Freedom at Midnight – Larry Collins, Dominique Lapierre
First published in 1975, this 2009 edition is a new edition of the best-selling book described as irreplaceable by Le Monde, Paris. It is a poignant reminder of the defining moments of the end of the British Raj, the independence of 400 million people, their division into India and the newly created Pakistan. Time Magazine raised a poetic salutation to this brilliantly written book, hailing it as the Song of India . . . illuminated like scenes in a pageant .
The significance of the new edition lies in engaging the minds of two generations born into a free country, to enable them to empathetically understand the aspirations and goals that united our leaders then towards the common cause of freedom. The significance lies in invoking the re-awakening of the Indian spirit. Surely it is time for the over 1 billion people in India to ask themselves honestly what their contribution has been thus far towards realizing an India free from poverty, illiteracy and inequality.
While numerous tomes have been written on the Indian freedom struggle, the popularity of Freedom at Midnight lies in its easy narrative flow which veers from the thrilling to the enlightening, sometimes poignant and ever-compelling style.
A South Indian Journey: The Smile of Murugan – Michael Wood
Some time in the future you will come back here to Chindambaram and you will make a pilgrimage, said the astrologer to Michael Wood as they sat in a small airless house in Tamil Nadu. It is the most important thing you will do. Four years later Michael found himself on a pilgrim bus heading southwards on a journey of more than a thousand miles through the temples and holy shrines of Southern India. The bone-shaking bus, its aisle crammed with passengers on folding chairs and its video showing glimpses of old films through a blaring snowstorm of white static, would transport him into another world and time where the rituals at the spiritual heart of India are still observed as they were a thousand years ago, existing side by side with all the trappings of the modern world. As his many admirers know, Michael Wood is the perfect travelling companion, eyes and ears wide open, knowledgeable yet eager to learn. His touching and humorous account of this inner and outer journey captures both the life-enhancing spirit of Hinduism and the essence of India itself.
With these words, hundreds of thousands of devotees across India would have welcomed the very loved elephant-head God, Lord Ganesh into their homes for his annual visit.
Lalbagcha Raja – 2014
The festival, also known as Vinayaka Chaturthi, is observed in the Hindu calendar month of Bhaadrapada, starting on the shukla chaturthi (fourth day of the waxing moon period). The date usually falls between August and September. The festival usually lasts for 10 days, ending on Anant Chaturdashi.
While the festival is celebrated all over the country and across the Indian diaspora, today’s post will mostly focus on the way it is celebrated in my home state of Maharashtra and is full of nostalgia….
Mumbaicha Raja – 2014
Earlier, homes in Maharashtra used to celebrate Ganesh Chaturti like others in India, by worshipping him in their homes. But all this changed in a large scale when the legendary freedom fighter Lokmanya Tilak, who impressed by the first Sarvajanik (Public) Ganesh idols installed by Shrimant Bhausaheb Rangari Ganpati, Bhudwar Peth, in Pune, praised it in his revolutionary newspaper Kesari and started using the concept of Sarvajanik Ganeshotsav to disseminate the concept of freedom from the British to the people of Mumbai. The concept then took up and has not looked back since then. Till around 20 odd years, it was mainly restricted to Maharashtra, but these days, you can find Sarvajanik Ganesh Pandals all over the country.
GSB Seva Mandal – 2014
Weeks before the festival, Ganesh Mandals (groups) would have decided on the theme of their Mandal and would have ordered the idol based on the theme. Then they would collect donations from the neighbourhood and using this would buy the decorations for their mandal. The mandals also vie with each other to put up the biggest statue and the best pandal and the duration of the idol’s visit would have cultural activities like singing and theater performances, orchestra and community activities like free medical checkup, blood donation camps, and charity for the poor.
