In My Hands Today…

The Book Charmer – Karen Hawkins

The residents of Dove Pond, North Carolina, know three things: they have the finest bar-b-que this side of Atlanta, their Apple Festival is the best that ever was, and the town has phenomenal good luck whenever the Dove family has seven daughters. Fortunately, that time is now, because Dove Pond desperately needs a miracle.

The seventh daughter, Sarah Dove, believes in all things magical. Books have whispered their secrets to her since she was a child. Now the town librarian, she makes sure every book finds the reader who most needs it. But recently the books have been whispering something different—that change is about to come to Dove Pond. Sarah is soon convinced that the legendary Dove Pond good luck has arrived in the form of new resident, Grace Wheeler.

After the tragic death of her sister, Grace has moved to Dove Pond with her grieving young niece and ailing foster mother hoping to retrench financially and emotionally before returning to her fast-paced city life. But she soon learns that life in a not-so-sleepy town isn’t as quiet as she’d hoped. Despite her best efforts to focus on her family, she can’t avoid the townspeople, especially her next-door neighbors, the quirky and talkative Sarah Dove and cynical veteran Travis Parker. Grace’s situation grows more complicated when she assumes her duties as town clerk and discovers that Dove Pond is on the verge of financial ruin.

Already overburdened by her own cares, Grace tries to stay aloof from the town’s issues, but she’s never been good at resisting a challenge. With Sarah’s encouragement, and inspired by the wise words of a special book, Grace decides to save her new town. And in her quest, she discovers the rich comfort of being a part of a loving community, the tantalizing promise of new love, the deep strength that comes from having a true friend, and the heartfelt power of finding just the right book.

Travel Bucket List: India – Madhya Pradesh Part 4

Our next Madhya Pradesh destination is the town of Maheshwar. Indian women would easily recognise the name which is eponymous with its famed Maheshwari sarees. Located about 100 kms south of Indore and on the north bank of the river Narmada, Maheshwar was the kingdom of Chaktavartin Samrat Sahastraarjun, a Heheya king and the capital of the Malwas during the Maratha Holkar reign till 6 January 1818, when the capital was shifted to Indore by Malhar Rao Holkar III. The word Maheshwar in Hindi means Great God, an epithet of Lord Shiva and many writers have identified Maheshwar to be the ancient town of Mahishmati.

Maheshwar is believed to be built on the site of the ancient city of Somvanshya Shastrarjun Kshatriya, and was the capital of king Kartavirya Arjuna or Shree Shastrarjun, who is mentioned in the Sanskrit epics Ramayana and Mahabharata. According to a popular legend, one day the King Sahasrarjun and his 500 wives went to the river for a picnic. When the wives wanted a vast play area, the King stopped the mighty river Narmada with his 1000 arms. While they were all enjoying themselves, Ravana flew by in his Pushpak Vimana. Downstream, when he saw the dry river bed, he thought it was an ideal place to pray to Lord Shiva. He made a Shivalinga out of the sand and began to pray. When Sahasrajuna’s wives were done playing and they stepped out of the river bed, he let the waters flow. The voluminous river flowed down sweeping Ravana’s Shivalinga along, messing up his prayers. Furious, Ravana tracked Sahasrajuna and challenged him. Armed to the hilt the mighty Ravana was in for a huge surprise. The mighty Sahasrarjuna with the 1000 arms pinned Ravana to the ground. Then he placed 10 lamps on his heads and one on his hand. After tying up Ravana, Sahasrarjuna dragged him home and tied him up to the cradle pole of his son. A humiliated Ravana stayed prisoner until his release was secured. Jamadagni rishi, Renuka Devi and Lord Parashurama with whom Kartavirya Arjuna’s story is closely associated also lived nearby.

In the Mahabharata, there is a narration of an unusual tradition wherein marriage as a civil institution was not universal in Mahishmati unlike in rest of Aryavarta, which is also narrated in the Telugu-language Andhra Mahabharata in ‘Sabha parva’. As per the legend, there was a Nishada king named Nila who ruled over Mahishmati. King Nila had a daughter who was exceedingly beautiful. So much so that Agni, the Lord of fire fell in love with her which was reciprocated. The princess always used to stay near the sacred fire of her father, causing it to blaze up with vigour. And king Nila’s sacred fire, even if fanned, would not blaze until agitated by the gentle breath of her lips. Agni, assuming the form of a Brahman starts courting the princess. But, one day the couple was discovered by the king, who became furious. Nila thereupon ordered the Brahman to be punished according to law. At this the illustrious deity flamed up in wrath and beholding the terrible flame, the king felt terrified and bent his head low on the ground. The king bowed down to Lord Agni and says he cannot punish a God who was responsible for the origin of Vedas, source of all knowledge and virtue. Pacified Agni then grants a boon to Nishada, and the King requests for the protection of his kingdom from any invasions. Agni swears to protect his kingdom on the condition that the king should sanctify pleasure out of pure love a legitimate action in his kingdom. Liberated from the orthodoxy of marriage as a prelude, women of Mahishmati enjoyed freedom that was then unheard of elsewhere in ancient India. Years later, after the epic Kurukshetra war the victorious Yudhishthira plans on conducting a Yagna by winning over everyone else on earth. Sahadeva, the youngest of Pandavas knowing that Lord Agni was protecting the Nishada kingdom, prays to Lord Agni successfully and moves to the Saurashtra kingdom. Even today, the Sahasrarjun temple at Maheshwar lights 11 lamps in honour of Lord Agni blessing the Kingdom. Alternatively, this tradition is attributed to Sahasrarjun queens humiliating captive ten-headed Ravana by lighting up candles on his foreheads.

In the late eighteenth century, Maheshwar served as the capital of the great Maratha queen Rajmata Ahilya Devi Holkar. She embellished the city with many buildings and public works, and it is home to her palace, as well as numerous temples, a fort, and riverfront ghats which are broad stone steps which step down to the river.

Maheshwar has been a centre of handloom weaving since the 5th century and is home of one of India’s finest handloom fabric traditions. It is noted as a centre for the colourful Maheshwari sarees which rose to popularity under the rule of Queen Devi Ahilya Bai Holkar. Ahilya Bai wanted royal gifts for the royal guest and hence weavers from Mandu and Surat were hired and the Maheswari saree and turban were woven. It is said that Ahilya Bai herself designed first saree and these sarees were worn by the female members of the royal court and gifted to royal guests. The inspiration for the saree designs can easily be seen in local architecture which are woven with distinctive designs involving stripes, checks, and floral borders.

