Sacred Stones, Spaces, and Stories: Shakthipeeta Part 5

Kukkuteswara Swamy Temple, Kakinada Port Town, Andhra Pradesh
Located in the historic town of Pithapuram, near Kakinada Port Town, the Puruhutika Shaktipeeth, also known as the Kukkuteswara Swamy Temple is dedicated to Goddess Puruhutika and Lord Kukkuteswara. The origins of the Puruhutika Shaktipeeth extend deep into Hindu mythology and historical texts. This temple is not only revered in contemporary times but has also been mentioned in the Skanda Purana, Srinatha’s Bheemeswara Puranamu, and Samudragupta’s Allahabad stone pillar inscription.

The Pithapuram Puruhutika Devi temple is mentioned in texts that were written as early as the 8th century. Rishi Vyasa, in one of his prominent works, Skanda Purana, describes in detail his trip to the Pithapuram temple he undertook along with his disciples. The 15th-century Telugu poet Srinatha also mentions this temple in Bheemeswara Purana. He lists this temple as one of the four places that are Moksha Sthaanas – abodes of liberation. Therefore, one can say that this place is parallel to Varanasi, Kedarnath and Kumbakonam in terms of divinity.

The Puruhutika Shaktipeeth is recognised as one of the Asta Dasha or eighteen Shakti Peethas scattered across the Indian subcontinent. After the Daksha Yagna, Goddess Sati Devi’s back fell down in this area, because of which this place was earlier called Puruhoothika puram, later changed to Peetika Puram, and finally to Pithapuram. This temple is considered as the 10th Sakthi Peetham of the 18 Shakti Peethas. At the Puruhutika Shaktipeeth, the goddess is worshipped as Sri Raja Rajeswari Devi. Her consort, Lord Shiva, is worshipped as Sri Kukkuteswara Swamy.

The presiding deity is Lord Shiva, who reveals himself in the form of a Spatika Linga. This is a Swayambhu Linga of white marble and is about two feet in height. The Linga resembles that of a cock; hence Lord Shiva is called Sri Kukkuteswara Swamy. There is a huge beautiful idol of Nandi the bull made from a single stone in front of the temple. Goddess Puruhutika Devi is in a standing position. The idol of Goddess Puruhutika is made from granite and is adorned with jewels, a Kirit and robed in silks. The deity has four palms and Starting from the lower right to the lower left, Goddess Devi’s lower right hand has a bag full of seeds, an axe or parashu, a lotus and a Madhu Patra.

This place is one among the Trigaya Kshetrams and has become famous as Pada Gaya Kshetram. Gaya Asura, a powerful demon who laid his body at the behest of Brahma for doing a great yagna for the betterment of people, was so huge that his head rested in Bihar and his legs reached Pithapuram. The place where his legs rested was a pond which came to be known as Pada Gaya Sarovar. It is believed that whoever bathes in this sacred pond will be relieved of their sins. The Kunti Madhavaswamy temple adjacent to Kukkuteswara temple is another major temple in the town. Kunti is said to have installed the image in this place, and so is called Kunti Madhavaswamy. This deity is said to have been worshipped by Vyasa, Valmiki and Agastya in the past. The Swayambhu Sri Dattatreya Swamy is also in the temple complex. Sripada Srivallabha Swamy’s idol is worshipped separately in the same complex. It is the only place where an idol of Sri Datta incarnation is worshipped. There are other shrines of various gods like Sri Rama, Ayyappa, Sri Vishveshwara and Sri Annapurna Devi, Sri Durga Devi.

Devotees can participate in Nitya pujas or daily worship, Sani Trayodasi, the Dassera festival in September/October, the Kartik Masam in October/November, Maha Shivaratri in February/March, Swamy Vari Kalyanam or the divine wedding and Radotsavam or the Chariot Festival during February/March, and Magha Masam Trayodasi in February/March. Maha Shivaratri, Sarannavarathri and Kartika Masam are the main festivals celebrated at this temple. The temple celebrates Devi Navaratri in Dussehra season. Annual festivals celebrated here are different for different deities like Maghabahula Ekadasi for Kukkuteswara, Suddha Ekadasi for Kunti Madhava, Palguna for Kumaraswamy and Karthikamasa for Venugopalaswamy.

