Recipes: Methi Malai Mattar Paneer

A restaurant staple, Methi Malai Matar is a popular North Indian dish known for its creamy texture and delightful combination of fenugreek leaves, or methi, green peas, or mattar, Indian cottage cheese, or paneer and a rich cream-based gravy. Its origin can be traced back to the Indian state of Punjab, where rich and indulgent dishes are prevalent due to the region’s farming and dairy culture. The dish gained popularity over time due to its exquisite flavor profile, combining the slight bitterness of methi with the sweetness of green peas and the richness of cream. I had made this sometime earlier in the year and forgot about it until I chanced upon the photo while clearing my phone’s photo gallery.

Methi Malai Mattar Paneer

Ingredients:

  • 2 cups fresh fenugreek leaves or methi, washed and finely chopped
  • 1 cup green peas, fresh or frozen
  • 200 gm paneer, cubed
  • 2 large onions, finely chopped
  • 2 tomatoes, finely chopped
  • ½ cup fresh cream or yoghurt.
  • 2 tbsp oil or ghee
  • 1 tsp cumin seeds
  • 1 tsp ginger-garlic paste
  • ½ tsp turmeric powder
  • 1 tsp red chilli powder (more or less according to your spice preference)
  • 1 tsp coriander powder
  • ½ tsp garam masala
  • 2 tbsp kasuri methi
  • Salt to taste
  • Water, as needed
  • Finely chopped fresh coriander leaves to garnish

Method:

  • Heat oil or ghee in a pan or kadai over medium heat. Add cumin seeds and let them splutter.
  • Add finely chopped onions and sauté until they turn translucent and golden brown.
  • Stir in ginger-garlic paste and sauté for a couple of minutes until the raw aroma disappears.
  • Add the finely chopped tomatoes and cook until they become soft and the oil starts to separate from the mixture.
  • Add the turmeric powder, red chilli powder, coriander powder, and salt. Mix well and cook for a few more minutes to blend the spices.
  • Add the chopped methi or fenugreek leaves to the pan and sauté for 5-7 minutes until they wilt and become tender. Stir occasionally.
  • Once the methi leaves are cooked, add green peas and paneer cubes to the mixture. Mix gently to combine the ingredients.
  • Pour in the fresh cream or yoghurt and stir well. If you prefer a creamier consistency, you can adjust the quantity of cream or yoghurt to your liking.
  • Add water as needed to achieve your desired gravy consistency. Cover the pan and let the curry simmer for 5-7 minutes to allow the flavours to meld together.
  • Sprinkle garam masala over the curry and give it a final stir.
  • Garnish with finely chopped chopped coriander leaves.

Serve hot with rice or rotis.

Note: You can use cashew paste as a dairy-free alternative and even in the recipe above to make it creamier or for a special occasion.

In My Hands Today…

The Mind of a Terrorist: David Headley, the Mumbai Massacre, and His European Revenge – Kaare Sørensen, translated by Cory Klingsporn

David Headley, the American-Pakistani also known as Daood Gilani, lived a double life. One day he would stroll through Central Park in his tailored Armani suit as a true New Yorker, and the next he would browse in the bazaar in Lahore wearing traditional Pakistani clothes. One day he would drink champagne at the most extravagant clubs; on another, he would prostrate himself in prayer in remote Pakistan and pledge fidelity to Allah.

Born in 1960, the son of an American mother and Pakistani father, with one blue eye and one brown, Headley grew up between East and West. He was attracted to both worlds, even working as an informant for the US government, until one day he found he had to choose between the place of his birth and a radical form of Islam preaching global jihad. This is the disturbing story of the mastermind behind the 2008 attacks in Mumbai that killed 166 people—who two months later flew to Copenhagen to plan another act of terror with the help of al-Qaeda sleeper cells in Europe.

Veteran journalist Kaare Sørensen has reconstructed his movements and planning in a tense feat of reportage. His account, based on extensive reporting, eyewitness interviews, and documentation including wiretaps, court transcripts, and emails by Headley accessed from a chat room cache of nine thousand messages, offers unprecedented insight into the mind of the terrorist. The author has provided updates and a new preface for the English-language edition.

Festivals of India: International Sand Art Festival

The International Sand Art Festival, held annually from November 24 to December 1, in Odisha, is a testament to the boundless creativity of artists who craft delicate sculptures from the most humble of materials—sand. This unique festival, which takes place on the shores of Chandrabhaga Beach in Konark, has been captivating the hearts of visitors and art enthusiasts from around the world since its inception. This annual event transforms ordinary grains of sand into magnificent masterpieces of creativity and imagination.

The festival is set against a stunning backdrop—Chandrabhaga Beach. Known for its pristine beauty and tranquil ambience, this beach, nestled in the coastal town of Konark with its golden sands, provides the perfect canvas for the artists’ sand sculptures to come to life.

At the heart of the International Sand Art Festival lies the legacy of one man, Sudarsan Pattnaik. A renowned sand artist hailing from Odisha, Pattnaik has not only earned international acclaim for his sand sculptures but has also been a driving force behind the festival’s inception and continued success.