So on to see what Maheshwar has to offer

Holkar Fort: A prime example of Maratha architecture, as its name suggests, the Holkar Fort was the palace of Rani Ahilyabai Holkar which is why it is also known as the Queen’s fort. Perched on the edge of a cliff overlooking the river Narmada, the fort is also known as Ahilya Fort and is over 250 years old and was the capital of Queen Ahilyabai Holkar between 1766 and 1795 though currently it has been converted into a hotel, managed by the son of the last Maharaja of Indore. Among the most highlights of the fort are its magnificent chhatris, protruding balconies, well-groomed gardens and the royal seat. In addition to this, there are a number of temples dedicated to Lord Shiva and his incarnations within the fort premises itself. Besides the striking Maratha architecture and the age old charm, the fort also offers magnificent views of the quaint Maheshwar town and its gorgeous ghats. There is also a weaver’s cooperative society in its premises. Visitors can also enjoy boating here at sundown.

Rajwada: Legend has it that this splendid architectural wonder was constructed under the rule of Rani Ahilyabai Holkar. Not only does the palace showcase Maratha architectural styles, but also boasts of designs inspired from Mughal and French architectural styles. One of the major attractions here is the statue of Rani Ahilyabai standing tall right at the entrance.

Ahilyeshwar Temple: Dedicated to Lord Shiva, the Ahilyeshwar Temple is also testament to the splendid architectural skills of the Maratha workmen. The temple comprises of intricate designs and artwork in honour of the deity. Apart from being the shrine of Lord Shiva, this temple also has a shrine of Lord Rama. The temples are open 7 am to 6:30 pm with aartis fixed at 8 am and 6 pm.

Rajarajeshwara Temple: Located close to the Ahilyeshwar temple, the Rajaraheshwara Temple is also another temple dedicated to Lord Shiva and boasts of a very rich and intricate architecture. The shrine is regarded as the temple of the 11 Akhand Jyoti Deepak or the eternal flame lamps. One of the major offerings at the temple is the ghee that is used to enlighten the lamps.

Jaleshwar Temple: Like the other Maheshwar temples, the Jaleshwar Temple is also dedicated to the third God in the Hindu triumvirate, Lord Shiva. He has many benevolent and fearsome forms. At the highest level Shiva is limitless, unstoppable, unchanging and invincible. To honour this, the Jaleshwar Temple was constructed.

Pandrinath Temple: Unlike other temples in Maheshwar, the Padrinath Temple is dedicated to Lord Vishnu, the protector of the whole universe and not Lord Shiva. Legend has it that at the end of the Dwapara Yuga, Lord Krishna incarnated on the eighth day of the dark fortnight in the holy month of Shravana. Due to this, Lord Krishna is also called Pandrinath. This temple like the other temples of Maheshwar is also an architectural marvel. The doors of the temple best reflect this.

Mandleshwar: A town of temples situated on the bank of the Narmada River, Mandleshwar has been mentioned in the Hindu epics of Ramayana and Mahabharata as a splendid city also known as Mahishmati. It was the capital of southern Avanti during the rule of King Kartavirya Arjun. This town which is situated in quiet beauty is well-known for its temples, fort complex and bathing ghats. Located in the Khargone district of Madhya Pradesh, the sarees of this town are famous for their floral designs throughout the country. The temples and fort of Mandleshwar have a remarkable charm to it due to the grandeur of its wonderful architecture.

Mandleshwar was the name given to the city which means the home of Lord Shiva. Earlier, the city was known as Mahishmati which was later changed to Mandleshwar. Tourism and religion have a lot of importance in and around Mandleshwar due to the presence of ancient temples known as Bawangaja, Shiv Jyotirlinga Mandleshwar and Mandav. A lot of Bollywood, as well as Tamil movies including Ashoka and Tulsi too, have been shot here thereby making the city famous amongst tourists. It is an amazing place to be visited by a lot of foreign nationals as well having interest in the art and spiritual values of India. Mandleshwar is a must-visit for all the tourists out there if you are a planning a trip to Madhya Pradesh due to its history and tourist places.

From Maheshwar, let’s travel about 65 km east to another holy town, the town of Omkareshwar.

Located on the island of Mandhata, next to the banks of Narmada River, Omkareshwar is a famous pilgrimage centre that that includes one of the 12 idolised Jyotirlinga shrines of Shiva. The name Omkareshwar means ‘Lord of Omkaara’, which is one of the Dwadasa Jyotirlinga shrines or the 12 shrines dedicated to lord Shiva in the form of a Jyotirlingam. It’s a sacred island which is shaped like the Hindu symbols ‘OM’, drawing millions of travellers from all across the globe. It has two ancient shrines including Omkareshwar and Amarkareshwar. This holy place is located on the meeting point of Narmada and Kaveri River, making a must-visit pilgrimage destination for Lord Shiva devotees and leisure travellers alike. Set in the Khandwa district of Madhya Pradesh, Omkareshwar is forged by the sacred Narmada River. Built in the Nagara style, the Omkareshwar temple is featured by an eminent Shikhara.

As per the myth, when Narad, the great prophet visited to the god of Vindhya Mountains, he was quite raging after knowing that there was no dwelling for Lord Shiva and so, the god of these mountains referred himself to very strict nonindulgences. Lord Shiva was very delighted when the deity of the mountain said that he would make Omkareshwar one of his homes and that’s why the place is dedicated to Lord Shiva. Over and above, the entire area of this holy place is bordered by mountains, making an enchanting view for travellers. If you’re here you must take a Parikrama around the island as it is considered to be very religious.

Shri Omkareshwar Jyotirlinga Temple: Reckoned among the holiest shrines of India, Omkareshwar Jyotirlinga is one of the 12 treasured jyotirlingas in the country. The temple is perched on an enticing island of Mandhata which falls on the confluence point of Kaveri and Narmada rivers. Mandhata island has its shape resembling the sacred symbol of “OM” which makes this land even more divine. The temple boasts Nagara style architecture with its detailed and intricate carvings. The beautiful balconies and column carvings of varied shapes add to the visual appeal of the temple. The Jyotirlinga which is installed on the base floor of the temple remains immersed in water. You may also find 20 shrines which are devoted to several deities including Ganesh, Krishna, Narmada, and Shani. The temple remains open from 5 am to 10 pm.

