Short Story: The Lonavala Getaway

The train screeched to a halt at Lonavala station, and Arjun practically bounced out of his seat. “Finally! Fresh air!” he declared dramatically, throwing his arms wide as if he could already breathe in the hill station’s crisp atmosphere through the train’s grimy windows.

Calm down, Mountain Man,” laughed Priya, adjusting her oversized sunglasses. “We haven’t even gotten off yet.”

Their group of six had been planning this weekend trip for months. There was Arjun, the eternal optimist and self-appointed trip organiser; Priya, sharp-tongued but fiercely loyal; Rohit, quiet and thoughtful, who’d been harboring feelings for Priya since their first year; Kavya, bubbly and Instagram-obsessed; Vikram, the skeptic who complained about everything but never missed a hangout; and Neha, practical and level-headed, often the voice of reason.

I still think we should have booked a proper hotel,” Vikram grumbled, hefting his designer backpack. “This Airbnb thing sounds sketchy.

It’s not sketchy, it’s authentic,” Arjun countered. “The listing said it’s a colonial-era bungalow with ‘old-world charm.’ How cool is that?”

Old-world charm usually means no Wi-Fi and questionable plumbing,” Vikram muttered.

Kavya, who had been frantically taking selfies since they’d entered the Western Ghats, looked up from her phone. “Guys, I’m getting no signal. Like, zero bars. How am I supposed to post our trip?”

That’s the point!” Arjun said. “Digital detox! Quality time! Bonding!”

I’m already feeling detoxed,” Neha said dryly. “Mainly of my will to live.”

After a bumpy auto-rickshaw ride through winding roads flanked by misty hills and cascading waterfalls, they arrived at their destination. The bungalow stood at the end of a narrow dirt path, surrounded by dense trees that seemed to lean in conspiratorially. It was exactly as advertised: a sprawling colonial structure with weathered white walls, green shutters, and a wraparound veranda that had seen better decades.

It looks like something out of a horror movie,” Rohit observed quietly.

Or a romantic period drama,” Priya added, and Rohit’s heart did a little skip.

Why not both?” Kavya said cheerfully, finally finding one tiny bar of signal and immediately snapping photos.

The caretaker, an elderly man named Raman uncle, greeted them with a mixture of warmth and what seemed like concern. He was lean and weathered, with kind eyes that seemed to hold secrets.

Welcome, welcome,” he said, jangling a large set of keys. “You are the college group, yes? From Mumbai?”

“That’s us!” Arjun beamed. “Ready for the best weekend ever!”

Raman uncle’s smile faltered slightly. “Ah, yes. Well, let me show you the house. There are just a few… guidelines.”

As he led them through the musty interior, pointing out the kitchen, bathrooms, and bedrooms, his tone grew more serious. “Please, do not go to the third floor. It is not safe, old floorboards, you understand. And after sunset, it is better to stay inside. The forest can be… confusing at night.”

“Confusing how?” Neha asked, her practical mind immediately catching the euphemism.

“Animals,” Raman uncle said quickly. “Leopards, sometimes. And the paths, they all look the same in the dark.”

Vikram shot Arjun a pointed look. “Leopards. Great choice, organiser.”

Leopards are scared of humans,” Arjun said dismissively. “And look at this place! It’s perfect!

After Raman uncle left, promising to return the next evening, the group settled in. They distributed themselves across the four bedrooms on the second floor, with Arjun and Vikram sharing one, Priya and Kavya sharing another, and Rohit and Neha taking the remaining two rooms.

The first evening passed pleasantly enough. They cooked a chaotic dinner together, with Priya demonstrating her surprising culinary skills. At the same time, Kavya documented every dish for her Instagram story (which she couldn’t post due to the poor signal, leading to much dramatic sighing). Rohit found excuses to help Priya in the kitchen, and she didn’t seem to mind, which gave him hope.

This is nice,” Vikram admitted grudgingly as they sat on the veranda after dinner, sharing bottles of beer they’d brought from Mumbai. “Peaceful.

See? I told you…” Arjun began, but was interrupted by a strange sound from above.

Thump. Drag. Thump. Drag.

Everyone looked up at the ceiling.

What was that?” Kavya whispered.

Probably just the wind,” Neha said, but her voice lacked conviction.

Wind doesn’t make dragging sounds,” Rohit pointed out.

Thump. Drag. Thump. Drag.

