Bhagavathy Temple, Kanyakumari, Tamil Nadu
Nestled at the southernmost tip of mainland India, the Bhagavathy Amman Temple in Kanyakumari is dedicated to Goddess Kanya Kumari. Historical records and legends suggest that the temple’s roots may reach back to the early Sangam period between 300 BC and 300 CE.

The temple is believed to be over 3000 years old, with its original sanctum possibly dating back to this era. Over the centuries, the temple has undergone numerous renovations and expansions by various ruling dynasties. The Pandyas are credited with the initial construction, while subsequent contributions and enhancements were made by the Cholas, the Vijayanagara Empire, and the Travancore royalty. Sage Parashurama, the sixth avatar of Lord Vishnu, is said to have performed the consecration of the temple and installed the main idol of Devi Bhagavathy. This blue stone image, facing east, is believed to have been consecrated by the sage himself.

According to tradition, it is believed that the right shoulder and the area around the spine of Goddess Sati here. The Shakti Peetha here is known as Sarvani, and the temple is often referred to as the Sarvani Shaktipeeth. The presence of Kundalini Shakti in the region is attributed to the falling of these parts of Sati’s body. At the Bhagavathy Amman Temple, the goddess is worshipped as Devi Kanya Kumari, an incarnation of Parvati, the divine consort of Shiva. The name Kanyakumari itself is significant, with Kanya meaning Virgin and Kumari meaning Girl. The Bhairava, the fierce manifestation of Lord Shiva who accompanies the goddess at each Shakti Peetha, is known here as Nimish.

The temple showcases the magnificent Dravidian style of architecture, characterised by its impressive gopuram or gateway tower, intricate carvings, and grand mandapams or pillared halls. Situated at the confluence of three great water bodies: the Indian Ocean, Arabian Sea, and the Bay of Bengal, the temple offers a unique spiritual and geographical setting. Perhaps the most famous feature of the temple is the diamond nose ring worn by the goddess. This nose ring is believed to be so dazzling that it once caused a merchant ship to crash on nearby rocks, mistaking its sparkle for a lighthouse beacon.

Due to the incident with the nose ring, the eastern door of the temple is kept permanently closed, only to be opened on special occasions like Chitra Pournami. The temple complex houses several other shrines dedicated to various deities including Lord Surya Deva, Lord Ganesha, Lord Ayyappa, Goddess Bala Sundari, and Goddess Vijaya Sundari. An ancient well within the temple premises is believed to be connected to its Shakti Peetha status.

Every day, sacred texts are read from 8 to 9:30 am, organised by the temple trust. Women gather daily in the afternoon to sing devotional songs. Every evening, there is a recitation of the Devi Purana, followed by storytelling and kirtana. Puja is performed in the morning, with aarti conducted both in the morning and evening.

Navratri is celebrated with great fervour. Daily mantras are recited by learned Brahmins, and women perform havan on Ashtami, the eighth day. The Vaisakha Festival is a significant celebration at the temple. On Chitra Pournami, the eastern door of the temple is opened, a rare occurrence. The best time to visit the temple is believed to be during the Brahma Muhurta, from 4:30 to 5:30 am.

According to Hindu mythology, the demon Banasura gained a blessing that he could only be killed by a virgin girl. To eliminate this threat, Goddess Parasakthi took the form of Kumari, a virgin girl. The goddess eventually defeated Banasura. Saint Narada and Lord Parasurama then requested the goddess to exist on earth until the end of Kaliyuga, which she accepted. Another popular legend tells of how Goddess Kanya Kumari was set to marry Lord Shiva. However, on the wedding day, as Lord Shiva was on his way from Suchindram, Narada assumed the form of a rooster and crowed prematurely. Hearing this, Shiva believed he had missed the auspicious hour and returned, leaving Kanya Kumari unwed. It is said that when the devastating tsunami struck the region in 2004, the Bhagavathy Amman Temple was one of the few structures that escaped destruction, believed to be due to the divine protection of the goddess.

The Bhagavathy Amman Temple is a living link to India’s rich spiritual traditions, inviting all who visit to experience the divine presence of the Mother Goddess in her manifestation as Kanya Kumari.

Shuchi Temple, Suchindrum, Tamil Nadu
Nestled in the southernmost district of Kanyakumari in Tamil Nadu, the Shuchi Temple in Suchindrum is dedicated to the trinity of Shiva, Vishnu, and Brahma. The exact date of the temple’s establishment remains uncertain, but historical records and legends suggest that the temple’s roots may reach back over 3000 years. The temple is said to have been built by Parashurama, the sixth avatar of Lord Vishnu.