Mamleshwar Temple: The actual name of the Mamleshwar Temple is the Amreshwar Temple. It is a protected monument which exhibits the extraordinary architectural style of ancient India. The Mamleshwar temple is spread over a smaller area which covers a hall and a sanctum. 22 brahmins perform the Lingarchan rituals on a daily basis in this temple since the reign of Maharani Ahilyabai. However, now the number of Brahmins have been brought down to just 5. Around 1000 Shivalingas are planted on a wooden board to perform the daily rituals. The temple walls are adorned with the Mahimna Strotam inscriptions. The temple remains open from 5:30 am to 9 pm.

Kedareshwar Temple: Built as a tribute to Lord Kedar, the Kedareshwar Temple is known for its intricate architecture. The temple is just 4 Km away from Omkareshwar Temple and is from the 11th century, cradled on the banks of the river Narmada. Kedareshwar Temple also bears an uncanny resemblance with the Kedarnath temple, which is why it is a very popular temple in Omkareshwar. The Kedareshwar temple remains open from 5 am to 9:35 pm.

Omkar Mandhata Temple: The exquisite Omkar Mandhata Temple stands on the beautiful Mandhata island and draws millions of pilgrims every year. The Omkar Mandhata Temple was constructed on the soft stone which highlights its intricate artwork. The upper side of the temple displays popular frieze figures and its shrine exhibits finely carved stones. The temple remains open from 5 am to 10 pm.

Siddhanath Temple: Located on a small plateau on Mandhata Island, the Siddhanath Temple was attacked by Mahmud of Ghazni but it still stands tall symbolising its strength. The detailed carvings on the pillars and walls of the temple represent its spiritual value, as well as, rich architecture. One can visit this temple between 6 am to 8 pm.

Gauri Somnath Temple: Holding a striking resemblance to the Khajuraho Temples in its design and artwork, the Gauri Somnath Temple comprises a huge 6-feet linga which is made up of black stone. The linga is said to possess some predictive quality which adds to the fame of this Shiva temple. One can also get to see Goddess Parvati idol and Shiva consort behind this linga. To get a glimpse of this star-shaped architectural beauty, one needs to climb around 200 stairs. The temple is open to visitors from 5 am to6 pm every day.

Peshawar Ghat: Peaks bifurcated by gorges, transparent flow of streams, and majestic mountain ranges, the Peshawar  Ghat is one of those places in Omkareshwar which offer a blend of beauty and religion. This scenic spot falls which falls in the centre of the town, is the point where the Narmada and Kaveri rivers merge.

Sri Govinda Bhagavatpada Cave: It is said that this is the very cave where Adi Shankaracharya learned his lessons from Govinda Bhagavatpada Granth. Adi Shankaracharya is said to have walked thousands of miles crossing the dense forests, valleys, and majestic mountains to reach Govinda Bhagavatpada who had his cave on the banks of pristine Narmada. These caves are near where the Narmada and Kaveri rivers merge and are open between 9 am to 6 pm daily.

After Omkareshwar, let’s head about 100 km westwards to the town of Mandu.

Mandu or Mandavgad is an ancient city in the present-day Mandav area. In the 11th century, Mandu was the sub division of the Tarangagadh or Taranga kingdom and this fortress town on a rocky outcrop about 100 km southwest of Indore is celebrated for its architecture.

An inscription discovered from Talanpur, which lies around 100km from Mandu states that a merchant named Chandra Simha installed a statue in a temple of Parshvanatha located in the Mandapa Durg. While “Durg” means “Fort”, the word “Mandu” is a Prakrit corruption of “mandapa”, meaning hall or temple. The inscription is dated around 555, which indicates that Mandu was a flourishing town in 6th century. Mandu gained prominence in 10th and 11th century under the Paramaras. In 1305, the Muslim Sultan of Delhi Alauddin Khalji captured Malwa, the Paramara territory. With the help of a spy, Multani’s forces found a way to enter the fort secretly and Mahalakadeva was killed while attempting to flee, on 24 November 1305. When Timur captured Delhi in 1401, the Afghan Dilawar Khan, governor of Malwa, set up his own little kingdom and the Ghuri dynasty was established and his son, Hoshang Shah, shifted the capital from Dhar to Mandu and raised it to its greatest splendour. His grandson and third and last ruler of the Ghuri dynasty, Mohammed, ruled for just one year till his poisoning by the militaristic Mohammed Khalji who established the Khalji dynasty of Malwa and went on to rule for the next 33 years. He was succeeded by his son Ghiyas-ud-din, who had a large harem and built the Jahaz Mahal for housing the women, numbering thousands. Mughal forces led by Adham Khan entered the fort of Baz Bahadur of Malwa in 1561 and in 1526, Mahmud II the sixth Khalji ruler made no resistance against the invading Bahadur Shah of Gujarat who conquered Mandu. In 1534 Mandu came under Humayun’s rule and he ordered large scale massacre of prisoners there. Humayun lost the kingdom to Mallu Khan, an officer of the Khalji dynasty. Ten more years of feuds and invasions followed and in the end Baz Bahadur emerged on top. After Akbar added Mandu to the Mughal empire, it kept a considerable degree of independence, until it was taken by the Marathas in 1732 by Peshwa Baji Rao I. The capital of Malwa was then shifted back to Dhar by Marathas under Maharaja Pawar, re-establishing Hindu rule.

Jahaz Mahal: The splendid architecture of Jahaz Mahal was built during the reign of Mandu Sultan Ghiyas-ud-din Khilji, who is believed to have as many as 15,000 women as his consorts. To accommodate the women belonging to the royal harem, Jahaz Mahal was built in second half of the 15th century. Jahaz Mahal best captures the medieval history of Mundu. Here ‘Jahaz’ refers to a ship and ‘Mahal’ refers to a palace, which is a reflection of the edifice itself. Surrounded by pond water, it seems to be floating gently above the surface of the water. The architecture and structure of Jahaaz Mahal are both awe-inspiring and marvellous in terms of its engineering. Emulating the appearance of a mighty ship, the palace is an amalgam of Afghan, Mughal, Hindu and Mesopotamian architecture styles and was built with a meticulous precision that followed acoustic water supply patterns, subtly reflecting the pond that lies overlooking the palace. The balconies are constructed in a way that amplifies sound such that reverberates through the entire body of Jahaz Mahal. Jahaz Mahal is open from 6 am to 7 pm and Indians need to pay IN5 while foreigners need to pay INR 100 as entrance fees. To take a video camera inside, you will need to pay INR 25 per camera.