The sound came again, clearly footsteps, but dragging, as if someone was pulling something heavy across the floor above them.

That’s the third floor,” Priya said quietly. “The one we’re not supposed to go to.”

Maybe it’s just settling,” Arjun suggested, though his usual confidence seemed shaken. “Old houses make weird noises.”

Vikram stood up abruptly. “I’m going to check.”

Are you insane?” Kavya hissed. “Raman uncle specifically said not to go up there!”

Raman uncle also said there were leopards, and I haven’t seen any paw prints. I bet he just doesn’t want us messing with his storage or something.”

Before anyone could stop him, Vikram had stalked inside and up the creaking staircase. The others followed reluctantly, clustering at the bottom of the stairs leading to the third floor.

Vikram?” Arjun called. “Find anything?”

There was a long pause, then Vikram’s voice, strangely strained: “Guys? You need to see this.”

They climbed the narrow staircase to find Vikram standing in a doorway, his face pale. Beyond him was a room that looked like it belonged in a different century, or a different world entirely.

The room was filled with old photographs, hundreds of them, covering every wall. But these weren’t ordinary family photos. They showed the same group of six young people, over and over again, in different poses, different clothes, but always the same faces. Their faces.

“What the hell?” Priya breathed.

Kavya grabbed Neha’s arm. “Those are us. Those are literally us.”

In photo after photo, they could see themselves, laughing on the veranda downstairs, cooking in the kitchen, sitting around the very same table where they’d just eaten dinner. The photos looked old, yellowed at the edges, as if they’d been taken decades ago.

“This is impossible,” Rohit said, stepping closer to examine one of the images. “These photos… they look vintage, but that’s definitely me.”

“And me,” Arjun whispered, pointing to a photo showing him with his arm around a laughing Priya. “But I’ve never seen this picture before in my life.”

Neha, ever practical, was examining the room more carefully. “Look at this,” she said, pointing to a corner where dozens of diaries were stacked. She opened one at random and began reading aloud:

“Day 1: Arrived at the bungalow with the group. Arjun is as enthusiastic as ever, Vikram is complaining, and Kavya can’t stop taking photos. Rohit keeps looking at Priya when he thinks no one is watching. Some things never change.”

What does that mean, ‘some things never change’?” Kavya asked, her voice small.

Neha flipped to another entry: “‘Day 15: We tried to leave today, but the path just led us back to the house. Raman uncle won’t explain what’s happening. He just smiles sadly and tells us to be patient.”

Day 15?” Arjun repeated. “We’ve only been here one day.”

Keep reading,” Priya urged, though her voice was shaking.

“Day 43: Rohit finally told Priya how he feels. She said she’d known all along and had been waiting for him to find the courage. Even trapped here, there’s still room for happiness.”

Rohit and Priya looked at each other, and despite the surreal horror of the situation, something passed between them.

“Day 78: We think we understand now. We’ve been here before. Many times. The photos prove it. But each time, we forget when we arrive. We only start remembering as the cycle nears its end.”

“Cycle?” Vikram’s voice cracked. “What cycle?”

Neha flipped ahead frantically. “Day 127: This is my last entry. Tomorrow we’ll try to leave again, and we’ll wake up in Mumbai with no memory of this place, planning another trip to Lonavala. But maybe this time, if we’re lucky, someone will read these diaries before it’s too late. If you’re reading this, you are us, and we are you. Find Raman uncle. Ask him about the curse. Ask him about the English sahib who died here in 1923. Ask him how to break free.”

The room fell silent except for the sound of their collective breathing.

This is insane,” Vikram said finally. “Someone’s playing an elaborate prank. Those photos are doctored, the diaries are fake…

He was interrupted by the sound of footsteps on the stairs. They all turned to see Raman uncle ascending slowly, his face grave.

You found the room,” he said simply.

What is this?” Arjun demanded, his voice higher than usual. “What’s happening to us?”

Raman uncle sighed deeply. “It is a long story. There was an Englishman, James Worthington, who built this house in 1922. He fell in love with a local woman, Kamala, but her family forbade the match. In his anger and heartbreak, he… he did something terrible. He turned to dark practices, tried to bind her spirit to this place so she could never leave him.”

And?” Priya prompted when he paused.