Over the centuries, the temple has undergone numerous renovations and expansions by various ruling dynasties. The earliest lithic records of Suchindram belong to the 9th century. The present masonry structure was built during the Chola dynasty in the 9th century, while later expansions are attributed to Thirumalai Nayak and the Travancore Maharajas. The temple’s construction took place over an extended period of at least six hundred years, with parts of the temple dating back to the late 8th century, while others are from the 15th century. Until Kanyakumari became part of Tamil Nadu, the Suchindram Temple was under the administration of the Travancore Kings.

According to tradition, it is believed that the upper teeth of Goddess Sati fell here. The Shakti Peetha here is known as Shuchi, and the goddess is worshipped as Maa Narayani, wife of Narayan. Suchindrum is the location where Lord Indra achieved Suchi or purification. At the Shuchi Temple, Lord Shiva is worshipped as Sangharor Samhara or the destroyer. The Bhairava, the fierce manifestation of Lord Shiva who accompanies the goddess at each Shakti Peetha, is known here as Samhara Bhairava. He is present in a nearby village, and in Suchindram, he is locally called Sthanu Shiva.

What makes this temple truly unique is the presence of Sri Sthanumalayan, a representation of the combined forces of Shiva, Vishnu, and Brahma. The name Sthanumalayan is derived from Thanu representing Lord Shiva, Mal representing Lord Vishnu, and Ayan representing Lord Brahma. This unified representation is rare in Hindu temples and makes the Shuchi Temple particularly special.

The temple showcases the magnificent Dravidian style of architecture, characterised by its impressive gopuram or gateway tower, intricate carvings, and grand mandapams. The Thousand Pillared Hall is a magnificent hall featuring precisely carved pillars, each telling different stories through their sculptures. The hall serves as an excellent example of Dravidian architecture and artistic excellence. The temple is famous for its musical pillars, a unique architectural feature. There is a huge beautiful idol of Nandi the bull made from a single stone in front of the temple. The temple complex houses several other shrines dedicated to various deities including Lord Surya Deva, Lord Ganesha, Lord Ayyappa, Goddess Bala Sundari, and Goddess Vijaya Sundar. The tallest is the eastern tower, with 11 stories and a height of 44 m.

The temple follows a strict schedule of six daily pujas: Ushakalam at dawn, Kalasanthi in the morning, Uchikalam at noon, Sayarakshai in the evening, Irandam Kalam at night, and Ardha Jamam at midnight. The various festivals celebrated in the temple include Margazhi Thiruvadhirai in December-January, Thai Pongal in January, Panguni Uthiram in March-April, Chithirai festival in April-May, Navaratri celebrated with twice a year, Shivaratri, Suchindram maargali festival and Rath Yatra, Avani in August, and Masi festival in March.

According to the Sthalapurana, Indra suffered a curse from sage Gowthama when he stealthily cast amorous glances at Ahalya, the wife of Gowthama. Unable to bear the mortification brought about by the curse, Indra sought immediate redemption. He came to Gnana Aranya, as this place was then called, and offered worship to Lord Shiva. Relieving Indra of his curse, Lord Shiva granted his wish that the place where he attained purification should henceforth be called Suchindrum.

Another story tells that the Trimurti: Brahma, Vishnu, and Shiva, cajoled by their divine consorts, came down to Earth to test the chastity of Anusuya, wife of sage Athri at Gnana Aranya. The Gods, for this misadventure, had to suffer a curse from the Rishipatni and undergo the purification process before they could be restored to their former glory. One of the legends of Suchindram is related to the chastity of Anasuya, wife of Sage Atri. The legend says that the trimurtis appeared in front of Anasuya as begging brahmins. When she was about to serve them, they imposed a condition that they would eat only if she served them naked. Through the power of her chastity, she converted the three Gods into babies and suckled them.

As you stand in the temple courtyard, surrounded by centuries of devotion and the echoes of ancient rituals, you can’t help but feel a connection to the spiritual heritage that has shaped this land for millennia. The Shuchi Temple, with its blend of myth, history, and living faith, continues to be a powerful force, inviting all who visit to partake in its timeless spiritual journey.