Rani Rupmati’s Pavilion: If history is to be believed, this structure stands as testimony to the legendary tragic love story of Baz Bahadur, the mid-16th century Sultan of Mandu, a great musician, and his queen, Rani Roopmati, a singer of repute. The original design, without pavilions, was built as an observation post for the royal army as a low, large hall with a pair of rooms on each side and a heavy sloping base. A symbol of their undying love, it was later transformed into the abode of Roopmati with a western side extension along the plinth. It was extended so as to enable the queen, who fervently worshipped the Narmada, to see the river and perform religious rites without stepping out of the fort. Make sure you are here during sunset to see a dazzling display of nature at her best at the pavilion’s top with lush forests, plateaus, valleys and vast stretches of far away hills stretch before you.

Baz Bahadur’s Palace: Lying on the hill-slope to the east of Rewa Kund and is set in the midst of picturesque setting, Baz Bahadur’s Palace was was designed and built in 1508 by Nasir-ud-Din, the sultan of Malwa, which then underwent repairs and renovation during the reign of Baz Bahadur. Big courtyards and high terraces are distinct aspects of the palace that is an aesthetic blend of Mughal and Rajput architectural styles. Halls and rooms with arched gates skirt the huge courtyard which is adorned by a stunning cistern with crystal clear water in the centre. The palace terrace is further adorned with a couple of chhatris or elevated domed pavilions. One of the big rooms, that even today has astounding natural acoustics, served as the music and dance hall of the palace.

Jami Masjid: The giant red-stone Jami Masjid mosque is visible even from a few kilometers away, thanks to the dominating architectural techniques used by Hoshang Shah who took inspiration from Omayyed Mosque in Damascus, Syria. Unfortunately, Hoshang Shah could not see the monument before its completion as construction took a whopping 49 years and was completed under Mohammed Khilji. Despite its simplicity, it is considered to be the finest and largest examples of Afghan architecture in India.

Hindola Mahal: A palace which means Swinging Palace, Hindola Mahal is today a T-shaped building which is being used as an audience hall or an open-air theatre. Believed to have been constructed in 1425 during the reign of Hoshang Shah, it was modified to what it is today under the reign of Ghiyasuddin Khilji in the 15th century. It perfectly portrays the Malwa-Sultanate architecture and the simplicity of its architecture is what separated it from other monuments. The Mahal was constructed from sandstone with exquisitely carved columns with the provision of hot and cold water connected with the rooms situated underground. Munj Talao which is a collection of ruined monument covers the Hindola Mahal in the north and provides a fantastic tour to people who are interested in archives.

Champa Baoli and Hammam: An extensively constructed step well inspired from the styles of the Turkish baths, this well and bath was named Champa Baoli because it is believed that the aroma of the waters resemble that of the Champa flower. The vaulted rooms known as Taikhanas were so well connected with the baoli that even during atrociously hot temperatures, these rooms were constantly kept cool.

Jain Temple: Amidst other architectural marvels inspired by Islamic methods, the Jain Temple stands totally different. It is a modern day architectural structure boasting of silver, gold and marble statues of Jain Tirthankaras.It also has a theme park-esque Jain museum which is inspired by Shatrunjaya, the hilltop temple complex at Palitana in Gujarat.

Hoshang’s Tomb: Largely regarded as the oldest marble edifice in India, this architectural wonder has been said to have influenced Shah Jahan. It is also said that Shah Jahan had sent his workmen and Ustad Hamid to inspect the structural site and draw inspiration from it to build his lasting legacy, the Taj Mahal. The crescent that is crowned on the top of the tomb is considered to have been imported from Mesopotamia or Persia.

From Mandu, let’s travel 260 km southeast to the town of Burhanpur

A historical town based on the banks of the Tapti River in Madhya Pradesh, the most interesting piece of trivia in Burhanpur would be that Mumtaz Begum, the wife of Emperor Jahangir and the reason why the Taj Mahal was built, died in Burhanpur while giving birth to her fourteenth child. The city was also known as the entry point into south India as a result of its strategically poised position. The Queen who immortalized love was buried here, waiting for the completion of her famed tomb in Agra. Burhanpur is also blessed with an amazing water supply system that was developed during the Mughal rule. Burhanpur also served as the capital of the mighty Mughal Kingdom and is a city that is famous for its fascinating heritage.

After Burhanpur, we will go to the town of Chanderi which is about 550 km north and for which w will need to go through the capital of Bhopal.

2020 Week 44 Update

Another month has passed by and we are in the fag end of 2020! This year has been strange for everyone and I for one will be glad to see the end of this year. Maybe 2021 will bring the world a beacon of hope and joy?

Singapore has been seeing single digit COVD cases for the past few weeks with none to a couple of cases in the community and dormitories. The bulk of the cases are imported and are coming from travellers entering Singapore, either as visitors or as residents returning home. So there is some hope there.

On the other hand, Europe has been seeing a new wave and I am now worried that India will experience one soon. Last week, someone in S’ extended family had a wedding in India which was streamed live for those unable to make it. We were surprised to see that firstly people are having weddings at this time when things are so unsettled. Secondly, most people were not maintaining social distancing and not wearing masks while inside the hall. To give them credit where due, there were not too many people in the wedding hall, maybe around 50-60 maximum, and those that were there may be close family to the bride and groom. But I saw so many in the audience not wearing masks and sitting so close to each other that I was wondering if they were not worried about getting sick. There’s another wedding coming up in the new year, this time in Singapore and we can’t avoid this one because not only is it within the close family, but also because it is here and we can make it. But I am hoping that because the situation in Singapore is better and the protocols more strictly followed, not only will we mandated to wear masks, but we also will be sitting in a socially distanced manner.

Ah well, we can only hope that people get sensible soon and things can get back to normal. If not, then governments should start fining them if that’s what it will take. I read recently that in Mumbai, people who don’t wear masks will be fined Rs 200 and if they don’t have the money to pay or can’t pay, they will have to sweep the streets for a specified amount of time. I really like this idea and hope its not a flash in the pan and people realise that they can make a difference just by being safe and wearing a mask and staying socially distant when outside.

Stay safe folks!