“The ritual went wrong. Instead of binding just her, he created a trap for love itself. Young couples, groups of friends with love between them, they come here, and the house feeds on their connections, their emotions. It keeps them in a loop, living the same experiences over and over.”

“That’s impossible,” Neha said, but her voice lacked conviction.

“How many times?” Rohit asked quietly. “How many times have we been here?

Raman uncle’s eyes were sad. “This is your forty-seventh visit.”

The number hit them like a physical blow.

Forty-seven times,” Kavya whispered. “We’ve lived through this forty-seven times?”

But we don’t remember,” Priya said, as if trying to make sense of it. “We go back to Mumbai and plan the trip again, with no memory of what happened here.”

The house lets you leave when the cycle completes,” Raman uncle explained. “But it also makes you forget, ensuring you’ll return. Only in the final days do the memories begin to surface.”

So, how do we break it?” Arjun asked. “There has to be a way.”

Raman uncle looked at them for a long moment. “The curse was born from love turned selfish, possessive. It can only be broken by love freely given, without expectation of return.

What does that mean?” Vikram demanded.

But before Raman uncle could answer, something extraordinary happened. Despite the supernatural horror of their situation, despite being trapped in a cosmic loop for who knows how long, Rohit stepped forward and took Priya’s hand.

I need to tell you something,” he said, his voice steady despite everything. “I’ve been in love with you since the first year. Maybe that’s why we keep coming back here, I don’t know. But if we’re trapped, if this is all we have, I want you to know.”

Priya looked at him, tears in her eyes. “I know,” she said softly. “I’ve always known. And I’ve been waiting for you to be brave enough to say it.”

They kissed then, simple and sweet, and something in the house seemed to shudder.

“Well, this is awkward,” Kavya said, but she was smiling through her tears. “Here I thought the scariest part would be the supernatural imprisonment.”

“Actually,” Neha said thoughtfully, “I think they might be onto something. Raman uncle, when you said love freely given…”

“The curse feeds on selfish love, possessive love,” Raman uncle confirmed. “But love that expects nothing in return, love that wishes only happiness for the other person…”

Arjun suddenly laughed, and they all turned to stare at him. “You know what’s funny? In forty-seven loops, we’ve probably become the best of friends anyone could ask for. We’ve shared everything, been through everything together, even if we don’t remember it.”

“We have,” Vikram agreed, and for once, he wasn’t complaining. “And honestly? Even if we’re trapped, even if this is all insane, I can’t think of five people I’d rather be trapped with.”

One by one, they moved closer together, forming a circle on the dusty floor of the photograph room.

“I love you all,” Kavya said simply. “Not romantically, well, except you two are adorable, but I love our friendship. I love that Arjun always believes the best in everything, that Vikram pretends to be cynical but cares more than anyone, that Neha always keeps us grounded, that Priya makes us all braver, and that Rohit sees beauty in everything.”

“I love that we found each other,” Neha added. “In all the chaos of college, in Mumbai, in life, we found each other.”

“And I love that even here, even in this impossible situation, we’re still us,” Priya said. “We’re still taking care of each other.”

The house began to tremble. The photographs on the walls started to fade, their edges curling as if being consumed by invisible flames.

It’s working,” Raman uncle said, his voice filled with wonder. “In forty-seven cycles, you never… You were always trying to escape, to get away. You never chose to stay together.”

Because we never remembered how much we meant to each other,” Rohit realised.

The trembling intensified, and a warm light began to fill the room. One by one, the photographs crumbled to dust, decades of trapped moments finally released.

What happens now?” Arjun asked.

Now you choose,” Raman uncle said. “You can leave, return to Mumbai, and continue your lives with the full memory of what happened here. The curse is broken, you’ll never be drawn back.”

“Or?” Priya prompted.

Raman uncle smiled. “Or you acknowledge what you’ve learned in forty-seven lifetimes of friendship. That some bonds are stronger than any magic.”

They looked at each other, these six friends who had been through more together than any group should ever have to endure, even if they couldn’t remember most of it.

We’re graduating next year anyway,” Kavya pointed out. “We were all worried about staying in touch, starting careers, growing apart.”

“Can’t really grow apart from people you’ve been cosmically bonded to,” Vikram said with a grin.

“So we stay together?” Neha asked. “Always?”

“Not trapped,” Rohit clarified, squeezing Priya’s hand. “But connected. By choice.”

“I can’t think of anything I’d want more,” Arjun said honestly.

