book of poetry, flipped through a few pages, put it back carefully.

“You read poetry?” Nandini asked before she could stop herself.

“I used to,” he said. “When I was younger.”

“And now?”

He shrugged. “Now I scroll.”

Nandini snorted. “You and the rest of the country.”

He looked at her then, properly. “Do you ever feel like everyone is tired but pretending they’re fine?”

Nandini paused. “Yes.”

“And do you ever feel like reading is the only thing that makes the tiredness… manageable?”

She swallowed. “Yes.”

He nodded, like something inside him settled. “Okay. Give me something.”

Nandini came out from behind the counter, walked to the shelves, and started pulling books without overthinking.

A slim novel in English that carried quiet grief like a second skin.

A book of essays by an Indian writer that made you laugh and then feel guilty for laughing.

A Marathi short story collection she’d grown up reading, translated on the facing page because she didn’t know what his Marathi was like and she didn’t want to ask.

She handed the stack to him. “Start here.”

He stared at the books as if she’d handed him a key.

“You’re good at this,” he said.

“I’ve been doing it forever,” she said, and then, because honesty slipped out sometimes when you weren’t watching, she added, “and because I can tell when someone is trying to remember themselves.”

Mihir’s mouth opened, then closed. For a second, he looked like he wanted to say something and didn’t trust it.

He paid in cash.

Nandini noticed because she always noticed. Cash was inconvenient. Cash was usually a habit, or a decision.

He took the bag and hesitated. “I’ll come back and tell you what I think.”

“You better,” she said. “Otherwise I’ll assume you didn’t like it and I’ll take it personally.”

He laughed. It was a full laugh. Not polite.

“Deal,” he said, and left.

Nandini watched the door for a second longer than she needed to, then turned back to the counter, annoyed with her own heart for being so easy to wake up.


Over the next two weeks, Mihir became a pattern in her day.

Not daily. That would have felt like too much too fast. But often enough that she started expecting him in the way you start expecting the train to arrive, even though it never arrives when you want.

He’d come in, buy one book, then talk about it like it mattered. Not like he was showing off. Like he was trying to understand why it hit him.

He brought her cutting chai once, and she nearly cried because nobody brought her chai unless they wanted something from her.

“Don’t make it weird,” she told him.

“You’re making it weird,” he said, grinning.

Sometimes he’d help her shift cartons. Sometimes he’d sit in the corner and read for twenty minutes without speaking. The shop accepted him the way old spaces accepted people who didn’t try to dominate them.

Even her mother, who noticed everything despite pretending she didn’t, asked one evening while Nandini was crushing tablets into curd:

“Who is this boy who keeps coming?”

“He’s not a boy,” Nandini said.

“Men are boys until they prove otherwise,” her mother replied, unbothered.

Nandini rolled her eyes. “He’s… a customer.”

Her mother made a soft sound. “Hmm.”

“Stop doing that.”

“Doing what?”

“That hmm. That I-know-more-than-you hmm.”

Her mother smiled. “I’m only saying, if he’s making you smile, don’t immediately find a reason to punish yourself for it.”

Nandini stared at the curd like it had answers.


One Thursday, after the shop had closed, Aarti stuck her head in with her usual lack of boundaries.

“You’re coming for the open mic, right?” she asked. “Don’t back out.”

Nandini groaned. “Aarti, I said maybe.”

Aarti widened her eyes theatrically. “Maybe is what cowards say when they want to sound brave.”

Behind Aarti, Mihir walked in, carrying a book under his arm.

“What open mic?” he asked.

Nandini shot Aarti a look that could have peeled paint. Aarti smiled innocently and disappeared.

Nandini exhaled. “There’s this small thing. At the community library. People read their writing.”

Mihir’s eyes lit up in a way that made her want to throw something at him. “You write?”

“Not like… professionally,” she said quickly. “Just. Sometimes.”

“I’d like to hear you,” he said.

The way he said it was not flirtatious. It was earnest. That made it worse. Earnestness didn’t give you room to be cynical.

“I don’t do public reading,” she said.

“Why?”

Because in public, people decided who you were and then told you. Because the moment you offered your words, they belonged to everyone.

Nandini shrugged instead. “I’m not that person.”

Mihir studied her for a second, then said quietly, “You already are. You just haven’t admitted it out loud.”

Nandini stared at him. “You’ve known me for two weeks.”

“And in two weeks,” he said, “I’ve seen you tell a teenager that her feelings aren’t a problem to solve. I’ve seen you put a book in an uncle’s hand and make him look less lonely. I’ve seen you run a shop that shouldn’t survive and keep it alive anyway. Don’t tell me you’re not that person.”

Nandini’s eyes stung, and she hated that too.

“You’re saying all this because you want me to read something,” she said, trying for sarcasm.

“I’m saying all this because you deserve to hear it,” he replied. “Reading is just… one way.”

Nandini looked away, pretending to straighten a pile of books.

Finally, she said, “Fine. I’ll go. But if I faint, I’m blaming you.”

Mihir’s grin returned. “Fair. I’ll bring water. And a chair.”


The community library in their suburb wasn’t fancy. It had plastic chairs, yellowing posters, and a librarian who treated overdue books like personal betrayal.

About thirty people showed up for the open mic. Mostly students. A few aunties. One man who read jokes like he was performing at a corporate event.

Nandini sat in the back, holding a sheet of paper so tightly it was beginning to crease.

Mihir sat one row ahead, turned halfway in his chair so he could see her, as if she might bolt.

When her name was called, her body moved before her brain agreed.

She walked up to the front, faced the microphone, and saw the room: not hostile, not kind, just waiting.

She took a breath.

“This is…” Her voice caught. She tried again. “This is called Banyan & Paper.

And then the words came.

She spoke about the shop. About her mother’s hands pricing books with a pencil. About the way people came in looking for one thing and left with another. About the slow grief of watching reading become unfashionable. About holding a space together when the world told you it didn’t matter.

She didn’t mention her mother’s illness. She didn’t mention her bank balance. She didn’t perform pain.

She just told the truth.

When she finished, there was a beat of silence. Then applause. Real applause, not polite.

Nandini stepped down, slightly dizzy, and returned to her seat.

Mihir looked at her like she’d done something impossible.

“I told you,” he whispered.

“Don’t,” she whispered back. “Don’t make me cry in public.”

He smiled, but his eyes were damp. “Okay.”

Outside, later, under the streetlight near the paan shop, he said, “You were brilliant.”

Nandini exhaled shakily. “I feel like I ran a marathon without training.”

“That’s what it looks like when you do something you’ve been avoiding,” he said.

And then he kissed her.

Not dramatically. Not to prove a point. Just like it was the next honest thing.

Nandini kissed him back, and for a moment, the suburb felt suspended: the local train rumble in the distance, the smell of rain on concrete, the fact of tomorrow waiting.


