Sacred Stones, Spaces and Stories: Shakthipeeta Part 17

Bakreshwar Temple, Siuri Town, West Bengal
The Bakreshwar Temple, located in the Birbhum district, near Siuri Town, is also known as the Mahishamardini Shakti Peetha. The temple is dedicated to Goddess Mahishamardini, a fierce form of Durga, and Lord Shiva, worshipped here as Vakranath Bhairava. Nestled amidst serene surroundings on the banks of the Paaphra River, Bakreshwar Temple’s origins are deeply rooted in Hindu mythology and history. The name Bakreshwar is derived from two Sanskrit words: Vakra or curve or deformity and Ishwar or Lord, referring to Lord Shiva’s manifestation here as Vakranath. The temple complex is believed to have been established during ancient times, with its current structure dating back to 1761 AD, when it was rebuilt by King Darpanarayan.

It is believed that Sati’s eyebrows, symbolic of her mind fell at this location when Lord Vishnu dismembered her body with his Sudarshan Chakra to pacify Lord Shiva’s grief-stricken Tandava. This sanctified Bakreshwar as a Shakti Peetha. The temple also has historical ties to Sage Ashtavakra, who performed intense penance here for 10,000 years. His devotion led Lord Shiva to bless him and declare Bakreshwar a sacred site. The temple’s construction is attributed to Vishwakarma, the celestial architect, who built it on Shiva’s command.

Goddess Sati is worshipped as Mahishamardini, meaning the slayer of Mahishasura. Lord Shiva is worshipped as Vakranath Bhairava, symbolising his protective and meditative aspects. The portion between Sati’s eyebrows, symbolising her mind is believed to have fallen here.

The temple complex houses two main shrines: one dedicated to Goddess Mahishamardini and another to Lord Vakranath. This dual worship reflects the harmonious convergence of Shaivite and Shakta traditions. Bakreshwar is famous for its ten geothermal hot springs, which are considered sacred by devotees. These springs are believed to have been created by Lord Shiva’s tears when he carried Sati’s body. The most prominent spring is called Agni Kund, with water temperatures reaching up to 93°c. Devotees believe bathing in these springs purifies sins and cures ailments. The temple features intricate carvings and domes inspired by Oriya architectural styles. The sanctum houses a beautiful idol of Mahishamardini with ten hands slaying Mahishasura while seated on a lion. A shrine dedicated to Sage Ashtavakra lies within the temple complex. Devotees traditionally visit this shrine before entering the main sanctum. A unique red platform called Panchamukhi Asana or the seat of five skulls is used for Tantric rituals. It is believed that performing sadhana here enhances spiritual power.

The rituals at Bakreshwar Temple are deeply rooted in Tantric practices and traditional Hindu worship. The day begins with Mangala Aarti, the early morning prayers followed by offerings of flowers, fruits, coconuts, and sweets. Devotees chant hymns like the Mahishasura Mardini Stotram during pujas. Navratri is celebrated grandly with special rituals honoring Mahishamardini. Devotees offer red hibiscus flowers, symbolic of power and victory. Cultural programmes and community feasts are organised during this time. Dedicated to Vakranath Bhairava, Maha Shivratri involves night-long prayers and abhishekam, the ritual bathing with milk, honey, ghee, curd, and holy water. Bathing in the hot springs before entering the temple is considered an essential purification ritual for devotees. Tantriks perform esoteric rituals on the Panchamukhi Asana during auspicious nights like Amavasya or the new moon to invoke divine blessings.

One of the most popular legends associated with Bakreshwar revolves around Goddess Mahishamardini slaying the demon Mahishasura. According to Hindu mythology, Mahishasura terrorised heaven and earth with his tyranny. Unable to defeat him, the gods sought help from Goddess Durga, who manifested as Mahishamardini at this site. A fierce battle ensued between the goddess and Mahishasura at Bakreshwar. Armed with divine weapons in her ten hands and riding her lion mount, she vanquished the demon after days of combat. This victory symbolises the triumph of good over evil and establishes Bakreshwar as a site of immense spiritual power.

Sage Ashtavakra performed rigorous penance at Bakreshwar for 10,000 years after being cursed by Rishi Subrita during Satya Yuga, the age of truth. His body was twisted into eight deformities due to his anger but was healed by Lord Shiva after his intense devotion. Shiva not only cured him but also blessed him with enlightenment at this sacred spot. It is believed that those who worship Ashtavakra first before offering prayers at Vakranath Bhairava receive abundant blessings.