According to legend, the demon Gayasura was a devout devotee of Lord Vishnu who did penance for years. Lord Vishnu appeared before him and granted his wish that anyone who sees him achieve Moksha. Gayasura used his spiritual powers to enlarge his body so that everyone on Earth could be saved. The God of Heaven, Indra, and the Devas expressed concern to the three deities about the creation’s imbalance. Lord Vishnu, Brahma, and Siva disguised themselves as Brahmins and approached Gayasura in search of Yajna space. This legend is closely tied to the Pada Gaya Sarovar in the temple complex.

There are two sects of worshippers of Devi. The first worshipped the Devi as Puruhootha Lakshmi. She is meditating with a lotus and Madhu Patra in her palms. This sect observed the Samayachar shape of worship. The second sect worshipped the Devi as Puruhoothamba. She is meditating with an axe or Parashu and a bag of seeds in her fingers. This sect followed the Vamachara shape of worship and the unique deity was buried under the temple.

According to mythology, this temple is linked to the demon king Gayasura, who was granted a boon that made him invincible. However, when his tyranny grew unbearable, the gods sought the Trimurtis for help. The Trimurtis—Lord Shiva, Lord Vishnu, and Lord Brahma—devised a plan to subdue him. They approached Gayasura and requested him to offer his body for a Yagna or sacrificial ritual, as his body was considered sacred. Gayasura agreed and lay down, stretching his body across the land. His head rested at Gaya in present-day Bihar, his navel at Jajpur in Odisha, and his feet at Pithapuram in Andhra Pradesh. The Yagna was to last seven days, during which Gayasura was forbidden from moving. On the sixth day, Lord Shiva took the form of a rooster or Kukkuta and crowed at midnight, tricking Gayasura into believing that the ritual was complete. Thinking it was dawn, Gayasura moved before the Yagna concluded, breaking his vow. The Trimurtis then revealed their true forms and explained that his movement had disrupted the ritual. Realizing his mistake, Gayasura accepted his fate gracefully. The Trimurtis blessed him, declaring that his body would sanctify the places where it lay. The pond where Gayasura’s feet rested became known as Pada Gaya Sarovar, and it is believed that taking a dip in this sacred pond cleanses sins and grants liberation.

The Kukkuteswara Swamy Temple is also closely linked to Sri Pada Srivallabha, considered an incarnation of Lord Dattatreya. According to legend, Sri Pada Srivallabha was born in Pithapuram to a devout Brahmin couple named Sumathi and Raja Simha Sharma. The couple had two sons who were blind, deaf, and mute due to their past karmic deeds. Despite their hardships, they remained devoted to Lord Datta Devi and worshipped at Padagaya Kshetram with unwavering faith. One day, during an annual ceremony for their ancestors, a sage disguised as Lord Dattatreya visited their home seeking alms. Sumathi offered food without hesitation, even though her husband was not present—a gesture considered sacrilegious during such rituals. Pleased by her devotion and selflessness, Dattatreya revealed his true form and granted her a boon: he would be born as her son. Thus, Sri Pada Srivallabha incarnated in Pithapuram as their child. He is regarded as one of the greatest saints in Hinduism and is believed to have performed numerous miracles during his lifetime.

The Puruhutika Shaktipeeth, with its blend of myth, history, and living faith, continues to be a powerful force in the religious landscape, inviting all who visit to partake in its timeless spiritual journey. Its unique blend of Shaivite and Shakta traditions, coupled with its rich historical background, makes it a fascinating destination for both devotees and those interested in India’s spiritual heritage.

Aranya Devi Temple, Arrah, Bihar
Dedicated to Goddess Aranya Devi, the Aranya Devi Temple is located in Arrah and dates back to antiquity. While the present temple building was established in 2005, the site’s sacred status extends far beyond this recent construction. The name Aranya is derived from the Sanskrit word meaning forest, hinting at the area’s lush past. Archaeological evidence and ancient texts suggest that this location has been a place of worship for millennia. The temple finds mention in various mythological texts, linking it to different eras of Hindu mythology. Some legends associate it with the Satya Yuga, while others connect it to events of the Treta Yuga and Dvapara Yuga.

According to the Devi Bhagavata Purana, this temple is recognised as both a Siddh Pitha and one of the 108 Shakti Pithas. This dual status imbues the site with immense spiritual power, drawing devotees seeking blessings and enlightenment. While the specific body part of Goddess Sati associated with this Shakti Peetha is not mentioned in the available sources, the site’s inclusion in this sacred network underscores its importance in the pantheon of divine feminine energy centres.