Biraja Temple, Jajpur, Odisha
Located about 125 km north of Odisha’s capital, Bhubaneshwar, in the town of Jajpur, the Biraja Temple is dedicated to Goddess Biraja. While the exact date of the temple’s establishment remains uncertain, the present temple structure was built during the 13th century. However, the site’s sanctity and importance long predate this construction.

The temple’s history is deeply intertwined with the rich tapestry of Odisha’s past with its mention in various Puranas and other ancient Hindu texts. The Skanda Purana, in particular, describes the site as having the power to cleanse pilgrims of their sins. During the 10th century, under the rule of the Somvanshi dynasty, the temple saw a significant transformation. As Vaishnavism flourished in the region, the Biraja temple was incorporated into the Vaishnavite tradition. This led to the popularisation of Jajpur as Nabhigaya, believed to be the place where the navel of the demon Gayasura fell.

The temple faced a dark period in 1568 when it was ravaged by General Kalapahad and his Bengal Sultanate army. The sacred Biraja idol was shattered and discarded into a nearby well. For centuries, the temple lay in ruins. However, around 1750-51, with the end of Mughal reign in Odisha, a Vedic pandit named Tryamvaka Agnihotri retrieved the damaged idol, restored it, and reinstated it within the temple. The remaining structure was further restored during the Maratha era between 1751 and 1803.

According to tradition, it is believed that the navel of Goddess Sati fell here. At the Biraja Temple, the goddess is worshipped as Viraja or Girija, a form of Devi Durga. The principal idol is a striking representation of the goddess. She is depicted with two hands or dwibhuja, spearing the chest of Mahishasura with one hand and pulling his tail with the other. One of her feet rests on a lion, while the other is placed on Mahishasura’s chest. Interestingly, Mahishasura is depicted as a water buffalo, rather than in human form. The idol’s crown features intricate details, including representations of Ganesha, a crescent moon, and a lingam. The corresponding bairava is known as Varaheshwar or Baraha.

The temple covers a large area and houses several shrines dedicated to Shiva and other deities. The temple is also known as Nabhi Gaya, one of the Tri Gaya Kshetras, along with Gaya in Bihar and Pithapuram in Andhra Pradesh. The temple is located near the banks of the holy Vaitarani river, which finds mention in various Puranas. The Biraja Temple hosts the only Rath Yatra or chariot festival for a Devi in Odisha. The temple complex includes a separate shrine for Sree Bagalamukhi Devi, a rare feature as temples dedicated to this form of the Dasamahavidya are uncommon. The temple premises include an ancient well believed to be connected to its Shakti Peetha status.

The primary ritual in the temple is the Sharadiya Durga Puja, which begins on the night of Krishna Paksha Ashtami and ends on Ashwin Shukla Paksha Navami. This puja, known as Shodasha Dinatatmika Puja, lasts for 16 days. Known as Simhadhwaja, the ratha yatra or chariot festival is a unique feature of the Biraja Temple. The chariot’s flag bears a lion, symbolising the goddess’s power. During the lunar transition from Shukla Ashtami to Shukla Navami, an animal sacrifice ritual is performed. Celebrated as Aparajita Puja, Navratri is observed with a lot of gaiety and enthusiasm. Triveni Amavasya is celebrated in the month of Magha, in January-February, and marks the birthday of Goddess Biraja. On this day, she is decorated as Goddess Savitri, the consort of Brahma, adorned with golden ornaments and attired exclusively in yellow. Dola Purnima is another significant festival celebrated at the temple. The temple also celebrates Nakshatra, Shravana, Prathamastami, Pana Sankranti, Raja Parva, and Navanna.

According to local lore, the demon Gayasura was a devout follower of Lord Vishnu. After years of penance, Lord Vishnu granted him a boon that anyone who saw him would achieve Moksha. Gayasura used his spiritual powers to enlarge his body so that everyone on Earth could be saved. This concerned the gods, who approached Lord Vishnu, Brahma, and Shiva for help. The three deities, disguised as Brahmins, approached Gayasura in search of space for a Yajna. This legend is closely tied to the Nabhi Gaya status of the temple. The Brahmayamala Tantra contains a hymn called Aadya Stotra dedicated to Shakti. In this hymn, Viraja or Girija is mentioned as the goddess worshipped in the Utkala Kingdom, which later became Odisha. In Tantric literature, the Oddiyana Peetha is described as being located in eastern India near the Vaitarani River. The term Oddiyana refers to an ornament worn by a woman around her navel, further connecting the site to its Shakti Peetha status.

