Memories: Growing up in an urban agraharam

I grew up in Mumbai, very close to what is the heart of the tambram community in the city, Matunga. Where we lived was a 15 minute walk to the heart of the community, to the market and the temples, to the flower shops and the vegetable vendors, some of whom though they came from the northern states of Bihar and Uttar Pradesh, but could banter with the mamas and manis in Tamil. Before COVID-19 stuck and life changed, my mother used to make the thrice weekly trip every week to Matunga to get her fix of all of the above.

The other day while I was thinking about this, I realised that I actually grew up in an urban agraharam. So what is an agraharam you may ask? An Agraharam or Agrahara was a grant of land and royal income from it, typically by a king or a noble family in India, for religious purposes, particularly to Brahmins to maintain temples in that land or a pilgrimage site and to sustain their families. Agraharams were also known as Chaturvedimangalams in ancient times as well as known as ghatoka, and boyas. Agraharams were built and maintained by dynasties such as the Cholas and Pallavas. The name originates from the fact that the agraharams have lines of houses on either side of the road and the temple to the village god at the centre, thus resembling a garland around the temple. According to the traditional Hindu practice of architecture and town-planning, an agraharam is held to be two rows of houses running north–south on either side of a road at one end of which would be a temple to Shiva and at the other end, a temple to Vishnu. An example is Vadiveeswaram in Tamil Nadu.

Where we grew up was a collection of about 50-60 two to three storey buildings set in a sort of square with roads intersecting them. We were framed by educational institutes on three sides and a main road on the fourth. While our small community comprised of people from different communities across the various states of India, if I look back, I can see the Tamil Brahmin community most predominant here, with most of them from Kerala or the Palakkad Iyers. Most buildings, with some exceptions which only had people from a certain community as residents, had a few tambram families in residence. Everyone was a mama or mami and not uncle or aunty and everyone knew everyone, or at the very least knew our parents and grandparents, many of whom they were either together at school, in the same class or from the same village in Tamil Nadu or Kerala.

In my own building, the bulk of our neighbours were from my own community and this is why I call my small slice of area an urban agraharam. Everyone was solidly middle class and if you probed enough, you found some connection with them, either through family or friends and once the connection was made, you were part of them. I know now that even living in a secular and multi-community city like Mumbai made us quite insular when it came to Tamil culture. The only Tamil culture I knew was the Tambram one and coming to Singapore, to a culture similar to my own was actually a culture shock to me.

But, growing up in a community made mostly of people who had the same values, the same traditions as us was just as charming. Festivals which are unique to my community was commonplace here and I never questioned why the rest didn’t celebrate it. For example, the annual Avani avittam festival which is the only festival for the men who on this day would change their sacred threads used to be held in a nearby school with a few priests from one of the temples in Matunga coming over to conduct the rituals. Since there were enough men who wore the sacred thread, it probably made sense for the organizers to hold a mini session in our area. Since the day was not a public holiday, they used to do the session fairly early so the men and boys could then go on to work and school. And in all the years my grandfather and then father went here instead of to our temple in Matunga, I never questioned why. It all seemed normal to me. We loved going to each other’s homes for festivals like Diwali, Navratri and Ganesh Chaturti in our pavadais and sing songs and gorge on the delicacies.

That was a lovely time growing up. Everyone looked out for each other and mamas and mamis didn’t heaitate to scold or tell on a child they knew if the said child did something wrong. We thought nothing of going into anyone’s house for a drink of water or to use the bathroom. We were also quite safe in our little enclave and most of us pretty much lived our whole lives there till we moved out.

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Life in our small community has changed now. Many buildings are being knocked down to make way for high rises, especially since this area is now a prime area, within what is considered the original Bombay and close, but not too close to the city. A lot of people from the community moved to suburbs like Chembur, Thane and Dombivili when the real estate prices here started picking up in the nineties. I think my grandparents and parents even explored the idea of moving to Chembur, but thankfully dropped the idea very soon. Life goes on, but in our area, the percentage of tambrams has reduced tremendously, so much so it can’t be called an agraharam anymore. I mourn for this loss, but c’est la vie and life must go on. The chakra of life never stops and I am sure in some of the suburbs I mentioned newer urban agraharams have been created.