The temple houses the idol of Goddess Aranya Devi, considered the presiding deity of Arrah city. This connection to the local geography and culture makes the temple a focal point of regional devotion. While the temple structure is relatively new, it is said that one of the idols of the Goddess was consecrated by the Pandavas during their exile. The temple showcases a blend of ancient and modern architectural styles.

A unique aspect of worship here is the practice of taking vows for the fulfilment of desires. Devotees come to the temple, make their wishes known to the Goddess, and return with offerings of thanksgiving when their desires are fulfilled. This cycle of petition and gratitude forms a core part of the devotional practice at the temple.

The temple is also connected to Lord Rama’s journey to Janakpur for Sita’s swayamvara or marriage ceremony. According to legend, while travelling with Lakshmana and Sage Vishwamitra via Buxar for King Janaka’s Dhanush Yagna, they stopped near present-day Arrah. Sage Vishwamitra narrated to Lord Rama and Lakshmana the glory of Goddess Aranya Devi, who was considered an incarnation of Adishakti and protector of forests. Before crossing the Sonbhadra River, Lord Rama bathed in the nearby Ganges and offered prayers to Goddess Aranya Devi at this sacred site. It is believed that he sought her blessings for success in breaking Lord Shiva’s bow during Sita’s swayamvara.

One of the most prominent legends tied to the Aranya Devi Temple dates back to the Mahabharata period. During their exile, the Pandavas are said to have stayed in the forested region of Arrah. While there, they worshipped Goddess Adishakti, who was revered as the protector of forests and wilderness. One night, Yudhishthira, the eldest Pandava, had a divine dream in which Goddess Aranya Devi appeared. She instructed him to install her idol at the spot where they were staying so that she could continue to protect the region and its people. Following her command, Yudhishthira installed a statue of the goddess at this sacred site. This marked the beginning of her worship in Arrah, and over time, the temple became a revered place of devotion.

Another fascinating story associated with Aranya Devi Temple is linked to King Mordhwaj, who ruled this region during the Dvapara Yuga, the era of Lord Krishna. The king was renowned for his unwavering devotion and generosity. To test his faith and devotion, Lord Krishna disguised himself as a hermit and appeared before King Mordhwaj along with Arjuna, who took on the form of a lion. The hermit claimed that his lion would only eat human flesh and demanded that the king sacrifice his son’s body to feed it. Without hesitation, King Mordhwaj and his queen prepared to saw their son’s body in half to fulfil the hermit’s demand. Moved by their selflessness and devotion, Goddess Durga appeared before them in her divine form as Aranya Devi. She stopped them from carrying out the sacrifice and blessed their family with eternal happiness. The site where this test took place is believed to be where the Aranya Devi Temple now stands. The name Arrah is said to have originated from this incident, deriving from Ara, meaning a saw. Local tradition holds that Bhima, one of the Pandavas, defeated the demon Bakasura at a place called Chakra Ara, which later came to be known as Ara or Arrah.

The temple houses two idols of Goddess Aranya Devi: one representing Saraswati, the Goddess of knowledge and another representing Mahalakshmi, the Goddess of prosperity. These sister goddesses are worshipped together. The temple’s east-facing dome adds architectural significance. Devotees believe that prayers offered here bring protection, prosperity, and the fulfilment of wishes.

In My Hands Today…

The New Menopause: Navigating Your Path Through Hormonal Change with Purpose, Power, and Facts – Mary Claire Haver

Filling a gaping hole in menopause care, everything a woman needs to know to thrive during her hormonal transition and beyond, as well as the tools to help her take charge of her health at this pivotal life stage–by the bestselling author of The Galveston Diet.

Menopause is inevitable, but suffering through it is not! This is the empowering approach to self-advocacy that pioneering women’s health advocate Dr. Mary Claire Haver takes for women in the midst of hormonal change in The New Menopause. A comprehensive, authoritative book of science-backed information and lived experience, it covers every woman’s needs:

The very latest research on the benefits and side effects of hormone replacement therapy.
Arming women with the power to secure vibrant health and well-being for the rest of their lives, The New Menopause is sure to become the bible of midlife wellness for present and future generations.

From changes in your appearance and sleep patterns to neurological, musculoskeletal, psychological, and sexual issues, a comprehensive A to Z toolkit of science-backed options for coping with symptoms.