After that, their closeness grew faster.

It always did once you crossed that line.

Mihir started coming over. Not often, because her mother was home, and Nandini had a complicated relationship with private life being witnessed. But sometimes he’d stand at the door with fruits or masala biscuits and say, “Aunty ke liye.”

Her mother would eye him with suspicious fondness.

“Tumhara kaam kya hai?” her mother asked one evening, not bothering with softness.

Mihir paused. “Consulting,” he said.

Nandini’s mother raised an eyebrow. “That word means nothing.”

Mihir smiled politely. “I help companies… fix problems.”

Her mother gave him the look only Indian mothers could give: the look that said I’m letting you speak, but don’t think I’m believing you.

Nandini watched Mihir carefully. He didn’t seem offended. He didn’t seem defensive. He seemed… careful.

Careful was okay. Careful was better than arrogant.

Still, there were things that didn’t add up.

He knew how to talk to people. Not just in a friendly way. In a practised way.

He was too comfortable in expensive spaces. Not showy, but unbothered.

He paid in cash, always.

And sometimes, when his phone rang, his entire face would change for a second. Like someone had called him by a name he wasn’t using.

Nandini told herself she was being dramatic. She told herself she was looking for problems because peace felt unfamiliar.

Then, one evening, she walked back to the shop after locking up, because she’d forgotten her keys.

She took the side lane behind the building, where the photocopy shop dumped paper scraps, and the snack stall stored gas cylinders.

She heard voices.

Low. Urgent.

A woman’s voice, sharp and controlled. “You can’t keep doing this.”

Mihir’s voice. Different. Cleaner. “I told you, I’m not available.”

“You’re not a college boy playing house in the suburbs,” the woman snapped. “You have responsibilities.”

Nandini froze behind a stack of cardboard, heart climbing into her throat.

“You can handle it,” Mihir said.

“I can handle it for a week,” the woman said. “Not indefinitely. And not when you’re ignoring calls. This is getting noticed.”

A pause.

Then the woman said, “Mihir Mehta, this isn’t romantic. It’s reckless.”

Nandini’s blood went cold.

Mehta.

Not an unusual surname. But the way she said it. Like it carried weight. Like it was a name that opened doors.

Mihir’s voice softened, but there was steel under it. “Don’t use my full name like you’re scolding a child.”

“You’re behaving like one,” she shot back. “The board meeting is tomorrow. The Pune acquisition is hanging. Your father is asking questions.”

Nandini felt dizzy. Father. Board. Acquisition.

This wasn’t just consulting. This was a life she hadn’t been invited into. A life that didn’t include second-hand bookstores and open mic nights.

“You’re going to get attached,” the woman said, and now there was something almost weary in her voice. “And then what? You think she’ll just… fit?”

“She doesn’t need to fit,” Mihir said.

“You’re not listening.” The woman lowered her voice. “She’ll pay the price for this long before you do. That’s how it works.”

Nandini pressed her hand to her mouth because something between a laugh and a sob threatened to come out.

Mihir said, very quietly, “I’m not lying to hurt her.”

“You’re lying to be loved safely,” the woman replied. “That’s still lying.”

Silence.

Then footsteps. The woman’s heels clicked away.

Mihir exhaled like someone who’d been holding his breath for days.

Nandini stumbled backwards, stepped on a plastic bottle, and the sound made Mihir turn.

Their eyes met across the lane.

For half a second, both of them looked like strangers.

“Nandu,” he said, and the nickname landed wrong. Like a stolen intimacy.

Nandini’s voice came out thin. “Who are you?”

Mihir opened his mouth, closed it, then said, “Can we talk inside?”

Nandini shook her head. “No. You don’t get inside. Not right now.”

His face tightened. He took one step toward her.

Nandini held up her hand. “Stop.”

He stopped.

“Tell me,” she said, voice steady now in a way that surprised her. “Don’t perform. Don’t manage my emotions. Just tell me.”

Mihir swallowed. “My name is Mihir Mehta,” he said. “That part is true. I… didn’t lie about my name. I lied by omission.”

Nandini laughed once, sharply. “That’s a fancy way to say you lied.”

He flinched. “Yes.”

“What are you?” she asked. “Consultant? Business heir? What? Because the lane behind my shop is not where ‘board meetings’ happen.”

Mihir looked down for a second, then back up. “My family… has businesses,” he said. “I work in them. I run a part of it.”

“And you thought saying ‘consulting’ was… what? Charming?”

“It was cowardly,” he said, and at least he didn’t deny it.

Nandini felt something inside her go very quiet, the way a room goes quiet when someone says something true and ugly.

“Why?” she asked.

Mihir’s voice broke slightly. “Because when people know, they don’t see me. They see the name. They see what I can offer. They see access. And with you—” He stopped, as if the sentence scared him.

“With me?” Nandini prompted, even though she already knew she’d regret it.

“With you,” he said, “I felt like I could be… a person.”

Nandini stared at him. She wanted to be moved. She wanted to soften. But something harder rose in her chest.

“You didn’t trust me,” she said.

Mihir’s face tightened. “I did—”

“No,” she cut in. “You trusted your own fear. You trusted your own script. You didn’t trust me to choose.”

He went still.

Nandini continued, words coming now like they’d been waiting. “Do you understand what you did? You let me imagine a future. You let me… step into something. And you knew, somewhere in your head, you knew that if this went wrong, it would cost me more than it would ever cost you.”

Mihir’s eyes shone. “I wasn’t trying to…”

“I know you weren’t trying,” Nandini said, and the fact that she believed that made her angrier. “That’s the problem. You didn’t even see the imbalance. Or you saw it and didn’t want to look at it.”

He whispered, “I did see it.”

Nandini held his gaze. “And?”

“And I still wanted to be with you,” he said, voice raw. “I still do.”

For a moment, the lane felt too small for the truth sitting between them.

Nandini looked away because if she looked too long, she’d remember the other version of him: the one who held her hand in the library, the one who listened to her words like they mattered, the one who sat on the shop floor and read quietly like he belonged there.

Her voice came out tired. “I don’t know what to do with this.”

“I’ll tell you everything,” Mihir said quickly, like he’d been waiting for permission. “Not managed. Not filtered. Everything.”

Nandini stared at the broken plastic bottle on the ground. Then she said, softly, “You should have done that before.”

“I know,” he said, and it sounded like it hurt.

Nandini felt tears rise, annoying and hot. She wiped them away with the heel of her hand, angry at her own body for being loyal to feelings.

Mihir took a cautious step closer. “Nandini…”

She stepped back. “Not today.”

He stopped, visibly restraining himself. “Okay.”

Nandini swallowed. “Tell me one thing. And don’t answer like a man in a boardroom.”

He nodded.

She asked, “Was any of it real?”

His voice turned quiet, almost rough. “All of it.”

“The books?” she demanded.

