Serious Men – Manu Joseph
Ayyan Mani, one of the thousands of dalit (untouchable caste) men trapped in Mumbai’s slums, works in the Institute of Theory and Research as the lowly assistant to the director, a brilliant self-assured astronomer. Ever wily and ambitious, Ayyan weaves two plots, one involving his knowledge of an illicit romance between his married boss and the institute’s first female researcher, and another concerning his young son and his soap-opera-addicted wife. Ayyan quickly finds his deceptions growing intertwined, even as the Brahmin scientists wage war over the question of aliens in outer space. In his debut novel, Manu Joseph expertly picks apart the dynamics of this complex world, offering humorous takes on proselytizing nuns and chronicling the vanquished director serving as guru to his former colleagues. This is at once a moving portrait of love and its strange workings and a hilarious portrayal of men’s runaway egos and ambitions. .
Born in a middle class trading family, Kishore Biyani started his career selling stonewash fabric to small shops in Mumbai. Years later, with the launch of Pantaloons, Big Bazaar, Food Bazaar, Central and many more retail formats, he redefined the retailing business in India. Incidentally, Kishore Biyani s objective is to capture every rupee in the wallet of every Indian consumer, wherever they are – an investment banker living in a south Mumbai locality or a farmer in Sangli. As large business houses enter the retail space, Kishore Biyani is not just concentrating on retail but aiming to capture the entire Indian consumption space. From building shopping malls, developing consumer brands to selling insurance, he is getting into every business where a customer spends her money.
Made into a powerful, award-winning film in 1970, this important Kannada novel of the sixties has received widespread acclaim from both critics and general readers since its first publication in 1965. As a religious novel about a decaying brahmin colony in the south Indian village of Karnataka, “Samskara” serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death, which stands as the central event in the plot, brings in its wake a plague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readable translation.
Malgudi Days is a collection of short stories by R.K. Narayan published in 1943.
Sacred India is a close-focus view of spirituality in India with a very God-is-in-the-details approach. Lonely Planet tackles a bafflingly large subject with admirable grace in this loosely structured, accessibly sized coffee-table book. A florid painting of Ganesh, a hundred capped heads bowed in prayer, weather-beaten flags whipped in the Himalayan wind: all are diverse glimpses of India’s spiritual cultures. India’s four major religions–Hinduism, Islam, Sikhism, and Buddhism–are gathered in an impressionistic collage of vibrant photos and text. Christianity, Jainism, Judaism, Zoroastrianism, as well as tribal religions and gurus are also covered in smaller sections. The book’s photos are lavish in color and pungently evocative–but decidedly not opulent. They excel at the intensely personal (a lotus flower, a turban-swathed camel trader, a Muslim woman reading the Quran), but their zoomed-in style sometimes falls short of capturing the sense of awe and grandeur we like to associate with religion. Sacred India offers brief glimpses of a wide-ranging and multicolored land; but unlike the fable of the blind men and the elephant, the picture formed in the mind’s eye from these richly textured details will be greater than the sum of its parts.
Memories and Such 