In My Hands Today…

All Over the Map – Laura Fraser

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What’s a wise, witty travel writer to do when she reaches forty and is still single? Wander the globe searching for romance and adventure, of course.

On a trip to Oaxaca, Mexico, to celebrate her fortieth birthday, Laura Fraser confronts the unique trajectory of her life. Divorced and childless in her thirties, she found solace in the wanderlust that had always directed her heart—and found love and comfort in the arms of a dashing Frenchman. Their Italian affair brought her back to herself—but now she wonders if her passion for travel (and for short-lived romantic rendezvous) has deprived her of what she secretly wants most from life: a husband, a family, a home.

When her Parisian lover meets her in Oaxaca and gives her news that he’s found someone new, Laura is stunned and hurt. Now, it seems, she has nothing but her own independence for company—and, at forty, a lot more wrinkles on her face and fewer years of fertility. How is Laura going to reconcile what seem to be two opposite desires: for adventure, travel, great food, and new experiences, but also a place to call home—and a loving pair of arms to greet her there?

And so, she globe hops. What else is a travel writer to do? From Argentina to Peru, Naples to Paris, she basks in the glow of new cultures and local delicacies, always on the lookout for the “one” who might become a lifelong companion. But when a terrible incident occurs while she’s on assignment in the South Pacific, Laura suddenly finds herself more aware of her vulnerability and becomes afraid of traveling. It seems as if she might lose the very thing that has given her so much pleasure in her life, not to mention the career she has built for herself as a world traveler and chronicler of far-flung places.

Finding herself again will be both more difficult and more natural than she imagined. Ultimately, Laura realizes the most important journey she must take is an internal one. And the tale of how she reaches that place will captivate every woman who has ever yearned for a different life.

Travel Bucket List: India – Madhya Pradesh Part 3

After Bhopal, we move westward to the largest and most populous city in the state, Indore. Located on the southern edge of Malwa Plateau, Indore is a tier 2 city very densely populated. The city traces its roots to its 16th century founding as a trading hub between the Deccan and Delhi. The city and its surroundings came under Maratha Empire on 18 May 1724 after Peshwa Baji Rao I assumed the full control of Malwa. During the days of the British Raj, Indore State was a 19 Gun Salute princely state which is a rare high rank ruled by the Maratha Holkar dynasty, until they acceded to the Union of India. Indore served as the capital of the Madhya Bharat from 1950 until 1956. It has been ranked as India’s cleanest city four years in a row as per the Swachh Survekshan for the years 2017, 2018, 2019 and 2020.

Gupta inscriptions name Indore as ‘Indrapura’. It is believe that the city is named after its Indreshwar Mahadev Temple, where Indra is the presiding deity. It is believed that Indra meditated in this place and led sage Swami Indrapuri to establish the temple. Later, Tukoji Rao Holkar renovated the temple. Gupta Empire inscriptions on copper plate inscriptions dated 146 Gupta era or 465 AD  mention Indore as the city of Indrapura. These are also some of the earliest mentions of Indore where the city is mentioned as ‘Indrapura’. Indrapura was then known for its sun temple, where around 464-65 AD, the Gupta king Skandagupta had made an endowment for the permanent maintenance of the city’s sun temple. The temple was constructed by two merchants of the city – Achalavarman and Bhṛikuṇṭhasiṁha.

In 1733, the Peshwa assumed the full control of Malwa, and appointed his commander Malhar Rao Holkar as the Governor of the province and on 29 July 1732, Bajirao Peshwa-I granted Holkar State by merging 28 and one-half parganas to Malhar Rao Holkar, the founding ruler of Holkar dynasty. His daughter-in-law Ahilyabai Holkar moved the state’s capital to Maheshwar in 1767, but Indore remained an important commercial and military centre. In 1818, the Holkars were defeated by the British during the Third Anglo-Maratha War, in the Battle of Mahidpur by virtue of which the capital was again moved from Maheshwar to Indore. A residency with British resident was established at Indore, but Holkars continued to rule Indore State as a princely state mainly due to efforts of their Dewan Tatya Jog. During that time, Indore was established the headquarters of British Central Agency. Ujjain was originally the commercial centre of Malwa. But the British administrators such as John Malcolm decided to promote Indore as an alternative to Ujjain, because the merchants of Ujjain had supported anti-British elements. In 1906 electric supply was started in the city, fire brigade was established in 1909 and in 1918, first master-plan of city was made by noted architect and town planner, Patrick Geddes. During the period of Maharaja Tukoji Rao Holkar II who ruled between 1852 and 1886, efforts were made for the planned development and industrial development of Indore. With the introduction of Railways in 1875, the business in Indore flourished during the reigns of Maharaja Shivaji Rao Holkar, Maharaja Tukoji Rao Holkar III and Maharaja Yeshwant Rao Holkar.

After India’s independence in 1947, Holkar State, along with a number of neighboring princely states, acceded to the Indian Union. In 1948, with the formation of Madhya Bharat, Indore became the summer capital of the new state. On 1 November 1956, when Madhya Bharat was renamed and merged into Madhya Pradesh, the state capital was shifted to Bhopal. Today, Indore has been transformed from a traditional commercial urban center into the modern dynamic commercial capital of the state.

So let’s go and see what delights await us in Indore.

Rajwada: Located near the famous Kajuri Market, the Rajwada is a magnificent and historical palace built in a blend of the Maratha, Mughal and French style of architecture. When viewed from the southern side, the structure looks Mughal; while from the eastern side, it looks European. The palace was constructed by the Malhar Rao Holkar in 1747. A seven-storied structure located near the Chhatris, the Rajwada serves as an excellent example of royal grandeur and architectural skills. Nestled between the crowded streets of the Kajuri Bazar and facing the main square of the city, the Rajwada palace also faces a well-maintained garden that houses a statue of Queen Ahilya Bai, an artificial waterfall and some beautiful fountains. The Rajwada Palace was constructed in 1747 A.D. by the founder of Holkar Dynasty, Malhar Rao Holkar. The palace was once the centre of all the trading activities in the city. The Rani Ahilya throne, Ganesha Hall and Darbar Hall have been constructed in the French fashion. The Rajwada has been burnt three times since its construction. Now, only the front part of the original structure remains. The palace has recently been renovated, which has managed to bring back glory to an extent. In the rear part of the palace, a beautiful garden has been created, containing fountains, an artificial waterfall and some magnificent pieces of 11th-century sculpture. A splendid sound and light show takes place at the Rajwada Palace from Tuesdays to Sundays, at 6:30 pm and is a must watch for those who wish to know more about the palace and unravel its mysteries. While the lower three floors are made of stone and have been painted in dark brown colour, the upper floors have been constructed using wood. The windows of the palace have been outlined and give an impression to the onlooker that several eyes are looking right back at the street. The current building is rectangular, with circular bastions on all four corners. The palace also houses the office of the Joint Director of Archaeology and a Souvenir Shop, which is managed by the Archaeology Department of the State. The Rajwada is open to the public from 10 am to 5 pm and the entry fee for Indians is INR 10 while foreign visitors need to pay INR 250. If you plan on photography inside the the palace, you need to pay INR 25 for a still camera and INR 100 if you need to film inside.