Poem: The Mumbai Monsoon

The rains are nothing new to Singapore, and these days we have rains most afternoons, but because the sewage and rain canal systems are good, there is hardly any flooding here. But it’s a completely different ball game in Mumbai where each Monsoon means wading through sometimes waist-deep water and having the transportation system crippled for a few days till the waters recede. But there is a magic in the rains and I used to love the monsoon. I loved having it rain when I come back home from college because it meant I could walk home from the bus-stop without opening my umbrella and get wet in the rain, but conversely hated this when I went to school or work because it meant staying in wet clothes all day. The rains have been slashing Mumbai in the past month or so and when I saw the visuals of wet roads and some waterlogged areas, this poem came about unbidden. This poem is a relfection of how the monsoon used to be when I lived in India, so it may be different now.

The Mumbai Monsoon

When June makes it way, newspapers hold sway
Everyone has their own theory on when the monsoon will come and play
The MRF prediction is hotly debated, Kerala and then Goa’s rains are long awaited

When the sky starts to darken, the mood shift is palpable
Everyone looks upwards in an occurance that is annual

With hope and a prayer in their heart,
They pray the rain God will do his part
Shower the city with just enough rain
So the streets don’t flood, causing people pain

But flooding is inevitable, the price Mumbaikars pay
For a system built ages ago, in a city then known as Bombay
But the spirit of the city during times like this magnify manifold
It’s only during a crisis, when you see people’s heart of gold

But the monsoon in Mumbai is something really special
To see the waves buffet the Gateway and Marine Drive
To get wet in the rains, to revel in the pure water that is sometimes harsh, sometimes gentle
This is a time when your soul comes alive

I really miss the Mumbai monsoon and maybe those years
When life was more carefree and simple, without the stress which interferes
But life moves on and I hope to experience the monsoon once more
To live that life of that carefree child and young adult, without any worry and chore!

Festivals of India: Ganesh Chaturti

My favourite festival and one that I look forward to all year, especially when I was still living in India, Ganesh Chaturthi celebrates the birth of the elephant God, Lord Ganesh. This festival is made extra special because Lord Ganesh is my ishtadev and I was born during the eleven days this festival is celebrated in Mumbai and so my star birthday is always during this festival. As per Hindu religious books, the Lord Ganesha was born on Shukla Chaturthi during Bhadrapada lunar month which comes sometime in the months of August and September according to the Gregorian calendar.

Since Lord Ganesh is the destroyer of obstacles and the one who has to be worshipped first before any other worship, he is very important in the Hindu Pantheon and from where I come from, the favorite God. If there was a state Lord, I am sure Lord Ganesh will be that for Maharashtra!

Traditionally the festival used to be celebrated at home by installing small clay idols of Lord Ganesh, but during India’s independence struggle, in 1893 after the installation of the first sarvajanik or public Ganesh idol in Pune by Bhausaheb Laxman Javale or Bhau Rangari, Lokmanya Tilak, a legendary freedom fighter praised the celebrations of the public festivities in his newspaper, Kesari, and dedicated his efforts to launch the annual domestic festival into a large, well-organised public event. Tilak recognised Lord Ganesh’s appeal as “the god for everybody”, and chose this particular God as the one that bridged “the gap between Brahmins and non-Brahmins”, thereby building a grassroots unity across them to oppose British colonial rule.

It is also said that in 1870, the British colonial rulers, out of fear of seditious assemblies, had passed a series of ordinances that banned public assembly for social and political purposes of more than 20 people in British India, but exempted religious assembly for Friday mosque prayers under pressure from the Indian Muslim community. Tilak believed that this effectively blocked the public assembly of Hindus whose religion did not mandate daily prayers or weekly gatherings, and he leveraged this religious exemption to make Ganesh Chaturthi to circumvent the British colonial law on large public assembly. The first sarvajanik Ganesh utsav and statue of Lord Ganesh was installed in the Keshavji Nayak Chawl at Girgaum Mumbai by Tilak in 1893. This festival then took off and is a huge festival in my home state of Maharashtra and today is a pan Indian public festival where large and small idols of Lord Ganesh are installed anywhere from 1.5 to 11 days.

On the last day, be it one and a half days, three days, five days, seven days, nine days or eleven days, the idols are taken to a large body of water, be a pond, river or the sea and immersed so that the Lord can return back to his home in Mount Kailash in the Himalayas. Offerings are made to the Lord twice a day with prayers and an arti and the holy offerings distributed to everyone.

In Mumbai, traditionally there will be Ganesh pandals or temporary structures to house the Lord in pretty much every locality of the city. If I think back, where we live in Mumbai, in a one-km radius, I can thinkof atleast 10-15 Ganpati pandals which are of varying sizes with corresponding sizes of the idols of Lord Ganesha.