Another legend attributes Bakreshwar’s hot springs to Lord Shiva’s grief over Sati’s death. It is said that his tears fell on this land while carrying Sati’s body during his cosmic dance or Tandava, creating these geothermal springs as manifestations of his sorrowful energy. Devotees believe these springs possess healing properties due to their divine origin.

The Bakreshwar Temple offers a unique blend of spirituality, mythology, natural beauty, and cultural heritage. The convergence of Shaivite and Shakta traditions reflects India’s rich spiritual diversity while rituals like Tantric sadhana on Panchamukhi Asana make it an important center for esoteric practices. Whether you seek spiritual solace or wish to explore ancient traditions, visiting this sacred shrine will leave you enriched in mind and spirit!

Kankalitala Temple, Bolpur West Bengal
Located in the serene village of Kankalitala near Bolpur in Birbhum district, the Kankalitala Temple is dedicated to Goddess Sati, worshipped here as Kankaleshwari Devi, and Lord Shiva, revered as Ruru Bhairava. The temple holds immense spiritual significance as it is believed to be the site where Sati’s waist or kankal fell, sanctifying the location as a Shakti Peetha. Nestled on the banks of the Kopai River and surrounded by natural beauty, Kankalitala is a destination for devotees seeking divine blessings and spiritual solace.

According to legend, it is believed that Sati’s waist or kankal fell at this site, creating a depression in the earth that later filled with water to form a sacred pond or kund. The temple has been a center of devotion for centuries. Unlike many grand temples in India, Kankalitala stands out for its simplicity and natural surroundings. The sacred kund near the temple is considered the original form of the goddess at this Shakti Peetha and continues to be worshipped by devotees. The temple structure has undergone renovations over time but retains its ancient charm. The garbhagriha or sanctum sanctorum houses no traditional idol but instead features a large framed painting of Goddess Kali in her Dakshina Kali form, standing atop Lord Shiva.

Goddess Sati is worshipped as Kankaleshwari Devi, symbolising nurturing energy and protection. Lord Shiva is revered as Ruru Bhairava, representing his fierce yet meditative aspect. Sati’s waist or kankal is believed to have fallen here. The combination of Kankaleshwari Devi and Ruru Bhairava represents the union of nurturing feminine energy with protective masculine power, making this Shakti Peetha a site of immense spiritual energy.

The most sacred feature of Kankalitala is the kund or the pond, believed to have formed where Sati’s waist fell. Known as Dudh Pukur, this shallow pond is surrounded by protective walls and steps leading down to its waters. Devotees consider this kund to be imbued with divine energy. However, bathing or collecting water from it is strictly prohibited out of reverence for its sanctity. Unlike most temples that house idols made of stone or metal, Kankalitala features a framed painting of Goddess Kali in her Dakshina Kali form. This unique representation underscores the temple’s simplicity and spiritual focus. The garbhagriha or sanctum santorum is capped by a curved pyramidal roof adorned with a metal spire. Connected to it is a raised rectangular platform called the natmandir, which serves as an area for devotees to view the goddess and participate in rituals. The natmandir also provides respite from the sun and serves as a space for meditation and quiet reflection. Situated on the banks of the Kopai River, the temple offers a tranquil environment surrounded by greenery.

The rituals at Kankalitala Temple reflect traditional Hindu practices combined with local customs. The day begins with Mangala Aarti at dawn. Devotees offer flowers (especially hibiscus), coconuts, fruits, sweets, and incense sticks while chanting hymns dedicated to Goddess Kali. Navratri is celebrated grandly over nine days with special pujas honoring Kankaleshwari Devi. Devotees participate in rituals such as Kumari Puja, the worshipping young girls as manifestations of Shakti, and offer bhog made from rice, fruits, and sweets. During Durga Puja, elaborate rituals are performed to honor Mahishamardini Durga’s victory over evil forces. The temple witnesses large gatherings of devotees who come to seek blessings during this auspicious time.

Dedicated to Ruru Bhairava, Shivratri involves night-long prayers and abhishekam with milk, honey, ghee, curd, and holy water. On Sharad Poornima, the full moon night of the Hindu lunar month of Ashvin which falls in September/October and marks the end of the monsoon season, special prayers are held at the kund under moonlight to invoke divine blessings.