The light grew brighter, and they felt themselves being lifted, not by any supernatural force, but by the simple power of choosing love, friendship, romance, and loyalty over fear.

When the light faded, they were standing on the veranda of the bungalow, but it looked different now. Cleaner, brighter, as if decades of sadness had been washed away. The sun was rising over the Western Ghats, painting the sky in shades of gold and pink.

“So,” Kavya said, pulling out her phone and finding, miraculously, full signal bars. “Anyone want to extend this trip a few more days? I have a feeling we’ve got some catching up to do.”

They laughed, and the sound echoed across the hills, free and clear and full of promise.

Later, much later, as they sat around the kitchen table sharing stories and filling in gaps that memory couldn’t quite bridge, Raman uncle appeared in the doorway. But he looked different now, younger, lighter, as if a great weight had been lifted from his shoulders.

“Thank you,” he said simply. “I have been the caretaker here for sixty years, watching groups come and go, trapped in their cycles. You are the first to choose love over escape.”

“What will you do now?” Neha asked.

He smiled. “Return to my own life, I think. I have grandchildren I have not seen in many years.”

As he prepared to leave, Arjun called out to him. “Raman uncle, one more question. In forty-seven cycles, did we ever… did Rohit and Priya ever…?”

“Every time,” the old man said with a twinkle in his eye. “Love always finds a way, beta. Even in the worst circumstances.”

And as their laughter filled the morning air, echoing across the hills of Lonavala, six friends discovered that some stories don’t end, they just begin again, deeper and truer than before.

The house stood peaceful in the morning light, no longer a prison but a place where love had learned to set itself free.

2025 Week 39 Update

Best known as the COO of Facebook and the author of the best-selling book “Lean In”, which encourages women to pursue leadership roles and challenge workplace gender barriers, Sheryl Sandberg is widely recognised for her advocacy on women’s empowerment, resilience, and compassionate leadership, making her an influential voice in both business and personal growth.

Sandberg’s quote sheds light on the true nature of empathy. She reminds us that empathy isn’t about offering quick reassurances or trying to “fix” someone’s pain. Often, the most compassionate response is simply to acknowledge the reality of someone’s suffering without minimising it. Telling someone “it will be okay” may unintentionally dismiss their feelings, while recognising that things are not okay validates their experience and makes them feel truly seen and supported. Real empathy is about presence, understanding, and acceptance, walking with someone in their pain rather than rushing them out of it.

It’s been more than three weeks since BB went to Australia, and we are really missing him. He will be back sometime next week, and then it’s the countdown to the end of his national service. GG has been very busy last week and on into this coming week with back-to-back tests, so I barely see her when she is home.

This week’s motivation is about opportunities. When things don’t work out as you expected and your desired opportunity doesn’t come to fruition, it’s easy to fall into a downward spiral of questioning your choices. Don’t be too hard on yourself. Remember, there’s always another opportunity. The more you dwell on what could have been, the more oblivious you become to the wonderful opportunities that are unfolding right in front of you. If that particular opportunity didn’t work out, it could mean that something about it wasn’t right for you. The right opportunity will come, and it will be way better than you imagined. It will be worth the wait. This one really resonated with me, as this is exactly what I tend to do.

My long walk is finally coming to an end, and I am so excited! I am just about 50 km from home, which means that sometime next week I should finish it. Currently, I am on the outskirts of Johor Bahru, the capital of the state of Johor, just off the causeway separating Singapore and Malaysia. When I complete the walk, I will share more about it, including the whys and wheres.

And that’s all from me this week. Stay positive, keep smiling, and remember, don’t be hard on yourself; there’s a new opportunity just waiting for you to notice it!

In My Hands Today…

Mine!: How the Hidden Rules of Ownership Control Our Lives – Michael A. Heller, James Salzman

A hidden set of rules governs who owns what–explaining everything from whether you can recline your airplane seat to why HBO lets you borrow a password illegally–and in this lively and entertaining guide, two acclaimed law professors reveal how things become mine.

Mine is one of the first words babies learn. By the time we grow up, the idea of ownership seems natural, whether buying a cup of coffee or a house. But who controls the space behind your airplane seat: you reclining or the squished laptop user behind? Why is plagiarism wrong, but it’s okay to knock-off a recipe or a dress design? And after a snowstorm, why does a chair in the street hold your parking space in Chicago, but in New York you lose the space and the chair?