Lal Bagh Palace: The residence of the Holkar rulers, the Lal Bagh Palace is sprawling and is spread over an area of 28 acres. An example of architectural magnificence, this palace once contained one of the best rose gardens in the country. Situated on the banks of the river Khan, about 32 km away from the city centre, the construction for the Lal Bagh palace begun during the reign of Tukoji Rao Holkar in 1886 and was completed 35 years later by his successor Tukoji Rao Holkar in 1921. Today the palace is a museum with some of the most exquisite artifacts from the Maratha Empire and Holkar dynasty, as well as a rare coin collection, dating back to the Mughal period. The interiors of this palace are rich with Italian marble columns, grand chandeliers, rich Persian carpets, murals on the ceiling, Belgium stained glass windows, Greek mythological reliefs, Italian style wall paintings, stuffed leopards, and tigers, amongst others. The palace is closed on Mondays and on other days it is open for visitors between 10 am and 5 pm.

Kanch Mandir: Made entirely out of glass, the Kanch Mandir or Glass Temple is a Jain temple which exhibits exquisite artwork on glass panels depicting the various aspects of Jainism. Close to the Rajwada, the temple, though not very big, is completely made out of Belgian stained glass and mirrors, from the floor to the ceiling, including walls and stairs. The dazzling domed ceiling displays intricate designs crafted from glass pieces. Its grandeur is enhanced manifold when it is lit up with lights and candles on certain Jain festivals like Mahavir Jayanti. The temple is open from 5 am to 12noon and then again between 4 to 8 pm every day.

Bada Ganpati: Literally meaning Big Ganesh, the Bada Ganpati temple earns its name due to the size of Lord Ganesha’s idol which is at a height of about 25 feet from crown to foot and is said to be one of the largest idols of the Lord in the world. The statue is made of a peculiar mixture of limestone, jaggery, bricks and sacred soil and water from the major pilgrim places in the country. There are conflicting accounts of how the temple came into existence. Established in the year 1875 by Shri Dadich, the construction of Bada Ganpati Temple was brought about by the family members of the Holkar dynasty, especially Queen Ahilya Bai Holkar.  The temple is open twice a day: once in the morning between 5 am and 12 noon and then again in the evening between 4 to 8 pm.

Annapurna Temple: Dedicated to the Goddess of food and the kitchen, the Annapurna temple also also houses the shrines of Lord Shiva, Lord Hanuman and Lord Kalabhairava. The entrance of the temple is adorned with four-life size statues of elephants. A rare depiction of the four vedas in the Vedhshala is another reason to visit the temple and spend some peaceful moments in the presence of divinity.

Khajrana Temple: The Khajrana Ganesh temple is one of the most powerful shrines of the Lord Ganesha. It was built by Rani Ahilyabai Holkar to safeguard the idol of Lord Ganesha from Aurangzeb. The temple has since grown from being housed in a small hut to a big temple with large inner and outer sanctums.

Gommat Giri: A pilgrimage site for those professing the Jain faith, Gomatgiri is located at just a 10-minute drive from the airport. A 21 feet statue of Gomateshwar which is a replica of the gigantic statue of Bahubali at Shravanabelagola is a major attraction. The statue of Gomateshwar is situated on a hill. Apart from this, there are also 24 temples, each representing the 24 Tirthankaras of Jainism.

Indore White Church: A colonial British-era church, the Indore White Church is testimony to awe-striking European architecture, with the entire structure being made of milk white stone and marble. The church comes into its own during Christmas time when it is decorated and is a sight to see then.

Museums in Indore: A small unique museum dedicated to the study of wild life and reptiles, the Kanha Museum also has artefacts related to the past and the history of Indore. The Royal Museum of Indore is a tiny museum famous for housing a collection of thrones, photographs and weapons etc. Most of these artefacts belong to the 19th century which was under the rule of Serfoji II. Exhibiting artefacts dating as far back to the prehistoric era, as well as recent findings from the modern era, the Central Museum of Indore is a history buff’s paradise. The museum also houses mythological carvings, coins from different ages, arms of various eras and sculptures dating back to the 11th century. Be sure to check the rare dried botanical creatures on display too. This museum is open from 10 am to 5 pm.

Meghdoot Garden: Also known as Meghdoot Upavan, Meghdoot Gardens is one of the oldest gardens in Indore. Luxuriously dense landscapes with different shades of green make the perfect environment to relax and rejuvenate. The park is dotted with beautiful misty fountains and also has a special children’s play area. The garden is open from 8 am to 10 pm and the entrance fee for Indians is INR 10 while foreigners will pay INR 200. Children below the age of 7 can enter without paying any entrance fee.

Waterfalls around Indore: Plummeting from a height of 300 meters, the Patalpani Waterfall is the most scenic photo stop in Indore. These falls lie about 30 km south from the centre of the city and are enveloped by refreshing mist and dense verdure making them the favourite local picnic spot. The monsoons swell the falls and may make it risky for close encounters causing accidents. It is best to maintain cautious distance from the waterfall during the rains. The breathtaking sight of water falling from a height is always thrilling, and Mohadi Falls, which lie about 29 km south of the city centre is the perfect spot where you would take your family to visit for a picnic. Located 25 kilometres south of the city, the Tincha Falls are one of the most popular waterfalls in the region. The milky white cascade is located in the Tincha village, also where the falls derive their name from. The roaring plunge of water at a height of 300 feet is a rain fed waterfall and is primarily a monsoon destination. Surrounded by lush green vegetation on all sides and an exhilarating experience in itself, the falls attract visitors, especially during the monsoon months. The falls are also a canyon, nuzzled in between valleys and there is a small pond near the foot of the falls, with the juxposition of the stillness of the pond against the roaring descent of water a sight not to be missed.