According to legend, when Sati’s waist fell at this site, it created a deep indentation in the earth that later filled with water from divine sources. This pond became known as Dudh Pukur due to its milky-white appearance under moonlight. Devotees believe that Sati’s waist bones lie beneath this pond, making it one of the most sacred features of Kankalitala. Another story explains why there is no traditional idol at Kankalitala Temple. It is said that when priests attempted to install an idol of Goddess Kali here, they experienced divine visions instructing them to preserve her presence through a painting instead. This framed image has since become the focal point of worship at this Shakti Peetha. Local lore suggests that Ruru Bhairava once appeared before devotees who were struggling with hardships and granted them boons after they prayed earnestly at his shrine within the temple complex.

The Kankalitala Temple on the banks of the Kopai River provides an ideal setting for meditation and introspection. Its unique features like the sacred kund and absence of traditional idols emphasise simplicity in worship while preserving ancient traditions. Whether one seeks spiritual solace or wishes to explore India’s rich cultural heritage, visiting this ancient shrine will leave one feeling connected to divine feminine energy.

Kiriteswari Temple, Kiritkona West Bengal
The ancient Kiriteswari Temple, located in the tranquil village of Kiritkona near Lalbagh in Murshidabad district is dedicated to Maa Kiriteswari, also known as Mukuteshwari, and Lord Shiva, revered here as Samvarta Bhairava. Known for its simplicity, spiritual energy, and unique rituals, the Kiriteswari Temple is one of Bengal’s oldest and holiest shrines.

According to legend, it is believed that Sati’s crown or kirit fell at this site in Kiritkona village, sanctifying it as a Shakti Peetha. The temple is one of the oldest in Bengal and has been a centre of devotion for over 1,000 years. Historical records indicate that the original temple was constructed in 1405 but was destroyed by a fire. The present structure was rebuilt in the 19th century by King Darpanarayan Roy of Lalgola. The temple served as the presiding deity for the ruling families of Murshidabad during its golden age. The temple’s architecture reflects a blend of Hindu, Buddhist, and Islamic styles, symbolising harmony and inclusivity. Despite its simplicity, it exudes an aura of divinity that draws devotees from across India.

Goddess Sati is worshipped as Vimala or Mukuteshwari, symbolising purity and divine power. Lord Shiva is revered as Samvarta Bhairava, representing his fierce yet protective aspect. Sati’s crown is believed to have fallen here. Unlike other Shakti Peethas where body parts fell, Kiriteswari is considered an Upa Peetha since an ornament, the crown, fell here instead. This makes it unique among the Shakti Peethas.

The temple does not house a conventional idol or deity. Instead, Maa Kiriteswari is represented by a red-colored stone placed on a high altar within the sanctum sanctorum. The red stone is veiled and is only unveiled during special occasions like Durga Puja Ashtami when it is given a sacred bath. The temple’s architecture reflects a blend of Hindu, Buddhist, and Islamic influences. Its garbhagriha, the sanctum sanctorum, features intricate carvings and a curved roof adorned with a metal spire. The original crown or kirit of Goddess Sati is preserved at Rani Bhabani’s Guptamath, located opposite the temple. Devotees believe this crown radiates divine energy and blessings.

The temple is often referred to as the sleeping place of Mahamaya due to its serene ambiance and association with Goddess Durga’s nurturing aspect. Local legends suggest that Nawab Mir Jafar sought Maa Kiriteswari’s blessings during his final days while suffering from leprosy. He requested her holy Charanamrita or sacred water, which reportedly alleviated his suffering.

Daily pujas are performed by priests who offer flowers, fruits, incense sticks, and sweets to Maa Kiriteswari. Devotees chant hymns like the Devi Mahatmyam during prayers. Durga Puja is celebrated with great fervour at this Shakti Peetha. On Ashtami, the eighth day of the Navaratri festival, special rituals are conducted where the red stone representing Maa Kiriteswari is bathed with milk, honey, ghee, curd, and holy water. A grand feast is organised on Ashtami that attracts thousands of devotees from nearby villages. On Sharad Poornima, special prayers are held under moonlight to invoke divine blessings. The Mahaprasad prepared in the temple kitchen using traditional methods is considered sacred by devotees who partake in it for spiritual fulfilment. Samvarta Bhairava’s shrine within the temple complex witnesses special pujas during Shivratri when devotees offer abhishekam with milk and water to seek his blessings for protection and prosperity.