“Yes.”

“The way you looked at me?”

“Yes.”

“The kiss?”

He didn’t hesitate. “Yes.”

Nandini’s chest tightened painfully. “Then why ruin it with a lie?”

Mihir’s laugh was small and bitter. “Because I didn’t know how to be loved without one.”

That sentence landed hard. Not romantic. Not redeeming. Just honest in a way that made the skin on her arms prickle.

Nandini reached into her bag, pulled out her keys, and stared at them as if they were instructions.

Mihir stood there in the lane, not reaching for her, not touching her, as if he’d finally understood that touching was not the same as staying.

He took out his wallet, hesitated, then pulled out a card and held it out to her.

Nandini didn’t take it.

“It’s my number,” he said. “My real number. Not the one I’ve been using.”

“Why are you giving it to me?” she asked.

“Because I’m done hiding,” he said. “And because I’m not going to chase you. I don’t have the right. But I also don’t want to disappear and let you think you did something wrong.”

Nandini’s throat tightened. She hated that he was saying the right thing now. She hated that she still wanted to believe him.

She reached out and took the card, not because she forgave him, but because she wanted the truth to remain available if she chose it later.

Mihir watched her fingers close around it as if it were a fragile thing.

“I’m sorry,” he said again. Not dramatic. Not pleading. Just plain.

Nandini nodded once. She didn’t trust her voice.

She unlocked the shop door, stepped inside, and turned on the light. The shelves stood there, patient and familiar, like they’d seen everything and survived anyway.

Mihir stayed outside. She could feel him, even without looking.

After a minute, she heard his footsteps retreat.

When she finally turned back toward the glass door, the lane was empty.


That night, Nandini sat on the balcony of their flat, listening to the local train rattle past in the distance.

Her mother slept inside, the fan still aimed at her face like a stubborn guardian.

Aarti had texted twice. Kya hua? and then Don’t be stupid, ya. Nandini didn’t reply.

She held Mihir’s card between two fingers, turning it over and over like a coin.

On the other hand, her phone glowed with an unsent message.

I don’t know what to do with you.

She didn’t send it.

Below, someone argued with a delivery boy. Somewhere, a dog barked. The city continued, indifferent and intimate at once.

Nandini thought about the shop. About her mother. About the years she’d spent making peace with staying.

She thought about Mihir’s face when she read at the open mic, like he’d seen her become someone she’d been hiding from.

She thought about the lane behind the shop, about that one sentence that had cut clean:

You’re lying to be loved safely.

Nandini didn’t know what tomorrow would hold. She didn’t know whether love could survive the kind of truth that arrived late and messy.

But she knew this: she was done being treated like an afterthought in someone else’s escape plan.

The phone screen dimmed. She tapped it awake again.

The message still sat there, unsent.

She stared at it a long time, then deleted the text entirely.

And then, because she was not a saint and because she was human, she didn’t delete the number.

Mumbai Memories: Our Household Helpers

Growing up in India, everyone had a daily helper who came in for a few hours a day to clean the house and maybe do a bit of cooking or help. This was completely normal to us, and pretty much everyone had someone come in and help with chores. The truly rich had live-in helpers, while we middle-class people had the daily helpers.

The first helper I remember was Maria, a mother’s helper who worked with us as a mother’s helper when my sister was born, and if I remember correctly, she worked until I started school. Her main role was playing with me and helping my mother with any chores related to my sister and me. She was a young girl and worked with us until I started kindergarten, and she also moved away after she got married. I don’t have a lot of memories about her; I only vaguely remember her face and remember that she used to play with me.

Our other helper during Maria’s time was a middle-aged Maharashtrian lady whose name I never learned. We called her “Bai,” and that’s all I remember of her name. She was a solid, no-nonsense lady who worked in my house, along with a few more in the area. She would come twice a day to sweep, mop and clean the dishes as well as do some dusting and heavy-duty cleaning. Her husband worked in a mill, but her biggest sorrow was her sons. She had two of them, and both gave her grief. The oldest got into the wrong company and was also arrested by the police once. The younger hated going to school and would skive at any opportunity he got. She worked for us for a long time, maybe 10ish years. Then, she decided to retire and move back to her village in the Konkan district. She did keep in touch with my mother and would drop by when she was in Mumbai, and she also invited my mother to her older son’s wedding, which my parents attended. I wonder how she is doing now.

After Bai, we had a couple of transient helpers who did not stay long, and so I don’t have many memories about them. There was this Telugu family who lived in the area who worked for many families, and so when my mother was looking for a new helper, she asked that family, and they agreed to work in our home. This family is truly an inspiration to everyone. The parents were not educated, maybe even illiterate, but they had high hopes and dreams for their children, two boys and a girl, especially the boys. They did any and every job that came their way and made sure to educate their sons. I don’t think they spent a lot of time thinking about their daughter, who was maybe 5-8 years younger than me. She dropped out of school early and used to come with her mother to work in people’s homes, and as she grew older, she also started working in homes. The sons, on the other hand, spent their time studying, though they did help in washing cars and other chores before school started. After school, they moved to college, and the daughter was married off. Last I heard, both sons had completed their MBAs, and one was working in a bank in Hyderabad, and the other was in the Middle East; both were married and with their own families. Truly, this family was the epitome of what hard work, dedication, and a growth mindset can do for you. The parents moved in with the son in Hyderabad and are enjoying their retirement. The daughter still lives in Mumbai. She is happy with her life, though I wonder if she sometimes resents her family for not giving her the same chances her brothers got.

After this family, we had two helpers who came as a package deal, probably. The first was someone whom I called Susheela Aunty, who was recommended by my mom’s friend. She started working for my mom in the late nineties. I had already started working by then, so I didn’t interact much with her. She is a lovely person, and her story is also one of struggle. She has three sons, of whom one passed away recently due to cirrhosis of the liver; the middle son is married, and his wife, who comes from a higher social strata, does not want to have anything to do with her in-laws; and the youngest son had a fractured education and is now trying to finish his studies, balancing work while doing it. Susheela aunty stopped working in our home a couple of years after starting because she got a job in a nearby school and got her friend Mary to work in her stead. But she still kept in touch with my parents and was there when they needed help, so much so that she was also authorised to open the flat when my parents travelled, if anyone needed access to our home.

Mary aunty is another person who is close to my parents. She used to call them the equivalent of “mother” and “father” in Tamil, her native language, and her children called them their grandparents. She would spend hours in the house, making sure the house was spick and span, and my mother had to tell her to go to her next job. They could sleep when she was at home, knowing the house was safe and she, along with Susheela Aunty, had full access to the house; they were that trusted. Even today, after almost four years of moving out of Mumbai, both sides call each other, and when I am in Mumbai, they come to see me and call me if there is anything they need to share.

So this was a short tribute to the women who helped us and who, to a large extent, helped shape my personality. I have learned so much from them that I am always grateful to them and the lessons I learned from them.

