On the serene banks of the Bhima River, atop a gentle hillock shrouded in babul trees, stands the Siddhivinayak Temple at Siddhatek, a site revered as one of the eight sacred Ashtavinayak shrines of Maharashtra. This temple, with its unique right-trunked Ganesha and deep roots in myth and history, is a powerful spiritual destination, drawing pilgrims seeking blessings, accomplishment or siddhi, and the removal of obstacles. As the only Ashtavinayak temple where Ganesha’s trunk turns to the right, Siddhatek holds a special place in the hearts of devotees.

Siddhatek is a small village in the Ahmednagar district, about 100 km from Pune. The temple sits on a hillock, surrounded by the lush greenery of babul trees, with the Bhima River flowing nearby, creating an atmosphere of tranquillity and spiritual elevation. The pilgrimage to Siddhatek is not merely a physical journey but a symbolic ascent, both literal and metaphorical, toward divine accomplishment.

According to tradition, the original temple at Siddhatek was built by Lord Vishnu himself. Over the centuries, the temple fell into ruin and was lost to memory. The site’s sanctity was revived when a local cowherd, guided by a divine vision, discovered the ancient idol of Siddhivinayak and began worshipping it. News of the miraculous idol spread, and the shrine regained its prominence as a centre of devotion.

The current temple was constructed in the late 18th century under the patronage of Rajmata Ahilyabai Holkar, the philosopher-queen of Indore, who is celebrated for her contributions to Hindu temple architecture across India. Further enhancements were made during the Peshwa era, notably by Sardar Haripant Phadke, who built the Nagarkhana, or drum chamber, and a paved pathway to the temple’s main entrance. The outer sabha-mandapa, or assembly hall, originally built by Mairal, a landlord from Baroda, was rebuilt in 1970 after being demolished in 1939. Today, the temple is managed by the Chinchwad Devasthan Trust, which also oversees the Morgaon and Theur Ashtavinayak temples.

The Siddhivinayak Temple is constructed primarily from black stone, giving it an austere yet elegant appearance. The temple faces north, a direction considered auspicious, and features a sanctum, the garbhagriha, with a dome-shaped stone ceiling. The sanctum is relatively modest in size, measuring 15 feet in height and 10 feet in width.

The central focus of the temple is the swayambhu, or self-manifested idol of Ganesha, known here as Siddhivinayak. Unlike most other Ganesha idols, which have their trunks turned to the left, the Siddhatek idol’s trunk turns to the right, a feature regarded as highly potent and difficult to appease. The idol is encased in brass and is depicted in a cross-legged posture, flanked by his consort Siddhi, symbolising spiritual accomplishment.

The entrance to the sanctum is guarded by brass statues of Jaya and Vijaya, the celestial gatekeepers of Vishnu’s abode. The sanctum also houses a Shiva-panchayatana, a grouping that includes Shiva, Ganesha, Vishnu, the Goddess, and Surya, the Sun God, reflecting the temple’s inclusive spiritual philosophy. The Nagarkhana, or the drum chamber, built by Sardar Haripant Phadke, is used during major festivals and rituals.

The most celebrated legend associated with Siddhatek is rooted in the ancient Mudgala Purana and other sacred texts. At the dawn of creation, the god Vishnu lay in deep yogic slumber or yoganidra, while Brahma, the creator, emerged from a lotus growing from Vishnu’s navel. As Brahma began the work of creation, two demons, Madhu and Kaitabha, arose from the dirt in Vishnu’s ear and began to wreak havoc, threatening the cosmic order.

Vishnu awoke and engaged the demons in battle, but despite his might, he could not defeat them. Seeking guidance, he approached Shiva, who revealed that Vishnu had neglected to invoke Ganesha, the remover of obstacles, before commencing his task. Realising his error, Vishnu travelled to Siddhatek and performed intense penance, chanting the mantra “Om Sri Ganeshaya Namah” for over a hundred years.

Moved by Vishnu’s devotion, Ganesha appeared and granted him siddhi, divine powers, and success. Armed with these blessings, Vishnu returned to the battlefield and, through a clever ruse, tricked the demons into granting him a boon, which he used to destroy them. Thus, the site where Vishnu attained siddhi became known as Siddhatek, and the form of Ganesha worshipped here is called Siddhivinayak, the bestower of accomplishment and supernatural powers. Siddhatek is also believed to be the place where other great souls, Maharshi Vyas, Bhrushundi, the Ganapatya saint Morya Gosavi, and his son Narayan Maharaj, attained siddhi through intense devotion and penance.

The Siddhivinayak Temple at Siddhatek is renowned for its rigorous and elaborate daily worship schedule. The day begins with the Kakad aarti, the early morning prayer, typically around 5 – 5:30 am. Shree Darshan is the early morning darshan, or viewing of the deity, from 5:30 am to noon. Naivedhya, or the offering of food to the deity, takes place around 12:05–12:30 pm. The afternoon Shree Darshan takes place between 12:30 and 7 pm. The evening Dhup Aarti is from 7 to 7:10 pm, while the evening aarti is from 7:30 to 8 pm. The night Shree Darshan is from 8 to 9:50 pm, while the final aarti before bedtime, the Shejaarti, happens at 9:50 pm, after which the temple is closed until the next morning. During the Maha Abhishekha, the grand ritual bathing, which occurs from 7:30 am to 1:00 pm, devotees are not permitted in the main temple area, and offerings of flowers and fruits are restricted.

A distinctive ritual at Siddhatek is the practice of performing 21 pradakshinas, or circumambulations, around the temple. This tradition is rooted in the story of Sardar Haripant Phadke, who, after losing his post as commander-in-chief, prayed to Siddhivinayak for 21 days, performing 21 circumambulations each day. His devotion was rewarded, and he regained his position, a testament to the temple’s reputation as a “jagrut kshetra”, a site of living, active divine power. Devotees continue this practice, believing that sincere performance of 21 pradakshinas can fulfil heartfelt wishes and bring about spiritual accomplishment.

Ganesh Chaturthi, celebrated in August or September, is the most prominent festival at Siddhatek. The temple is adorned with elaborate decorations, and the air is filled with devotional hymns and the rhythmic beat of traditional drums. Thousands of devotees gather to participate in the festivities, which include special rituals, processions, and communal prayers.

Ganesh Jayanti, marking the birth anniversary of Lord Ganesha, is celebrated in the Hindu month of Magha, about January or February. The highlight of the festival is a three-day “palkhi” or a palanquin procession, during which the idol of Ganesha is carried through the village, accompanied by devotional singing and cultural performances. Special rituals and celebrations also occur on Vijayadashami or Dussehra and Somavati Amavasya, a new moon that falls on a Monday, further enhancing the temple’s vibrant spiritual life.

Siddhatek is traditionally the second temple visited in the Ashtavinayak pilgrimage circuit, following Morgaon. However, due to travel convenience, some pilgrims visit it third, after Morgaon and Theur. Regardless of the sequence, Siddhatek is regarded as a crucial stop, as the right-trunked Ganesha is believed to be especially powerful in granting siddhi and removing obstacles. The temple is not just a site of individual devotion, but also a centre of community and cultural life.

The Siddhivinayak Temple at Siddhatek, with its unique right-trunked deity, ancient legends of divine accomplishment, and vibrant ritual, makes it a cornerstone of the Ashtavinayak pilgrimage.