My Home State: Maharashtra


Growing up, in Mumbai, May 1st was always celebrated as Maharashtra Day, the day my home state of Maharashtra, of which Mumbai is the capital came into existence. So I thought it is only appropriate that today’s post be all about Maharashtra.

Maharashtra, which means ‘Great State‘ lies in the western part of India with the states of Gujarat and Madhya Pradesh to the north, Chattisgarh to the east, Andhra Pradesh, Karnataka and Goa to the south and the Arabian Sea to the west. Mumbai, the capital city is the country’s financial capital, though some may debate this claim in recent years and the state is also home to Bollywood!

Maharashtra is one of the wealthiest and the most developed states in India, contributing around a quarter of the country’s industrial output and GDP. This is also the second most populous state in India with almost 10% of India’s population in the state. His probably does not take the migrant population into account, so the actual numbers may be a bit higher. This is also the state with the longest road network in the country and the first train service in India and in fact continental Asia ran between Mumbai and Thane (a Mumbai suburb of sorts) on 16 April 1853. The headquarters of Central Railways, Chatrapti Shivaji Terminus aka CST is the busiest railway station in India, serving as a terminal for both long-distance trains and commuter trains of the Mumbai Suburban Railway.

One of the greatest Maratha warriors is Chatrapati Shivaji Maharaj who, along with his father Shahaji Bhosle is credited with the establishment of the independent Maratha Empire which defeated the Mughals conquered large territories in northern and central parts of the Indian subcontinent. The Third Anglo-Maratha war (1817–1818) led to the end of the Maratha Empire and East India Company ruled the country in 1819.

The British governed western Maharashtra as part of the Bombay Presidency, which spanned an area from Karachi in Pakistan to northern Deccan. A number of the Maratha states persisted as princely states, retaining autonomy in return for acknowledging British suzerainty. At the beginning of the 20th century, the struggle for independence took shape, led by nationalist extremists like Bal Gangadhar Tilak and Vinayak Damodar Savarkar and the moderates like Justice Mahadev Govind Ranade, Gopal Krishna Gokhale, Pherozeshah Mehta and Dadabhai Naoroji who were all born in this region.

The ultimatum to the British during the Quit India Movement was given in Mumbai, and culminated in the transfer of power and independence in 1947. After India’s independence, the Deccan States, including Kolhapur were integrated into Bombay State, which was created from the former Bombay Presidency in 1950.

In 1956, the States Reorganisation Act reorganised the Indian states along linguistic lines, and Bombay Presidency State was enlarged by the addition of the predominantly Marathi-speaking regions of Marathwada (Aurangabad Division) from erstwhile Hyderabad state and Vidarbha region from the Central Provinces and Berar. The southernmost part of Bombay State was ceded to Mysore. From 1954–1955 the people of Maharashtra strongly protested against bilingual Bombay state and the Mahagujarat Movement was started, seeking a separate Gujarat state.

Due to the mass protests and 105 deaths, by both linguistic groups, the Union government enacted the Bombay Reorganisation Act on 25 April 1960 which came into effect on 01 May 1960 leading to the formation of the states of Maharashtra and Gujrat by dividing the erstwhile Bombay state.

I can go on and on I guess, but this should be a good starting point for someone who is interested in the state of Maharashtra. One of these days, I’ll do a similar post on Mumbai…

Raja Ravi Varma: India’s First Modern Artist

I want to preface this post with a disclaimer: I am not an artist or even someone with any knowledge of art. What I have written here is based on my research and knowledge. If there is any error in my post, please reach out to me and I will correct it and at the same time, learn something new.

In the past few weeks of posting, whenever I did a post on Indian culture, somehow, most of the pictures I got from Google (the ones I liked that is) turned out to be from Raja Ravi Varma’s collection. His paintings are super familiar to most Indians – his images of the different Gods and Goddesses are the ones we are used to seeing in our Pooja Rooms (family prayer rooms or altars) and so this inspired me to do find out more about the man whose work, about 2-3 generations of Indians have gazed at every single day and then do a post on him today, which is his 167th birth anniversary.

Raja Ravi Varma is considered among one of the finest painters in the history of Indian art and his paintings among the best examples of the fusion of Indian traditions with the techniques of European academic art. Raja Ravi Varma achieved recognition for his paintings from Indian literature and mythology including the epics of Ramayana and the Mahabharata.

Raja Ravi Varma was born in the erstwhile princely state of Travancore in today’s Kerala state today in the year 1948 in a royal family which was very accomplished in the arts. He was patronized by the Maharajah of Travancore and then began formal training with the learning of the basics of painting in Madurai, Tamil Nadu and then trained in water painting by Rama Swami Naidu and then in oil paintings by the Dutch portraitist Theodor Jenson.

His exposure in the west came when he won the first prize in the Vienna Art Exhibition in 1873. In the World Columbian Exposition in Chicago in 1893, he received three gold medals and then teavelled all over India in search of subjects for his paintings.

He also started a lithographic printing press, initially in Mumbai and then near Lonavala (near Mumbai) and the oleographs printed were very popular and continue to be printed even today.

Among the various honours he received, the Kaiser-i-Hind, bestowed by the then Vicerory, Lord Curzon in 1904 on behalf of the British King was the highest. Considering his vast contribution to Indian art, the Government of Kerala has instituted an award called “Raja Ravi Varma Puraskaram”, which is awarded every year to people who show excellence in the field of art and culture.

Raja Ravi Varma died on 02 October 1906 at the age of 58, but his art still lives and delights peoples even today.

Below are some of the prints we generally see in Indian homes – mostly the Gods and Goddesses of the Indian pantheon….

Goddess Saraswati

Goddess Lakshmi

Some other famous paintings:

Lady with Fruit

Lady in the Moonlight

In My Hands Today…

Difficult Daughters – Manju Kapur

Set around the time of Partition and written with absorbing intelligence and sympathy, Difficult Daughters is the story of a woman torn between family duty, the desire for education, and illicit love. Virmati, a young woman born in Amritsar into an austere and high-minded household, falls in love with a neighbour, the Professor–a man who is already married. That the Professor eventually marries Virmati, installs her in his home (alongside his furious first wife) and helps her towards further studies in Lahore, is small consolation to her scandalised family. Or even to Virmati, who finds that the battle for her own independence has created irrevocable lines of partition and pain around her.

In My Hands Today…

Between the Assasinations – Aravind Adiga

 Welcome to Kittur, India. It’s on India’s southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It’s blessed with rich soil and scenic beauty, and it’s been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. 

A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D’Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl’s first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of “intimates” who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. 

In My Hands Today…

English, August: An Indian Story – Upamanyu Chatterjee

Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself.

English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.