Mine! explains these puzzles and many more. Surprisingly, there are just six simple stories that everyone uses to claim everything. Owners choose the story that steers us to do what they want. But we can always pick a different story. This is true not just for airplane seats, but also for battles over digital privacy, climate change, and wealth inequality. As Michael Heller and James Salzman show–in the spirited style of Freakonomics, Nudge, and Predictably Irrational–ownership is always up for grabs.

With stories that are eye-opening, mind-bending, and sometimes infuriating, Mine! reveals the rules of ownership that secretly control our lives.

Sacred Stones, Spaces and Stories: Shakthipeeta Part 21

Last week, we completed all the Shakti Peethas located within India’s borders. From this part, let’s look at Shakti Peethas that are in what used to be part of India, pre-independence as well as one which though was probably never a part of India, but is in an area that is revered in Hinduism and symbolism.

Jeshoreshwari Kali Temple, Shyamnagar Upazila, Bangladesh

The Jeshoreshwari Kali Temple, located in Ishwaripur village, Shyamnagar Upazila, Satkhira district in Bangladesh is dedicated to Goddess Kali. Known as the Goddess of Jessore, the Jeshoreshwari Kali Temple blends mythology, devotion, and architectural heritage.

The Jeshoreshwari Kali Temple has a rich history that dates back centuries. It is believed that the temple was originally established by a Brahmin named Anari, who constructed a grand structure with 100 doors to honor Maa Jeshoreshwari. The exact timeline of its construction remains uncertain, but it is widely regarded as one of the oldest temples in Bangladesh. The temple gained prominence during the reign of Maharaja Pratapaditya, a 16th-century ruler of Jessore. According to legend, one of his generals discovered a luminant ray of light emanating from the bushes in Ishwaripur. Upon investigation, they found a stone carved in the shape of a human palm. Recognizing its divine significance, Maharaja Pratapaditya built the Jeshoreshwari Kali Temple at this site and began worshipping Goddess Kali. Later renovations were carried out by rulers such as Lakshman Sen and other local patrons. However, much of the original structure was damaged over time due to invasions and natural decay. Despite this, the temple continues to attract devotees who revere it as a sacred Shakti Peetha.

According to legend, the palm of Sati’s hand fell at this site, sanctifying it as a centre of divine feminine energy. Goddess Sati is worshipped here as Jeshoreshwari, symbolising divine protection and strength. Lord Shiva is revered as Chanda Bhairava, representing his role as a guardian and protector. 

The sanctum sanctorum houses a black stone idol of Maa Jeshoreshwari adorned with vermilion, gold ornaments, and garlands. The idol exudes an aura of power and compassion. The palm-shaped stone discovered by Maharaja Pratapaditya is preserved within the temple premises and is considered highly sacred by devotees. A large rectangular platform known as Natmandir was built adjacent to the main temple. This structure allowed devotees to view Maa Jeshoreshwari’s face during rituals. Although much of it crumbled after 1971, remnants such as pillars remain visible today. The temple showcases traditional Bengali architecture with intricate carvings on its walls and domed roofs. Despite its simplicity, the temple’s design emphasises spiritual connection over material grandeur. The name Jeshoreshwari translates to Goddess of Jessore. Historically, Ishwaripur was part of Jessore before administrative boundaries changed. 

Daily pujas are performed by priests who offer flowers, fruits, coconuts, sweets, incense sticks, and rice to Maa Jeshoreshwari. Morning Aarti begins at sunrise with chanting of hymns like Durga Saptashati, while evening Aarti concludes with lighting oil lamps around the temple premises. Kali Puja is celebrated with great fervor at Jeshoreshwari Temple. Elaborate rituals are conducted overnight to honor Maa Kali’s fierce aspect. Devotees offer red sarees and garlands made from hibiscus flowers during this festival. An annual fair, a mela is held in the temple compound during Kali Puja or Navratri celebrations. This event includes cultural performances, stalls selling religious items, and community feasts. Navratri is celebrated twice a year and devotees observe fasts during these nine days to seek blessings for prosperity and protection. On new moon nights, special Tantric rituals are conducted by priests to invoke Maa Jeshoreshwari’s protective energy.

