The Architect’s Apprentice – Elif Shafak
In her latest novel, Turkey’s preeminent female writer spins an epic tale spanning nearly a century in the life of the Ottoman Empire.
In 1540, twelve-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan’s menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan’s beautiful daughter, Princess Mihrimah.
A palace education leads Jahan to Mimar Sinan, the empire’s chief architect, who takes Jahan under his wing as they construct (with Chota’s help) some of the most magnificent buildings in history. Yet even as they build Sinan’s triumphant masterpieces—the incredible Suleymaniye and Selimiye mosques—dangerous undercurrents begin to emerge, with jealousy erupting among Sinan’s four apprentices.
A memorable story of artistic freedom, creativity, and the clash between science and fundamentalism, Shafak’s intricate novel brims with vibrant characters, intriguing adventure, and the lavish backdrop of the Ottoman court, where love and loyalty are no match for raw power.
The Way Things Were opens with the death of Toby, the Maharaja of Kalasuryaketu, a Sanskritist who has not set foot in India for two decades. It falls to his son, Skanda, to return Toby’s body to his birthplace, “a tin-pot kingdom” not worth “one air-gun salute”, fulfilling Toby’s final wish in returning his ashes to his birthplace.
On December 26, 2004, Rob, Paul, Matty, and Rosie Forkan, ages 8-17, lost their parents in the tsunami that devastated Sri Lanka. They faced a 124 mile trek to get home to safety. The ingenuity, and resilience they displayed was the result of their unusual upbringing.
The Mahabharata endures as the great epic of India. But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the ‘unconquerable’ Kauravas, who were decimated to the last man.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