One such pandal is the one that is hosted by the GSB Seva Mandal, founded by the Goud Saraswat Brahmin community, who have installed an idol not too far from my home for the last 65 years. This is Mumbai’s most famous and richest Ganpati mandal in Mumbai whose idol each year is adorned with gold jewellery weighing around a staggering 73 kgs! This is due to the offerings made by devotees each year because of wishes that have been fulfilled. When I was in Mumbai, I used to try and make it to this pandal every year to pray. This Ganesh idol is only installed for five days and so some years, it used to be a challenge to try and make it, but I would do my best. This idol is always an eco-friendly one, made out of clay and here there is none of the usual recorded music there, instead, traditional Indian musical instruments used in south Indian temples are played.

Another iconic Ganesh idol is the Lalbaghcha Raja or the King of Lalbagh. This is probably the most visited mandal in Mumbai, formed in 1934 and the idol comes from just one family and the design is now patent-protected. This idol draws an average of an astounding 1.5 million people daily when it is installed and people stand in lines for hours just to see and pray to this idol which they believe will fulfill their wishes. Lalbaghacha Raja has cancelled their Ganeshotsav this year in the light of the coronavirus, instead the focus will be on health, with a blood and plasma donation camp held instead.

Only a couple of lanes from Lalbaghcha Raja is the Mumbaicha Raja which is also very popular. This mandal is well known for its new and innovative themes each year, often a replica of a famous place in India. It was formed for the benefit of the mill workers in 1928, making it the oldest one in the area. Even though this Ganesh idol is often very busy and crowded, waiting times can be as little as 20 minutes to a few hours.

Another Ganesh mandal close-by is the Khetwadicha Ganraj, which is considered to be one of the most spectacular Ganesh idols in Mumbai. The mandal was established in 1959 but found fame in 2000, when it made the highest Ganesh idol in Indian history, standing 40 feet tall. The idol at Khetwadi is decked out in real gold jewelry and adorned with diamonds.

The Andhericha Raja in the western suburb of Andheri is what the Lalbaugcha Raja is to south Mumbai. The mandal was established in 1966 by the workers of the Tobacco company, Tata Special Steel and Excel Industries Ltd, who moved from Lalbaug to be closer to their factories. Compared to many other famous mandals in Mumbai, the idol isn’t as towering or imposing. However, it has a reputation for fulfilling wishes. The mandal’s theme is usually a replica of a significant temple in India. This idol is different because unlike other idols which are immersed on the eleventh day which is Anant Chaturdashi, this idol is immersed on Sankashti Chaturthi, which is about five days after Anant Chaturdashi.

Writing this post has made me super nostalgic for the Ganesh festival in Mumbai. In the last twenty years that I have been in Singapore, I have never been back for the festival and now with the pandemic and restrictions, it seems quite unlikely in the near future. Also this year, because of the lockdown and the fact that these idols attract huge crowds, many of the Ganesh mandals have either decided to not install an idol or if they do, they plan to install a small idol. The government has also banned public immersions on Anant Chaturdhashi and so according to a report I read, after four decades, 99 percent of all Mumbai’s top public Ganeshotsav organisers have decided to reduce the side of the idols to a maximum of four feet. It is said that this is only the second time in the history of Ganeshotsav that the festival would be drastically scaled down without the immersion ceremonies, and on both occasions it was due to an invisible disease, the first time being in 1896 when Pune was hit by a killer bubonic plague which claimed many lives.

To everyone who is bringing home the Vighnaharta tomorrow, Happy Ganesh Chaturi to you and your loved ones. May the remover of obstacles pave the way to success for you and yours.

Ganpati Bappa Morya, Mangal Murti Morya!

In My Hands Today…

Selection Day – Aravind Adiga

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Manju is fourteen. He knows he is good at cricket – if not as good as his elder brother Radha. He knows that he fears and resents his domineering and cricket-obsessed father, admires his brilliantly talented brother and is fascinated by CSI and curious and interesting scientific facts. But there are many things, about himself and about the world, that he doesn’t know . . . Everyone around him, it seems, has a clear idea of who Manju should be, except Manju himself.

But when Manju begins to get to know Radha’s great rival, a boy as privileged and confident as Manju is not, everything in Manju’s world begins to change and he is faced by decisions that will challenge both his sense of self and of the world around him.