The Biraja Temple, with its echoes of ancient rituals and its unique blend of Shakta and Vaishnava traditions, coupled with its rich historical background, makes it a fascinating destination for both devotees and those interested in India’s spiritual heritage.

Devi Talab Mandir, Punjab
Nestled in the heart of Jalandhar, the Devi Talab Mandir dedicated to Goddess Durga, is not just a place of worship but a powerful symbol of divine feminine energy that has drawn pilgrims for over two centuries. The origins of the Devi Talab Mandir stretch back approximately 200 years, with the exact date of its establishment uncertain. The present structure of the temple has undergone several renovations and changes over the years. In place of the old Devi Talab, a new temple has been built in the centre, preserving the sanctity of the original site while accommodating the growing number of devotees.

According to tradition, it is believed that the right breast of Goddess Sati fell at this sacred spot. At the temple, the goddess is worshipped as Tripurmalini, a form of Goddess Kali. This name, meaning the one who destroys the three cities, alludes to her power and fierce aspect. The Bhairava, the fierce manifestation of Lord Shiva who accompanies the goddess at each Shakti Peetha, is known here as Bhishan Bhairav.

The temple complex houses a 200-year-old large masonry tank, considered sacred by Hindus. This ancient water body is a central feature of the temple, giving it its name Talab or pond and adding to its spiritual significance. Besides the main goddess, the temple complex houses shrines dedicated to various deities. Notably, there is an old temple of Goddess Kali near the Devi Talab. Recently, a model of the Amarnath Yatra has been built within the premises. The temple showcases intricate gold work both inside and on its top and the complex includes a hall dedicated to Lord Ram.

The temple is open from 7 am to 8 pm. Daily rituals dedicated to Goddess Durga are performed, maintaining a constant flow of spiritual energy. Navratri is celebrated twice a year, during which devotees participate in the Kanya Puja or the worship of young girls representing the goddess and large fairs are held. The Harivallabh Sangeet Sammelan, an annual classical music festival, held in December, is a unique feature of the temple. It attracts music enthusiasts from across the globe, blending spiritual devotion with artistic expression. Dussehra and Diwali are celebrated with special prayers and rituals, drawing large crowds of devotees. The deity is bathed with water, milk, honey, or other liquids as a form of purification and devotion daily.

The sacred tank within the temple complex is believed to possess healing properties. Devotees often take a dip in its waters, considering it an act of purification and a means to seek the goddess’s blessings for physical and spiritual well-being. During times of invasion by foreign rulers, it is said that the goddess protected her devotees and the sanctity of the temple. This belief in divine protection has strengthened the faith of devotees over centuries. The association of the temple with the Harivallabh Sangeet Sammelan is believed to be a divine blessing. Legend has it that the goddess, pleased with the devotion expressed through music, bestowed her grace on the festival, making it an integral part of the temple’s tradition.

Devi Talab Mandir, with its blend of myth, history, and living faith invites all who visit to partake in its timeless spiritual journey. The presence of a charitable hospital within the temple complex reflects the ethos of service associated with the goddess.

Ambika Shaktipeeth, Viratpur, Rajasthan
The Ambika Shaktipeeth in Viratpur is dedicated to Goddess Ambika with the temple’s history intertwined with Hindu mythology. According to legend, the temple was founded by the sage Markandeya, a devoted follower of Goddess Durga. Over the centuries, the temple has undergone various reconstructions and restorations, yet its inherent charm and spiritual essence have persisted. The present structure, located in Virat village about 90 km from Jaipur, continues to be a major pilgrimage destination for Hindus.

According to tradition, it is believed that the fingers of the left foot of Goddess Sati fell here, making it a powerful centre of Shakti worship. At the Ambika Shaktipeeth, the goddess is worshipped as Ambika, a manifestation of Goddess Durga. The name Ambika signifies the motherly aspect of the divine feminine. Lord Shiva, in his complementary role, is worshipped here as Amriteshwar, meaning the lord of nectar or the nectar of immortality.

The temple is situated in Virat village, which is considered to be of great spiritual significance. The temple showcases the rich architectural traditions of Rajasthan. According to legend, the demon wreaked havoc on Earth, and the gods begged Goddess Durga to defend them. She then emerged as Maa Ambika and slew the monster, bringing peace back to the planet. It is believed that worshipping at this temple can help devotees attain peace, prosperity, and spiritual enlightenment.