Short Story: When the City Sleeps

(Mumbai, late 1980s)

By the time the last local groaned into Marine Lines, Ramesh’s ledger lines were still dancing in his head like impatient ants. Columns that refused to add up, numbers that snickered at him from the margins. He had stayed back again, Junior Clerk (Probation) at Mehta & Sons Exporters, Fort, because Mr. Mehta had started dropping words like “tightening belts” and “rationalisation,” which were dignified ways of saying “some of you are unnecessary.” Ramesh had never liked the feeling of being unnecessary. It followed him to the train like a stray dog.

He stepped onto the platform and swallowed the tang of sea salt and iron. The station, which earlier in the evening had pulsed with elbows and voices and bodies, now yawned like a huge mouth catching its breath. One stall was still open, its owner scraping burnt tea leaves from a vessel, the air fragranced with cardamom and something singed. A bored constable leaned against a pillar, tapping a stick gently on his calf, eyes distant. Somewhere above the glass roof, a gull scolded something invisible, and then the sound was gone.

Ramesh adjusted the cloth bag at his shoulder. It held the day’s leftovers: a steel tiffin dabba with the last smear of baingan bharta, a fountain pen with its cap cracked, and his worries, which seemed to take the most space.

Outside the station, a kaali-peeli idled under a sputtering streetlamp. The driver’s turban had slipped, the fabric a little tired at the edges. He dozed with his mouth half open, the ghost of a bidi clinging to his fingers. A few steps away, the tea stall that never slept, the one everyone called “Karim’s,” though the painted board claimed “Lucky Tea & Snacks”, was open, as it always was, regardless of storms, cricket matches, or election nights.

“Arre, Ramesh bhai,” called Karim without lifting his eyes from the kettle. He had memorized his regulars’ footsteps long ago. “Late again?”

“Hmm,” Ramesh said, the sound falling somewhere between a yes and a sigh.

Karim poured chai into a glass so thin it was almost cruel, tied a knot with his rag, and slid it across the counter. “Sugar less today. Your face is already sweet sad.”

Ramesh smiled despite himself. “Bas, Karim bhai. Aap bhi na.”

He cupped the glass and let the heat bite his palm just enough to remind him he was alive. Behind him, the sea growled and spat, throwing foam at the tetrapods as if annoyed by the very idea of concrete. A boy pedalled by, wobbling slightly, newspapers stacked so high they orbited him like a satellite. He would soon deliver headlines to doors still heavy with sleep, ringing small bells that said everything and nothing at once: Wake up, something’s happened again.

“Office?” Karim asked. He didn’t look up, just listened to the pitch of Ramesh’s breathing, to the city’s residual hum. The kettle hissed. A moth auditioned for suicide against the yellow tube light.

“Office,” Ramesh said. “Figures don’t behave.”

“Figures are like people,” Karim said, stirring. “They behave if you hold them gently and threaten them at the same time.” He grinned, revealing a gold tooth that caught the light like an extra star.

Ramesh laughed, the sound surprising himself. He finished the tea and placed the glass upside down, respectful. The habit came from his father, who had believed that the way you left things mattered: a glass, a conversation, a day.

He ambled toward Marine Drive. At this hour, it belonged to dogs and whisperers. Yellow pearls of light looped the curve of the Queen’s Necklace, the streetlamps leaning like sleepy sentries. On a bench, an old man stared so hard at the horizon it seemed he might pull dawn up by its ears. A couple walked shoulder to shoulder, not touching, measuring a distance only they understood.

Ramesh sat on the seawall and let the damp creep into his trousers. He watched the moon wipe its face on a passing cloud. He wondered, not for the first time, if he should give up and go back to Nagpur. There was safety back there: a mother who would still scold, a sister who saved the crispest bhakris for him, an old bicycle with a bell that sounded like a cough. But the thought also made him restless in a way that felt like suffocation.

He looked at his palm lines. Somewhere in them, a fortune-teller had once said, there was water. “You will live near water. Or drown in it,” the man had added, noncommittal, as if hedging his bets against karma.

The taxi under the streetlamp coughed awake. The driver rubbed his face and squinted at the road. He spotted Ramesh and raised his chin in inquiry.

“Girgaon,” Ramesh said, getting up. “Near Thakurdwar.”

“Chalo,” the driver said, patting the seat in a way that suggested the car was a temperamental animal that needed soothing.

As the taxi nudged into motion, the driver flicked the radio on. A woman’s voice floated, Lata, as soft and inevitable as the ocean. Advertisements for Nirma and Rasna elbowed their way in between. The city’s soundtrack, even at this hour, asked you to buy and believe.

“Late night?” the driver asked.

“Late year,” Ramesh said before he could simplify the truth. The driver chuckled.

They glided past an Irani café with its shutters half down. A solitary man sat on a chair outside, smoking into a notebook. Grant Road’s corners still held their secrets; a line of posters: Mithun’s dance pose, Amitabh’s fist, a sari-clad heroine with eyes like dark lakes, wrinkled in the damp.

At a red light, obedient to rules because it was too sleepy to think otherwise, the taxi slowed. A group of young men in shirtsleeves pushed a stalled truck, laughing at their own effort. From a nearby building, a night watchman’s whistle punctured the air at timed intervals. A rooftop flapped with laundry long forgotten.

“Nights suit you?” Ramesh asked the driver, surprising himself again with a question.

“Nights suit my face,” the driver replied, tapping the mirror. “Less scrutiny.”

Ramesh looked properly at him now. He had the kind of face that had once been beautiful and then decided to become interesting: cheekbones chipped by life, eyes like old coins. He wore a thin gold chain with a tiny Ganesha that lurched with the car’s movements.

“I am Shankar,” the driver said, as if meeting in darkness demanded some exchange of names. “And you?”

“Ramesh. Clerk. Mehta & Sons.”

“Ah,” said Shankar, as if this explained some philosophy. “I used to be a clerk in my first life. Textile mill. Parel side.”

“What happened?”

Shankar smiled without teeth. “Bombay happened,” he said. “Then taxi happened. To drive is to be in motion even when life stalls.”

The signal changed to green as if in agreement. The taxi slid forward like a yawn. As they approached Charni Road, a burst of light exploded from a paan shop shuttering itself; tin clapping like a cymbal. Ramesh thought of Mr. Mehta’s watch: thin, silver, cutting seconds into obedient slices. He sometimes felt he lived inside that watch.

A boy darted across the road suddenly, a stack of newspapers teetering in his arms. Shankar braked gently. The boy wobbled, steadied, but a single paper escaped, skittering to the median and plastering itself there like a tired fish.

“Tomorrow’s truths, scattering,” Shankar murmured. “Every night I think of the boys. They are the first to know and the first to be forgotten.”