According to legend, when Sati’s crown fell at this site, it radiated such immense divine energy that it created an aura visible across Murshidabad. Devotees believe this energy still permeates the area around Kiritkona village. Another intriguing story ties Nawab Mir Jafar to this sacred site. On his deathbed, while suffering from leprosy, he sought Maa Kiriteswari’s blessings through her holy Charanamrita. It is believed that her blessings eased his pain and brought him peace during his final moments. Rani Bhabani of Natore played a significant role in preserving Maa Kiriteswari’s legacy by safeguarding her crown at Guptamath. Her devotion ensured that future generations could continue worshipping the goddess with reverence.

The Kiriteswari Temple with its unique features like the absence of traditional idols emphasises simplicity in worship while preserving ancient traditions. Whether you seek spiritual solace or wish to explore India’s rich cultural heritage, visiting this ancient shrine will leave you feeling connected to the divine feminine energy embodied by Maa Kiriteswari.

In My Hands Today…

The Truths We Hold: An American Journey – Kamala Harris

Vice President-elect Kamala Harris’s commitment to speaking truth is informed by her upbringing. The daughter of immigrants, she was raised in an Oakland, California community that cared deeply about social justice; her parents–an esteemed economist from Jamaica and an admired cancer researcher from India–met as activists in the civil rights movement when they were graduate students at Berkeley. Growing up, Harris herself never hid her passion for justice, and when she became a prosecutor out of law school, a deputy district attorney, she quickly established herself as one of the most innovative change agents in American law enforcement. She progressed rapidly to become the elected District Attorney for San Francisco, and then the chief law enforcement officer of the state of California as a whole. Known for bringing a voice to the voiceless, she took on the big banks during the foreclosure crisis, winning a historic settlement for California’s working families. Her hallmarks were applying a holistic, data-driven approach to many of California’s thorniest issues, always eschewing stale “tough on crime” rhetoric as presenting a series of false choices. Neither “tough” nor “soft” but smart on crime became her mantra. Being smart means learning the truths that can make us better as a community, and supporting those truths with all our might. That has been the pole star that guided Harris to a transformational career as the top law enforcement official in California, and it is guiding her now as a transformational United States Senator, grappling with an array of complex issues that affect her state, our country, and the world, from health care and the new economy to immigration, national security, the opioid crisis, and accelerating inequality.

By reckoning with the big challenges we face together, drawing on the hard-won wisdom and insight from her own career and the work of those who have most inspired her, Kamala Harris offers in The Truths We Hold a master class in problem-solving, in crisis management, and leadership in challenging times. Through the arc of her own life, on into the great work of our day, she communicates a vision of shared struggle, shared purpose, and shared values. In a book rich in many home truths, not least is that a relatively small number of people work very hard to convince a great many of us that we have less in common than we actually do, but it falls to us to look past them and get on with the good work of living our common truth. When we do, our shared effort will continue to sustain us and this great nation, now and in the years to come.

Family Footprints: An Unforgettable Italian Adventure – Part 2

First glimpse of Italy from the air

Rome
We reached the airport about 2.5 hours before our flight because we had heard all sorts of horror stories about the airport. But we were pleasantly surprised and checked in and were sent on our way in less than 10 minutes. After breakfast at the airport, we started our journey. We landed in Rome in the afternoon, and there was a bit of a rush in Italian immigration. We could have taken the train to Roma Termini, but because there were six of us, a taxi was cheaper. Though Italy has Uber, only the premium taxis can be hired. Instead, the FreeNow app is more widely used, from which we got our taxi. We used Airbnb all through the trip, and our Airbnb in Rome was close to the Colosseum.

After checking in and freshening up, we headed out to go to the Vatican. We had a 5:30 slot at the Vatican Museum and a slightly earlier slot at St. Peter’s Basilica. We missed the basilica slot but made it to the Vatican Museum. Because it is a Jubilee year and a new Pope has just been selected, the crowds were crazy in all the Italian cities we visited. The Vatican Museum was no exception. But what a museum!

Courtyard of Vatican Museum

Founded in 1506 by Pope Julius II and expanded by successive pontiffs, the Vatican Museums form a 7-km labyrinth of galleries that chart 3,000 years of human creativity. The Sistine Chapel is the last but probably the most visited part of the museum, where Michelangelo’s ceiling and Last Judgment remain the undisputed stars of the collection. The recently restored four Raphael Rooms are gorgeous, their luminous frescoes now glowing as they did for Leo X’s court. In the Pio-Clementine Museum, the newly restored Apollo of the Belvedere once again commands the Octagonal Courtyard, its marble surface revealing subtle details lost for generations. At the Anima Mundi, the reimagined ethnographic wing, the freshly installed Africa and Americas galleries place sacred masks, bark-cloths, and Inuit carvings on equal footing with the Western canon. I loved the Gallery of Maps with its intricate illustrative maps, the jewel-like Pinacoteca, and the vertiginous modern Bramante/Momo spiral ramp. When you are finally exhausted, you reach the Sistine Chapel, where photography is prohibited, and just find space in the benches in the perimeter of the room to sit and take in the beauty of the room and the ceiling!