One of the most popular legends associated with Jeshoreshwari Temple involves Maharaja Pratapaditya’s general discovering a luminant ray of light emanating from bushes in Ishwaripur village. Upon investigating further, they found a stone carved in the shape of a human palm. Recognizing its divine significance, Maharaja Pratapaditya built the temple at this site and began worshipping Goddess Kali. Devotees believe that touching or praying before the palm-shaped stone brings blessings and fulfills wishes. Many pilgrims visit specifically to seek Maa Jeshoreshwari’s intervention in resolving personal or familial issues. It is said that Maa Jeshoreshwari possesses miraculous healing powers. Many devotees claim to have been cured of ailments after offering prayers or participating in rituals at this sacred shrine.

The Jeshoreshwari Kali Temple offers visitors a unique spiritual experience rooted in mythology and devotion. 

Chattal Bhawani Shaktipeeth/Chandranath Temple, Chittagong, Bangladesh

The Chattal Bhawani Shaktipeeth, also known as the Chandranath Temple, is a revered Hindu shrine located atop Chandranath Hill in Sitakunda, Chittagong. According to legend, the right arm of Goddess Sati fell at this sacred site. The temple is dedicated to Maa Bhawani, a form of Goddess Sati, and Lord Shiva, is worshipped here as Chandrasekhar Bhairava. 

The exact date of the temple’s construction remains uncertain, but historical records suggest that it has existed for several centuries. According to local legends, the temple was originally established by a king who received divine instructions in a dream to build a shrine atop Chandranath Hill. Over time, the temple gained prominence as a centre for Shaktism and received patronage from various rulers and devotees. The name Chattal Bhawani derives from Chattal, an ancient name for Chittagong, and Bhawani, a form of Goddess Sati symbolising protection and strength. 

The sanctum sanctorum houses two main idols: one of Maa Bhawani and another of Lord Shiva as Chandrasekhar. Maa Bhawani’s idol exudes an aura of power and compassion, while Lord Shiva’s idol depicts him with a crescent moon on his head. Devotees believe that these idols radiate divine energy that fulfils wishes and grants blessings. The temple is situated at an altitude of approximately 1,020 feet above sea level on Chandranath Hill. Pilgrims must climb around 3,500 steps to reach the summit, making their journey both physically challenging and spiritually rewarding. The hill offers panoramic views of the surrounding landscape, including lush greenery and distant rivers.

The temple complex features a medieval chariot known for its intricate wood carvings. This chariot is used during special festivals and processions. The area around Chandranath Hill is rich in natural beauty, with attractions such as waterfalls, the Sohosrodhara Jorna and scenic trails that enhance the spiritual ambience. The temple has received patronage from various rulers over centuries. Notably, King Dhanya Manikya of Tripura attempted to relocate the Shiva idol to his kingdom but failed due to divine intervention.

Daily pujas are performed by priests. Morning Aarti begins at sunrise with chanting of hymns while the evening Aarti concludes with lighting oil lamps around the temple premises. Shivratri is celebrated with great fervour at Chandranath Temple. Devotees observe fasting and perform night-long prayers dedicated to Lord Shiva. Special yagnas are conducted during this festival to invoke divine blessings. An annual fair known as the Sitakund Mela is held during Shivratri celebrations in February-March. This event attracts thousands of pilgrims who gather for rituals, cultural performances, and community feasts. On new moon nights, special Tantric rituals are conducted by priests to invoke Maa Bhawani’s protective energy. The trek up Chandranath Hill is considered an act of devotion. Pilgrims often chant mantras or sing devotional songs during their ascent.

According to legend, King Dhanya Manikya of Tripura attempted to relocate the Shiva idol from Chandranath Temple to his kingdom but failed despite multiple efforts. It is believed that divine forces intervened to protect the sanctity of the temple. In the late medieval period, Gangaram Biswas from West Bengal built the first set of stairs leading up to Chandranath Hill after his elderly mother expressed her desire to visit the temple but was unable to climb due to her age. These steps were later renovated by zamindars from Bengal. Devotees believe that praying at Chandranath Temple cures ailments and grants peace of mind. Many pilgrims visit specifically seeking Maa Bhawani’s intervention in resolving personal or familial issues.

The Chattal Bhawani Shaktipeeth with its hilltop location emphasises ancient traditions while preserving spiritual heritage. Whether you seek spiritual solace or wish to explore India’s rich cultural heritage, visiting this ancient shrine will leave you feeling connected to divine feminine energy. 