Pipliyapala Regional Park: Spread over an area of a whopping 122 acres and housing a ginormous 80-acre lake, the Pipliyapala Regional Park is an absolute treat for adults and children alike. Engage in some fun-filled activities like pedal-boating and motor-boating and witness the magical allure of the Mist and Musical Fountain, French Gardens, Labyrinths, Artist Village, etc. Be sure to try the savoury delicacies available at the Fast Food Zone. Open from 11 am to 9 pm, the entry fee for the park is INR 25 per person for Indians and INR 10 for children.

Ralamandal Wildlife Sanctuary: The oldest sanctuary in Madhya Pradesh, the Ralamandal Wildlife Sanctuary packs a treat for wildlife and avifauna enthusiasts alike. The River Narmada, which is 150 million years older than River Ganga, runs through the sanctuary. Home to deer, wild hare, tigers and an umpteen variety of birds, you can access the sanctuary from 9 am to 6:30 pm. Entrance fee to the sanctuary is INR 5 per person.

Now that we have done visiting Indore, let’s travel 55 kms north to the holy city of Ujjain.

Ujjain is the fifth largest city in Madhya Pradesh and a famous Hindu pilgrimage centre with the Kumbh Mela held here every 12 years. The famous temple of Mahakaleshwar Jyotirlinga is also located in this city. An ancient city situated on the eastern bank of the Kshipra River, Ujjain was the most prominent city on the Malwa plateau of central India for much of its history. It emerged as the political centre of central India around 600 BCE. It was the capital of the ancient Avanti kingdom, one of the sixteen mahajanapadas. It remained an important political, commercial and cultural centre of central India until the early 19th century, when the British administrators decided to develop Indore as an alternative to it. Ujjain continues to be an important place of pilgrimage for Shaivites, Vaishnavites and followers of Shakta. Ujjain is one among the five places in India where the Jantar Mantar is located. Ujjain is also known as Greenwich of India or navel of earth because it is located where tropic of cancer and zero meridian of longitude intersects.Even today for astronomic calculations Ujjain’s time which is 29 min behind the Indian Standard Time is considered to be the best.

Excavations at Kayatha which lies around 26 km from Ujjain have revealed chalcolithic agricultural settlements dating to around 2000 BCE. According to scientists, Avanti, whose capital was Ujjain, was one of the earliest outposts in central India and showed signs of early urbanisation around 700 BCE. Around 600 BCE, Ujjain emerged as the political, commercial and cultural centre of Malwa plateau. The ancient walled city of Ujjain was located around the Garh Kalika hill on the bank of river Kshipra, in the present-day suburban areas of the Ujjain city. According to the Puranic texts, a branch of the legendary Haihaya dynasty ruled over Ujjain. In the 4th century BCE, the Mauryan emperor Chandragupta annexed Avanti to his empire. From the Mauryan period, northern black polished ware, copper coins, terracotta ring wells and ivory seals with Brahmi text have been excavated at Ujjain which emerged as an important commercial centre, partially because it lay on the trade route connecting north India to the Deccan, starting from Mathura. It also emerged as an important center for intellectual learning among Jain, Buddhist and Hindu traditions. After the Mauryans, Ujjain was controlled by a number of empires and dynasties, including local dynasties, the Shungas, the Western Satraps, the Satavahanas, and the Guptas. Ujjain was an important city and first capital of the powerul Gurjara-Pratihara dynasty. In 1235 CE, Iltutmish of Delhi Sultanate plundered the city, and destroyed its temples. With the decline of the Paramara kingdom, Ujjain ultimately came under the Islamic rule, like other parts of north-central India. The city continued to be an important city of central India. As late as during the times of the Mughals, their vassal Jai Singh II constructed a Jantar Mantar in the city.

During the 18th century, the city briefly became the capital of Scindia state of the Maratha confederacy, when Ranoji Scindia established his capital at Ujjain in 1731. Madhadji Shinde constructed a grand palace with a hundred rooms around which the Maratha sardars constructed their own mansions. Ruined and destroyed temples were restored and newer ones were built. But his successors moved to Gwalior, where they ruled the Gwalior State in the latter half of the 18th century. The struggle of supremacy between the Holkars of Indore and Scindias (who ruled Ujjain) led to rivalry between the merchants of the two cities. After both Holkars and Scindias accepted the British suzerainty, the British colonial administrators decided to develop Indore as an alternative to Ujjain, because the merchants of Ujjain had supported certain anti-British people. After India’s independence, Ujjain became a part of the Madhya Bharat state. In 1956 Madhya Bharat was fused into the State of Madhya Pradesh. Since Ujjain is a holy city for Hindus, the temples are the stars of this city.

Mahakaleshwar Temple: One of the 12 Jyotirlingas in India, the Mahakaleshwar Temple is dedicated to Lord Shiva and it is said the Mahakal lingam at this temple is believed to be Swayambhu or self-manifesting, obtaining currents of Shakti or power from within itself. Mahakaleshwar is also one of the 18 Maha Shakti Peethas in India. Another interesting thing about the temple and what makes the temple one of the most revered Jyotirlingas in India is the fact that the Mahakaleshwar idol is Dakshina Mukhi, which means it is facing south, unlike all the other Jyotirlingas. The Bhasma-Aarti of Mahakaleshwar Temple is hugely popular amongst the devotees. The temple complex has a spacious courtyard which is influenced by Maratha, Bhumija and Chalukya styles of design and has impressive lingam sculptures of Mahakaleshwar. It also has the inscriptions of Omkaresvara and Nagachandresvara and images of Ganesha, Kartikeya and Parvati. The temple, which is spread over five levels, sees a huge throng of devotees during the Maha Shivaratri festival. The temple Pooja timings from the months of Chaitra to Ashwin which translate to around mid March to mid Octoberr are the morning Pooja from 7 to 7:30 am, the midday Pooja from 10 to 10:30 am, the evening Pooja from 5 to 5:30 pm and the Aarti Shri Mahakal from 7 to 7:30 pm. During these months, the temple closes at 11 pm. In the months of Kartik to Falgun which according to the Gregorian calendar roughly corresponds to  mid October to mid March, the morning Pooja is from 7:30 to 8 am, the midday Pooja is from 10:30 to 11 am, the evening Pooja is from 5:30 to 6:00 pm, the Aarti Shri Mahakal from 7:30 to 8 pm and the temple closes at 11 pm. The daily Bhasma Aarti is done at 4 am. There is no entry fee, but you need to pay INR 250 for a VIP darshan. Though there is no dress code for a normal darshan, please be mindful of religious sentiments and not wear scanty clothes. If you are planning to do a Jalaabhishek, men need to be attired in a dhoti and shawl which can be purchased in the shops outside the temple or you can rent them at the temple. Women are expected to wear a saree.