They were two lanes from Girgaon when the taxi shuddered, complained, and died. Shankar petted the steering wheel. “Bas, bas, darling,” he muttered, then sighed. “She wants tea.”

He pulled over near a small island of a tea stall, the flame underneath a blackened kettle painting the faces around it with a mythic glow. The board read “Sagger Cold Drinks & Tea,” but nothing could be more ironic. It was pure heat.

“Two cutting,” Shankar said, lifting two fingers. Ramesh pulled out money reflexively.

“Arre, Ramesh-bhai,” called the tea boy. It was Karim’s cousin, as it seemed every tea seller in the city was. “Second shift? You’re becoming a bat.”

“Bas yaar,” Ramesh said, and leaned on the counter. Tea arrived: bitter, sweet, scalding. He felt it spread through him as a small courage.

Next to him, a man in a watchman’s cap blew into his hands. His whistle dangled from a braided rope like an amulet. He nodded at Shankar, then at Ramesh. “Night is long if you watch it alone,” he said. “Name’s Lobo.”

“Ramesh.”

“Shankar.”

Introductions done, the city ticked forward by another, different measure.

“What building?” Shankar asked.

“Art Deco one,” Lobo said, jerking his head toward a handsome facade with curves like a thoughtful woman. “We call it ‘Seaview,’ but the sea is shy behind other buildings now. Once upon a time you could see ships.”

“Ships are like promises,” Shankar said. “When you see them, you believe. When they go behind buildings…”

“You keep believing,” Lobo finished. He laughed, and the laugh made them like him.

“Any ghosts?” Ramesh asked lightly, unsure if the question was the kind of night question that would make morning regret it.

“Plenty,” Lobo said cheerfully. “Mostly of rent-controlled tenants. They never leave.”

Ramesh imagined these gentle, stubborn ghosts bristling at renovations, at VCR stores, at the first whispers of satellite television like contraband.

A small commotion erupted near the PCO booth on the corner, a glass cubicle with a phone that ate coins and gave back hope. A woman in a faded sari was banging the receiver cradle repeatedly. “Koi nahi uthata!” she hissed. No one is picking up.

“Problem?” Lobo asked, approaching with a professional authority he wore lightly.

“My husband,” she said. Her voice carried exhaustion and a dignity that refused to outsource itself to panic. “Taxi driver. He should have been home by now. Whole evening gone. I called the stand. They say he left. Where is he to go? Our boy…fever.”

“What’s the taxi number?” Shankar asked, stepping forward.

“MH-01 G something something,” she said, flustered, wiping her forehead with the edge of her sari. “I forget. It is always the same and then today…”

“We’ll help,” Shankar said, as if the city had deputised him. “Come, sit. Drink water.” He looked at Ramesh, then at Lobo. The unspoken math was simple: three people divide the night into manageable parts.

“Which stand?” Ramesh asked. “Where does he usually take last fare?”

“Near Crawford,” she said. “Sometimes Opera House. He does vegetable market mornings.”

Shankar glanced at his car. “She’ll start,” he said, patting the bonnet, making a promise he had no right to make. He slid into the seat, turned the key, whispered something that sounded like a prayer, and the engine answered like an old lion, grumpy but game.

“You come,” Shankar said to Ramesh. “Two eyes more. Lobo?”

“I will be here if the police van comes, to direct,” Lobo said, tapping his whistle. “I’ll speak to Sub-Inspector if needed. And I’ll keep the phone line for you.”

The woman hesitated, then nodded. “I am Savita,” she said. “Thank you.”

“Chalo,” said Shankar. “We’ll go Crawford first.”

They slid into the lane, the city obliging by making space because it always did, somehow, even when it insisted there was none. The roads wore monsoon’s leftover scars, potholes like bad memories. At an intersection, two dogs conducted a long conversation in barks that sounded like philosophy.

“What is his name?” Ramesh asked gently.

“Ravindra,” Savita said. “He complains of back. He says he will leave taxi and go back to village. But the village…” She didn’t finish the sentence, and she didn’t have to.

Crawford Market rose from the darkness like a red-brick ship anchored in a sea of crates. It smelled of coriander dreams and fish arguments and wet jute. A few men squatted on upturned baskets, playing cards by the light of a single dangling bulb. A tea seller sloshed hot liquid from glass to glass like a magician passing light through his fingers.

Shankar slowed at the taxi stand. A man in a vest approached, scratching his chest theatrically. “Kya hua?”

Shankar described Ravindra as best he could with Savita feeding details. The man nodded as information slotted into a mental register he kept more reliable than any notebook. “Haan, haan, he took a fare to Opera House, then said he will drop taxi here later. But a police nakabandi is near Lamington Road. Maybe he got stuck.”

“Lamington then,” Shankar said, and they were off, the engine developing a companionable clatter that suggested it had accepted its role in this small crusade.

Lamington Road was a sleeping dragon. Electronic shops with names like “Sancheti Radios” and “Vijay Time” had pulled their shutters like eyelids. A paan stain on a wall glistened, surprisingly elegant in the lamplight. A constable waved them down at a makeshift barricade.

“Routine checking,” he said, peering in. “Theft at Grant Road. You from where?”

“Looking for a driver,” Shankar said, his voice both humble and official. He explained rapidly, oiling the facts with familiarity. The constable muttered into a walkie-talkie that crackled back a universe of half-heard instructions.

“Two taxis detained for papers,” he said finally. “Take left, go towards Opera House. Maybe he is waiting near the Irani on the corner. Or at police chowky.”

Opera House held itself like a dowager, elegant even in the rain’s afterthought. The Irani café on the corner had its shutters up halfway, enough for a boy to sneak in and out with bun maska for the policemen inside the chowky. A small group had gathered: a driver gesticulating, an officer making notes lazily, and a boy with a black-and-white puppy cradled in his arms.

“Ravindra!” Savita cried, and the driver’s head whipped around. His eyes were bleary with hours and worry.

“Ai, Savita!” He grabbed her shoulders as if to confirm she wouldn’t evaporate. “I tried calling, but line busy. I stopped at chowky to report; there’s a boy I found near Kalbadevi, lost. He wouldn’t speak. Only the dog would wag its tail. So I brought him.”

“Boy speaks now,” said the Sub-Inspector mildly, chewing on a pencil. “Name is Selvam. He ran away. He says he lives, what is it, Grant Road chawl, near the tailoring shop with Amitabh poster. Father drinks. Mother cries. He got bored of it today and followed puppy.”

The boy stared at the floor, embarrassed at having ended up the subject of adult narratives. The puppy sneezed.

“We will take him home,” the Sub-Inspector said. “I sent constable. These are everyday things at night. The day has headlines. Night has footnotes.” He looked at Ramesh and Shankar and Savita. He nodded, a small gratitude.

Ravindra fished at his pocket, came up with a paper-wrapped parcel. “I brought medicines,” he told Savita. “For fever. The pharmacist near Majestic gave discount. He knows us.”