The temple remains open from 5:30 am to 8 pm daily. The festival of Navratri is celebrated twice a year. The first occurs in the month of Chaitra in March-April, while the second takes place in Ashwin in September-October. During these nine days, devotees worship Navadurga, the nine forms of Durga. Celebrated during the winter Navratri, Durga Puja sees elaborate rituals and large gatherings of devotees. The festival of lights, Diwali, is one of the most admired and auspicious occasions celebrated at the temple while during Mahashivratri, a grand fair is organised, honouring Lord Shiva in his form as Amriteshwar. Other festivals celebrated include Makara Sankranti, Ram Navami, Sharad Poornima, Teej in July-August, and Gangaur in March-April.

According to local lore, when the demon was wreaking havoc on Earth, the gods sought the help of Goddess Durga. She manifested as Maa Ambika and vanquished the demon, restoring peace to the world. This legend emphasises the protective and nurturing aspects of the goddess. It is believed that the goddess has the divine power to grant the boon of offspring to those who passionately seek her favour. This has made the temple particularly popular among women seeking blessings for their families and well-being. The temple is known as where devotees can seek help in overcoming obstacles in their lives. This belief has drawn many pilgrims facing various challenges, hoping for the goddess’s intervention.

The Ambika Shaktipeeth, with its blend of myth, history, and living faith, showcase the rich cultural tapestry of Rajasthan. The temple stands not just as a place of worship, but as a living link to India’s rich spiritual traditions, inviting all who visit to experience the divine presence of the Mother Goddess in her manifestation as Ambika.

Manibandh Temple, Pushkar, Rajasthan
Located in the sacred land of Pushkar, the Manibandh Shaktipeeth, dedicated to Goddess Gayatri, is also known as the Chamunda Mata Temple or Shri Raj Rajeshwari Puruhuta Manivedic Shaktipeeth. The temple is believed to be around 6000 years old and is located in the Gayatri hills near Pushkar, approximately 11 km northwest of Ajmer. The temple’s present structure, while ancient, has likely undergone renovations and expansions over the centuries.

According to Hindu mythology, it is believed that the wrists or manibandh of Goddess Sati fell here. The name Manibandh is significant, meaning wrist in Sanskrit. At the Manibandh Shaktipeeth, the goddess is worshipped as Gayatri, a manifestation of Goddess Sati. The temple houses two idols – one of Devi Sati, known as Gayatri, and another of Lord Shiva, known as Sarvananda, meaning the one who makes everyone happy who is the Bhairava at the temple.

The temple uniquely houses idols of both Goddess Gayatri and Lord Shiva, representing the divine couple. The temple is constructed on a hill and made of stones with etched figurines of various deities, showcasing the grandeur of ancient Indian architecture. The statue of the goddess is believed to be extremely old, dating back to the Treta Yug, and is said to possess special energy. This temple is considered the ideal place for Gayatri Mantra sadhana, connecting it deeply with the practice of this powerful Sanskrit verse. The temple complex includes idols of Kali on the extreme left and Gauri Ganesh on the extreme right, adding to its spiritual diversity.

The Annakoot festival is arranged approximately once a year on the foundation day of the temple. The world-famous Pushkar Fair is celebrated with great pomp and pageant. The festival of Navratri dedicated to the goddess is observed with special rituals and devotion. Shivaratri also holds special significance in the temple. Gayatri Jayanti is another festival that is observed with great devotion and splendour, honouring the presiding deity of the temple.

According to local lore, this is the place where the wrists of Goddess Sati fell. The wrists hold significance as they represent the source of all actions performed by hand. The temple is deeply associated with the Gayatri Mantra, one of the most sacred verses in Hinduism. It is believed that practising this mantra at this location can bring profound spiritual benefits. Despite being near the major pilgrimage centre of Pushkar, this Shaktipeeth remains relatively unknown, hidden among the Pushkar hills. This seclusion is said to add to its spiritual potency. The statue of the goddess is believed to possess special energy dating back to the Treta Yug, one of the four yugas or ages in Hindu cosmology. This ancient energy is said to permeate the entire temple complex.

The Manibandh Shaktipeeth, with its blend of myth, history, and living faith, continues to be a powerful force in the religious landscape. The combination of its Shakti Peetha status, its connection to the Gayatri Mantra, and its unique representation of both Goddess Gayatri and Lord Shiva makes it a fascinating destination for both devotees and those interested in India’s spiritual heritage.