Kal Bhairava Temple: Bhairav is a fierce manifestation of Lord Shiva, and Kal Bhairava is the most important among the eight Bhairavas. If ancient scriptures are to be believed, the Kal Bhairav temple is said to be related with the Tantra cult, a secret religious sect who thrived upon black magic. There is a Shivalinga in this temple which during Mahashivratri attracts thousands of visitors. The temple is open from 5 am to 7 pm all days of the week.

Ram Mandir Ghat: One of the four locations in India which host the Kumbh Mela once every 12 years, the Ram Mandir Ghat is considered to be one of the oldest bathing Ghats in connection with the Kumbh celebrations. Millions of people throng this place during the mega Kumbh festival as it is believed that a dip here can wash off all you sins. Watching the sunset from the Ram Mandir Ghat is one of the most enchanting scenes you’ll experience.

Harsiddhi Temple: Boasting of an idol of Annapurna painted in dark red colour between the idols of Mahasaraswati and Mahalaxmi, the Harsiddhi Temple was almost in an irreparable condition, until the Marathas decided to repair it and the reason why you can see a touch of Maratha architecture in the temple. The temple is open from 5 am to 7 am every day of the week.

Kaliadeh Palace: Situated on an island based in the Shipra River, and constructed in 1458, this palace holds immense religious significance. The Palace is flanked on both sides by the waters of the rivers and you can see how well the man-made tanks and channels have been constructed. It was said that Emperor Akbar and Jehangir visited this gorgeous monument which is reflected in the two Persian inscriptions that are found in one of the corridors of the palace. It was broken down during the reign of the Pindaris, but Madhavrao Scindia restored it.

Jantar Mantar: Also known as the Vedh Shala Observatory, the Jantar Mantar, established in the 17th century is the oldest to be constructed among the group of five observatories viz. Jaipur, Delhi, Ujjain, Mathura, and Varanasi. Maharaja Jai Singh constructed it in 1719 to help Hindu scholars and astrologers with their research and studies. Visiting the place would make you learn about the ways by which time, revolutions, and position of celestial bodies were calculated in the bygone age. The studies of motions and orbits constituted here have bought it the name of ‘Yantra Mahal’. It has different yantras such as Samrat Yantra, Sun Dial, Niyati Chakra, etc. The primary purpose behind the construction of Jantar Mantar was to illustrate and compile the data collected by astronomical calculations, the results of which helped in the study of the movement of sun, planets and their moons. Moreover, the observatory in Ujjain is the only observatory where astronomical research is still carried out. Several data including the study of planetary motions get published every year. The Jantar Mantar is open every day between 7 am to 7 pm. Entry fees for Indians above the age of 15 is INR 40 per person while foreigners need to pay INR 200 per person. A camera will incur a cost of INR 50 while an audio guide will set you back by INR 50.

Chaubis Khamba Temple: Dating back to the 9th or 10th century, the Chaubis Khamba Temple is a historical wonder. The entrance showcases the images of guardian goddesses of the Temple – Mahalaya and Mahamaya with their names inscribed on the footsteps of the temple. The temple is open from 5 am to 7 pm every day.

Mangalnath Temple: Considered as the birth place of planet Mars, the Mangalnath Temple is visited by hundreds of devotees daily to get rid of dark energies and stubborn life problems. You can also seek the blessings of Mahadeva here, the guardian deity of the city.

Gopal Mandir: A majestic marble towered structure at the centre of the market square, the Gopal Mandir is famous for the beautiful Krishna idol it houses. The idol is a whopping 2 feet tall, rests on a silver-plated altar and is entirely cloaked in silver and gold jewellery. Also, the infamous door stolen by Ghazni from the Somnath temple has now been installed here.

After Ujjain, let’s quickly head to Alampur, a short 20 km drive south of Ujjain on the way to Indore.

A historical town, Alampur is named after Alam Shah Pavar who was the governor of province. No one knows about the origin of the Alampur fortress but based on it’s architecture, it is assumed to have been built around the 14th or 15th centuries. The town is famous for the chhatri of Malhar Rao Holkar and a Fortress at Alampu. A chhatri is a dome-shaped pavilion which originated as a canopy above tombs and served as a decorative element.

Malhar Rao’s Chhatri was built by Maharani Ahilya Bai Holkar in 1766 and is marked by beautiful carvings. Built on the pattern of the chhatris of Holkar rulers at Indore, the chhatri is famous for its outstanding carving of floral and leaf patterns. The first storey of the chhatri is a pillared hall decorated with fascinating paintings. This canopy is located on the left side of the entrance of Alampur. Carvings filled with colors are on the roof of the encompassing path and vines are carved on the walls of sanctorum inspired by Iranian Style. Carvings are also there on the balcony of the sanctorum with sun on the middle of north, east and south while a tortoise on the west balcony. The sanctorum also has windows all around. The wall on the left side of canopy has statues of the ruling family with five panels of such.

The origin of the Alampur Fort is shrouded in mystery today but based on its architecture, it can be safely assumed to have been built in the 14th or 15th century. There are two entrance one at East and other one at North, however the door at the east was the main entrance of the fortress and it seems that door at the north was built later. The ramparts of the fortress are damaged now, but it can be supposed that the fortress was very strong in the past. The Shala Bhavan inside the fortress which looks similar to the main receiving hall has cracks in many places. Today, a trust office is located in the second building which is in good condition and possibly was the residence of the governor of the province. A shrine and a Shiv temple are situated just in front of this building.

Other historical temples and monuments in Alampur include the Harihareshwar or Badi Mata temple, Batuk, Malharimarthand, Surya, Renuka, Ram Hanuman Temples, Shriram Temple, Laxmi Narayan Temple, Maruti Temple, Narsinh Temple, Khanderao Martand Temple and the memorial of Malhar Rao.

Let’s contine and travel about 142 km south to the town of Maheshwar