2018 Week 1 Update

The first week of the new year and it was the usual sort of week for me.

The children have started school and I am back to my usual routine of writing and looking for new positions. Because most people are still on holiday or probably clearing the work that accumulated over the holidays, I am still in waiting mode.

It was a hectic weekend for us. On Saturday, S and I drove down to a couple of polytechnics here which had open houses to check out the courses that the children are interested in. I was quite impressed by what the polys had to offer and so I think the choices the children are making are correct. We are actually two years early, but wanted to check them out earlier in case the choices were wrong and we had to recalibrate!

On Sunday, GG received again the Edusave Scholarship Award which is awarded to the top 10% of students of her cohort. I hope she wins this award next year also, but it looks quite unlikely since she has now moved to the better stream and it may be difficult to achive this.

Here’s looking forward to a productive week!

 

2018 Secondary 3 Week 1

School has started and life is beginning to get hectic for BB & GG!

GG started school on a very positive note. As I have mentioned previously, she moved up to the better stream and is doing more humanities subjects. These are subjects she is very interested in and wants to make a career in one of those. She is also exploring about becoming a  teacher, so we’ll have to see how this all pans out.

She also started the school year falling sick but has soldiered on because of practice for the choir. They had a performance yesterday for the incoming sec 1s and were promoting their CCA to get interested students to join and despite having a temperature, she went to school and gave it her all! Last year, her form teacher, who also manages the choir mentioned that she will be up for a CCA leadership position. Oh, and she also managed to become the class secretary, so that’s one more leadership position for her.

BB’s Sec 3 life is not as dramatic as that of his sister, but he is also doing the subjects he enjoys. The pace has also picked up for him with homework being given out right from the first lesson. Some subjects are new, yet old, like pure physics, pure chemistry, advanced math and pure history. He also has said that he likes all his teachers, so hopefully this year he does better than sec 2.

Later today, GG will receive her second consecutive scholarship award. I’m trying to get BB to also achieve this award next year, let’s see! Both children will have their common tests next month, so I need to start being on their case.

Hope 2018 has been good for you so far. Again, Happy New Year!!

 

 

 

 

In My Hands Today…

Her Royal Spyness – Rhys Bowen

383514London 1932. Narrator Lady Victoria Georgiana Charlotte Eugenie, 34th in line for the throne, is flat broke. She bolted from Scotland — and engagement to Fishface (Prince Stiegfriend) — for London, where she has:

a) built a fire in the hearth
b) fallen for an absolutely unsuitable Irish peer
c) made a few quid housekeeping incognita, and
d) been summoned by the Queen to spy on her playboy son

When an arrogant Frenchman trying to swipe her family estate winds up dead in her bathtub, how can she clear her very long family name?

Recipes: Thalagam Kozambu

Earlier this week was the festival of Thiruvathirai which is mostly celebrated in the southern states of Tamil Nadu and Kerala. I decided, for the first time, to make this dish which is only made for this festival.

This dish is a traditional dish of the brahmins who come from the Tirunelveli district in Tamil Nadu (of which I am also a part of from my parents) and is something I’ve always grown up with, but never actually made.

It is traditionally eaten with a sweet rice dish called kali, but I decided to pair with Ven Pongal. I also didn’t have all the vegetables traditionally used for this dish, so I improvised!

Talaga Kozambu

Ingredients:

  • 1 small lime-sized ball of tamarind, soaked in warm water for 30 minutes and the juice squeezed out
  • 1 carrot, chopped into big pieces
  • 1 radish, chopped into big pieces
  • 2 large potatoes, chopped into big pieces
  • 2 raw bananas, chopped into large pieces
  • 1/2 tsp turmeric powder
  • Salt to taste

To be ground into a paste

  • 6 dried red chillies
  • 2 tsp toor dal
  • 2 tsp white sesame seeds
  • 1/2 cup grated coconut
  • 1 tbsp oil

To temper

  • 1 tbsp ghee
  • 1 tsp mustard seeds
  • 1/4 tsp fenugreek/methi seeds
  • 5-6 curry leaves
  • 1/2 tsp asafoetida powder

Method:

  • Heat oil in a pan and put in the red chillies, toor dal and sesame seeds and stir.
  • When the dal turns light brown, add the grated coconut and continuously stir until the coconut is crisp and brown. Ensure the coconut does not burn.
  • Let it cool completely and blend this into a fine paste with water.
  • Wash the vegetables and put them in the same pan. Add just enough water to cover and then the turmeric powder and some salt. Cover and cook until the vegetables are half cooked.
  • When the vegetables are half cooked, pour in the tamarind juice and cover and cook for approximately 5 minutes or till the raw smell of the tamarind goes away.
  • Next, add the blended masala and stir well. Check and add salt if needed. Remove from the flame around five minutes after it comes to a rolling boil.
  • In a smaller pan, heat the ghee and put in the mustard seeds, fenugreek/methi seeds, curry leaves and asafoetida. When the curry leaves become crisp, remove from the flame and pour over the Kozambu.
  • Enjoy with any rice of your choice through the traditional accompaniment is kali

Notes

The traditional vegetables used are raw banana, ash gourd, yellow/orange pumpkin, yam, brinjal/aubergine, broad beans, sweet potato, potatoes, radish, etc.

In My Hands Today…

Art Studio – Yeng Pway Ngon, translated by Goh Beng Choo and Guan Liang Loh

22007117

Singapore, the 1980s: Amid the tumult of political promise and upheaval, Yan Pei and his students struggle to pursue art in a rented studio. Yan Pei, a penniless artist, sacrifices more than his marriage to perfect his craft. His student Si Xian makes an irrevocable decision after Ning Fang, the subject of his unrequited love, leaves him for India. Jian Xiong gives up art – and his humanity – when communist politics force him to flee into the Malayan jungle.