Kabul Beauty School: An American Woman Goes Behind the Veil – Deborah Rodriguez
Soon after the fall of the Taliban, in 2001, Deborah Rodriguez went to Afghanistan as part of a group offering humanitarian aid to this war-torn nation. Surrounded by men and women whose skills–as doctors, nurses, and therapists–seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born.
With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup.
Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style.
With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.
Twenty-one-year-old Christina Lamb left suburban England for Peshawar on the frontier of the Afghan war. Captivated, she spent two years tracking the final stages of the mujaheddin victory over the Soviets, as Afghan friends smuggled her in and out of their country in a variety of guises.
Born in a middle class trading family, Kishore Biyani started his career selling stonewash fabric to small shops in Mumbai. Years later, with the launch of Pantaloons, Big Bazaar, Food Bazaar, Central and many more retail formats, he redefined the retailing business in India. Incidentally, Kishore Biyani s objective is to capture every rupee in the wallet of every Indian consumer, wherever they are – an investment banker living in a south Mumbai locality or a farmer in Sangli. As large business houses enter the retail space, Kishore Biyani is not just concentrating on retail but aiming to capture the entire Indian consumption space. From building shopping malls, developing consumer brands to selling insurance, he is getting into every business where a customer spends her money.
Sacred India is a close-focus view of spirituality in India with a very God-is-in-the-details approach. Lonely Planet tackles a bafflingly large subject with admirable grace in this loosely structured, accessibly sized coffee-table book. A florid painting of Ganesh, a hundred capped heads bowed in prayer, weather-beaten flags whipped in the Himalayan wind: all are diverse glimpses of India’s spiritual cultures. India’s four major religions–Hinduism, Islam, Sikhism, and Buddhism–are gathered in an impressionistic collage of vibrant photos and text. Christianity, Jainism, Judaism, Zoroastrianism, as well as tribal religions and gurus are also covered in smaller sections. The book’s photos are lavish in color and pungently evocative–but decidedly not opulent. They excel at the intensely personal (a lotus flower, a turban-swathed camel trader, a Muslim woman reading the Quran), but their zoomed-in style sometimes falls short of capturing the sense of awe and grandeur we like to associate with religion. Sacred India offers brief glimpses of a wide-ranging and multicolored land; but unlike the fable of the blind men and the elephant, the picture formed in the mind’s eye from these richly textured details will be greater than the sum of its parts.
When twenty-something reporter Miranda Kennedy leaves her job in New York City and travels to India with no employment prospects, she longs to immerse herself in the turmoil and excitement of a rapidly developing country. What she quickly learns in Delhi about renting an apartment as a single woman—it’s next to impossible—and the proper way for women in India to ride scooters—perched sideways—are early signs that life here is less Westernized than she’d counted on.
Memories and Such 