“You didn’t come home,” she said, the reprimand dilute with relief. “I was scolding you in my mind and worrying at the same time.” She swatted his arm with two fingers and then squeezed that same arm, both acts having equal force.

“Come, come,” said Shankar. “Let us leave the police to their footnotes.”

Outside, the city seemed to have shifted again. The sky had paled by a degree you could only measure with a night worker’s eye. The first BEST bus sighed awake somewhere far and near. A rooster, imported perhaps by mistake into Mumbai’s logic, crowed from a corrugated roof.

They sat in the taxi for a moment, all four of them, and listened to the engine, which seemed to have acquired a heart.

“Come home,” Savita said to Ravindra, the words plain but landing like a warm blanket. “Then you can go again.”

Ramesh watched them go, a pair that made sense even when the city did not. He looked at Shankar.

“You drive nights to be alone?” he asked.

“I drive nights to remember I am not,” Shankar said, and smiled with his eyes.

They returned to the tea stall, which had welcomed crises and reunions for years without committing to either as a policy. Lobo was there, of course, pouring tea into saucers for two constables who were pretending not to enjoy the decadence. He waved. “All sorted?”

“All sorted,” Shankar said. “Boy followed a dog. Man followed a conscience. Woman followed a fear. We followed them.”

“City followed itself,” Lobo said, satisfied. He pushed a cup toward Ramesh. “It’s on me. Actually it’s on the building’s watchman fund. Same thing.”

They drank, all of them, the cup a small anchor against the flood of time. Ramesh felt the tea move into him with authority. Around them, the city tested its limbs, flexing the parts that would soon need to run: the baker lighting ovens, the first dabbawalas tying their white Gandhi caps and aligning their tiffin codes like mantras, the milkman rattling aluminum cans like bells. The streets corresponded with the sky in a language that was not taught but inherited.

“Sometimes I think of leaving,” Ramesh said, surprising himself for the third time in one night. “Nagpur. My mother is there. She’ll be happy if I come back. The city will not notice if I leave. The city has too many faces to miss one.”

Lobo nodded, a slow, sympathetic metronome. “I’m from Vasai,” he said. “Came in seventy-nine, when the trains still believed in empty seats. I have left Mumbai many times, on days off, for weddings, for funerals. Each time I arrive back at Churchgate, my feet accelerate on their own. That is how I know I belong to the city. Not the other way around.”

Shankar scratched the back of his head. “We think city is a machine,” he said. “But it is a net. If you fall, someone catches. Not always with soft hands. But still catches.”

Ramesh thought of the night’s choreography: Karim’s cousin’s tea, Shankar’s engine prayers, Lobo’s whistle diplomacy, the PCO’s stubborn dial tone, the chowky’s footnotes, a lost boy and a found dog. He felt, for a precise second, the city’s pulse line up with his own. It was not romantic. It was mechanical and magnificent, like a lung.

“I am a clerk,” he said softly, perhaps only to himself. “I make columns add up. Maybe I can make something else add up.”

“Arre wah,” Lobo grinned. “Listen to poet-saab. You write?”

“Sometimes,” Ramesh said, thinking of a notebook under his mattress where he collected sentences like bus tickets.

“Write about us,” Shankar said, patting the dashboard. “Write about the city when it is pretending to be asleep.”

They parted like people on a platform; tidily and forever and for now. Lobo returned to his building, where a tenant would soon complain about the lift’s noble decision to rest between floors. Shankar slid back into the stream, his taxi’s meter clicking into moral ambiguity. Ramesh walked toward Girgaon, his bag lighter, though he had not removed anything.

At the mouth of his lane, a man in a lungi hosed down the front step in a ritual that declared: new day, old dust, we will do this again. A woman on a balcony shook a doormat as if punishing it for its hospitality. The faint drift of agarbatti threaded the air. An elderly neighbor, a Parsi auntie with her hair in a stubborn bun, wiped her glasses with the end of her sari and said, “Good morning?” like a question that suspected it knew the answer.

“Good morning,” Ramesh said, and meant it.

Inside his kholi, he put his tiffin on the shelf, peeled his shirt off, and washed his face with water so cold it argued with his sleepiness. In the mirror, his eyes looked like they belonged to an older man and a younger boy at the same time. He reached under the mattress and pulled out his notebook.

He wrote quickly, before the day’s logic marched in with its boots: When the city sleeps, it is not silence. It is a low hum, a hand on your shoulder telling you to keep breathing. A dog leads a boy home. A watchman’s whistle is a metronome for faith. A taxi requests tea and receives it. A clerk decides to do sums that cannot be written in ledgers.

He paused and drew the edge of his thumb along the paper, savouring the grain. He flipped to a new page.

Then, for reasons he would later explain as borrowed bravery, he wrote a plan. Not poetry, not anything fine. Just a list of neat, practical steps like the ones he imagined the dabbawalas must use in their heads each day:

  • Review the dispatch registers at Mehta & Sons; spot bottlenecks like a watchman spots shadows.
  • Suggest a dabba-code system for consignment tracking. Simple marks. No fancy machines.
  • Volunteer to coordinate between back office and drivers. Be the knot in the net.
  • Ask for a trial week. Promise measurable outcomes. Numbers that do behave.
  • If they laugh, smile. If they listen, work. If they refuse, leave with dignity and join someone who understands nets.

He closed the notebook and lay down, the city’s sounds pinwheeling into a lullaby: a vendor calling “doodh!”, the temple bell just down the lane offering its daily deal to god, the train in the distance rehearsing its promise of return. He slept with his mouth slightly open, like a man who has let something go.

When he reached the office later that morning, wrinkled shirt ironed by the pressure of resolve, Mr. Mehta was already in. He wore a tie that had prevented him from entirely swallowing his moustache. “Late again?” he said, checking his watch for drama rather than information.

“Sir,” Ramesh said, standing in the doorway with his cloth bag clutched politely. He felt the usual stage fright, the feeling of being a small character auditioning for a generous role. Then he remembered Shankar’s calm and Lobo’s grin and Savita’s blended scold-love, and the feeling dissolved like jaggery in hot tea.

“I have a suggestion,” he said. “For reducing dispatch delays. No cost, small system. One week trial. You can fire me if it fails.”

Mr. Mehta took his glasses off. It made him human for exactly three seconds at a time. “You?” he said, not unkindly, just surprised to see a clerk misbehave with initiative. “Explain.”

Ramesh explained. He drew the marks on a scrap of paper: circles and slashes, dots in quadrants. He spoke of routes and rhythm, of stitching two departments with string rather than rope. He did not use big words. He did not apologise for small ones.

Across the window, Fort peeped at them with its colonial eyebrows. The noon bell from a church somewhere cleared its throat respectfully.

