Tag Archives: Historical Fiction

In My Hands Today…

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The Yellow Emperor’s Cure – Kunal Basu

Lisbon, 1898: Antonio Maria, surgeon and notorious playboy, returns home after a long absence to learn his beloved father has syphilis, the scourge of both rich and poor. Determined to find a cure, Antonio sets sail for Peking, to study under the evasive but renowned Dr. Xu. But Dr. Xu does not intend to give away his knowledge, and Antonio suddenly falls in love with his assistant, the elusive Fumi. The threat of the advancing Boxer rebellion hangs over the Summer Palace, and Antonio and Fumi must decide whether to flee together or remain in China.

In My Hands Today…

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The Sleeping Dictionary – Sujata Massey

In 1930, a great ocean wave blots out a Bengali village, leaving only one survivor, a young girl. As a maidservant in a British boarding school, Pom is renamed Sarah and discovers her gift for languages. Her private dreams almost die when she arrives in Kharagpur and is recruited into a secretive, decadent world. Eventually, she lands in Calcutta, renames herself Kamala, and creates a new life rich in books and friends. But although success and even love seem within reach, she remains trapped by what she is . . . and is not.

As India struggles to throw off imperial rule, Kamala uses her hard-won skills for secrecy, languages, and reading the unspoken gestures of those around her to fight for her country’s freedom and her own happiness.

In My Hands Today…

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My Mother-In-Laws Son – Josephine Chia

My Mother-In-Law’s Son centers round a Peranakan woman, Swee Gek, who is in an abusive marriage but is constrained by the limitations of women in her time to take positive action.

Her marriage is further strained by Choy Yan, the eponymous Mother-In-Law of the title whose values are archaic and patriarchal. Taking place in a 1949 -1950 Singapore that is just recovering from the onslaught of the Japanese War, Swee Gek’s Chinese husband, Wong Kum Chong, is inadvertently drawn into participating in Communist activity against the Colonial Government by a communist agitator, Teng Xin Nan.

Narrated from the perspectives of different characters, My Mother-In-Law’s Son is a revealing story of a Singapore and her people struggling to find their feet in the aftermath of a war. It also shows how people going through difficult circumstances can be susceptible to revolutionary ideas. Through Swee Gek’s personal fight against her oppressors, this novel also explores the meaning of love: of whether love can be unconditional or that it is always accompanied by possessiveness.

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Cracking India – Bapsi Sidhwa

I read this book as the Ice Candy Man, I couldn’t find images of the book with the same name, hence have decided to go with Cracking India.

The 1947 Partition of India is the backdrop for this powerful novel, narrated by a precocious child who describes the brutal transition with chilling veracity. Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

Deepa Mehta directed the film Earth based on this book, part of her Elements trilogy. The film starred Aamir Khan as the Ice Candy Man, ayah’s suitor, Nandita Das as Lenny’s Aayah and Rahul Khanna as the Masseur, the ayah’s other suitor.

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Mistress of the Art of Death – Ariana Franklin

A chilling, mesmerizing novel that combines the best of modern forensic thrillers with the detail and drama of historical fiction. In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town’s Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt.

Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest “master of the art of death,” an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a “mistress” of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king.

In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king’s tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia’s investigation takes her into Cambridge’s shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again.