The International Sand Art Festival began as a modest local event in Puri, Odisha, in the early 1990s, primarily showcasing the talents of Sudarsan Pattnaik and his students. Over the years, it grew in stature, attracting sand artists from India and beyond. In 2011, the festival found its current home on Chandrabhaga Beach, offering artists a larger canvas and a stunning coastal backdrop.

Each year, the festival adopts a specific theme, guiding artists to create sculptures that resonate with the chosen motif. Themes have ranged from environmental conservation to cultural heritage, and artists draw inspiration from a wide array of sources.

Artists begin with an empty patch of sand, meticulously sculpting their visions using only sand and water. The delicate nature of the medium demands precision and patience, as sculptors must work quickly before the sand dries. The festival showcases a diverse range of sculptures, from intricate figurines and lifelike portraits to towering structures that seem to defy gravity. The level of detail that artists achieve with grains of sand is nothing short of awe-inspiring. Alongside local talents like Sudarsan Pattnaik, the festival often attracts renowned sand artists from around the world. Their participation adds an international flair to the event, fostering cross-cultural exchange and artistic collaboration.

In 2023, the International Sand Art Festival will embrace the theme of “Celebrating Cultural Heritage.” This theme invites artists to explore and depict the rich tapestry of cultural diversity that defines India and the world. Through their sand sculptures, artists pay homage to the traditions, rituals, and artistic expressions that have shaped our collective heritage.

The theme highlights the importance of preserving and celebrating cultural heritage in a rapidly changing world. It serves as a reminder that our past informs our present and shapes our future. By showcasing the cultural heritage of different regions and communities, the festival encourages dialogue and understanding among people from diverse backgrounds. It fosters an appreciation for the beauty of our shared human heritage. Sand art transcends language barriers, allowing artists to communicate complex cultural narratives through their sculptures. It demonstrates the power of art to convey messages and emotions across cultures. The theme inspires artists and visitors alike to reflect on the significance of their cultural backgrounds and the contributions of diverse cultures to our global society.

The festival plays a pivotal role in promoting art and culture, not only in Odisha but on a global scale. It showcases the immense artistic talent of sand sculptors and fosters an appreciation for the arts. The festival draws tourists from all over the world, benefiting the local economy and supporting tourism-related businesses in Odisha. It serves as a platform for cultural exchange, allowing artists from different parts of India and the world to come together, share their perspectives, and learn from one another. The festival engages the local community in various ways, from providing opportunities for local artisans to showcase their crafts to offering art workshops for children.

The International Sand Art Festival, with its mesmerizing sculptures and cultural celebrations, reminds us of the power of art to bridge divides, celebrate diversity, and inspire generations. In the delicate grains of sand sculpted into intricate forms, we find not only beauty but also a profound message – that creativity knows no bounds and that cultural heritage is a treasure to be cherished and shared.

2023 Week 48 Update

We’re in the last month of the year and I am already counting down to 2024. Did you hit all your goals in 2023 and what are your plans for the new year?

Today’s quote comes from Mexican author and spiritual teacher Miguel Ruiz, whose teachings often revolve around themes of personal transformation, self-awareness, and the pursuit of spiritual well-being. According to Ruiz, the fear of truly living, embracing life’s opportunities, and taking risks can be more daunting than the fear of death itself. Many people may harbour a fear of fully engaging with life, pursuing their dreams, and taking risks, which could stem from concerns about failure, rejection, or the unknown. The fear of taking risks is portrayed as a significant obstacle to living authentically and passionately, which might prevent individuals from stepping outside their comfort zones and exploring new possibilities. By contrasting the fear of living with the fear of death, the quote suggests that the latter, in comparison, might seem less daunting. It prompts reflection on how individuals may inadvertently limit themselves by avoiding risks and challenges. This quote prompts contemplation about the fears that may hold people back from fully experiencing life and underscores the idea that embracing risks and challenges is essential for a fulfilling and authentic existence.

After the stress and tensions of the previous two weeks, this week was very calm workwise. This calmness may continue over December as many take their year-end holidays and clear leave. I also have some leave that I will be clearing this month and have planned to make time to write during this period. After starting work, I find less and less time to work.

That’s all for today. Stay positive and enjoy the holidays!

In My Hands Today…

Two Roads Home: Hitler, Stalin, and the Miraculous Survival of My Family – Daniel Finkelstein

Daniel Finkelstein’s grandfather Alfred Wiener was a German Jewish intellectual leader who tolled an early warning of the impending Holocaust and became anarchivist of Nazi crimes.

He relocated his family to safety in Amsterdam, where they became close with Anne Frank’s family. But they were eventually separated, and Daniel’s mother Mirjam was sent to Bergen-Belsen with her mother and sisters while Alfred worked feverishly to free them. Finkelstein’s father, Ludwik, grew up in a prosperous Jewish family in Poland where his father was a patriotic hero of the Great War.

But when Stalin took control, Finkelstein’s grandfather was deported to Siberia, while Ludwik and his mother were sent to face freezing winters and harrowing forced labourm conditions in Kazahkstan.

Love and Murder is a page-turning account of ingenuity, bravery and the incredible coincidences that brought Daniel’s parents together as refugees in Britain. The story features secret archives, forgery and theft, and sweeps across Europe to show the expanse of the war. Moving, engrossing and inspiring, Love and Murder will profoundly touch all who read.