The idols, both communal and the ones at home are worshiped in every morning and evening until the departure. The worship involves various offerings to the idol including flowers and durva. Each durva bunch has 21 shoots and the shoots have either three or five strands. Other offerings like modak also have to number 21 in Ganesh worship. The daily worship ceremonies ends with the worshipers singing the Aarti in honor of Ganesh, other Gods and saints. The Ganesh aarti sung in Maharashtra was composed by the 17th century, saint Samarth Ramdas.As per the tradition of their respective families, the domestic celebrations come to an end after 1, 3, 5, 7 or 11 days when the statue is taken in a procession to a large body of water such a lake, river or the sea for immersion. Due to environmental concerns, a number of families now avoid the large water bodies and instead let the clay statue disintegrate in a bucket or tub of water at home. After a few days the clay is used in the home garden. In some cities, a public eco-friendly process is used for immersion.
Some of the Ganesh idols in Mumbai are iconic, among them being Lalbagcha Raja and Mumbaicha Raja, which are usually one of the biggest idols in the city and GSB Seva Mandal’s idol where the idol is said to be made of gold and some of the ornaments are said to be made of diamonds!
What’s a festival without sweets and the neividhyam (offering) for Ganesh Chaturti is Modak or Kozhakottai as its called in Tamil. This is Lord Ganesh’s favourite sweet and different families have their own recipe to make this delicious sweet!
Writing this post is making me very nostalgic to be in Mumbai. In all the years that I’ve been away, I’ve never been able to get back for this festival. This is my favourite festival as Lord Ganesh is my ishtadev (favourite God) and I can remember how we went to major roads to see the Ganpati idols making their way to the pandals or go pandal-hopping the day of the festival and across the 10 days to see the major Ganpati idols or even standing for hours on Anant Chaturdashi day to see the idols being taken for immersion…
I’m going to leave you with the Aarti I love for Ganpati which is sung by the nightingale of India, Lata Mangeshkar. This song never fails to soothe my soul….
The Hall of a Thousand Columns: Hindustan to Malabar with Ibn Battutah – Tim Mackintosh-Smith and Martin Yeoman
All the best armchair travellers are sceptics. Those of the fourteenth century were no exception: for them there were lies. Damned lies and Ibn Battutah’s India.Born in 1304 . Ibn Battutah left his native Tangier as a young scholar of law; over the course of the thirty years that followed he visited most of the known world between Morocco and China. Here Tim Mackintosh-Smith retraces one leg of the Moroccan’s journey – the dizzy ladders and terrifying snakes of his Indian career as a judge and a hermit. courtier and prisoner. ambassador and castaway. From the plains of Hindustan to the plateaux of the Deccan and the lost ports of Malabar. the author reveals an India far off the beaten path of Taj and Raj.Ibn Battutah left India on a snake. stripped to his underpants by pirates; but he took away a treasure of tales as rich…
Butter Chicken in Ludhiana: Travels in Small Town India – Pankaj Mishra
In Butter Chicken in Ludhiana, Pankaj Mishra captures an India which has shrugged off its sleepy, socialist air and has become instead kitschy, clamorous and ostentatious. From a convent educated beauty pageant aspirant to small shopkeepers planning their vacation in London, Pankaj Mishra paints a vivid picture of a people rushing headlong to their tryst with modernity. An absolute classic, this is a witty and insightful account of India’s aspirational middle class.
Small and short conversations with different people about their mindset and living style are described in this book. The people includes young women from Jhansi, with dreams of winning a beauty pageant, and naxalites in Bihar trying to initiate a revolution, and a young man from Gujarat speaking of killing Muslims in public. The author has shared all his experiences through this book. Butter Chicken In Ludhiana: Travels In Small Town India is an interesting read with a rich variety of languages and cultures. The stories in this book are full of irony, humour, and violence. There are so many characters portrayed in this book, and Mr Sharma from Ambala stands out.
The lifestyles of both village and city folk are depicted by the author, in this book which narrates the differences between the dreams and psychology of these people. In Butter Chicken In Ludhiana, the author talks about the reason of unemployment, which is caused by small fast food chains in small towns.
First published in 1975, this 2009 edition is a new edition of the best-selling book described as irreplaceable by Le Monde, Paris. It is a poignant reminder of the defining moments of the end of the British Raj, the independence of 400 million people, their division into India and the newly created Pakistan. Time Magazine raised a poetic salutation to this brilliantly written book, hailing it as the Song of India . . . illuminated like scenes in a pageant .
Memories and Such 