What to do to mediate the risks associated with your body’s natural drop in estrogen production, including for diabetes, dementia, Alzheimer’s, osteoporosis, cardiovascular disease, and weight gain.

How to advocate and prepare for annual midlife wellness visits, including questions for your doctor and how to insist on whole life care.

Poem: The Double Rainbow

Seeing a double rainbow for the first time is nothing short of magical, especially through the eyes of a child. It’s a moment of wonder, where the world feels larger, brighter, and full of endless possibilities. The vibrant arcs in the sky spark joy, curiosity, and a sense of awe, reminding us all of the beauty and surprises nature holds.

The Double Rainbow

The rain had stopped, the sky still grey,
Puddles glimmered where the raindrops lay.
And then a gasp, a cry of surprise,
As colour bloomed across the skies.

“Look! Look!” the child exclaimed with glee,
“Two rainbows! They’re smiling at me!”
Eyes wide with wonder, feet rooted in place,
Magic unfolded in nature’s embrace.

The first arc is bold, its colours so bright,
A bridge to dreams, a feast for sight.
The second, softer, a shadowed glow,
A secret whisper the heavens bestow.

“Is it a treasure? A sign from above?
Are the rainbows talking, sharing their love?”
The child spun around in a joyful dance,
Lost in the sky’s enchanting trance.

Every hue seemed to sing and play,
Painting the world in a magical way.
Red for adventure, green for the trees,
Blue for the rivers, gold for the seas.

The rainbows faded, but the joy stayed,
A memory woven that will never degrade.
For in that moment, the child had seen,
The beauty of life, both grand and serene.

Two rainbows arched, two promises made,
Of wonder eternal and magic replayed.
Through a child’s eyes, the world’s pure art,
Two rainbows, one sky, and one glowing heart.

In My Hands Today…

Slow Productivity: The Lost Art of Accomplishment Without Burnout – Cal Newport

Do fewer things. Work at a natural pace. Obsess over quality.

Our current definition of “productivity” is broken. It pushes us to treat busyness as a proxy for useful effort, leading to impossibly lengthy task lists and ceaseless meetings. We’re overwhelmed by all we have to do and on the edge of burnout, left to decide between giving into soul-sapping hustle culture or rejecting ambition altogether. But are these really our only choices?

Long before the arrival of pinging inboxes and clogged schedules, history’s most creative and impactful philosophers, scientists, artists, and writers mastered the art of producing valuable work with staying power. In this timely and provocative book, Cal Newport harnesses the wisdom of these traditional knowledge workers to radically transform our modern jobs. Drawing from deep research on the habits and mindsets of a varied cast of storied thinkers—from Galileo and Isaac Newton to Jane Austen and Georgia O’Keeffe—Newport lays out the key principles of “slow productivity,” a more sustainable alternative to the aimless overwhelm that defines our current moment. Combining cultural criticism with systematic pragmatism, Newport deconstructs the absurdities inherent in standard notions of productivity and then provides step-by-step advice for workers to replace them with a slower, more humane alternative.

From the aggressive rethinking of workload management to introducing seasonal variation to shifting your performance toward long-term quality, Slow Productivity provides a roadmap for escaping overload and arriving instead at a more timeless approach to pursuing meaningful accomplishment. The world of work is due for a new revolution. Slow productivity is exactly what we need.

Festivals of India: Ramlakshamana Dwadashi

A significant Hindu festival holding deep religious and cultural importance, particularly in South India, Rama Lakshmana Dwadashi is dedicated to Lord Rama and his brother Lakshmana. The festival falls on the twelfth day, or Dwadashi, of the bright fortnight, or Shukla Paksha, in the month of Jyestha according to the Hindu lunar calendar.

The origins of Rama Lakshmana Dwadashi can be traced back to ancient Hindu scriptures and legends. It is believed that this observance has its roots in the Treta Yuga, one of the four ages in Hindu cosmology. The festival’s inception is closely tied to the story of King Dasaratha, the ruler of Ayodhya and father of Lord Rama. According to legend, King Dasaratha, who was childless, observed a stringent fast and performed rituals on this day, praying fervently for a son. His devotion and adherence to the Rama-Lakshmana Dwadashi Vrat were rewarded, as Lord Vishnu himself incarnated as his son, Rama, in the following year. This divine birth occurred on the auspicious day of Chaitra Masa Navami, which is celebrated as Ram Navami. The significance of this festival extends beyond its historical origins. It symbolises the power of devotion, the fulfilment of righteous desires, and the blessings that can be attained through sincere worship and adherence to spiritual practices.