“Hmm,” Mehta said at last, the syllable like a suitcase being unlatched. “We can try. One week. You will coordinate. I will not pay extra. If it fails, you will not cry.”

Ramesh shook his head. “No crying, sir,” he said, and thought of the sea’s refusal to apologize for its moods.

The week that followed felt like balancing on a bamboo stick held up by two acrobats. He listened to drivers who had developed skepticism the way others developed ulcers. He learned the names of loaders whose backs held the city like invisible scaffolding. He mapped the building’s stubbornly independent floors into a partnership. He stood at the godown door, at the dispatch gate, at the office window, and drew dots on paper that ended up being more persuasive than a memo.

At night, he still walked past Marine Lines, sometimes. Karim would look up and say nothing, which was his way of saying everything. Shankar flashed by occasionally, two fingers lifted in a salute that belonged to a shared country. Lobo’s whistle kept time with the city’s arterial beat. The boy Selvam, it turned out, had been enrolled in a night school run by a church and delivered newspapers in the morning with the same puppy (now named Raja) trotting like a secretary. Ravindra and Savita waved sometimes from a corner near Opera House, their marriage looking like a busy shop: crowded but open.

By Friday, Ramesh’s code had begun to bite. The numbers arranged themselves like mild-mannered guests. A consignment that had previously sulked for hours in the courtyard now made it from receiving to loading with the efficiency of a rumor. The drivers nodded at him with something like respect, which in Mumbai was more precious than any recommendation letter.

On Saturday, Mr. Mehta called him in. Ramesh stood again in the doorway, the hallway fans chopping the air into obedient squares.

“Not bad,” Mehta said, his moustache dislodging the syllables gently. “We saved thirty-seven minutes on an average per consignment. This is not a small thing. Who taught you this?”

“Night taught me,” Ramesh said, then realized how it sounded and corrected himself without correcting himself. “The city taught me, sir.”

Mehta stared at him. The gaze lasted exactly as long as it takes a ledger line to accept a correction. Then he nodded. “You will oversee dispatch for two weeks,” he said. “Then we will talk. Do not make me regret believing a clerk.”

“I won’t,” Ramesh said, and meant it so precisely that the sentence could have balanced on a fingernail.

That night, he walked again to the sea. The sky had decided to be generous with stars, an act it rarely performed in the city out of what Ramesh suspected was a commitment to realism. He sat on the seawall, trousers damp in the usual places, and listened.

The city was, again, in that half-sleep that belonged to it like a habit: one eye closed, the other on duty. Somewhere a radio sang of unfulfilled love in a voice that made unfulfillment sound like a virtue. A bus rattled by, half full of people who did not owe the morning any explanation. On a bench, a woman in a cotton sari unwrapped a foil packet and ate quietly, each bite measured, her eyes on nothing in particular. Two friends argued about cricket with the seriousness that had saved whole neighborhoods from despair.

Ramesh thought of Nagpur, of his mother, of letters written and not sent. He thought of boys with puppies. He thought of nets that did not look like nets, and of columns that held up buildings as well as pages. He thought of the way the city, even when it looked away, still watched you enough to keep you standing.

“When the city sleeps,” he whispered into his sleeve, “it is learning your name.”

The sea obliged him with a salty nod. The lights along Marine Drive blinked, each doing its little job of burning without complaint. The old man on the bench from nights ago was not there, but Ramesh could imagine him anyway, waiting for horizons to behave.

He got up. He had a day to meet halfway. Behind him, the city rolled onto its other side, adjusted its pillow, and kept its ear open, listening for the footfalls of all those who belonged to it, whether they admitted it or not.

Mumbai Memories: Start of the School Day

It’s been a while since I shared any story about my school, so today is the day when I do that. In Singapore, next to my home is a primary school. Every day at 7:25 am, on the dot, I can hear the school announcement asking the children to stop doing whatever they are doing and stand up for the national anthem. The Singapore national anthem is followed by the national pledge, and this school then follows it up with their school pledge, and on some days, it is followed by the school song. This routine of the national anthem, followed by the pledge, is seen across all primary, secondary, and junior colleges in Singapore. Most primary and secondary schools have an official start of 7:30 am, though some days, they may have a later start. 

This made me think about how we started our school day in Mumbai. Growing up, most schools started the day with the national anthem, but my school was different. In my school, which was a Parsi school and was very proud of its secular roots, every day was a different prayer. Also, my school had a public announcement system in each classroom, and the infant (aka kindergarten) and primary systems were separate from the secondary ones. 

Once we reached school, we were expected to go straight to our classroom and keep our bags on our desks. Then, if you were early enough, you could go and play outside, which was something the kindergarteners or early primary students did. Most of us spent the time inside the classroom, chatting with friends, catching up on homework, or reading. 

The school’s official start time was about 8:30 am, which was common across all classes. But for the older students, say starting from class 6 or 7, we had what was called a morning class. This was period 0, which started around 8 am but did not have a starting bell. Given that it was widespread, most students would be dropped off at school before 8 am, and those who didn’t have a morning class had an extra 30 minutes to themselves. 

At 8:25 am, the first bell would ring, and everybody had to rush to their class to get ready for morning prayers. My school did not believe in the national anthem daily; that was reserved for special days and national holidays. Instead, we had prayers from all religions on a rotating basis. Some days, it would be Parsi prayers; some days, it would be Hindu prayers in Sanskrit or Tamil or Gujarati or Marathi; or some days, we would have Jain prayers. Sometimes, we would have parents come and say the morning prayers, especially if they had something special to share. This was for both the primary and secondary schools. The only exception to the rule was when any sad news was announced. On those occasions, one of the teachers would recite a special Parsi prayer—the Yatha Ahu Vairyo, a Zoroastrian prayer, widely regarded as something of a talisman, a very potent charm, capable of producing extraordinary effects. On trying to learn more about this prayer, I’ve learned that it is recited by Zoroastrians for the protection and benefit of departed souls, particularly during the mourning period following a death. The prayer’s powerful, primordial nature is believed to offer comfort and aid to the soul on its journey after death. I’ve heard this prayer so many times during my years in school that when writing this paragraph, I unconsciously found myself saying the prayer! After the prayer, we would wish our teacher well and start our day.

At the end of the school day, this was repeated. But because different sections ended their days at different times, the infant school had their prayer at noon, the primary school at 2:30 pm, and the secondary school at 3-3:30 pm. The close of the day prayer would be a short one, and after wishing the teacher well, we would be released.

Next to my home in Mumbai is a school. Growing up, they started much later than me, so I don’t really remember much about their start days. But recently, the school has expanded and now works on a shift system. This means their first shift starts around 6:45 am and the second shift around noon. So during our trips to Mumbai, we have been sometimes awakened to both the Indian national anthem, some Sanskrit shlokas and other national songs at 6:30 am, then again around noon when the first shift ends their day, followed by the second shift around 1 pm and then again around 6 pm when the second shift ends their day. Then I knew how people living around my school probably felt, though we had strict instructions not to make any noise, and any noise complaints by residents in the buildings close to my school were taken very seriously!