Dhakeshwari Temple, Dhaka, Bangladesh

The Dhakeshwari Temple, located in Dhaka is one of the most revered Hindu shrines in the Indian subcontinent. Known as the Dhakeshwari Jatiya Mandir or National Temple, it is not only the largest Hindu temple in Bangladesh but also one of the 51 Shakti Peethas, where parts of Goddess Sati’s body are believed to have fallen. 

It is said that a gem from Sati’s crown fell here. The temple is dedicated to Maa Dhakeshwari, a form of Goddess Durga or Adi Shakti, and Lord Shiva is worshipped here as Vishwesh Bhairava. According to legend, King Ballal Sen of the Sena dynasty who ruled in the 12th century discovered a hidden idol of Goddess Durga under a tree in Dhaka after being guided by a divine dream. The goddess revealed herself as Dhakeshwari, meaning Goddess of Dhaka, and instructed the king to establish her temple at this site. Ballal Sen built the temple to honour her and named it after her divine form. The temple is believed to have given Dhaka its name.

Another legend ties the temple’s origin to King Bijoy Sen’s wife, who prayed for a safe childbirth at Langolbond while on a pilgrimage. Her son Ballal Sen later fulfilled her vow by constructing this temple as an offering to Maa Dhakeshwari. Over centuries, the temple underwent several renovations and reconstructions due to natural decay and destruction during invasions. During the 17th century, Raja Man Singh is said to have rebuilt parts of the temple. However, much of its original structure was lost during political upheavals in modern history. 

The original idol of Maa Dhakeshwari was relocated during Partition in 1947 to Kumortuli in Kolkata due to safety concerns. Today, two temples—one in Kolkata known as the Dhakeswari Mata Temple housing the original idol and one in Dhaka with a replica—serve as spiritual centres for devotees. The main temple follows the traditional Pancharatna or five-spired architecture with intricate carvings depicting scenes from Hindu mythology. Within the complex are four smaller Shiva temples arranged in a row, each housing a Shiva Lingam. 

A large pond within the temple premises adds serenity to the environment and is used for ritualistic purification by devotees before entering the sanctum. A spacious Natya Mandir or prayer hall stands adjacent to the main shrine for devotional performances during festivals. One popular belief suggests that drums or dhaks were played from an elevated stage at this temple to demarcate the city’s boundaries during its early settlement period. The sound of these drums gave rise to the name Dhaka.

Daily pujas are performed by priests. Morning Aarti begins at sunrise with chanting of hymns like Durga Saptashati, while evening Aarti concludes with lighting oil lamps around the sanctum. Like all Shakti Peethas, Durga Puja is celebrated with great fervour with elaborate rituals conducted over nine days. The deity is adorned with new clothes and jewelry donated by devotees during this festival. Navratri is celebrated twice a year with devotees observing fasts during these nine days as an act of devotion. Devotees participate in mass bathing rituals at Langolbond on Sukla Ashtami, the eighth day of the Chaitra month before visiting Dhakeshwari Temple for blessings. On new moon nights, special Tantric rituals are conducted by priests. 

According to legend, King Ballal Sen dreamt of Maa Durga instructing him to find her idol buried beneath a tree near present-day Old Dhaka. Upon excavation, he discovered her statue under what became known as the Dhakka tree and established her shrine there. It is believed that pilgrims who meditate at this Shakti Peetha receive blessings equivalent to wearing divine gemstones that protect them from misfortune. 

During Partition in 1947, priests relocated Maa Dhakeshwari’s original idol to Kumortuli in Kolkata due to concerns over communal violence targeting Hindu temples in East Pakistan, now Bangladesh. 

The Dhakeshwari Temple offers visitors a unique spiritual experience. The Pancharatna architecture which emphasises ancient traditions amid bustling Old Dhaka provides a unique experience. 

In My Hands Today…

Word Perfect: Etymological Entertainment For Every Day of the Year – Susie Dent

From ‘Turning a Blind Eye’ (Nelson putting the telescope to his missing eye to ignore the order to stop fighting) to why May Day became a distress call; from stealing someone’s thunder to the real Jack the Lad, from tartle (forgetting someone’s name) to snaccident (unintentionally eating a whole packet of biscuits), Word Perfect is her brilliant linguistic almanac full of unforgettable true stories tied to every day of the year. You’ll never be lost for words again.