After this assault on the senses, it was time for dinner. Our group was comprised of foodies, so we ate really well during this trip. The first evening, we had a fancy dinner at the Raphael hotel. We could not get the rooftop dining experience, but the food was so, so good. I was practically falling asleep at my plate, so around 10 pm, we finally called it a day.

Colosseum

The next day was for the Colosseum. Our timed entry was for 9:30 am, but since we were less than 10 minutes away on foot, we took our time in the morning. Carved into the heart of ancient Rome, the Colosseum and neighbouring Palatine Hill form a single archaeological park that distils two millennia of power, spectacle, and imperial luxury into a walkable circuit. We began with the Colosseum, inaugurated in AD 80 by Emperor Titus. We only had the normal ticket, so we only went to the main area. But if you purchase the full experience ticket, you cam go onto the partly reconstructed arena floor, gaze down into the fully accessible hypogeum with its maze of lifts, cages, and service corridors reopened to visitors after a recent restoration campaign, and then climb to the upper ring for skyline views stretching from the Capitoline to the distant dome of St. Peter’s. We spent quite a bit of time at the Colosseum, marvelling at its grandeur. After a quick lunch nearby, we walked back to tackle Palatine Hill, mythical birthplace of Romulus and later the postcode of choice for Rome’s emperors. We walked around and caught the vividly painted private rooms of Augustus and Livia that survive in remarkable condition. We last headed to the Farnese Gardens, Europe’s first botanical garden, which offers fragrant terraces with postcard views over the Circus Maximus. After spending a couple of hours here, we headed back to our Airbnb to freshen up before dinner near Piazza del Popolo.

Trevi Fountain

On our last full day in Rome, we decided to head to the Trevi Fountain first. The Trevi Fountain is carved into a palace façade at the junction of “tre vie,” channels the 1st-century BCE Aqua Virgo aqueduct, and crowns Rome’s Baroque age. Pope Clement XII commissioned Nicola Salvi in 1732; after Salvi’s death, Giuseppe Pannini finished the marble theatrics in 1762, centring Oceanus in a shell chariot that surges from craggy rocks toward the city’s ancient heart. A 16-month restoration funded by Fendi in 2014-15 scrubbed the travertine, replaced hidden pumps, and relit the basin, ensuring its moonlit shimmer endures.

We walked about 25-30 minutes from our Airbnb to get to the fountain. It was so crowded, but we managed to get up close in front to take photos and do the coin toss. It is believed that if you stand facing away from the fountain and toss a coin over your left shoulder, you will return to Rome. And for those who are seeking love, it is believed that tossing three coins will get you the love of an Italian!

Source

From the Trevi Fountain, we walked to the Pantheon, but not before a gelato. As with every other attraction in Rome, the Pantheon was also crowded, and so we just saw it from the outside before making our way to Piazza Navona.

Rebuilt by Emperor Hadrian around AD 118–125 atop Agrippa’s earlier temple, the Pantheon still boasts the world’s largest unreinforced concrete dome and an oculus that rains sunlight, and, each Pentecost, rose petals into the marble rotunda. Converted to the church of Santa Maria ad Martyres in 609, it shelters the tombs of Raphael and Italy’s first kings. A €5 timed-entry system introduced in July 2023 now funds ongoing conservation, including 2025 dome reinforcement and portico cleaning backed by Tod’s. One should not miss the noon sunbeam illuminating the floor, the original bronze door leaves, and the Latin portico inscription (“M·AGRIPPA·L·F·COS TERTIVM·FECIT”) linking two Roman ages.

Piazza Navona

Occupying the footprint of Domitian’s first-century athletics stadium, Piazza Navona is an elongated “living room” and is Rome’s Baroque set piece. At its heart lies Bernini’s Fontana dei Quattro Fiumi, personifying the Nile, Danube, Ganges, and Río de la Plata. Framing it are Giacomo della Porta’s Neptune and Moor fountains and Borromini’s undulating façade of Sant’Agnese in Agone.