Writing this blog post brought back so many memories of a time when we were innocent and carefree, and I wrote this with a huge smile on my face. Thanks for allowing me to share my memories with you…

Mumbai Memories: The Preservation of the Agraharam Tamil Dialect

Growing up, everyone around me spoke Tamil or a Malayalam-tinged Tamil, and I didn’t think anything was amiss. This was my normal. I did hear a slightly different Tamil in the movies, but I didn’t really think too much about it, assuming it was normal for films to sound that way. However, after I moved to Singapore, I experienced culture shock in terms of the Tamil language spoken. The first one came from S and his family, who spoke Tamil, but it was slightly different from what I spoke and had heard spoken all my life. When I asked them, they said their Tamil is the Tamil of the masses, and when they spoke the Tambram dialect, they were teased and made fun of in school and outside, so over the years, the Tambram community in Singapore slowly stopped speaking that dialect and instead switched to the more locally spoken version.

But I am adamant about preserving my heritage, and so far have refused to succumb to subsuming my dialect into the standard Tamil. I don’t speak a lot of Tamil here in Singapore, but when I do, it’s the Tambram Tamil I spoke while growing up. Even with GG & BB, I always spoke to them in this dialect, but given their mostly English language usage, there’s not much hope that they will continue to speak this dialect, and so, at least in my family, the dialect will end with me.

However, the Tamil Brahmins from Tamil Nadu and Kerala who migrated to Mumbai in the 1930s, 1940s, and 1950s have remarkably preserved their Agraharam-style Brahmin Tamil dialects, setting them apart from their counterparts who remained in South India and gradually adapted their speech to local influences. This linguistic retention became a hallmark of communities in areas like Matunga and Chembur, where strong social bonds and cultural traditions reinforced the continuity of dialect and identity across generations.

The migration of Tamil Brahmins to Mumbai was driven by economic opportunities, education, and employment, especially in the early to mid-20th century. Communities from Palakkad in Kerala and Tanjore in Tamil Nadu settled in “urban agraharams” in Mumbai, where they recreated their traditional neighbourhoods with proximity to temples and strong community networks. These settlements fostered a unique microcosm reminiscent of their ancestral villages, creating an environment conducive to linguistic and cultural preservation.

Unlike Brahmins in Tamil Nadu and Kerala, who gradually incorporated elements of regional dialects and accents due to increased interaction with other linguistic communities, those settled in Mumbai retained the Brahmin Tamil dialect, often marked by Sanskritised vocabulary, specific pronunciation patterns, and unique idiomatic expressions. This form of speech, sometimes referred to as “Brāhmik” or “Agraharam Tamil,” remained virtually unchanged for decades because within these tight-knit Mumbai communities, Tamil was spoken largely among themselves, with limited outside influence.

Agraharam Tamil, as spoken by Mumbai’s Tamil Brahmin community, is distinguished by specific lexical, phonetic, and grammatical features that have remained remarkably consistent over decades. Vocabulary features include the extensive use of Sanskrit loanwords or Sanskritised Tamil vocabulary, even for everyday terms (e.g., “upahara” instead of “tiffin” or “snack”); a preference for traditional Brahmin Tamil words such as “aathu” (home) instead of the more common “veetu”; and words and phrases for family, kinship, and rituals that retain old usage (e.g., “aaththu manushaa” for family members).

Pronunciation and phonetic features include the retention of retroflex and “zh” sounds, as in “Tamizh”; here, the older pronunciation is kept alive. Pronunciation is stricter with consonant stress and word-final vowels that are preserved, sometimes more closely adhering to Sanskrit or North Indian phonology (e.g., “Bhāratham” rather than “Bāratham”). The word-final “u” pronounced as a full back vowel in specific contexts.

Grammatical distinctions include specific verb conjugations unique to Brahmin Tamil, such as “varela?” (Are you coming?) versus “vareengla?” in non-Brahmin Tamil. The imperatives use “vaango” (please come) instead of “vaanga”, while the third person plural is often merged with feminine forms, maintaining certain archaic grammatical constructions.

Idiomatic and register features include the frequent use of polite, honorific forms and respectful address stemming from Agraharam culture (words like “mama” and “mami” used for elders or equals), and idioms, greetings, and proverbs rooted in traditional religious or familial contexts.

Social features of the Agraharam Tamil include the use of the dialect within the community for cultural, religious, and domestic discourse, but a code-switch to standard Tamil, English, or Hindi in broader Mumbai society. These features set Mumbai’s Agraharam Tamil apart from both non-Brahmin Tamil and the evolving Tamil of South India, preserving an older, Sanskritised, culturally distinctive dialect in a modern urban setting.

Matunga, Chembur, and similar neighborhoods facilitated daily use of Tamil in religious, social, and family settings. Social gatherings, festivals, and temple activities provided communal reinforcement, allowing younger generations to hear and use the traditional dialect frequently. The cultural insularity of these groups, everyone known as “mama” (uncle) or “mami” (aunt), further insulated their speech patterns from citywide influences, slowing language attrition compared to other urban South Indian populations.

First-generation migrants spoke fluent Palakkad or Tanjore Tamil and often Malayalam, while their children balanced multilingualism, learning Hindi, Marathi, and English for school and work but still using traditional Brahmin Tamil at home. Over time, the third generation adopted more of Mumbai’s urban culture, leading to some language shift, but remnants of the original dialect persist in family conversations, proverbs, and religious contexts.

Brahmins remaining in Tamil Nadu and Kerala were more exposed to local non-Brahmin speech and urban Tamil developments. Political changes and cultural movements led to linguistic adaptation, and many Brahmin families shifted towards regionally dominant accents. In contrast, Mumbai’s Tamil Brahmins maintained a diaspora-style “mini Madras,” echoing older, more formal acculturations of Tamil.

Brahmin Tamil is generally characterised by an elevated use of Sanskrit borrowings, a conservatism in pronunciation and grammar, distinct idiomatic expressions, greetings, and terms, and the retention of certain words, sentences, and intonations associated with temple rituals or traditional family interactions.

These urban agraharams not only preserved language but also traditional food, dress (such as “pavadai” for girls), festivals, and rituals, further reinforcing linguistic distinctiveness. The synergy between physical environment (temple proximity, cohesive housing) and social activities ensured that dialect and culture remained intertwined and resistant to outside change for many decades.

The enduring legacy of the Agraharam-style Tamil dialect among Mumbai’s Tamil Brahmins is a testament to the resilience of cultural identity in the face of migration and urbanization. These communities have preserved not just a way of speaking, but a way of being, deeply rooted in tradition, even as they embraced the cosmopolitan vibrancy of Mumbai.