Rama Lakshmana Dwadashi is celebrated with great fervour, especially in the states of Andhra Pradesh, Telangana, and Karnataka, and among certain Hindu communities in Tamil Nadu. The observance involves a series of rituals and practices that devotees follow with dedication. One of the primary aspects of this festival is fasting. Devotees have the option to observe a full-day fast or a simpler version where they consume only fruits and milk. This act of abstinence is believed to purify the body and mind, making one more receptive to spiritual energies.

The core of the celebration involves the worship of Lord Rama and Lakshmana. Devotees perform elaborate pujas, or ritual offerings, which include the offering of prayers and reciting mantras, lighting lamps as a symbol of divine light, and presenting sacred offerings to the deities. As Dwadashi is considered an auspicious day for worshipping the sacred Tulsi plant, devotees pay special attention to Tulsi Puja on this day. The Tulsi plant, also known as Holy Basil, holds a significant place in Hindu worship and is often associated with Lord Vishnu. Reading or listening to passages from the Ramayana, the epic that narrates the life and adventures of Lord Rama, is considered highly auspicious on this day. This practice not only reinforces the spiritual significance of the festival but also helps in imparting moral and ethical values to the listeners.

Rama Lakshmana Dwadashi holds immense importance in the Hindu faith for several reasons. One of the primary significances of this festival is its association with the blessing of children. Childless couples often observe this Vrat with the hope of being blessed with offspring, inspired by the story of King Dasaratha. It is believed that observing the Rama Lakshmana Dwadashi Vrat can bestow great spiritual merit. Devotees who partake in this auspicious observance are said to be blessed with happiness, prosperity, and even access to Vaikunta, or Vishnu Loka, the abode of Lord Vishnu, after their earthly life.

The festival celebrates the divine virtues embodied by Lord Rama and Lakshmana: righteousness, brotherhood, and unwavering devotion. By worshipping these deities, devotees aim to imbibe these qualities in their own lives. The fasting and rituals associated with this day are believed to purify the body and mind, allowing for spiritual growth and renewal.

Several myths and legends are associated with Rama Lakshmana Dwadashi, adding depth to its cultural and spiritual significance. The central legend revolves around King Dasaratha’s observance of this Vrat. It is said that Sage Vasishtha, the royal guru, instructed King Dasaratha on the proper rituals for this observance. The king’s steadfast devotion and adherence to the Vrat pleased Lord Vishnu, who then incarnated as his four sons—Rama, Lakshmana, Bharata, and Shatrughna.

While this festival primarily focuses on Rama and Lakshmana, it’s interesting to note that other Dwadashi observances are associated with different avatars of Vishnu. For instance, Kurma Dwadashi is dedicated to the Kurma or tortoise avatar, and Vamana Dwadashi honours the Vamana or dwarf avatar. This interconnection emphasises the overarching presence of Vishnu in various forms throughout Hindu mythology.

While the essence of Rama Lakshmana Dwadashi remains consistent, there are regional variations in its celebration. In some parts of India, particularly in Odisha, this day is observed as Champaka Dwadashi. It is an important festival celebrated in the famous Jagannath Temple of Puri, holding special significance for the Utkala Brahmins. The festival is particularly prominent in South Indian states, where the worship of Rama and Lakshmana has deep-rooted traditions. The rituals and celebrations in these regions often have unique local flavours and customs.

Rama Lakshmana Dwadashi stands as a testament to the rich tapestry of Hindu traditions and beliefs. From its mythological origins rooted in the story of King Dasaratha to its continued observance in various parts of India, this festival encapsulates key aspects of Hindu spirituality and culture. The observance of this day goes beyond mere ritual – it is a celebration of devotion, familial bonds, and the triumph of righteousness. Through fasting, prayer, and charitable acts, devotees not only honour Lord Rama and Lakshmana but also strive to embody their virtues in their own lives. As with many ancient traditions, Rama Lakshmana Dwadashi continues to evolve, finding new relevance in contemporary society. It serves as a bridge between the past and the present, offering spiritual solace and cultural connection to those who observe it. It reminds us of the enduring power of faith, the importance of righteous living, and the blessings that come from sincere devotion and adherence to spiritual practices.