After spending some time admiring the gorgeous sculptures, we made our way for lunch, after which we did a spot of shopping, and then two of my sisters decided they wanted a break. The rest of us decided to walk to the Spanish Steps, which took us about 20 minutes of walking. We also stopped for coffee on the way.

Spanish Steps

One of Rome’s iconic sights, the Spanish Steps, is fashioned from creamy travertine and was built between 1723 and 1726. With 138 steps, it was financed by France to link its embassy-church above with Spanish diplomatic territory below. A €1.5 million Bulgari-backed restoration scrubbed the balustrades in 2016, and since 2019, anyone who sits or rolls a suitcase on the monument risks fines of €250-€400, preserving the marble for posterity. Crowning the staircase is the Church of Trinità dei Monti, a French-Gothic twin-tower basilica whose nave shelters delicate 16th-century frescoes and an 1864 Cavaillé-Coll organ. While we didn’t go inside the church, we were impressed with the views from the porch of the church.

View from outside the Pincio Terrace

A few minutes’ stroll farther up Viale Trinità dei Monti leads to the pine-fringed Pincio Terrace, the southern gateway to Villa Borghese’s gardens. We walked to the gardens and took in the atmosphere. Then, tired, we sat down at a lake in the garden to chit-chat for a while and take a break. While there, I was entranced by a young Roman family with their toddler. All this while, my bag had been strapped crossbody with my phone on a strap around my neck. I was so engrossed with the toddler’s antics that when it was time to leave, I forgot that I had removed my bag from my shoulder and kept it aside. So, I just got up and started walking. We left the garden and walked across the street, and were contemplating whether we should take a taxi or the metro to get back to our Airbnb. It was then I realised that I didn’t have my bag with me! I immediately started running back to where we were sitting, and during those five minutes, my mind was frantically cataloguing the contents of my bag and wondering which cards I should cancel and how. It was one of the longest five minutes of my life. I reached the lake where we were sitting, and in a huge miracle, my bag was exactly where I had left it. With all that I had read about Rome, this was my Roman miracle, and I thanked all the gods, Indian and Roman, for my good fortune! We then walked to the nearest metro station, which happened to be in Piazza Poppolo. Our time in Rome had come to an end as we were going to have a quiet night with a cheese board, wine, and gossip.

Our next destination, Florence, is coming up soon.

In My Hands Today…

What Are You Looking At?: 150 Years of Modern Art in a Nutshell – Will Gompertz

Every year, millions of museum and gallery visitors ponder the modern art on display and secretly ask themselves, “Is this art?”

A former director at London’s Tate Gallery and now the BBC arts editor, Will Gompertz made it his mission to bring modern art’s exciting history alive for everyone, explaining why an unmade bed or a pickled shark can be art—and why a five-year-old couldn’t really do it.

Rich with extraordinary tales and anecdotes, What Are You Looking At? entertains as it arms readers with the knowledge to truly understand and enjoy what it is they’re looking at.

Recipes: Basil and Coriander Pesto

Over the past few years, I have been slowly getting GG & BB into the kitchen and teaching them simple recipes. This is so they can whip up something if there is a need. BB loves pasta, and so that has become his thing. He is the official pasta maker in our home, and recently he has started exploring making pesto from scratch. The below recipe is the result of his kitchen experiments. Quick to make, this vibrant pesto combines the aromatic flavours of basil and coriander, creating a versatile sauce perfect for pasta, sandwiches, marinades, or dressings. It’s quick to make and packed with nutrients.

Basil and Coriander Pesto

Ingredients:

  • 1 cup fresh basil leaves
  • 1 cup fresh coriander leaves
  • 3-4 garlic cloves
  • ½ cup cashewnuts and walnuts, lightly toasted
  • 2 tbsp (or to taste) lemon juice
  • ½ cup Parmesan cheese
  • Salt to taste
  • 2-3 tbsp Olive oil 
  • 2-3 tbsp (or more) water

Method:

  • Wash and dry the basil and coriander leaves thoroughly.
  • Lightly toast the nuts in a dry pan over medium heat for 2–3 minutes until fragrant.
  • Add basil, coriander, garlic, toasted nuts, lemon juice, salt, and black pepper to a food processor. Blend while slowly drizzling in olive oil until the mixture is smooth. Add water gradually to achieve your desired consistency.
  • Taste the pesto and adjust salt, lemon juice, or olive oil as needed.
  • Transfer to an airtight container and refrigerate for up to one week or freeze for up to one month.